A fool’s paradise of poetry

‘Heavens! what fortitude one needs, to become a decent writer. One runs madly through green thickets, enamoured of the bird-notes which last but a few moments; one stumbles, picks oneself up, and emerges into a barren waste; one ruminates miserably for a while, dragging desolate feet through the dust of dead dreams. And then, if one is lucky, one plunges into another fool’s paradise of “poetry”.’ This is Siegfried Sassoon, a British poet born 130 years ago today, writing so lyrically about the difficulties of writing poetry. Although a brave and decorated WWI soldier, he is best remembered for diaries and poems describing the true horrors of war.

Sassoon was born at Weirleigh, Kent, on 8 September 1886, and educated at Marlborough College, and Clare College, Cambridge. He was the eldest of three sons born to a wealthy Jewish father and Catholic mother. After leaving Cambridge without a degree, he spent nearly a decade doing very little, other than hunting, socialising and writing occasional verse. With the onset of war, he enlisted as a cavalry trooper in the Sussex Yeomanry, but then, in 1915, injured his arm in a riding accident. After convalescing, he was commissioned as a second lieutenant in the 3rd Battalion (Special Reserve), Royal Welch Fusiliers, and was posted to the Western Front. He was considered a reckless soldier, but was awarded the Military Cross for rescuing a wounded man under heavy fire.

Significantly, while in France, Sassoon met Robert Graves: they encouraged each other’s love of poetry, and Graves’s more gritty style is known to have influenced Sassoon. In 1917, he was wounded and returned to England, but, by then, he had grown hostile to the realities of war and the British Army. His poetry began to reflect this change of ideas, and, with the war still raging, he published several controversial poems realistically describing life in the trenches, such as The Old Huntsman and Counter-Attack. Nevertheless, once recovered, he served further in Palestine and France, often being found inspirational by the soldiers under his command. Towards the end of the war, after a further period of convalescing, he sent his commanding officer a letter - Finished with the War: A Soldier’s Declaration. This was relayed to the press, and read out in Parliament. Some called for Sassoon to be court-martialled, but it was decided at the highest level that he was unfit for service, and he was sent to Craiglockhart War Hospital near Edinburgh to be treated for shell shock. At Craiglockhart, he met Wilfred Owen.

After the war, Sassoon lived briefly in Oxford, but then settled in Tufton Street, Westminster, from 1919. He became literary editor of the Daily Herald, a role that brought him into contact with many literary names of the day; and he, himself, became something of a literary celebrity. He spent the best part of two decades writing autobiographical or semi-autobiographical books, such as Memoirs of an Infantry Officer and Siegfried’s Journey. He married Hester Gatty in 1933, and they had one son before the marriage was dissolved in the 1940s. He lived the last years of his life in relative seclusion at Heytesbury in Wiltshire, converting to Catholicism in 1957. He died in 1967. Further information is available from Wikipedia, Poetry Foundation, the Sassoon Project Blog, or the Sassoon Fellowship.

Cambridge University Library claims to hold ‘the world’s richest assemblage of Sassoon’s manuscripts and archival papers’, including a run of diaries ‘stretching from 1905-1959’. The Cambridge Digital Library has made available images of 23 of Sassoon’s journals, focusing on the war years, but spanning 1915-1932. It says of Sassoon that he was a ‘gifted diarist’ and that the journals provide ‘a fascinating resource’ of WWI literature. However, the library does not provide any transcriptions of the diary pages.

‘Unlike edited printed transcriptions,’ it says ‘the digitisations allow the viewer to form a thorough sense of the nature of the physical documents. Sassoon wrote in a small but neat and legible hand, frequently using the notebooks from both ends. His war journals were used for a wide variety of purposes: in addition to making diary entries Sassoon drafted poetry, made pencil or ink sketches, listed members of his battalion and their fates, made notes on military briefings and diagrams of trenches, listed locations and dates of times spent at or near the Front, noted quotations, and transcribed letters. The wartime notebooks were small enough to have been carried by Sassoon in the pocket of his Army tunic, and many had enclosures such as letters tucked into the outer cover or inner pouches; some bear tangible evidence of use in the trenches, from the mud on notebook MS Add.9852/1/7 to the candlewax spilled on MS Add.9852/1/9, presumably as Sassoon sat writing in his dug-out by candlelight.’

Printed transcriptions, however, are available in three volumes, edited by Rupert Hart-Davis and published by Faber and Faber between 1981 and 1985: Diaries 1915-1918, Diaries 1920-1922, and Diaries 1923-1925. Here are several extracts from the latter. (Hart-Davis notes, however, that most of the text of the third volume was taken from ‘fair copies’ Sassoon himself made of the original diaries in 1931 and 1932. It is assumed, he says, that the originals were discarded.)

28 July 1923
‘A grey, soaking morning of wind-slanted rain. I stare out at the narrow lawn and the beeches, and the occasional gigs and motors that pass the gate. E.B. [Edmund Blunden] is busy in his room, concocting a review of R. Graves’s new poem for The Times Literary Supplement. The wind blusters among dark green boughs from a featureless white sky. A straggling pile of flapping rooks crosses the opaque pallor, travelling into the wind.

I ought to feel satisfied. E.B. is here, backed by our four years of flawless friendship, to discuss poetry and cricket, and the last war, and the next one. Half-a-mile away T.H. [Thomas Hardy] is busy in his study, finishing the one-act play about Tristram and Iseult which he has written for the Dorchester Players (‘but I have stipulated that they mustn’t perform it in London’). He has offered to read it to us. (Florence H. says ‘Reading is not one of T.H’s strong points’.) Rain-drops fall in white streaks from the thatch of Barnes’s old Rectory. The postman has brought the mid-day post, but the letter I was waiting for has not arrived.

Tea at Max Gate. Lady Stacie there, a descendant of R. B. Sheridan - and a fashionable lady, formerly a great beauty. She gushed to T.H. about his novels at the tea-table. He shut her up by saying ‘I am not interested in my novels. I haven’t written one for more than thirty years.’ 6-7.30 in golden weather E.B. and I bicycled to Upper Bockhampton, as E.B. hadn’t yet seen T.H’s birthplace. After dinner T. E. Lawrence turned up (from the Tank Corps camp near Wool). He rang the bell, left a message with the maid that he would come to lunch tomorrow, and departed. I dashed out and caught him as he went through the gate. He looked well - a queer little figure in dark motor-overalls, his brown and grimy face framed in a fur-lined cap. He had a passenger waiting in his side-car, and only stayed a minute.’

30 January 1924
‘The last ten days have been mostly night for me. January 20 was the last day on which I ‘lunched’ before 4 p.m. Mrs Binks encourages me to carry on my routine as if the Turners weren't here, and brings me up kippers etc. at 5 p.m. (rather to the annoyance, I suspect, of Turner). But I’ve been making full use of my D.N.B. exploration impulse.

It was in October 1920 that I began to file my way out of prison by a systematic effort to form an individual vocabulary. In the last few days (particularly when I read the New Statesman proof of ‘Primitive Ritual’) I have felt as if the door is beginning to swing slowly back.

Yesterday morning, after lying awake from 4.15 to 7.15, I got up to get a drink of water in the bathroom. Watching the milkman looming at our gate in foggy twilight, Chatterton came into my thoughts, with a sense of exquisite emotion. I skipped him in the D.N.B. when I was searching for clowns, criminals, eccentrics, and forgotten poets, and knew little of his work or the details of his life. But the picture in the Tate Gallery has always appealed to me, with its glimpse of summer daybreak through the garret window, and the ‘home from the ball’ beauty of the dead boy on the bed. So I have since read about him in the D.N.B. (‘It is wonderful how the whelp has written such things’ said Dr Johnson) and cursed Horace Walpole for not sparing him twenty guineas which might have saved a second Spenser to the world; and ended by reading ‘Sweet his tongue as a throstle’s note’ in the Oxford Book of English Verse. As I went to the club ‘I thought of Chatterton, the marvellous boy’, and when I got there I searched the library for books about him.

All this excitement has ended in a sonnet and I am feeling pleased. How rarely one gets that sort of excitement about literature. (And how little authentic information there is about Chatterton.)’

11 February 1924
‘Have been reading a book about ‘Perdita’ Robinson - light historical journalese - which has made me feel the futility of the ‘epigrammatic elegies’ I’ve sweated at since January 21. Of those fifty-one pieces scarcely half-a-dozen now seem tolerable. I suppose the Chatterton sonnet is all right (I sent it to Gosse, who thought it ‘very beautiful’). But most of the fifty-one short pieces are mere trivial scribbles - a parlour game. But I suppose I have picked up some smatterings of history from the D.N.B.

Heavens! what fortitude one needs, to become a decent writer. One runs madly through green thickets, enamoured of the bird-notes which last but a few moments; one stumbles, picks oneself up, and emerges into a barren waste; one ruminates miserably for a while, dragging desolate feet through the dust of dead dreams. And then, if one is lucky, one plunges into another fool’s paradise of ‘poetry’. And at the end, perhaps, one will meet death with half-a-dozen ‘immortal’ lines scribbled on half-a-sheet of note-paper. Lucky is he who does that!’

12 February 1924
‘Went to Hammersmith with the Turners, and saw Congreve’s The Way of the World - very refreshing.’

19 February 1925
‘Ten minutes late, I was convoyed into the luncheon-room at the Marlborough Club. There I found Sir Edmund Gosse entertaining Admiral Sir William Pakenham, Walter Sickert, Philip Guedalla, and Philip Gosse. These ingredients mixed none too well, and Sir Edmund was all anxiety to set conviviality in motion. When making me known to the Admiral (rubicund, hard-bitten, genial, and unostentatious) he revived the faded glories of my fox-hunting - ‘Mr Sassoon is the only living poet of any eminence who hunts’ - whereupon (somewhat confused by the Bohemian proximity of Sickert and the Whistler tradition) I clumsily blurted out ‘I only do it to save my face!’ (an obscure utterance which implied that I have done my little best to compromise with the Philistines, but was allowed to pass without comment).

Guedalla, elegantly Semitic, with a fat pearl in his tie, was sedulous in politeness to the Admiral, but out of range of Sickert, with whom he’d fain have discussed Max Beerbohm. Philip Gosse sat silent, as though waiting to be utilised when required. Sickert talked to me in undertones. He began by congratulating me on my poem in the New Statesman a few weeks ago (‘On Reading the War Diary of a Defunct Ambassador’ - it was on the same page as an article about him). This caused me to feel that the said poem wouldn’t be well received by members of the Marlborough Club. With E.G. there, Sickert made no attempt to shine as a raconteur. He is either first or nowhere. But he told me (I forget how it cropped up) a story about a woman in Paris who was crazily wrought up about the visit of the Czar and Czarina. ‘She flung herself into the Seine. When her body was recovered, it was found that her drawers were made of the Russian flag.’ This reference to drawers seemed to make the Admiral more at his ease, and the topic was pursued in a series of anecdotes. The Admiral’s was about a critical moment in the Battle of Jutland, when his fellow-Admiral broke the tension by remarking, ‘I am told that Princess Mary wears pink flannel drawers.’ ’

The Diary Junction

10,000 houses in one flame

It is exactly 400 years since London was ravaged by the great fire of 1666. Astonishingly, two of the nation’s most important and earliest diarists - John Evelyn and Samuel Pepys - were there at the time, and writing their diaries. Here are their respective entries for the first few days of the tragedy. Evelyn’s text is taken from Volume II of William Bray’s edition of The Diary of John Evelyn (M. Walter Dunne, 1901). Pepys’s text is taken from Volume X of the Henry Wheatley edition of The Diary of Samuel Pepys (Macmillan, 1895). For more on Evelyn see A most excellent person; for more Pepys see In celebration of Pepys; and for more on the Great Fire of London see Wikipedia or The Great Fire website, or Visit London.

Evelyn
2 September 1666
‘This fatal night, about ten, began the deplorable fire, near Fish street, in London.’

Pepys
2 September 1666
‘(Lord’s day). Some of our mayds sitting up late last night to get things ready against our feast to-day, Jane called us up about three in the morning, to tell us of a great fire they saw in the City. So I rose and slipped on my night-gowne, and went to her window, and thought it to be on the back-side of Marke-lane at the farthest; but, being unused to such fires as followed, I thought it far enough off; and so went to bed again and to sleep. About seven rose again to dress myself, and there looked out at the window, and saw the fire not so much as it was and further off. So to my closett to set things to rights after yesterday’s cleaning. By and by Jane comes and tells me that she hears that above 300 houses have been burned down to-night by the fire we saw, and that it is now burning down all Fish-street, by London Bridge. So I made myself ready presently, and walked to the Tower, and there got up upon one of the high places, Sir J. Robinson’s little son going up with me; and there I did see the houses at that end of the bridge all on fire, and an infinite great fire on this and the other side the end of the bridge; which, among other people, did trouble me for poor little Michell and our Sarah on the bridge. So down, with my heart full of trouble, to the Lieutenant of the Tower, who tells me that it begun this morning in the King’s baker’s house in Pudding-lane, and that it hath burned St. Magnus’s Church and most part of Fish-street already. So I down to the water-side, and there got a boat and through bridge, and there saw a lamentable fire. Poor Michell’s house, as far as the Old Swan, already burned that way, and the fire running further, that in a very little time it got as far as the Steele-yard, while I was there. Everybody endeavouring to remove their goods, and flinging into the river or bringing them into lighters that lay off; poor people staying in their houses as long as till the very fire touched them, and then running into boats, or clambering from one pair of stairs by the water-side to another. And among other things, the poor pigeons, I perceive, were loth to leave their houses, but hovered about the windows and balconys till they were, some of them burned, their wings, and fell down.

Having staid, and in an hour’s time seen the fire rage every way, and nobody, to my sight, endeavouring to quench it, but to remove their goods, and leave all to the fire, and having seen it get as far as the Steele-yard, and the wind mighty high and driving it into the City; and every thing, after so long a drought, proving combustible, even the very stones of churches, and among other things the poor steeple by which pretty Mrs. ___ lives, and whereof my old schoolfellow Elborough is parson, taken fire in the very top, and there burned till it fell down: I to White Hall (with a gentleman with me who desired to go off from the Tower, to see the fire, in my boat); to White Hall, and there up to the King’s closett in the Chappell, where people come about me, and I did give them an account dismayed them all, and word was carried in to the King. So I was called for, and did tell the King and Duke of Yorke what I saw, and that unless his Majesty did command houses to be pulled down nothing could stop the fire. They seemed much troubled, and the King commanded me to go to my Lord Mayor from him, and command him to spare no houses, but to pull down before the fire every way. The Duke of York bid me tell him that if he would have any more soldiers he shall; and so did my Lord Arlington afterwards, as a great secret. Here meeting with Captain Cocke, I in his coach, which he lent me, and Creed with me to Paul’s, and there walked along Watling-street, as well as I could, every creature coming away loaden with goods to save, and here and there sicke people carried away in beds. Extraordinary good goods carried in carts and on backs.

At last met my Lord Mayor in Canning-street, like a man spent, with a handkercher about his neck. To the King’s message he cried, like a fainting woman, “Lord! what can I do? I am spent: people will not obey me. I have been pulling down houses; but the fire overtakes us faster than we can do it.” That he needed no more soldiers; and that, for himself, he must go and refresh himself, having been up all night. So he left me, and I him, and walked home, seeing people all almost distracted, and no manner of means used to quench the fire. The houses, too, so very thick thereabouts, and full of matter for burning, as pitch and tarr, in Thames-street; and warehouses of oyle, and wines, and brandy, and other things. Here I saw Mr. Isaake Houblon, the handsome man, prettily dressed and dirty, at his door at Dowgate, receiving some of his brothers’ things, whose houses were on fire; and, as he says, have been removed twice already; and he doubts (as it soon proved) that they must be in a little time removed from his house also, which was a sad consideration. And to see the churches all filling with goods by people who themselves should have been quietly there at this time.

By this time it was about twelve o’clock; and so home, and there find my guests, which was Mr. Wood and his wife Barbary Sheldon, and also Mr. Moone : she mighty fine, and her husband, for aught I see, a likely man. But Mr. Moone’s design and mine, which was to look over my closett and please him with the sight thereof, which he hath long desired, was wholly disappointed; for we were in great trouble and disturbance at this fire, not knowing what to think of it. However, we had an extraordinary good dinner, and as merry as at this time we could be. While at dinner Mrs. Batelier come to enquire after Mr. Woolfe and Stanes (who, it seems, are related to them), whose houses in Fish-street are all burned, and they in a sad condition. She would not stay in the fright.

Soon as dined, I and Moone away, and walked through the City, the streets full of nothing but people and horses and carts loaden with goods, ready to run over one another, and removing goods from one burned house to another. They now removing out of Canning-streete (which received goods in the morning) into Lumbard-streete, and further; and among others I now saw my little goldsmith, Stokes, receiving some friend’s goods, whose house itself was burned the day after. We parted at Paul’s; he home, and I to Paul’s Wharf, where I had appointed a boat to attend me, and took in Mr. Carcasse and his brother, whom I met in the streete, and carried them below and above bridge to and again to see the fire, which was now got further, both below and above, and no likelihood of stopping it. Met with the King and Duke of York in their barge, and with them to Queenhithe, and there called Sir Richard Browne to them. Their order was only to pull down houses apace, and so below bridge at the water-side; but little was or could be done, the fire coming upon them so fast. Good hopes there was of stopping it at the Three Cranes above, and at Buttolph’s Wharf below bridge, if care be used; but the wind carries it into the City, so as we know not by the water-side what it do there. River full of lighters and boats taking in goods, and good goods swimming in the water, and only I observed that hardly one lighter or boat in three that had the goods of a house in, but there was a pair of Virginalls in it.

Having seen as much as I could now, I away to White Hall by appointment, and there walked to St. James’s Parke, and there met my wife and Creed and Wood and his wife, and walked to my boat; and there upon the water again, and to the fire up and down, it still encreasing, and the wind great. So near the fire as we could for smoke; and all over the Thames, with one’s face in the wind, you were almost burned with a shower of fire-drops. This is very true; so as houses were burned by these drops and flakes of fire, three or four, nay, five or six houses, one from another. When we could endure no more upon the water, we to a little ale-house on the Bankside, over against the Three Cranes, and there staid till it was dark almost, and saw the fire grow; and, as it grew darker, appeared more and more, and in corners and upon steeples, and between churches and houses, as far as we could see up the hill of the City, in a most horrid malicious bloody flame, not like the fine flame of an ordinary fire. Barbary and her husband away before us.

We staid till, it being darkish, we saw the fire as only one entire arch of fire from this to the other side the bridge, and in a bow up the hill for an arch of above a mile long: it made me weep to see it. The churches, houses, and all on fire and flaming at once; and a horrid noise the flames made, and the cracking of houses at their ruine. So home with a sad heart, and there find every body discoursing and lamenting the fire; and poor Tom Hater come with some few of his goods saved out of his house, which is burned upon Fish-streete Hill. I invited him to lie at my house, and did receive his goods, but was deceived in his lying there, the newes coming every moment of the growth of the fire; so as we were forced to begin to pack up our owne goods, and prepare for their removal; and did by moonshine (it being brave dry, and moonshine, and warm weather) carry much of my goods into the garden, and Mr. Hater and 1 did remove my money and iron chests into my cellar, as thinking that the safest place. And got my bags of gold into my office, ready to carry away, and my chief papers of accounts also there, and my tallys into a box by themselves. So great was our fear, as Sir W. Batten hath carts come out of the country to fetch away his goods this night. We did put Mr. Hater, poor man, to bed a little; but he got but very little rest, so much noise being in my house, taking down of goods.’

Evelyn
3 September 1666
‘I had public prayers at home. The fire continuing, after dinner, I took coach with my wife and son, and went to the Bankside in Southwark, where we beheld that dismal spectacle, the whole city in dreadful flames near the waterside; all the houses from the Bridge, all Thames street, and upward toward Cheapside, down to the Three Cranes, were now consumed; and so returned, exceedingly astonished what would become of the rest 

The fire having continued all this night (if I may call that night which was light as day for ten miles round about, after a dreadful manner), when conspiring with a fierce eastern wind in a very dry season, I went on foot to the same place; and saw the whole south part of the city burning from Cheapside to the Thames, and all along Cornhill (for it likewise kindled back against the wind as well as forward), Tower street, Fenchurch street. Gracious street, and so along to Baynard’s Castle, and was now taking hold of St. Paul’s church, to which the scaffolds contributed exceedingly. The conflagration was so universal, and the people so astonished, that, from the beginning, I know not by what despondency, or fate, they hardly stirred to quench it; so that there was nothing heard, or seen, but crying out and lamentation, running about like distracted creatures, without at all attempting to save even their goods; such a strange consternation there was upon them, so as it burned both in breadth and length, the churches, public halls, Exchange, hospitals, monuments, and ornaments; leaping after a prodigious manner, from house to house, and street to street, at great distances one from the other. For the heat, with a long set of fair and warm weather, had even ignited the air, and prepared the materials to conceive the fire, which devoured, after an incredible manner, houses, furniture, and every thing. 

Here, we saw the Thames covered with goods floating, all the barges and boats laden with what some had time and courage to save, as, on the other side, the carts, etc., carrying out to the fields, which for many miles were strewn with movables of all sorts, and tents erecting to shelter both people and what goods they could get away. Oh, the miserable and calamitous spectacle! such as haply the world had not seen since the foundation of it, nor can be outdone till the universal conflagration thereof. All the sky was of a fiery aspect, like the top of a burning oven, and the light seen above forty miles round about for many nights. God grant mine eyes may never behold the like, who now saw above 10,000 houses all in one flame! The noise and cracking and thunder of the impetuous flames, the shrieking of women and children, the hurry of people, the fall of towers, houses, and churches, was like a hideous storm; and the air all about so hot and inflamed, that at the last one was not able to approach it, so that they were forced to stand still, and let the flames burn on, which they did, for near two miles in length and one in breadth. The clouds also of smoke were dismal, and reached, upon computation, near fifty miles in length. Thus, I left it this afternoon burning, a resemblance of Sodom, or the last day. It forcibly called to my mind that passage - “non enim his habemus stabilein civitatem”; the ruins resembling the picture of Troy. London was, but is no more! Thus, I returned.’

Pepys
3 September 1666
‘About four o’clock in the morning, my Lady Batten sent me a cart to carry away all my money, and plate, and best things, to Sir W. Rider’s at Bednall-greene. Which I did, riding myself in my night-gowne in the cart; and, Lord! to see how the streets and the highways are crowded with people running and riding, and getting of carts at any rate to fetch away things. I find Sir W. Rider tired with being called up all night, and receiving things from several friends. His house full of goods, and much of Sir W. Batten’s and Sir W. Pen’s. I am eased at my heart to have my treasure so well secured. Then home, with much ado to find a way, nor any sleep all this night to me nor my poor wife. But then and all this day she and I, and all my people labouring to get away the rest of our things, and did get Mr. Tooker to get me a lighter to take them in, and we did carry them (myself some) over Tower Hill, which was by this time full of people’s goods, bringing their goods thither; and down to the lighter, which lay at the next quay, above the Tower Docke. And here was my neighbour’s wife, Mrs. ___, with her pretty child, and some few of her things, which I did willingly give way to be saved with mine; but there was no passing with any thing through the postern, the crowd was so great.

The Duke of Yorke come this day by the office, and spoke to us, and did ride with his guard up and down the City to keep all quiet (he being now Generall, and having the care of all). This day, Mercer being not at home, but against her mistress’s order gone to her mother’s, and my wife going thither to speak with W. Hewer, met her there, and was angry; and her mother saying that she was not a ‘prentice girl, to ask leave every time she goes abroad, my wife with good reason was angry, and, when she came home, bid her be gone again. And so she went away, which troubled me, but yet less than it would, because of the condition we are in, fear of coming into in a little time of being less able to keepe one in her quality. At night lay down a little upon a quilt of W. Hewer’s in the office, all my owne things being packed up or gone; and after me my poor wife did the like, we having fed upon the remains of yesterday’s dinner, having no fire nor dishes, nor any opportunity of dressing any thing.’

Evelyn
4 September 1666
‘The burning still rages, and it is now gotten as far as the Inner Temple. All Fleet street, the Old Bailey, Ludgate hill, Warwick lane, Newgate, Paul’s chain, Watling street, now flaming, and most of it reduced to ashes; the stones of Paul’s flew like grenados, the melting lead running down the streets in a stream, and the very pavements glowing with fiery redness, so as no horse, nor man, was able to tread on them, and the demolition had stopped all the passages, so that no help could be applied. The eastern wind still more impetuously driving the flames forward. Nothing but the Almighty power of God was able to stop them; for vain was the help of man.’

Pepys
4 September 1666
‘Up by break of day to get away the remainder of my things; which I did by a lighter at the Iron gate: and my hands so few, that it was the afternoon before we could get them all away. Sir W. Pen and I to Tower-streete, and there met the fire burning three or four doors beyond Mr. Howell’s, whose goods, poor man, his trayes, and dishes, shovells, &c., were flung all along Tower-street in the kennels, and people working therewith from one end to the other; the fire coming on in that narrow streete, on both sides, with infinite fury. Sir W. Batten not knowing how to remove his wine, did dig a pit in the garden, and laid it in there; and I took the opportunity of laying all the papers of my office that I could not otherwise dispose of. And in the evening Sir W. Pen and I did dig another, and put our wine in it; and I my Parmazan cheese, as well as my wine and some other things. The Duke of Yorke was at the office this day, at Sir W. Pen’s; but I happened not to be within. This afternoon, sitting melancholy with Sir W. Pen in our garden, and thinking of the certain burning of this office, without extraordinary means, I did propose for the sending up of all our workmen from Woolwich and Deptford yards (none whereof yet appeared), and to write to Sir W. Coventry to have the Duke of Yorke’s permission to pull down houses, rather than lose this office, which would much hinder the King’s business. So Sir W. Pen he went down this night, in order to the sending them up to-morrow morning; and I wrote to Sir W. Coventry about the business, but received no answer.

This night Mrs. Turner (who, poor woman, was removing her goods all this day, good goods into the garden, and knows not how to dispose of them), and her husband supped with my wife and I at night, in the office, upon a shoulder of mutton from the cook’s, without any napkin or any thing, in a sad manner, but were merry. Only now and then walking into the garden, and saw how horridly the sky looks, all on a fire in the night, was enough to put us out of our wits; and, indeed, it was extremely dreadful, for it looks just as if it was at us, and the whole heaven on fire.

I after supper walked in the darke down to Tower-streete, and there saw it all on fire, at the Trinity House on that side, and the Dolphin Taverne on this side, which was very near us; and the fire with extraordinary vehemence. Now begins the practice of blowing up of houses in Tower-streete, those next the Tower, which at first did frighten people more than any thing; but it stopped the fire where it was done, it bringing down the houses to the ground in the same places they stood, and then it was easy to quench what little fire was in it, though it kindled nothing almost. W. Hewer this day went to see how his mother did, and comes late home, telling us how he hath been forced to remove her to Islington, her house in Pye-corner being burned; so that the fire is got so far that way, and all the Old Bayly, and was running down to Fleete-streete; and Paul’s is burned, and all Cheapside. I wrote to my father this night, but the post-house being burned, the letter could not go.’

Evelyn
5 September 1666 
‘It crossed toward Whitehall; but oh! the confusion there was then at that Court! It pleased his Majesty to command me, among the rest, to look after the quenching of Fetter-lane end, to preserve (if possible) that part of Holborn, while the rest of the gentlemen took their several posts, some at one part, and some at another (for now they began to bestir themselves, and not till now, who hitherto had stood as men intoxicated, with their hands across), and began to consider that nothing was likely to put a stop but the blowing up of so many houses as might make a wider gap than any had yet been made by the ordinary method of pulling them down with engines. This some stout seamen proposed early enough to have saved near the whole city, but this some tenacious and avaricious men, aldermen, etc., would not permit, because their houses must have been of the first. It was, therefore, now commended to be practiced; and my concern being particularly for the Hospital of St. Bartholomew, near Smithfield, where I had many wounded and sick men, made me the more diligent to promote it; nor was my care for the Savoy less. It now pleased God, by abating the wind, and by the industry of the people, when almost all was lost infusing a new spirit into them, that the fury of it began sensibly to abate about noon, so as it came no farther than the Temple westward, nor than the entrance of Smithfield, north: but continued all this day and night so impetuous toward Cripplegate and the Tower, as made us all despair. It also broke out again in the temple; but the courage of the multitude persisting, and many houses being blown up, such gaps and desolations were soon made, as, with the former three days’ consumption, the back fire did not so vehemently urge upon the rest as formerly. There was yet no standing near the burning and glowing ruins by near a furlong’s space. 

The coal and wood wharfs, and magazines of oil, rosin, etc. , did infinite mischief, so as the invective which a little before I had dedicated to his Majesty and published, giving warning what probably might be the issue of suffering those shops to be in the city was looked upon as a prophecy.

The poor inhabitants were dispersed about St. George’s Fields, and Moorfields, as far as Highgate, and several miles in circle, some under tents, some under miserable huts and hovels, many without a rag, or any necessary utensils, bed or board, who from delicateness, riches, and easy accommodations in stately and well-furnished houses, were now reduced to extreme misery and poverty. 

In this calamitous condition, I returned with a sad heart to my house, blessing and adoring the distinguishing mercy of God to me and mine, who, in the midst of all this ruin, was like Lot, in my little Zoar, safe and sound.’ 

Pepys
5 September 1666
‘I lay down in the office again upon W. Hewer’s quilt, being mighty weary, and sore in my feet with going till I was hardly able to stand. About two in the morning my wife calls me up and tells me of new cryes of fire, it being come to Barkeing Church, which is the bottom of our lane. I up, and finding it so, resolved presently to take her away, and did, and took my gold, which was about £2,350, W. Hewer, and Jane, down by Proundy’s boat to Woolwich; but, Lord! what a sad sight it was by moone-light to see the whole City almost on fire, that you might see it plain at Woolwich, as if you were by it. There, when I come, I find the gates shut, but no guard kept at all, which troubled me, because of discourse now begun, that there is plot in it, and that the French had done it. I got the gates open, and to Mr. Shelden’s, where I locked up my gold, and charged my wife and W. Hewer never to leave the room without one of them in it, night or day. So back again, by the way seeing my goods well in the lighters at Deptford, and watched well by people.

Home, and whereas I expected to have seen our house on fire, it being now about seven o’clock, it was not. But to the fyre, and there find greater hopes than I expected; for my confidence of finding our Office on fire was such, that I durst not ask any body how it was with us, till I come and saw it not burned. But going to the fire, I find by the blowing up of houses, and the great helpe given by the workmen out of the King’s yards, sent up by Sir W. Pen, there is a good stop given to it, as well as at Marke-lane end as ours; it having only burned the dyall of Barking Church, and part of the porch, and was there quenched. I up to the top of Barking steeple, and there saw the saddest sight of desolation that I ever saw; every where great fires, oyle-cellars, and brimstone, and other things burning. I became afeard to stay there long, and therefore down again as fast as I could, the fire being spread as far as I could see it; and to Sir W. Pen’s, and there eat a piece of cold meat, having eaten nothing since Sunday, but the remains of Sunday’s dinner.

Here I met with Mr. Young and Whistler; and having removed all my things, and received good hopes that the fire at our end is stopped, they and I walked into the town, and find Fanchurch-streete, Gracious-streete, and Lumbard-streete all in dust. The Exchange a sad sight, nothing standing there, of all the statues or pillars, but Sir Thomas Gresham’s picture in the corner. Walked into Moorefields (our feet ready to burn, walking through the towne among the hot coles), and find that full of people, and poor wretches carrying their goods there, and every body keeping his goods together by themselves (and a great blessing it is to them that it is fair weather for them to keep abroad night and day); drank there, and paid twopence for a plain penny loaf. Thence homeward, having passed through Cheapside and Newgate Market, all burned, and seen Anthony Joyce’s house in fire. And took up (which I keep by me) a piece of glasse of Mercers’ Chappell in the streete, where much more was, so melted and buckled with the heat of the fire like parchment. I also did see a poor cat taken out of a hole in the chimney, joyning to the wall of the Exchange, with the hair all burned off the body, and yet alive.

So home at night, and find there good hopes of saving our office; but great endeavours of watching all night, and having men ready; and so we lodged them in the office, and had drink and bread and cheese for them. And I lay down and slept a good night about midnight, though when I rose I heard that there had been a great alarme of French and Dutch being risen, which proved nothing. But it is a strange thing to see how long this time did look since Sunday, having been always full of variety of actions, and little sleep, that it looked like a week or more, and I had forgot almost the day of the week.’

A sensitive and nervous man

Bret Harte, an American writer best remembered for his prose, particularly short stories about the Californian gold rush, and satirical poetry, was born 180 years ago today. He kept a diary for a few short months when a young man, but biographers tend to find the diary of Annie Fields, wife of the editor of The Atlantic Monthly, who described him as a sensitive and nervous man, more useful.

Harte was born on 25 August 1836 in Albany, New York, into a family, originally Jewish immigrants. He seems to have left school at 13, and moved to California a few years later, where he worked in a variety of jobs. Having tried to make a living in the gold mining towns, he became a messenger for the Wells Fargo stagecoach company, guarding treasure boxes, before trying his hand as a teacher first then as a journalist. He reported on the 1860 killing of indigenous people at Tuluwat for San Francisco and New York newspapers. Having condemned the massacre, his own life was threatened, and he moved to San Francisco. One there, it is believed he authored an anonymous letter to the press describing widespread community approval of the massacre.

In 1860, Harte became editor of The Golden Era and set about turning it into a more literary publication; and in 1862 he married Anna Griswold. By this time, he was publishing poetry, romantic short stories about the Californian Gold Rush, as well as satirical prose. Some of his work was taken up by The Atlantic Monthly, edited by James Thomas Fields. In 1868, he became editor of the new literary magazine, Overland Monthly, which, two years later, published his poem Plain Language from Truthful James or, as it was better known, The Heathen Chinee. This narrative poem, satirising anti-Chinese sentiment, was widely republished, bringing Harte considerable fame. In search of furthering his literary career he moved to New York, and then Boston, and became contracted, at a high salary, to The Atlantic Monthly. His popularity did not last long, and by the end of 1872 the contract was over, and selling stories was becoming increasingly difficult.

Life remained tough for Harte until, in 1878, he went alone to Germany to take a position as US consul in Krefeld, and then, in 1880, in Glasgow, UK. Though he wrote to his family (Anna and four children) and continued to support them, he never returned to the US (nor did they visit them him in Europe). In 1885, he moved to London, where he continued to pursue his literary ambitions. He died in 1902. Further information is available from Wikipedia, Poem Hunter, or Encyclopaedia Britannica.

Harte kept a diary for a few months in 1857-1858. Bret Harte (American Book Company, 1941) by Joseph B. Harrison quotes from it but once. Gary Scharnhorst, in Bret Harte: Opening the American Literary West (University of Oklahoma Press, 2000), provides an extract from 31 December 1857: ‘Before I close this Journal containing but a small portion of last years doings let me indulge in a retrospect. I am at the commencement of this year - a teacher at a Salary of $25 per mo - last year at this time I was unemployed. Last year I thought I was in love - this year I think the same tho the object is a different one. ... I have added to my slight stock of experiences and have suffered considerable. Ah! well did the cynical Walpole say life is a comedy to those who think - a tragedy to those who feel. - I both think and feel. My life is a mixture of broad caricature and farce when I think of others, it is a melodrama when I feel for myself. In these 365 days I have again put forth a feeble essay toward fame and perhaps fortune. - I have tried literature albeit in an humble way - successfully - I have written some poetry: passable and some prose (good) which have been published. . . . Therefore I consecrate this year or as much as God may grant for my service - to honest heartfelt sincere labor and devotion to this occupation. - God help me - may I succeed.’

Axel Nissen, in his biography, Bret Harte: Prince and Pauper (University Press of Mississippi, 2000), refers to Harte’s diary more often but notes that he made his last entry on 5 March 1858. Here are two paragraphs of Nissen’s text, largely sourced on Harte’s diary.

‘Each day he would conscientiously record the day’s lessons in his diary, in addition to his own quotidian activities. One day was much like the other: school in the morning Monday through Saturday, a trip to town in the afternoon or a shooting expedition, alone or with one of the boys. During the five months Harte kept the diary, he painstakingly recorded every duck, meadowlark, teal, widgeon, and ring-necked and buttheaded plover he brought down. It was almost an obsession. Rain or shine, sick or well, he tramped out to the marshes with his gun after school, sometimes also in the morning before breakfast. On December 10, for example, he recorded that he shot a duck (“but couldn’t get him”), a teal, and a snipe, and remarked with evident satisfaction: “I am improving in my skill, and of late have made good success [one word illegible] shooting. However I must try to persevere in other things.” His hunting expeditions were an escape from the claustrophobia of living among strangers and gave him time to think. He got himself a dog. Bones, to keep him company. The diary gives us an impression of a sober, serious-minded, industrious, and critical young man - early to bed and early to rise - thoughtful and a mite restless in his country isolation.’

‘But there was also a darker side to his existence. The diary gives ample evidence of depression and even despair. Only a few days after moving in with the Liscombs, he came home from Sunday service “very blue and discontented.” A month later, on Thanksgiving, there was a dancing party in town. Everyone was there; Harte tried to dance, found he couldn’t, and was ‘‘very much annoyed.” He came home “incontinently” in the pouring rain and spent a restless night. Christmas Day was even worse. He helped Maggie prepare the meal, and they had Christmas dinner with the Martins and her in-laws. He was feeling quite melancholy by this point, and attendance at a dance in the evening only made it worse. ‘‘What the d....d am I to do with myself,” he scratched down desperately in his diary, ‘‘the simplest pleasures fail to please me - my melancholy and gloomy foreboding stick to me closer than a brother. I cannot enjoy myself rationally like others but am forced to make a gloomy spectacle of myself to gods and men.” The “thermometer of my spirits,” as he analyzed it that day, had started at 40 degrees temperate in the morning, risen to eighty by 3 P.M., fallen all the way down to zero by 9 P.M., and by 1 A.M., he was still awake and twenty below.’

All Harte’s biographers find useful information in the published diary of the wife of the editor of The Atlantic Monthly: Annie Fields - Memories of a hostess: A chronicle of eminent friendships, drawn chiefly from the diaries of Mrs. James T. Fields by M. A. DeWolfe Howe (The Atlantic Monthly Press, 1922). Here are several extracts about Harte.

5 September 1871
‘J. went to Boston. I wrote in the pastures and walked all the morning. Coming home, after dinner, came a telegram for me to meet J. and Bret Harte at Beverly station with the pony carriage. I drove hard to catch the train, but arrived in season, glad to take up the two good boys and show them Beverly shore. [. . .] Mr. Harte had much to say of the beautiful flowers of California, roses being in bloom about his own house there every month in the year. He found the cloudless skies and continued drought of California very hard to bear. For the first time in my life I considered how terrible perpetual cloudlessness would be! He thinks there is no beauty in the mountains of California, hard, bare, snowless peaks. Neither are there trees, nor any green grass.

He is delighted with the fragrant lawns of Newport and has, I believe, put into verse a delightful ghost story which he told us. He has taken a house of some antiquity in Newport, connected with which is the story of a lady who formerly lived there and who was very fond of the odor of mignonette. The flower was always growing in her house, and after her death, at two o’clock every night, a strong odor has always been perceived passing through the house as if wafted along by the garments of a woman. One night at the appointed hour, but entirely unconnected in his thought with the story Mr. Harte had long ago heard, he was arrested in his work by a strong perfume of mignonette which appeared to sweep by him. He looked about, thinking his wife might have placed a vase of flowers in the room, but finding nothing he began to follow the odor, which seemed to flit before him. Then he recalled, for the first time, the story he had heard. He opened the door; the odor was in the hall; he opened the room where the lady died, but there was no odor there; until returning, after making a circuit of the house, he found a faint perfume as if she had passed but not stayed there also. At last, somewhat oppressed perhaps by the ghostliness of the place and hour, he went out and stood upon the porch. There his dream vanished. The sweet lawn and tree flowers were emitting an odor, as is common at the hour when dews congeal, more sweet than at any other time of day or night, and the air was redolent of sweets which might easily be construed into mignonette. The story was well told and I shall be glad to see his poem. [. . .]

Mr. Harte is a very sensitive and nervous man. He struggles against himself all the time. He sat on the piazza with J. and talked till a late hour. This morning at breakfast I found him most interesting. He talked of his early and best-loved books. It appears that at the age of nine he was a lover and reader of Montaigne. Certain writers, he says, seem to him to stand out as friends and brothers side by side in literature. Now Horace and Montaigne are so associated in his mind. Mr. Emerson, he thinks, never in the least approaches a comprehension of the character of the man. With an admiration for his great sayings, he has never guessed at the subtle springs from which they come. The pleasant acceding to both sides in politics, and other traits of like nature, gives him affinity with Hawthorne. By the way, he is a true appreciator of Hawthorne. He was moved to much merriment yesterday by remembering a passage in the notes, where he slyly remarks, “Margaret Fuller’s cows hooked the other cows.” Speaking of Dr. Bartol, he said, “What a dear old man he is! A venerable baby, nothing more.” But Harte is most kindly and tender. His wife has been very ill and has given him cause for terrible anxiety. This accounts for much left undone, but he is an oblivious man oftentimes to his surroundings - leaves things behind!!’

12 January 1872
‘Bret Harte was here at breakfast. It is curious to see his feeling with regard to society. For purely literary society, with its affectations and contempts, he has no sympathy. He has at length chosen New York as his residence, and among the Schuylers, Sherwoods, and their friends he appears to find what he enjoys. There is evidently a gene about people and life here, and provincialisms which he found would hurt him. He is very sensitive and keen, with a love and reverence for Dickens almost peculiar in this coldly critical age. Bryant he finds very cold and totally unwilling to lead the conversation, as he should do when they are together, as he justly remarks, he being so much younger - but never a word without cart and horses to fetch it. Bret Harte has a queer absent-minded way of spending his time, letting the hours slip by as if he had not altogether learned their value yet. It is a miracle to us how he lives, for he writes very little. Thus far I suppose he has had money from J. R. O. & Co., but I fancy they have done with giving out money save for a quid pro quo.’

18 September 1875
‘Bret Harte came on the 1⁄2 past 12 train. He came in good health, save a headache which ripened as the day went on; but he was bubbling over with fun, full of the most natural and unexpected sallies. He wished to know if I was acquainted with the Cochin China hen. They had one at Cohasset. They had named him Benventuro (after a certain gay Italian singer of strong self-appreciation who came formerly to America). He said this hen’s state of mind on finding a half-exploded fire-cracker and her depressed condition since its explosion was something extraordinary. His description was so vivid that I still see this hen perambulating about the house, first with pride, second with precipitation, fallen into disgrace among her fellows. He said Cohasset was not the place to live in the summer if one wanted sea-breezes. They all came straight from Chicago!! He fancied the place, thinking it an old fishing village, not unlike Yarmouth. Instead of which they prided themselves upon never having “any of your sea-smells,” and, being five miles from the doctor, could not be considered a cheerful place to live in with sick children. He said he was surprised to find J. T. F. without a sailor’s jacket and collar. The actors among whom he had been living rather overdid the business; their collars were wider, their shirts fuller, and their trousers more bulgy than those of any real sailor he had ever observed, and the manner of hitching up the trousers was entirely peculiar to themselves and to the stage. [. . .]

Harte said in speaking of Longfellow that no one had yet overpraised him. The delicate quality of humor, the exquisite fineness in the choice of words, the breadth and sweetness of his nature were something he could hardly help worshipping. One day after a dinner at Mr. Lowell’s he said, “I think I will not have a carriage to return to town. I will walk down to the Square.” “I will walk with you,” said Longfellow. When they arrived at his gate, he said, he was so beautiful that he could only think of the light and whiteness of the moon, and if he had stayed a moment longer he should have put his arms around him and made a fool of himself then and there. Whereat he said good night abruptly and turned away.

He brought his novel and play with him which are just now finished, for us to read. He has evidently enjoyed the play, and he enjoys the fame and the money they both bring him.

He is a dramatic, lovable creature with his blue silk pocket-handkerchief and red dressing slippers and his quick feelings. I could hate the man who could help loving him - or the woman either.’

The death of Lorca

The great Spanish poet and playwright Federico García Lorca was assassinated 80 years ago today by right wing military forces at the start of the Spanish Civil War. The circumstances of his death have always been controversial, indeed Lorca’s biographer, Ian Gibson, has written an entire book on the subject. Although Lorca himself was not a diarist, in 2012 the diary of a young male lover surfaced, shedding new light on Lorca’s last days. On a personal note, my own diary reveals not only that I met Gibson several times, but how I realised that his book on the death of Lorca had played a part in inspiring me to be a writer.

Lorca was born in 1898 near Granada, Spain, into a wealthy landowning family. He was educated at Granada and Madrid universities. While studying in Madrid, he lived within the Residencia de Estudiantes, one of Spain’s first cultural centres, where he became friends with Luis Buñuel and Salvador Dalí among many other creative types. In 1919-1920, he wrote his first play, The Butterfly’s Evil Spell, which was not well received, and, in 1921, published his first book of poems. Collaborations with the composer Manuel de Falla and more poems followed before Lorca’s second play, Mariana Pineda, with sets designed by Dalí, opened in Barcelona in 1927, to great acclaim.

In 1929-1930, Lorca travelled to New York, where he studied English and continued writing poetry; he also visited Vermont and Cuba. Back in Madrid, the newly established Second Spanish Republic appointed him director of a student theatre company, Teatro Universitario La Barraca, charged with bringing theatre to rural areas of Spain. During the next few years he wrote his most famous plays, Blood Wedding, Yerma and The House of Bernarda Alba. But, when the Spanish Civil War broke out, he was assassinated, on 19 August, by fascist supporters of General Franco - the leader who, in 1939, would win the war and rule Spain for more than 30 years. The circumstances of Lorca’s death have long been controversial, and his body was never found. Biographers continue to argue about whether it was Lorca’s left-wing political beliefs (though he had friends in both factions of the emerging civil war) or personal animosities to his homosexuality that was most to blame for his death warrant.

In the 1960s, the Irish-born Ian Gibson, a Spanish literature academic working in Britain, moved to Granada for a year to write a doctoral thesis on Lorca, but ended up publishing (in Paris) a Spanish-language book about the playwright’s death - La represión nacionalista de Granada en 1936 y la muerte de Federico García Lorca (1971). It was banned in Spain; and subsequently it was also published in English as The Death of Lorca (1973). Gibson concluded that Lorca was, indeed, shot by nationalist militia, along with others, as part of a wider campaign to eliminate left-wing radicals. Gibson, by this time domiciled near Granada, went on to publish his major, and very highly respected, two-volume Spanish biography of Lorca in 1985-1987, and then two years later, a one volume edition in English.

In 2015, the Guardian claimed that documents it had obtained (written in 1965 at the Granada police headquarters) contained ‘the first ever admission by Franco-era officials’ of their involvement in Lorca’s death. The article goes on: ‘The resulting documents suggest García Lorca was persecuted for his beliefs, describing him as a “socialist and a freemason,” about whom rumours swirled of “homosexual and abnormal practices”. After police carried out two searches on his home in Granada, he fled to a friend’s house out of fear. In August 1936, just one month after the civil war broke out, officers surrounded the house where García Lorca was hiding, while his friends tried to intervene on his behalf. García Lorca was arrested and taken by car to an area close to the place known as Fuente Grande, along with one other detainee, said the documents. He was then “executed immediately after having confessed, and was buried in that location, in a very shallow grave, in a ravine”. No details were given as to the content of his confession.’ Further biographical information is available from Wikipedia, Andalusia.com or Poets.org.

There is no evidence that Lorca was a diarist (see A Companion to Federico García Lorca by Federico Bonaddio, 2007, Tamesis). However, in 2012, the 91 year old Juan Ramirez de Lucas, who had been Lorca’s last lover, died leaving behind a box of mementoes including letters and a diary - instructing his family to make them public. As was widely reported at the time (see El País for example), the letters (from Lorca) and de Lucas’s diary prove that Lorca, 38 years old, and de Lucas, only 19, had been planning in the summer of 1936 to flee to Mexico. Lorca, though, insisted that de Lucas seek permission from his family - permission that was not forthcoming, his father refusing to issue the necessary papers. Had the lovers left Spain at that moment in time, Lorca would not have died so young, and who knows what literary works he might have produced.

The Telegraph, for its take on the de Lucas story, contacted Gibson, who said: ‘It’s terribly exciting to learn new material exists that may shed light on his final days’, and ‘Lorca was very promiscuous and prone to infatuation but we never definitively knew who his last lover was or why he delayed leaving.’ Gibson revealed de Lucas’s name had come up during his own research on Lorca (which had begun while Franco was still in power), but that he had refused to be interviewed. ‘One can only guess that he wanted to keep his association a secret especially during the Franco years. It wasn’t easy being gay and especially if it was a relationship with someone as famous as Lorca.’ The Telegraph article concluded with another quote from Gibson: ‘We can only hope that the papers will be made available soon.’

Unfortunately, since 2012 there has been no sign that the letters/diary might be published, as was suggested at the time. In 2014, the British theatre critic Nicholas de Jongh, when writing a play on the death of Lorca, inspired by the de Lucas find, tried to find out what had happened to his papers, but was stonewalled at every turn. The play - The Unquiet Grave of Garcia Lorca - premiered in London in October 2014 - see The Evening Standard.

On a personal note, I met Ian Gibson several times at his home in Restabal, near Granada. My friend Rosy, and her husband Andy, had bought a holiday villa in the area, but it was only after being there for a while that Rosy discovered a cousin, whom she had not previously met, living nearby - Ian Gibson - and they soon became firm friends. One winter, I visited Rosy, with my seven-year old son, Adam, and she took us to Ian’s place. It was not until I was in his house, and browsing his bookshelves that I realised Ian had played a part, some 20 years earlier, in inspiring me to become a writer. Here is my diary entry:

15 January 1995
‘Ian proved a hearty fellow and quite charming. He loved Adam and the way he’d fallen asleep in his house without disturbing anyone, and he seemed on good form the thrice I saw him - on this evening, later in the week at a party, and then on New Year’s Eve at his party. But I must recount why my meeting with him was so significant.

In the mid-1970s, after my travels and when I was living in London with Harold, I think, I saw a modern ballet at Sadlers Wells, created by Lindsay Kemp and performed by Ballet Rambert. I can remember parts of the ballet to this day. It was called Cruel Garden and it so inspired me in some way that I wrote my first ever piece of fiction (apart from the shorts in my travel diaries) and I called it Cruel Garden, although it had nothing to do with the ballet or its subject (at least I don’t think it did). The point is that the ballet Cruel Garden was based on the life of Lorca and, in part, on Ian’s book The Death of Lorca. I did not even realise I had read the book until I started delving into my memories surrounding The Cruel Garden.’

The first Astronomer Royal

John Flamsteed, the first ever Astronomer Royal who catalogued hundreds of stars and laid the foundation stone of the Royal Greenwich Observatory, was born 370 years ago today. Later in life, he was in conflict with Isaac Newton, and with fellow astronomer Edmund Halley. He left behind an autobiography, many letters and a short diary, all of which were compiled, in the 19th century, into a large volume which included his catalogue of the stars.

Flamsteed was born on 19 August 1646 in Derbyshire, England, and educated in Derby, though from the age of 14 he suffered from chronic bouts of rheumatic illness, and, leaving school at 15, was unable to go to university. During his late teens and into his 20s he seems to have helped in his father’s brewing and malting business, and to have taught himself much about astronomy, through books and observations. In 1665, he presented, to William Litchford an expert on planets, his first essay, concerning the design, use and construction of an astronomer’s quadrant, including tables for the latitude of Derby. Around this time, he accurately predicted the solar eclipses of 1666 and 1668. He is also credited with the earliest recorded sightings of Uranus.

By this time, Flamsteed was corresponding with astronomers, such as Vincent Wing, and other learned figures, not least Henry Oldenburg, the secretary of the Royal Society, who had published a set of his astronomical projections in Philosophical Transactions. In 1670, Flamsteed visited Cambridge, and arranged to enter Jesus College, succeeding to an MA in 1674, the same year he first heard Isaac Newton’s Lucasian Lectures. Subsequently, he was ordained deacon, and was about to take up a living in his home county, when his patron Jonas Moore, Surveyor-General of the Ordnance, invited him to London. Moore had recently offered the Royal Society to pay for the establishment of an observatory. However, when Charles II set up a commission (including such notables as Christopher Wren and Robert Hooke) designed to investigate a specific proposal to calculate longitude by the position of the moon, Flamsteed was appointed as an official assistant to the commission, and supplied observations to test the idea.

Although the Commission found the specific idea was not worth pursuing, it recommended that the King should consider establishing an observatory in order to better map the stars and the motions of the moon in order to further investigate the lunar-distance method. Flamsteed was appointed by royal warrant ‘The King’s Astronomical Observator’ - the first English Astronomer Royal, with an allowance of £100 a year. A few months later, another royal warrant provided for the establishment of the Royal Greenwich Observatory, and it was Flamsteed who laid the foundation stone. The following year he was made a Fellow of the Royal Society, and he moved to live at the Observatory where he stayed until 1684, when he was also appointed priest to the parish of Burstow, Surrey, not far from Greenwich. In 1692, he married Margaret Cooke, the granddaughter of his predecessor at Burstow.

Flamsteed contributed much data, requested by Newton for his work Principia, but, when the latter was published it was Edmund Halley, then secretary of the Royal Society, who received much credit as sponsor of the work. Flamsteed, who had long disliked Halley, felt slighted by the lack of recognition for his contribution. This had a negative effect on Flamsteed’s relations with Newton, and the two thereafter were often in conflict. Indeed, when Flamsteed refused to publish his star data until properly verified, Newton and Halley conspired to obtain and publish them. Flamsteed managed to gather several hundred - but not all - of the published copies and burn them. Flamsteed died in 1719. Further information is available form Wikipedia, Encyclopaedia.com, MacTutor, The Messier Catalog, or Jesus College.

More than a century after Flamsteed’s death, in 1835, the Lords Commissioners of the Admiralty printed An Account of the Revd John Flamsteed: The First Astronomer Royal; compiled from his own manuscripts, and other authentic documents, never before published. Edited by Francis Bailey, this included Flamsteed’s History of his own Life, many letters, a few reports and memoranda, and a short ‘diary of events’ with entries between 1704 and 1713 - the latter having been found scattered through several pages of a letter-book containing a variety of other documents. Half the book, around 350 pages is taken up with the autobiographical material, the diary absorbing only a dozen or so page, and the other half of the book is taken up with Flamsteed’s Catalogue of Stars, consisting of table lists of stars and many associated notes. The work can be read freely online at Internet Archive or Googlebooks.

Here are three extracts from the Flamsteed’s ‘Diary of events’.

18 April 1706
‘Mr. Hudson here told me, if I would go up, Sir I. Newton would go to the Prince’s treasurer with me; urged me much: I went on the 19th mane: Sir Isaac was very grave: told me that, the Prince having subscribed a great sum to the Emperor’s loan, the whole money could not be received: that he had taken up monies for Mr. Churchill: would say nothing, when I asked if he had taken up also to pay me for my calculators; but that he must give bond to Mr. Churchill: I told him he had my catalogue and papers in his hands: he answered slightingly, that the catalogue was imperfect, which he knew when he received it sealed up, and was contented with it: I desired my MSS back, to correct the faults of the press: he told me we must go on slowly at first, quicker after, that in a few weeks he would return my MSS: Dr. Grey is at Oxford; suppose will not return till after term time: he must be paid for the needless collations, and they cannot be finished till his return: all this insincere practice I must bear, so long as God thinks fit: may his goodness deliver me speedily.’

19 July 1706
‘At London: waited on Sir I. Newton about printing 100 or 150 more copies: represented that I thought it needless, contrary to our agreement, &c.: he seemed to assent, and that we should go on, on the old foot: I suggested that it was probable Mr. Churchill had caused more to be printed than he ought, by 200: that if any besides myself had copies to sell, I should not make anything of mine: he agreed that nobody but I ought to have any copy to sell; and that, as I desired, the plates should be put into my hands, that I might cause them to be engraved and drawn off: promised to pay me £100, and I to send J. Hudson to him, to inform him about the Prince’s treasurer: promised to wait on him next week.’

1 August 1713
‘Sir Isaac Newton having, as I was told, presented his book of Principia, new printed, to the Queen, came to Greenwich, attended by Dr. Thorp, Dr. Halley, and his sons, Mr. Machin and Mr. Rowley. Mr. Hudson was with them, who had given me an intimation of it, the night before. But I had a letter of advice of it, directly from Mr. Machin. Sir I. Newton came first, about 3 o’clock; the others, half an hour after. Sir I. Newton said little till they entered; then he rose up and told me that by a Royal Order, by word of mouth, they were come down to visit the Observatory; to see what repairs were wanting, and what instruments. I gave them leave to go where they pleased, and sent my servant to wait on them, and show them all the places where repairs were wanting: and Mr. Clark and Mr. Ryley (whom I had sent for, on purpose to be witnesses of all that passed) accompanied them. I kept in my chamber: for I could not walk about with them. But, before they went out, I told them that the cogs in the greater semicircle were much worn; and that the instrument, for several reasons, was not very serviceable. And because Sir I. Newton had asked how we could observe a comet without it, I told him I could easily observe any comet that was visible in any part of the heavens, by a particular method that I knew of; but it was not now a time to talk of it; and that that instrument was my own. My friends and servants remember all that passed: I trouble not myself to report it. At parting, Sir I. Newton told me he had a Ptolemy of mine, and the minutes or night-notes of my observations, which he would return. I was glad to hear it; and told him I would retain his receipt for them. I pray God he be as good as his word.’

The concept of decadence

‘[In] literary articles in journals edited by marxists the concept of decadence is appearing more and more frequently of late. i discover that decadence includes me. this is naturally of great interest to me. a marxist actually needs the concept of decline. it serves to identify the decline of the ruling class in the political and economic spheres.’ This is from the diary of Bertolt Brecht, one of Germany’s most important 20th century playwrights who died 60 years ago today.

Eugen Berthold Brecht was born in 1898 in Augsburg, Bavaria, into a mixed Catholic/Protestant family. He was educated at Königliches Realgymnasium, and then avoided the army by enrolling as a medical student at the Ludwig Maximilian University in Munich, where he also studied theatre. He never finished training as a doctor but did do some military service as a medical orderly. During the war, though, he had begun to write newspaper articles, under the name Bert Brecht, and he wrote his first play, Baal, in 1918, but it was not produced until 1923. He became increasingly involved in the theatre and cabaret world, being much influenced by the Munich comedian Karl Valentin. Brecht’s first produced play - Drums in the Night - was premiered in 1922 to rave reviews.

In 1917, Brecht had begun an affair with Paula Banholzer, who had a child, Frank, by him, though she died soon after. In 1922, he married the actress Marianne Zoff, and they had a daughter, Hanne, though that relationship soon broke down, and, in 1924, he had a son, Stefan, with Helene Weigel. Five years later, he married Weigel, and they had a second child, Barbara, who would eventually inherit the copyright to all of Brecht’s literary works.

In 1919, Brecht had joined the Independent Social Democratic party and become friends with the writer Lion Feuchtwanger. By 1924, they had collaborated on an adaptation of Christopher Marlowe’s Edward II - the first of many classic texts Brecht would adapt. The same year, he went to work at Max Reinhardt’s Deutsches Theater in Berlin - then one of the world’s leading theatres. He produced many well-received plays, not least The Threepenny Opera, adapted from The Beggar’s Opera with the composer Kurt Weill. Around this time, Brecht also published his first book of poems. In the early 1920s, Brecht started using the first name Bertolt, to rhyme with that of his collaborator, the playwright Arnolt Bronnen.

Brecht had long been a student of Marxism, but, by the mid-1920s this interest was leading him to write political dramas such as Rise and Fall of the City of Mahogonny, also with Weill. In fear of Hitler, Brecht fled from Germany in 1933, first to Scandinavia, settling on the Danish island of Funen, then, in 1941, to California, writing poems and plays (such as Galileo and Mother Courage and Her Children) all the while. After the war, in 1947, he was interrogated by the House Un-American Activities Committee, but the day after left the US to return to Europe.

After staying in Switzerland to begin with, Brecht settled in East Berlin, where he launched the celebrated Berliner Ensemble, but he wrote few plays in his last years focusing more on directing and teaching young directors and playwrights. In 1955, he received the Stalin Peace Prize, and, the following year, he died on 14 August. Further information is available from Wikipedia, Encyclopædia Britannica, or Theatre Database.

Brecht seems to have kept a diary in childhood, although only one journal - the so-called Diary 10 written in 1913 (but which refers to earlier diaries) - appears to have survived (for more on this see Bertolt Brecht: A Literary Life by Stephen Parker at Googlebooks). He kept a diary in his early 20s: Bertolt Brecht Diaries 1920-1922, edited by Herta Ramthun, translated and annotated by John Willett, published by Eyre Methuen, 1979. And again he kept a diary from 1938 until the end of his life (though he recorded little in his last years): Bertolt Brecht Journals 1934-1956, translated by Hugh Rorrison, edited by John Willett, and published by Methuen, in 1993. A review in New Statesman and Society of the latter, quoted by the publisher, described the book as ‘a marvellous, motley collage of political ideas, domestic detail, artistic debate, poems, photographs and cuttings from newspapers and magazines’. Here are several extracts.

24 July 1938
‘there are concepts which are difficult to defend because they spread such boredom whenever they arise, like DÉCADENCE. there is naturally such a thing as the literature of the decline of a class, in it the class loses its serene certainty, its calm self-confidence, it conceals its difficulties, it gets bogged down in detail, it becomes parasitically culinary, etc. but the very works which identify its decline as a decline can scarcely be classed as decadent. but that is how the declining class views them, on the other hand the FEAST OF TRIMALCHIO exhibits all sorts of signs of formal decadence. and if ELECTIVE AFFINITIES is not decadent, WERTHER is.’

15 August 1938
‘FEAR AND MISERY OF THE THIRD REICH has NOW gone to press. lukács has already welcomed the spy as if i were a sinner returned to the bosom of the salvation army. here at last is something taken straight from life! he overlooks the montage of 27 scenes, and the fact that it is actually only a table of gests, the gest of keeping your mouth shut, the gest of looking about you, the gest of sudden fear etc. the pattern of gests in a dictatorship. now epic theatre can show that both ‘intérieurs’ and almost naturalistic elements are within its range, that they do not make the crucial difference. the actor will be well advised to study the STREET SCENE before playing one of the short scenes. the aforesaid gests are not to be performed in such a way that the audience wants to stop the scene, empathy is to be sedulously controlled, otherwise the whole thing is a dead loss. the montage, a process that has been so thoroughly condemned, arose here out of letters from dudow who needed something for his little proletarian theatre-group in paris. so the proletarian theatre in exile is keeping the theatre alive. while in moscow maxim vallentin, the one-time director of a berlin agitprop group, has gone over to bourgeois theatre and announced that in art an appeal has to be made to the emotions, which can only mean reason has to be switched off.’

18 August 1938
‘by offering only formal criteria for realism LUKÁCS, whose significance is that he writes from moscow, is in the final estimate handing readers who are avid to learn on a plate to those famous contemporary bourgeois novelists on whom he has bestowed great, if slightly embarrassed compliments, because they display the said formal features (even if they are not so ‘happy’, ‘pure’ and ‘creative’ as the old masters of the great early period). they become his realists (he allays any suspicion by contrasting them with a form of ‘decadence’, to which DOS passos and presumably i too belong), whose descriptions exclude the class struggle (‘do not not take sufficiently into account’, ‘do not yet fully encompass’), so that the reader himself then has to unravel the complicated reflections which the ‘decadents’ incorporate in their books, the very reflections which establish that the events depicted derive from the class struggle. they all display LUKÁCS’S hallmarks, HEINRICH MANN presents such a ‘tangle’ of different human fates in his HENRI QUATRE that nobody can find his way around in it, and doesn’t his brother THOMAS unfold the ‘whole life of the biblical joseph’ in all its ultimate fullness! in HAMSUN we have ‘very involved, very indirect relationships’ by the dozen, the class struggle is less in evidence in all three, but naturally we can add that for ourselves, for ‘in the last resort’ everything is class struggle, such obtuseness is monumental.’

10 September 1938
‘in literary articles in journals edited by marxists the concept of decadence is appearing more and more frequently of late. i discover that decadence includes me. this is naturally of great interest to me. a marxist actually needs the concept of decline. it serves to identify the decline of the ruling class in the political and economic spheres. it would be stupid for him to refuse to recognise decline in the artistic sphere. eg literature cannot exclude the great shackling of productive capacity by the capitalist means of production. i am restricting myself in the first instance to my own production. my first book of poems, the DEVOTIONS FOR THE HOME, is undoubtedly branded with the decadence of the bourgeois class. under its wealth of feeling lies a confusion of feeling. under its originality of expression lie aspects of collapse. under the richness of its subject matter there is an element of aimlessness,. the powerful language is slack. etc etc. seen in this light the subsequent SVENDBORG POEMS represent both a withdrawal and an advance. from the bourgeois point of view there has been a staggering impoverishment. isn’t it all a great deal more one-sided, less ‘organic’, cooler, ‘more self-conscious’ (in a bad sense)? let’s hope my comrades-in-arms will not let that go by default, they will say the SVENDBORG POEMS are less decadent than DEVOTIONS FOR THE HOME. however i think it is important that they should realise what the advance, such as it is, has cost. capitalism has forced us to take up arms. it has laid waste our surroundings. i no longer go off ‘to commune with nature in the woods’, but accompanied by two policemen. there is still richness, a rich choice of battlefields. there is originality, originality of problems. no question about it: literature is not blooming. but we have to beware of thinking in terms of outdated images. this notion of bloom is too one-sided. you can’t harness ideas of value, definitions of power and greatness, to an idyllic conception of organic flowering; it would be ridiculous. withdrawal and advance are not separated according to dates in the calendar. they are threads which run through individuals and works.’

7 October 1938
‘the fall of Czechoslovakia is remarkable for the way it happened. eg people continue to speak about that country as if it were still the same, and for that reason some of its actions are surprising. people have understood that it has to hand over something to germany, but now it is handing over more, in fact everything as far as everybody is concerned. including the jews and refugees. people forget that this defeat has brought different class forces to the helm, so the state has become a different person in law, one can no longer speak of czechoslovakia. and how did this come about? ‘england’ could not enter into a war which its russian ally would have won. the russian ally could not enter into a war which the russian generals would have won. france could not enter into a war which the popular front would have won. and none of them, naturally, could lose a war.’

23 November 1938
‘finished LIFE OF GALILEO. it took three weeks. the only difficulties arose with the last scene. just as in the case of ST JOAN, i needed a neat stroke at the end to ensure that the audience had the necessary detachment. even somebody empathising without thinking must now feel the a-effect when he empathises with galileo. with rigidly epic presentation an acceptable empathy occurs.’


The Diary Junction

Casement’s black reputation

Roger Casement - an Irish-born British diplomat, human rights activist, and, ultimately, an Irish nationalist - was executed for treason exactly a century ago today. His journals - which revealed him as a promiscuous homosexual - were successfully employed by the British government to blacken Casement’s name and undermine calls for clemency. However, subsequently, the diaries were kept secret by the government, leading some biographers and many others to believe they were a forgery. It was not until 2002 that an independent forensic examination proved, finally, they were genuine.

Casement was born in 1864 in Sandymount, near Dublin, the youngest son of an Ulster protestant and soldier. The family moved frequently, but both parents died young and the children became dependent on relatives. Casement went to live with his uncle in County Antrim, and was schooled until 1880, when he went to Liverpool to live with an aunt. After working in a shipping office, he signed up, aged 19, as a purser on board a ship heading for the Congo. The following year, he returned to stay in the Congo working as a surveyor on a rail project. There he met the writer Joseph Conrad and also the explorer (and sculptor) Herbert Ward who he then accompanied on a tour of the US.

Casement returned to Ireland where he took a job in the British customs department, before, in 1895, gaining a first consul appointment in Portuguese East Africa. Thereafter, he took similar posts in Angola (1898-1900), Congo Free State (1901-1904) and Brazil (1906-1911). He gained international recognition, though, for a report (published in 1904), commissioned by the Foreign Office, into the state of government in the Congo, which revealed atrocious cruelty in the exploitation of native labour by white traders - for more on this see Conrad, Hottot and the Congo. And, after producing a similarly disturbing report in 1912 on the Putumayo River region in Peru, he was awarded a knighthood.

Ill-health forced Casement to return to Ireland in 1912, and he retired from the British consular service in the summer of the following year. Thereafter, his views on Irish nationalism having strengthened, he helped form the Irish Volunteers. In 1914, he went to the US promoting the cause and seeking funds, and there, at the outbreak of the war, began scheming to gain German support for an Irish revolt. This led him to travel to Germany, seeking to recruit a brigade from Irish prisoners-of-war captured in the first months of the war. However, German support proved minimal, and his plans never materialised in any substantial way. The few German munitions he did manage to secure for shipment to Ireland were intercepted by the British; and he, himself, was arrested a few days after being transported to Ireland by a German submarine.

Casement was charged with treason, sabotage and espionage against the Crown, and was remanded, on suicide watch, at Brixton prison. The prosecution had some legal trouble arguing its case, and resorted to circulating extracts from Casement’s diaries, which contained details of his (illegal) homosexual activities, to influence those calling for clemency (among which were notables such as Sir Arthur Conan Doyle and George Bernard Shaw). Casement was hanged at Pentonville prison at 9am on 3 August 1916. Further information is available at Wikipedia, BBC, Stephen Stratford’s website, Irish Historical Mysteries. The Times report of the execution is also available at Stratford’s website.

Casement, it seems, was an intermittent diarist, keeping an account of himself from time to time in pocket diaries (with space for each day of the year) or cash agenda note-books. The term ‘Black Diaries ’ was coined by by Peter Singleton-Gates and Maurice Girodias in their 1959 book of the same name. Some 20 years earlier (in 1936), though, William J. Maloney had published a work claiming that he had proved the diaries used to blacken Casement’s name had been a forgery - something many people had people believed since his execution. It was not until 2002, following a detailed and independent forensic examination of the diaries, that it was proved, beyond reasonable doubt, that they were genuine.

The same year, Belfast Press, brought out Jeffrey Dudgeon’s Roger Casement: The Black Diaries with a study of his background, sexuality, and Irish political life. It contains Casement’s diaries from 1903, 1910 and 1911. This was the first time, the Black Diaries, with all of Casement’s promiscuous thoughts and actions laid bare, had been published. Dudgeon includes a large amount of additional information, in fact creating more of a biography supplemented by a few chapters on the diaries. The book runs to 650 pages less than half of which are diary texts, and the diary extracts themselves are heavily adulterated with Dudgeon’s notes in bold font enclosed by square brackets, often doubling or more Casement’s own words.

Some pages of Roger Casement’s Diaries - 1910: The Black and the White edited by Roger Sawyer can be read at Googlebooks (Pimlico, 1997). Extracts from One Bold Deed of Open Treason: The Berlin Diary of Roger Casement 1914-1916 (Irish Academic Press, 2016) can be read at The Irish Times. The following extracts, though, are from Dudgeon’s The Black Diaries (some pages of which can be previewed at Amazon).

20 November 1911
‘. . . Stopped at Mucuà at 4 p.m. and saw two rubber trees in tapping. Young Cearense of Sobral still there - splendid stern, thighs and testeminhos - a lovely boy. . . Fonseca at Santa Theresa higher  up - it is Peruvian territory. [On blotter] Got some mails by “Manco” today at 10.30 a.m. meeting “Hamburgo” on her way up . . . Saw fine Indian boy in Janissius canoe that brought him over. A big strong fellow - nice face and great thick stiff one which he felt often under grey pants.’

21 November 1911
‘Arr. Nazareth at 10 and after some hours there up to Marius Levy’s where shipped 65 cases rubber (101⁄2 tons weight) . . . Back to Nazareth - young Italian, stout but very nice face, huge stern, thighs and immense big one, long, thick, soft, he fingered often and one could see it hanging down 6” or 7” inches long - through very thick trousers too. Left Nazareth at 5 with “Le Journal” from Belém. Up to 5 Oct. giving Italy-Turkey war and strike in Ireland. At union and mouth of Javari at 9.30 and on to Leticia.’

22 November 1911
‘At Leticia since 11.30 p.m. Left only at 7.30 a.m. taking up Peruvian officer and family and enormous mass of rubbish of furniture including 5 jerrys! Cold is again very bad. Left letters to Tom, Gallwey, O’Reilly and Bernardino. . . Clock on church is painted strip of canvas always at 11.45 a.m.! . . . Met “Elisa” and got papers - including a “Truth” with part of Paredes’ summing up. José came and asked me for photo in Iquitos - looking lovely and then at 8.30 for cigarette papers and later I called and pulled mine and asked for water. Also with Pilot’s boy.’

23 November 1911
‘Lovely day. We are steaming very well and expect to be in Iquitos before 10 a.m. tomorrow. Read letters and drafted a long despatch to F.O. giving as my opinion the unlikelihood of Peruvian Government acting seriously . . . lots of logs still - often striking them hard. At 8 p.m. a huge one nearly swept away a man and case of rubber. . . Return to Iquitos.’

24 November 1911
‘Arr. 9.55. Antonio Cruz came on wharf and will come Sunday 8 a.m. Saw some big ones on Indian boys and then up ladder at top a young Spaniard with huge soft big one under blue pants. At my corner the lovely 6 foot young Inca policeman and his up at full half cock! Simply enormous, all down left thigh and thick too - fully 71⁄2 and huge testeminhos too. I now am sure of the Indians! Many letters from Mrs Green and others. Saw the Cholo policeman again going to lunch and it was huge, half down his thigh and he 6 foot and lovely. Then the small policeman passed and his too enormous. Then Paredes young Editor also very big. José came at 3.15 looking very nice and it was half up and showed big. Gave 5/8 for Spanish boo. Saw the young policeman while talking to José and it was simply huge. Both pure Cholos.’