Monday, June 29, 2020

The game of literary cryonics

‘It’s a private Journal. No one has ever seen a page of it. And the question remains - why do I write it? I suppose, subconsciously, anyone who keeps a diary or journal expects it to be seen or read by someone else some day, maybe even hoping that it will be read. I suppose, too, such daily records are kept as an effort to achieve mini immortality, extend one’s identity after one’s death. You may be gone, but with luck your Journal will be in the possession of others alive, or in a college and available to living persons, and in that way you continue to live, even for moments, hours, days again. It’s really the game of literary cryonics.’ This is the famous American author, Irving Wallace, who died 30 years ago today, trying to explain to himself why he keeps a journal. He kept diaries irregularly for much of his life, but only a few extracts have ever appeared in print.

Wallace was born in Chicago, Illinois, in 1916 to Jewish parents both immigrants from Russia. He grew up in Wisconsin, where he was schooled locally. He is said to have sold his first magazine story when he was 15. On leaving school, aged 18, he traveled with friends to Mexico and parts of Latin America. He studied creative writing at the Williams Institute in Berkeley, and from the mid-30s he worked as a freelance correspondent, sometimes for national magazines. He won an assignment to travel to the Far East, returning with the idea that Japan would go to war. He married Sylvia Kahn, a magazine writer and editor, in 1941, and they later had two children. The following year, he enlisted in the Army Air Force, where he was placed in the First Motion Picture Unit.

After the war, Wallace returned to freelancing for periodicals, with various assignments in Europe, but he found himself increasingly in Hollywood, where he collaborated as a screenwriter on several films, such as The West Point Story and Split Second. By the second half of the 1950s, though, he was focusing on writing books. His big break came with The Chapman Report, a novel influenced by the recently published Kinsey Report. This was translated into a dozen or more languages and earned Wallace a quarter of a million dollars in a little over a year. Many other popular novels followed, such as The Prize (1962), The Word (1952) and The Fan Club (1974) several of which were made into films. One of his editors (at Simon & Schuster) has been quoted as saying Wallace invented a style of novel that is at once a strong story and encyclopedia, with ‘some sex thrown in to keep the reader’s pulse going’. Wallace, Kahn and their two children (both of whom became writers) variously collaborated to produce a series of popular non-fiction publications under the titles The Book of Lists and The People’s Almanac.

Wallace is considered to have been one of the best-read and best-selling 20th-century American authors (yet he doesn’t seem to rate an entry in Encyclopaedia Britannica). He received a number of honours during his lifetime, not least the Supreme Award of Merit and honorary fellowship from George Washington Carver Memorial Institute for writing The Man (1964). He died on 29 June 1990. Further information is available online at Wikipedia, Authors’ Calendar, New York Times.

Wallace kept journals and diaries irregularly through his life, and these have been documented, to some extent, by John Leverence in his Irving Wallace - A Writer’s Profile published in 1974 by The Popular Press. Some pages can be previewed at Googlebooks, and the full work can be digitally borrowed for one hour (!) from Internet Archive. Wallace first kept a journal on his youthful trip to Central America. On his return, he used this to write a first book, My Adventure Trail. However, it was never published, not then, nor later after he had refashioned it from a romantic tale to a more honest and realistic narrative. Leverence has some extracts from the diary

9 September 1934
‘Left Keno at 12:30. [. . .] Left folks at the state line. Both Ma and Pa cried terribly. Our car, Petasus, went well, except for part of the top tearing off.’

21 September 1934
‘Went over to Mexico at night. A new world! Foreign speech, attractive natives, odd food - God! how can I describe it. Went to a 10c a dance joint, ‘The Pullman,’ where we danced with professional harlots!’

26 September 1934
‘At 7 this morning we set out to climb 6,000 foot Saddle Mountain.

We hiked 10 miles to the mountain. There we started up a stoney trail, into brushes, into a million cactus plants, into slabs of stone. We climbed until 1:30 - and just at the summit I told the others to go on - I could never reach the top. (Neither did they.)

So alone, I started down, lost my way, bumped on a rock and passed out, lost my $23 camera. I thought I was going to die. The sun blinded me, the cactus cut, my fingers bled, my legs buckled - I couldn’t stand, kept falling - stumbling - rolling.

I got to a road, I don’t know how. Then I just lay down and slept. I was happy I wasn’t going to die.

I’m sick of mountain climbing.’

According to Leverence, Wallace kept some typed notes of interviews and observations during his Far East trip, but otherwise did not really resume the diary habit until his first trip to Europe with his wife, in 1946-1947: ‘but by the time they reached Spain he was too occupied writing magazine pieces to continue, and it was done by Sylvia. The European Journal was extremely helpful later in recollecting incidents and characters for The Prize and The Writing of One Novel.’

Wallace restarted his journal in late 1956 or early 1957. Leverence has this quote from Wallace’s diary: ‘Once, in Mexico in 1934, I kept a diary, and from time to time, since, I have made notes on events, meetings with well known personages, anecdotes, reflections. But now I have decided - at the somewhat advanced age of 42 years and 9 months - to keep an irregular Journal of doings and thinkings.’


Wallace, Leverence adds, did not write in this Journal every day, but used it as a summary Journal to record his relationship with his wife, the growing up of his children, his changing attitudes, his health, the books he was writing, and the people he had met. This is the final entry (on the day his mother was buried) dated 18 January 1970: ‘Services in chapel of Hillside Memorial Park. From 1 to 1:30. Then, to Court of Devotion, gathering around casket, where kaddish was read at 1:45. Then, after a while we all left.’

However, from December 1961, Wallace had been keeping a more detailed Journal spending several several hours each Friday writing about the week’s events. Over time, he began to write in the journal every day, and, according to Leverence, was still doing so at the time his (Leverence’s) book was published (i.e. 1974). There are twenty-six lines to each dated page, Leverence says, and Wallace never fills more than one page ‘To write more would be burdensome and discourage him from going on with it,’ Leverence says.

Finally, Leverence provides this informative quote from Wallace’s diary.

‘It’s a private Journal. No one has ever seen a page of it. And the question remains - why do I write it? I suppose, subconsciously, anyone who keeps a diary or journal expects it to be seen or read by someone else some day, maybe even hoping that it will be read. I suppose, too, such daily records are kept as an effort to achieve mini immortality, extend one’s identity after one’s death. You may be gone, but with luck your Journal will be in the possession of others alive, or in a college and available to living persons, and in that way you continue to live, even for moments, hours, days again. It’s really the game of literary cryonics.

But all that about motives is guesswork. What is not guesswork is the conscious reason I keep my Journal. The main reason is that I like it as a personal record to refer to years later when I’m writing about events past in fiction or nonfiction. As a reference, it is absolutely invaluable. Even in the most minor ways. When I was writing the chapter called ‘Intrigue Express’ in The Sunday Gentleman, I tried to recollect a certain encounter I had one night on the Orient Express somewhere between Venice and Paris. And lo, I found it in my Journal under an entry made on the train on August 24, 1964. The entry refreshed my memory and i was able to write the tag to my chapter: “Yes, Virginia, there is an Orient Express. You can ignore the obituaries and pallbearers. They are the lie. And one more thing, Virginia. Ignore the debunkers. Listen to me. I was up at three that last morning, in the aisle of the Orient Express as it sped through Switzerland and France - and you know what? There was a lady in distress. True, she was only on her way to the bathroom. But she was swathed in a long mink coat, a mink coat and nothing else, Virginia. When that happens on an airplane, I’ll turn in my Wagons-Lit ticket and fly. But not before. No, never.” ’

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