The first Astronomer Royal

John Flamsteed, the first ever Astronomer Royal who catalogued hundreds of stars and laid the foundation stone of the Royal Greenwich Observatory, was born 370 years ago today. Later in life, he was in conflict with Isaac Newton, and with fellow astronomer Edmund Halley. He left behind an autobiography, many letters and a short diary, all of which were compiled, in the 19th century, into a large volume which included his catalogue of the stars.

Flamsteed was born on 19 August 1646 in Derbyshire, England, and educated in Derby, though from the age of 14 he suffered from chronic bouts of rheumatic illness, and, leaving school at 15, was unable to go to university. During his late teens and into his 20s he seems to have helped in his father’s brewing and malting business, and to have taught himself much about astronomy, through books and observations. In 1665, he presented, to William Litchford an expert on planets, his first essay, concerning the design, use and construction of an astronomer’s quadrant, including tables for the latitude of Derby. Around this time, he accurately predicted the solar eclipses of 1666 and 1668. He is also credited with the earliest recorded sightings of Uranus.

By this time, Flamsteed was corresponding with astronomers, such as Vincent Wing, and other learned figures, not least Henry Oldenburg, the secretary of the Royal Society, who had published a set of his astronomical projections in Philosophical Transactions. In 1670, Flamsteed visited Cambridge, and arranged to enter Jesus College, succeeding to an MA in 1674, the same year he first heard Isaac Newton’s Lucasian Lectures. Subsequently, he was ordained deacon, and was about to take up a living in his home county, when his patron Jonas Moore, Surveyor-General of the Ordnance, invited him to London. Moore had recently offered the Royal Society to pay for the establishment of an observatory. However, when Charles II set up a commission (including such notables as Christopher Wren and Robert Hooke) designed to investigate a specific proposal to calculate longitude by the position of the moon, Flamsteed was appointed as an official assistant to the commission, and supplied observations to test the idea.

Although the Commission found the specific idea was not worth pursuing, it recommended that the King should consider establishing an observatory in order to better map the stars and the motions of the moon in order to further investigate the lunar-distance method. Flamsteed was appointed by royal warrant ‘The King’s Astronomical Observator’ - the first English Astronomer Royal, with an allowance of £100 a year. A few months later, another royal warrant provided for the establishment of the Royal Greenwich Observatory, and it was Flamsteed who laid the foundation stone. The following year he was made a Fellow of the Royal Society, and he moved to live at the Observatory where he stayed until 1684, when he was also appointed priest to the parish of Burstow, Surrey, not far from Greenwich. In 1692, he married Margaret Cooke, the granddaughter of his predecessor at Burstow.

Flamsteed contributed much data, requested by Newton for his work Principia, but, when the latter was published it was Edmund Halley, then secretary of the Royal Society, who received much credit as sponsor of the work. Flamsteed, who had long disliked Halley, felt slighted by the lack of recognition for his contribution. This had a negative effect on Flamsteed’s relations with Newton, and the two thereafter were often in conflict. Indeed, when Flamsteed refused to publish his star data until properly verified, Newton and Halley conspired to obtain and publish them. Flamsteed managed to gather several hundred - but not all - of the published copies and burn them. Flamsteed died in 1719. Further information is available form Wikipedia, Encyclopaedia.com, MacTutor, The Messier Catalog, or Jesus College.

More than a century after Flamsteed’s death, in 1835, the Lords Commissioners of the Admiralty printed An Account of the Revd John Flamsteed: The First Astronomer Royal; compiled from his own manuscripts, and other authentic documents, never before published. Edited by Francis Bailey, this included Flamsteed’s History of his own Life, many letters, a few reports and memoranda, and a short ‘diary of events’ with entries between 1704 and 1713 - the latter having been found scattered through several pages of a letter-book containing a variety of other documents. Half the book, around 350 pages is taken up with the autobiographical material, the diary absorbing only a dozen or so page, and the other half of the book is taken up with Flamsteed’s Catalogue of Stars, consisting of table lists of stars and many associated notes. The work can be read freely online at Internet Archive or Googlebooks.

Here are three extracts from the Flamsteed’s ‘Diary of events’.

18 April 1706
‘Mr. Hudson here told me, if I would go up, Sir I. Newton would go to the Prince’s treasurer with me; urged me much: I went on the 19th mane: Sir Isaac was very grave: told me that, the Prince having subscribed a great sum to the Emperor’s loan, the whole money could not be received: that he had taken up monies for Mr. Churchill: would say nothing, when I asked if he had taken up also to pay me for my calculators; but that he must give bond to Mr. Churchill: I told him he had my catalogue and papers in his hands: he answered slightingly, that the catalogue was imperfect, which he knew when he received it sealed up, and was contented with it: I desired my MSS back, to correct the faults of the press: he told me we must go on slowly at first, quicker after, that in a few weeks he would return my MSS: Dr. Grey is at Oxford; suppose will not return till after term time: he must be paid for the needless collations, and they cannot be finished till his return: all this insincere practice I must bear, so long as God thinks fit: may his goodness deliver me speedily.’

19 July 1706
‘At London: waited on Sir I. Newton about printing 100 or 150 more copies: represented that I thought it needless, contrary to our agreement, &c.: he seemed to assent, and that we should go on, on the old foot: I suggested that it was probable Mr. Churchill had caused more to be printed than he ought, by 200: that if any besides myself had copies to sell, I should not make anything of mine: he agreed that nobody but I ought to have any copy to sell; and that, as I desired, the plates should be put into my hands, that I might cause them to be engraved and drawn off: promised to pay me £100, and I to send J. Hudson to him, to inform him about the Prince’s treasurer: promised to wait on him next week.’

1 August 1713
‘Sir Isaac Newton having, as I was told, presented his book of Principia, new printed, to the Queen, came to Greenwich, attended by Dr. Thorp, Dr. Halley, and his sons, Mr. Machin and Mr. Rowley. Mr. Hudson was with them, who had given me an intimation of it, the night before. But I had a letter of advice of it, directly from Mr. Machin. Sir I. Newton came first, about 3 o’clock; the others, half an hour after. Sir I. Newton said little till they entered; then he rose up and told me that by a Royal Order, by word of mouth, they were come down to visit the Observatory; to see what repairs were wanting, and what instruments. I gave them leave to go where they pleased, and sent my servant to wait on them, and show them all the places where repairs were wanting: and Mr. Clark and Mr. Ryley (whom I had sent for, on purpose to be witnesses of all that passed) accompanied them. I kept in my chamber: for I could not walk about with them. But, before they went out, I told them that the cogs in the greater semicircle were much worn; and that the instrument, for several reasons, was not very serviceable. And because Sir I. Newton had asked how we could observe a comet without it, I told him I could easily observe any comet that was visible in any part of the heavens, by a particular method that I knew of; but it was not now a time to talk of it; and that that instrument was my own. My friends and servants remember all that passed: I trouble not myself to report it. At parting, Sir I. Newton told me he had a Ptolemy of mine, and the minutes or night-notes of my observations, which he would return. I was glad to hear it; and told him I would retain his receipt for them. I pray God he be as good as his word.’

The concept of decadence

‘[In] literary articles in journals edited by marxists the concept of decadence is appearing more and more frequently of late. i discover that decadence includes me. this is naturally of great interest to me. a marxist actually needs the concept of decline. it serves to identify the decline of the ruling class in the political and economic spheres.’ This is from the diary of Bertolt Brecht, one of Germany’s most important 20th century playwrights who died 60 years ago today.

Eugen Berthold Brecht was born in 1898 in Augsburg, Bavaria, into a mixed Catholic/Protestant family. He was educated at Königliches Realgymnasium, and then avoided the army by enrolling as a medical student at the Ludwig Maximilian University in Munich, where he also studied theatre. He never finished training as a doctor but did do some military service as a medical orderly. During the war, though, he had begun to write newspaper articles, under the name Bert Brecht, and he wrote his first play, Baal, in 1918, but it was not produced until 1923. He became increasingly involved in the theatre and cabaret world, being much influenced by the Munich comedian Karl Valentin. Brecht’s first produced play - Drums in the Night - was premiered in 1922 to rave reviews.

In 1917, Brecht had begun an affair with Paula Banholzer, who had a child, Frank, by him, though she died soon after. In 1922, he married the actress Marianne Zoff, and they had a daughter, Hanne, though that relationship soon broke down, and, in 1924, he had a son, Stefan, with Helene Weigel. Five years later, he married Weigel, and they had a second child, Barbara, who would eventually inherit the copyright to all of Brecht’s literary works.

In 1919, Brecht had joined the Independent Social Democratic party and become friends with the writer Lion Feuchtwanger. By 1924, they had collaborated on an adaptation of Christopher Marlowe’s Edward II - the first of many classic texts Brecht would adapt. The same year, he went to work at Max Reinhardt’s Deutsches Theater in Berlin - then one of the world’s leading theatres. He produced many well-received plays, not least The Threepenny Opera, adapted from The Beggar’s Opera with the composer Kurt Weill. Around this time, Brecht also published his first book of poems. In the early 1920s, Brecht started using the first name Bertolt, to rhyme with that of his collaborator, the playwright Arnolt Bronnen.

Brecht had long been a student of Marxism, but, by the mid-1920s this interest was leading him to write political dramas such as Rise and Fall of the City of Mahogonny, also with Weill. In fear of Hitler, Brecht fled from Germany in 1933, first to Scandinavia, settling on the Danish island of Funen, then, in 1941, to California, writing poems and plays (such as Galileo and Mother Courage and Her Children) all the while. After the war, in 1947, he was interrogated by the House Un-American Activities Committee, but the day after left the US to return to Europe.

After staying in Switzerland to begin with, Brecht settled in East Berlin, where he launched the celebrated Berliner Ensemble, but he wrote few plays in his last years focusing more on directing and teaching young directors and playwrights. In 1955, he received the Stalin Peace Prize, and, the following year, he died on 14 August. Further information is available from Wikipedia, Encyclopædia Britannica, or Theatre Database.

Brecht seems to have kept a diary in childhood, although only one journal - the so-called Diary 10 written in 1913 (but which refers to earlier diaries) - appears to have survived (for more on this see Bertolt Brecht: A Literary Life by Stephen Parker at Googlebooks). He kept a diary in his early 20s: Bertolt Brecht Diaries 1920-1922, edited by Herta Ramthun, translated and annotated by John Willett, published by Eyre Methuen, 1979. And again he kept a diary from 1938 until the end of his life (though he recorded little in his last years): Bertolt Brecht Journals 1934-1956, translated by Hugh Rorrison, edited by John Willett, and published by Methuen, in 1993. A review in New Statesman and Society of the latter, quoted by the publisher, described the book as ‘a marvellous, motley collage of political ideas, domestic detail, artistic debate, poems, photographs and cuttings from newspapers and magazines’. Here are several extracts.

24 July 1938
‘there are concepts which are difficult to defend because they spread such boredom whenever they arise, like DÉCADENCE. there is naturally such a thing as the literature of the decline of a class, in it the class loses its serene certainty, its calm self-confidence, it conceals its difficulties, it gets bogged down in detail, it becomes parasitically culinary, etc. but the very works which identify its decline as a decline can scarcely be classed as decadent. but that is how the declining class views them, on the other hand the FEAST OF TRIMALCHIO exhibits all sorts of signs of formal decadence. and if ELECTIVE AFFINITIES is not decadent, WERTHER is.’

15 August 1938
‘FEAR AND MISERY OF THE THIRD REICH has NOW gone to press. lukács has already welcomed the spy as if i were a sinner returned to the bosom of the salvation army. here at last is something taken straight from life! he overlooks the montage of 27 scenes, and the fact that it is actually only a table of gests, the gest of keeping your mouth shut, the gest of looking about you, the gest of sudden fear etc. the pattern of gests in a dictatorship. now epic theatre can show that both ‘intérieurs’ and almost naturalistic elements are within its range, that they do not make the crucial difference. the actor will be well advised to study the STREET SCENE before playing one of the short scenes. the aforesaid gests are not to be performed in such a way that the audience wants to stop the scene, empathy is to be sedulously controlled, otherwise the whole thing is a dead loss. the montage, a process that has been so thoroughly condemned, arose here out of letters from dudow who needed something for his little proletarian theatre-group in paris. so the proletarian theatre in exile is keeping the theatre alive. while in moscow maxim vallentin, the one-time director of a berlin agitprop group, has gone over to bourgeois theatre and announced that in art an appeal has to be made to the emotions, which can only mean reason has to be switched off.’

18 August 1938
‘by offering only formal criteria for realism LUKÁCS, whose significance is that he writes from moscow, is in the final estimate handing readers who are avid to learn on a plate to those famous contemporary bourgeois novelists on whom he has bestowed great, if slightly embarrassed compliments, because they display the said formal features (even if they are not so ‘happy’, ‘pure’ and ‘creative’ as the old masters of the great early period). they become his realists (he allays any suspicion by contrasting them with a form of ‘decadence’, to which DOS passos and presumably i too belong), whose descriptions exclude the class struggle (‘do not not take sufficiently into account’, ‘do not yet fully encompass’), so that the reader himself then has to unravel the complicated reflections which the ‘decadents’ incorporate in their books, the very reflections which establish that the events depicted derive from the class struggle. they all display LUKÁCS’S hallmarks, HEINRICH MANN presents such a ‘tangle’ of different human fates in his HENRI QUATRE that nobody can find his way around in it, and doesn’t his brother THOMAS unfold the ‘whole life of the biblical joseph’ in all its ultimate fullness! in HAMSUN we have ‘very involved, very indirect relationships’ by the dozen, the class struggle is less in evidence in all three, but naturally we can add that for ourselves, for ‘in the last resort’ everything is class struggle, such obtuseness is monumental.’

10 September 1938
‘in literary articles in journals edited by marxists the concept of decadence is appearing more and more frequently of late. i discover that decadence includes me. this is naturally of great interest to me. a marxist actually needs the concept of decline. it serves to identify the decline of the ruling class in the political and economic spheres. it would be stupid for him to refuse to recognise decline in the artistic sphere. eg literature cannot exclude the great shackling of productive capacity by the capitalist means of production. i am restricting myself in the first instance to my own production. my first book of poems, the DEVOTIONS FOR THE HOME, is undoubtedly branded with the decadence of the bourgeois class. under its wealth of feeling lies a confusion of feeling. under its originality of expression lie aspects of collapse. under the richness of its subject matter there is an element of aimlessness,. the powerful language is slack. etc etc. seen in this light the subsequent SVENDBORG POEMS represent both a withdrawal and an advance. from the bourgeois point of view there has been a staggering impoverishment. isn’t it all a great deal more one-sided, less ‘organic’, cooler, ‘more self-conscious’ (in a bad sense)? let’s hope my comrades-in-arms will not let that go by default, they will say the SVENDBORG POEMS are less decadent than DEVOTIONS FOR THE HOME. however i think it is important that they should realise what the advance, such as it is, has cost. capitalism has forced us to take up arms. it has laid waste our surroundings. i no longer go off ‘to commune with nature in the woods’, but accompanied by two policemen. there is still richness, a rich choice of battlefields. there is originality, originality of problems. no question about it: literature is not blooming. but we have to beware of thinking in terms of outdated images. this notion of bloom is too one-sided. you can’t harness ideas of value, definitions of power and greatness, to an idyllic conception of organic flowering; it would be ridiculous. withdrawal and advance are not separated according to dates in the calendar. they are threads which run through individuals and works.’

7 October 1938
‘the fall of Czechoslovakia is remarkable for the way it happened. eg people continue to speak about that country as if it were still the same, and for that reason some of its actions are surprising. people have understood that it has to hand over something to germany, but now it is handing over more, in fact everything as far as everybody is concerned. including the jews and refugees. people forget that this defeat has brought different class forces to the helm, so the state has become a different person in law, one can no longer speak of czechoslovakia. and how did this come about? ‘england’ could not enter into a war which its russian ally would have won. the russian ally could not enter into a war which the russian generals would have won. france could not enter into a war which the popular front would have won. and none of them, naturally, could lose a war.’

23 November 1938
‘finished LIFE OF GALILEO. it took three weeks. the only difficulties arose with the last scene. just as in the case of ST JOAN, i needed a neat stroke at the end to ensure that the audience had the necessary detachment. even somebody empathising without thinking must now feel the a-effect when he empathises with galileo. with rigidly epic presentation an acceptable empathy occurs.’


The Diary Junction

Casement’s black reputation

Roger Casement - an Irish-born British diplomat, human rights activist, and, ultimately, an Irish nationalist - was executed for treason exactly a century ago today. His journals - which revealed him as a promiscuous homosexual - were successfully employed by the British government to blacken Casement’s name and undermine calls for clemency. However, subsequently, the diaries were kept secret by the government, leading some biographers and many others to believe they were a forgery. It was not until 2002 that an independent forensic examination proved, finally, they were genuine.

Casement was born in 1864 in Sandymount, near Dublin, the youngest son of an Ulster protestant and soldier. The family moved frequently, but both parents died young and the children became dependent on relatives. Casement went to live with his uncle in County Antrim, and was schooled until 1880, when he went to Liverpool to live with an aunt. After working in a shipping office, he signed up, aged 19, as a purser on board a ship heading for the Congo. The following year, he returned to stay in the Congo working as a surveyor on a rail project. There he met the writer Joseph Conrad and also the explorer (and sculptor) Herbert Ward who he then accompanied on a tour of the US.

Casement returned to Ireland where he took a job in the British customs department, before, in 1895, gaining a first consul appointment in Portuguese East Africa. Thereafter, he took similar posts in Angola (1898-1900), Congo Free State (1901-1904) and Brazil (1906-1911). He gained international recognition, though, for a report (published in 1904), commissioned by the Foreign Office, into the state of government in the Congo, which revealed atrocious cruelty in the exploitation of native labour by white traders - for more on this see Conrad, Hottot and the Congo. And, after producing a similarly disturbing report in 1912 on the Putumayo River region in Peru, he was awarded a knighthood.

Ill-health forced Casement to return to Ireland in 1912, and he retired from the British consular service in the summer of the following year. Thereafter, his views on Irish nationalism having strengthened, he helped form the Irish Volunteers. In 1914, he went to the US promoting the cause and seeking funds, and there, at the outbreak of the war, began scheming to gain German support for an Irish revolt. This led him to travel to Germany, seeking to recruit a brigade from Irish prisoners-of-war captured in the first months of the war. However, German support proved minimal, and his plans never materialised in any substantial way. The few German munitions he did manage to secure for shipment to Ireland were intercepted by the British; and he, himself, was arrested a few days after being transported to Ireland by a German submarine.

Casement was charged with treason, sabotage and espionage against the Crown, and was remanded, on suicide watch, at Brixton prison. The prosecution had some legal trouble arguing its case, and resorted to circulating extracts from Casement’s diaries, which contained details of his (illegal) homosexual activities, to influence those calling for clemency (among which were notables such as Sir Arthur Conan Doyle and George Bernard Shaw). Casement was hanged at Pentonville prison at 9am on 3 August 1916. Further information is available at Wikipedia, BBC, Stephen Stratford’s website, Irish Historical Mysteries. The Times report of the execution is also available at Stratford’s website.

Casement, it seems, was an intermittent diarist, keeping an account of himself from time to time in pocket diaries (with space for each day of the year) or cash agenda note-books. The term ‘Black Diaries ’ was coined by by Peter Singleton-Gates and Maurice Girodias in their 1959 book of the same name. Some 20 years earlier (in 1936), though, William J. Maloney had published a work claiming that he had proved the diaries used to blacken Casement’s name had been a forgery - something many people had people believed since his execution. It was not until 2002, following a detailed and independent forensic examination of the diaries, that it was proved, beyond reasonable doubt, that they were genuine.

The same year, Belfast Press, brought out Jeffrey Dudgeon’s Roger Casement: The Black Diaries with a study of his background, sexuality, and Irish political life. It contains Casement’s diaries from 1903, 1910 and 1911. This was the first time, the Black Diaries, with all of Casement’s promiscuous thoughts and actions laid bare, had been published. Dudgeon includes a large amount of additional information, in fact creating more of a biography supplemented by a few chapters on the diaries. The book runs to 650 pages less than half of which are diary texts, and the diary extracts themselves are heavily adulterated with Dudgeon’s notes in bold font enclosed by square brackets, often doubling or more Casement’s own words.

Some pages of Roger Casement’s Diaries - 1910: The Black and the White edited by Roger Sawyer can be read at Googlebooks (Pimlico, 1997). Extracts from One Bold Deed of Open Treason: The Berlin Diary of Roger Casement 1914-1916 (Irish Academic Press, 2016) can be read at The Irish Times. The following extracts, though, are from Dudgeon’s The Black Diaries (some pages of which can be previewed at Amazon).

20 November 1911
‘. . . Stopped at Mucuà at 4 p.m. and saw two rubber trees in tapping. Young Cearense of Sobral still there - splendid stern, thighs and testeminhos - a lovely boy. . . Fonseca at Santa Theresa higher  up - it is Peruvian territory. [On blotter] Got some mails by “Manco” today at 10.30 a.m. meeting “Hamburgo” on her way up . . . Saw fine Indian boy in Janissius canoe that brought him over. A big strong fellow - nice face and great thick stiff one which he felt often under grey pants.’

21 November 1911
‘Arr. Nazareth at 10 and after some hours there up to Marius Levy’s where shipped 65 cases rubber (101⁄2 tons weight) . . . Back to Nazareth - young Italian, stout but very nice face, huge stern, thighs and immense big one, long, thick, soft, he fingered often and one could see it hanging down 6” or 7” inches long - through very thick trousers too. Left Nazareth at 5 with “Le Journal” from Belém. Up to 5 Oct. giving Italy-Turkey war and strike in Ireland. At union and mouth of Javari at 9.30 and on to Leticia.’

22 November 1911
‘At Leticia since 11.30 p.m. Left only at 7.30 a.m. taking up Peruvian officer and family and enormous mass of rubbish of furniture including 5 jerrys! Cold is again very bad. Left letters to Tom, Gallwey, O’Reilly and Bernardino. . . Clock on church is painted strip of canvas always at 11.45 a.m.! . . . Met “Elisa” and got papers - including a “Truth” with part of Paredes’ summing up. José came and asked me for photo in Iquitos - looking lovely and then at 8.30 for cigarette papers and later I called and pulled mine and asked for water. Also with Pilot’s boy.’

23 November 1911
‘Lovely day. We are steaming very well and expect to be in Iquitos before 10 a.m. tomorrow. Read letters and drafted a long despatch to F.O. giving as my opinion the unlikelihood of Peruvian Government acting seriously . . . lots of logs still - often striking them hard. At 8 p.m. a huge one nearly swept away a man and case of rubber. . . Return to Iquitos.’

24 November 1911
‘Arr. 9.55. Antonio Cruz came on wharf and will come Sunday 8 a.m. Saw some big ones on Indian boys and then up ladder at top a young Spaniard with huge soft big one under blue pants. At my corner the lovely 6 foot young Inca policeman and his up at full half cock! Simply enormous, all down left thigh and thick too - fully 71⁄2 and huge testeminhos too. I now am sure of the Indians! Many letters from Mrs Green and others. Saw the Cholo policeman again going to lunch and it was huge, half down his thigh and he 6 foot and lovely. Then the small policeman passed and his too enormous. Then Paredes young Editor also very big. José came at 3.15 looking very nice and it was half up and showed big. Gave 5/8 for Spanish boo. Saw the young policeman while talking to José and it was simply huge. Both pure Cholos.’

Libertie of the kirk

James Melville, a teacher and protestant activist, was born all of 460 years ago today. He was the son of a Scottish minister, and nephew to Andrew Melville a leader of the Presbyterian movement, but he is best remembered for his diary which presents ‘a vivid and intimate portrait of church life’ in Scotland at the time, and is a prime source of biographical information about his uncle.

Melville was born on 25 July 1556, son of the minister of Maryton, Angus, Scotland. He was sent to school in nearby Montrose, and was taught the rudiments of languages, before entering St Leonard’s College, St Andrews, where he matriculated in 1570. After university, also in St Andrews, he was invited by his uncle, Andrew Melville, a Presbyterian, to teach at Glasgow University. From 1875, he taught Greek classics, maths and philosophy, but then, in 1850, moved, again following his uncle, back to St Andrews, St Mary’s College, where he mostly taught Hebrew. He married Elizabeth Durie in 1853, and they would have six children.

The following year, Andrew Melville fled to England, and soon after his nephew also (in fear of actions against Presbyterians directed by bishop Patrick Adamson). However, the tide turned against Adamson and by the following year the Melvilles were back in St Andrews. In October 1586, James Melville was made minister of Anstruther and Kilkenny in Fife. In 1590 he was appointed as a commissioner for preserving and promoting protestantism in Fife. He published several religious works; and in 1594, with his uncle, he accompanied King James I on an expedition against the northern Roman Catholic earls.

As moderator of the General Assembly in 1589, Melville opposed James’s episcopal schemes. Indeed, the latter part of his life was blighted because of his ongoing opposition to royal supremacy over matters ecclesiastical - not least by being detained for some years outside Scotland. After the death of his wife, he married again in 1612, but then died himself in 1614. Further information is available form Wikipedia or the Oxford Dictionary of National Biography (log-in required).

Parts of James Melville’s diary were first included in David Calderwood’s 1678 History of the Kirk of Scotland, but the diary itself was given a first printing by the Bannatyne Club in 1829, and then by the Wodrow Society in 1842. The latter was edited by Robert Pitcairn and entitled The Autobiography and Diary of Mr James Melvill, with a continuation of the Diary (volume 1 and volume 2 both freely available at Internet Archive). According to the ODNB, the diary ‘paints an admiring picture of one of its leading figures, his uncle Andrew, and presents a vivid and intimate portrait of church life which is generally faithful to the facts.’ It is also an important primary source for Andrew Melville’s biographers.

Here are two extracts, though the spelling and language (as reproduced in the the 1842 edition) are rather archaic - as far as I can tell there are no modern versions.

27 April 1597
‘The 27 of Apryll, anno 1597, Mr Robert Pont, Moderator of the last lawfull Generall Assemblie, cam to St Androis of purpose to keipe the dyat apointed for the Generall Assemblie; bot finding nan convenit ther bot the Province of Fyff, cam to the New Collage Scholl, the place apointed for the said Assemblie, and ther, efter incalling of the nam of God, and humble confessioun of sine, that haid procured that brak and desolatioun, cravit mercie, and fensit the Assemblie ther ordourlie in the name of God, taking notes and documents of protestatioun for the libertie of the Kirk. But, alas! even then that libertie began to be almost lost! For thairefter, to utter it in a word, whar Chryst gydit befor, the Court began then to govern all; whar pretching befor prevalit, then polecie tuk the place; and, finalie, whar devotioun and halie behaviour honoured the Minister, then began pranking at the chare, and pratling in the ear of the Prince, to mak the Minister to think him selff a man of estimatioun!’

5 May 1609
‘The Commissiouneris foirsaid conveinit in the morneing, at the place befoir nameit; and, efter prayer, the Moderator propounit that ane on aither syde sould be nameit and appoyntit to reassoun the first questioun. Mr Patrick Galloway, being deeyrit to speik, answerit, that it wes most convenient to reassoun the matter be wrytt: First, For eschewing of jealousie, idle, and hait speiches, superfluous digressiounes, and impertinent discourses, quhairby Brither mycht be irritat, and tyme unprofitabilly spent: 2dly, For avoyding different reportis to be maid be the Brither of different judgmentis efter the Conference endit: And, thairfoir, he desirit the uthir pairtie, that they would schortlie and cleirly sett downe thair oppinioune in Articles, tuiching that matter, and Reassounes quhairby they would confirme the same; promiseing that the said Oppiniounes and Reassounes sould be plainelie and brotherlie answerit, so succinctlie as wes possibill to be concivit and expressit be thame in wrytt. Maney thingis wer objectit againes that answer and offer; but all the objectiounes wer answerit. And so, the Ministeres, standing constantlie to their resolutioune, the uthir partic desirit that they mycht advyse among thamselff annent the premisses: Unto the quhilk desyre the Ministeres aggrieit, and removit thame selffis; and the uther partie, with his Majestie’s Commissiouner, sat still.’

Diary briefs

Diary of a pyramid builder! - Mail Online

Battlefield Surgeon - University Press of Kentucky, The Daily Beast

Abolitionist’s diary goes online - Historical Society of Pennsylvania, Philly Voice

Mary Astor’s Purple Diary - W. W. Norton, Oregon Live

Appeal to buy Shenandoah officer’s diary - State Library Victoria, ABC.net

Why I killed my children - Daily Mail

Anaïs Nin reading from her diary - Open Culture

Great War Somme diary - Staffordshire Newsroom

Stonington war diary auctioned - The Westerly Sun

Václav Havel prison diaries - Radio Praha

Diary of young Philippine hero - Inquirer

Housewife behind enemy lines - Manchester Evening News

Bobby Sands film based on diaries - The Irish News

Diary exposes fake bill scam - Bangalore Mirror