Dunlap, painter and playwright

‘Glenn my Landlord comes to tell me that he will have his two daughters painted in Oil, the Girls so preferring, and I am to do them at $25 each. This restores me again.’ This is from the diary of William Dunlap, who died 180 years ago today. He was a pioneer playwright and theatrical manager in New York City until bankruptcy - money was a chronic concern - forced him into painting society portraits for a living. His main claim to fame is an encyclopaedic history he wrote on the arts, but his diary is also considered an important primary source of information on American society and culture during the first half century of the Republic.

Dunlap was born in 1766 in Perth Amboy, New Jersey, the son of an army officer. He left school at the age of 12 when an injury left him blind in the right eye, but he soon developed an interest in drawing and began copying prints and executing portraits in pastel. Aged 16 he began painting portraits in oil, and indeed painted one of George Washington which is now owned by the US Senate. Dunlap was then sent to London to study with Benjamin West - an artist born in North America but who had settled there some 20 years earlier and had been instrumental in launching the Royal Academy. Dunlap returned to New York City in 1787 where he completed a first major canvas, The Artist Showing a Picture from Hamlet to His Parents. However, he had picked up the theatre bug in London, and soon found himself focusing mostly on writing plays, and then producing them. His first, The Father, or American Shandyism, was performed in 1789.  That same year, he married Elizabeth Woolsey, and they later had two children.

For the best part of the next two decades, Dunlap worked exclusively in the theatre, writing (more than 60 plays, many adaptations or translations from French or German originals) and managing, only to resume painting (miniatures) after he became bankrupt in 1805. He continued to invest his time in the theatre world until 1812 when he turned to executing portraits on commission. After working as assistant paymaster general in the New York militia for a couple of years, he began to paint large canvases of religious and historical subjects. He exhibited regularly at the American Academy of the Fine Arts in New York, and was a member from 1817 to 1828, and well as keeper, librarian, and a member of the board of directors from 1817 to 1819. In 1826 he helped found the rival National Academy of Design, where he served as vice president from 1832 to 1838. He exhibited there from 1826 to 1838, and from 1831 to 1838 was the professor of historical composition.

Dunlap is best remembered for his encyclopaedic three-volume History of the Rise and Progress of the Arts of Design in the United States, published in 1834, which is still considered today an important source of information about artists, collecting, and artistic life generally during the colonial and federal periods. He died on 28 September 1839. Further information is available online from the National Gallery of Art, Wikipedia, Encyclopedia.com, or American Art Gallery.

Dunlap kept a diary for much of his life, and may have left behind 30 or more small volumes. However, only 11 of them - extending over a period of 48 years - were found when, in the late 1920s, The New York Historical Society decided to publish them. Issued in 1930 as Diary of William Dunlap (1766-1839) - The Memoirs of a Dramatist, Theatrical Manager, Painter, Critic, Novelist, and Historian, all three volumes are freely available at Internet Archive (Vol 1 1786-1798, Vol 2 1806-1822, Vol 3 1832-1834). In its preface, the Society noted that Dunlap’s diary had been consulted in manuscript form to good purpose, by historians of drama and painting, but that now, by printing it in a more ‘convenient form’, the diary ‘should be an invaluable source for many phases of American society and culture during the first half century of the Republic.’

In its introduction, the Society goes on to explain that the three printed volumes represent three periods of Dunlap’s life:‘The first includes two years of great importance to the history of the New York stage, when Dunlap was manager of the Old American Company of Comedians, and a lessee of the Park Theatre. The second volume is devoted more particularly to his life as an artist, when, after his bankruptcy, he painted portraits throughout the eastern states as a means of livelihood, returning to the theatre for only a short time as a salaried manager to Abthorpe Cooper. The third volume [. . .] finds Dunlap, old, ill, and impoverished, summing up the knowledge and experience of a life time, in his histories of the American theatre and American arts.’ 

The following extracts are all taken from the second volume, exactly as published (inc. spelling errors etc.).

18 October 1819
‘Take the Steam boat for Bristol to see Cooper for information respecting the south & for letters. Sully has not had a portrait to paint for Phil: since May last & but four for Strangers, he is painting Washington crossing the Delaware, for Exhibition - a fine Composition. In conjunction with [James] Earl[e] he has erected a Gallery & they Exhibit some good pictures but with out success as to profit. Leslie’s Death of Rutland, bold, broad, fine. Horse & Snake. Landscapes by Shaw, good, colouring like Loutherburg. A small Landscape by Gainsborough beautiful & bold. [Charles B.] King is at Washington he will show me some machines for preserving Colours when ground. I called on Warren yesterday, who is always the same good natured, fat, friendly creature, he has 4 or five children by his last wife - politely invites me to the Theatre & greenroom. They have played 12 nights to some profit. I understand that it is to Newcastle 40 miles, by land to hd of Elk 18, by water to Baltimore.

Arrive at Bristol & find that Cooper had gone to Philadelphia. Walk to the Shamony & returning to Dinner, find Cooper landing from Steam Boat and return to his house with him - pass the day & followg night. He gives me letters to [blank] in Fayetteville, Newburn, Wilmington, Raleigh.

To ask S respecting Mr S’s push I did so, and he said he began the business unknown to Trumbul, but soon told all & T appeared pleased to instruct him.’

25 October 1819
‘Prepare to paint a Miniature, but to my great chagrin my Landlord tells me he cannot give me employment, for if one is painted all must be painted. Morse comes to see me & mentions a little loan of money I made him when I last saw him, with promise of repayment before I go. F. Lewis calls to see me. Morse says his situation in the Navy is secure, it is 55 dols pr month. He only needs an arrangement with his former creditors in Massachusetts, to enable him to take orders & obtain a good living. They call him here Doctor Morse. Glenn my Landlord comes to tell me that he will have his two daughters painted in Oil, the Girls so preferring, and I am to do them at $25 each. This restores me again. Returning from a walk to the north over the same arid plain cover’d with pine which is seen in every direction except where water diversifies the prospect, I found the following polite note: “Chas H Graham will be pleased to see Mr Dunlap at the Theatre whenever that place offers any amusement for him. Monday afnoon 25th Oct 1819.”
 
I wrote a note in answer and leaving it at the door of the Theatre went in & saw a Comedy new to me called “The sons of Erin. I was pleased with it, and found unexpected good acting in some men whose names I had never heard to remember. Mr Finn is natural, has good judgment, good voice, pretty good person, expressive countenance, an easy genteel manner without being graceful. Mr Brown played an Irish servant extremely well. Mr Dalton, a coxcomb in pretty good style. Mr Thomas was above mediocrity. The ladies were my old acquaintances Mrs Young, Mrs Clarke (formerly Miss Harding) Mrs Hayes (formerly Claude & once Miss Hogg) Mrs Wheatley. Mr Pritchard, whom I met yesterday, is to play Othello on Wednesday, first time of appear here.’
 
8 November 1819
‘Call at Mr Southgates (to whom I was last night introduced) and pass half an hour with Bishop Moore. He is visiting his Diocese, returns here in about a fortnight & then goes home to Richmond. I am to paint his picture gratuitously, he being pleased with the offer, to be given to some friend to the North. He has children in Philadelphia. He recommends my being in Richmond during the session of the Legislature, promisses me his assistance & thinks I shall have employment. Mrs Southgate talks of a picture. Paint on the two Misses Glenn. Evening meet Gilfert at the Theatre. He says he can promise me 2 or 3 portraits to paint in Richmond. I have engaged a room to paint in, at a house but a short distance from my Hotel.’

18 November 1819
‘Mr More, the painter above mentioned as introducing himself to me, hearing that I was going towards Richmond, suggested my stopping at Surry Court house to paint the family of a Mr Price & a Doctor Graves, who wished him to do it, but he had no oilapparatus, he asked 50 dolls for a portrait. On talking to Mr Glen he knowing Price, I write to day to him, & offer to come thither on an engagement for at least 4 portraits at 30, 50, or 75 dolls according to size. Paint on Glen. We have in the house Mr Wrifford a teacher of writing, a New England man, a character, he affords me entertainment, by shrewd remarks & eccentric manners. He is a singer & has a noble voice. Evening read in Kings. How does Elisha’s words “take my life for I am not better than my fathers” agree with the notion of his being an incarnate Angel? The book says 7000 had not bowed the knee to Baal, the Commentator says 7000 does not mean 7000 but a great many thousand, a majority of the nation, soon after the fighting men of Israel are number’d at 7000 & the commentator laments that Israel was so thinned, so reduced in number. “A Wall fell upon 27000 men & crush’d them” says the Com: “probably a burning wind is meant” We are told that what is translated ashes may mean bandage or fillet. Again ‘‘Gan Yirek may mean Garden of herbs or Grass plat. “Naboth did blaspheme God & the King” may be render’d “Naboth hath blessed God & the King” and the word barac may mean either bless or curse. How then is a sincere man to read this book? Again Ahab walked softly may be “barefooted” or groaning or with down hanging head. This curious Book must then it would appear be read with constant doubt as to the meaning of the original independent of all other doubts.’

A director’s loneliness

Happy 70th birthday Pedro Almodóvar. He is surely the most famous of Spanish filmmakers alive today, and second only to Luis Buñuel in importance in the history of Spanish cinema. He is not a diarist, by his own admission, but on one occasion, while making the film Volver, he kept a diary of sorts. It’s full of confessional thoughts - but these are far from private as they were written to be shared with his public, as in this example: ‘A director’s loneliness is sacred. And the director himself should be the first to respect it, without sharing it with you as I am doing right now.’

Almodóvar was born on 25 September 1949 in Calzada de Calatrava, a small rural town in the province of Castile-La Mancha. When he was about nine, the family, moved to Madrigalejo, a town in Extremadura, where he was sent to study at a religious boarding school to prepare him for a life in the church. Aged 18, though, he left home for Madrid where he began to pursue his dream of becoming a filmmaker. Thwarted by the closure of the national film school, he purchased a Super-8 camera and began making his own short films, all the while supporting himself with a variety of odd jobs. At the time, he was much involved with experimental cinema and theatre. In 1980, he produced his first feature film (Pepi, Luci, Bom), and then Laberinto de pasiones, the first of several films with the Spanish actor Antonio Banderas.

In 1986, he joined forces with the producer Andrés Vicente Gómez to make Matador, and in 1987, he and his brother Agustín Almodóvar established their own production company: El Deseo, S. A. His first major critical and commercial success came the following year, with Mujeres al borde de un ataque de nervios (Woman on the Verge of a Nervous Breakdown). Almodóvar’s reputation continued to soar, not least with Todo sobre mi madre in 1999 (All about My Mother), which won an Academy Award for best foreign-language film. He was also honoured as best director at the Cannes film festival. He continued to direct films, roughly one every two years, many of which won prizes and were nominated for many more. Volver in 2006 won him the Best Screenplay prize at Cannes, and the Best Actress prize for his entire female cast. His most recent film - Dolor y gloria - was released in March 2019. Almodóvar is gay, and has been with his partner, actor and photographer Fernando Iglesias, since 2002. Further information can be found at Wikipedia, Encyclopaedia Britannica, IMDB, and The New Yorker.

There is no indication among these biographical details that Almodóvar is a diarist. Indeed, Paul Julian Smith in an essay entitled Almodóvar’s Self-Fashioning (to be found in A Companion to Pedro Almodóvar - see Googlebooks, page 31) quotes Almodóvar himself as saying ‘I’m not a diary writer.’ Nevertheless, on at least one occasion, he did keep a diary of sorts - during the making of Volver. This was published as Volver: A Filmmaker’s Diary in a collection of essays, All About Almodóvar: A Passion for Cinema, as edited by Brad Epps and Despina Kakoudaki (University of Minnesota Press, 2009). Some pages can be read online at Googlebooks. It is worth nothing, though, that the ‘diary’ does not meet a couple of the requirements usually applied to diaries: firstly, none of the entries are dated, and, secondly, they are often addressed directly to his reading audience (rather than to himself). Here are several extracts from the ‘diary’.

‘On the other side of my desk, in my office in El Deseo, sit three of the actresses who will star in Volver. Each of them embodies an important return. The most anticipated is that of Carmen Maura, but there are two additional returns, full of sense and sensibility: Penelope Cruz, with whom I’ve worked twice before [in Live Flesh and All about My Mother], an actress and a woman whom I adore both on and off the set; and Lola Dueñas, with whom I worked in Talk to Her (she was a nurse, a fellow worker of Javier Camara, and I felt like repeating the experience).

I am extremely agitated about the meeting. Despite the fact that the role assigned to me in this circus is that of the master of ceremonies, it doesn’t mean that it’s easy for me to break the ice. But that’s what it means, among other things, to be a director - at least, in a European country. I’m the icebreaker, the chimney that warms the atmosphere, the mother-father-psychiatrist-lover-friend who, with a simple word, can help you regain your self-confidence.’

***

‘Films, the collection of all the processes that make up a film, entail a wide array of questions - hence the adventurous nature of a shooting. The adventures worth isn’t proportional to the number of answers one finds along the way, it is proportional to the resistance of the people involved. What happens is that the director is driving a train with no brakes, and his job is to make sure that the train doesn’t derail. That’s how Truffaut saw it.

My first question is always similar: Will I feel the same passion I felt the last fifteen times about the new story? Without an answer to this question, it is best to avoid getting involved in a new project.

With Volver the answer is certainly, “yes.” Once again, I have the feeling of handling a story - a fable, a treasure, and a secret - in which I am anxious to engross myself.’

***

‘The first week of shooting is over. I came to Madrid on Friday, at the end of the days work. The “girls” and most of the team stayed behind in Almagro. I miss them, and I like that. I can concentrate better in the solitude of Madrid and I prefer to feel homesick for the shoot and to see it from a distance, in perspective. I leave Almagro in order to miss it. I feel that my films are getting progressively more autobiographical. At least, I am much more aware of how my memories stroll along the sets, like the breeze along the streets of Almagro at night.’

***

‘We leave Almagro today. I am writing from a patio that is swamped with electric material and rocking chairs with “No sitting” signs. It is one in the afternoon and all the shots we have to do today take place in the street and its impossible to shoot until at least four because the sun multiplies on the white walls; the light is blinding and far too flat. We have to wait. The team has disbanded; at this point I like to stay in one of the lifeless interior sets and enjoy the solitude, the clutter of objects, and the silence.

During these two weeks, contact with the villagers has been wonderful. Both with those we cross in the streets and with those who have worked with us as extras. In most of the sequences of La Mancha there are groups of women and men, and, I must say, I’ve never had better extras. There is something priceless about them; everything that they are supposed to do in front of the camera mirrors their own lives. Their presence has given depth and truth to the sequences in which they participate. Women from this land know well what it is like to clean a tombstone, to pray at a wake, to greet the neighbors. And the faces of the men, slowly weathered by the sun and the wind, have a weight and an expressiveness that would be impossible to improvise.’

***

‘Do you like films with ghosts?

Not normally. I am interested in how Buñuel or Bergman treats the apparition of the dead without changing the light or resorting to special effects. Ghosts appear in front of the person who is thinking about them without pyrotechnical effects. They are inner ghosts. I like Hitchcock’s Rebecca [1940] and Vertigo [1958]. And Sunset Boulevard [Billy Wilder, 1950], where the leading character, who is floating dead in the pool, talks about himself when he was alive, as if he were a ghost trapped by the desires of another ghost (Norma Desmond, who in turn is cared for by the phantasmagorical Erich von Stroheim). William Holden when alive is the ghost of the drowned William Holden. A wonderful use of the offscreen voice, endlessly imitated since then. I also like Tourneur, when he tells stories about beings of other species. In general, I don’t like horror stories with ghosts (M. Night Shyamalan), or films with angels, or with U.S. presidents who keep on saving the world.

What ghost does Volver evoke?

It isn’t a ghost, but the whole film is infused with the presence of my absent mother.’

***

‘This week is less intense; we are shooting many of those sequences necessary for credibility, where actors go in and out of houses, stop cars and park them, etc. Everything is important in them, but these sequences, required to locate the action and establish its geography, are hard for me. In La Mancha there were doors also, but people left them wide open so they didn’t interrupt action, but allowed it to flow instead. Those shots of entrances and exits from cars or houses are a requisite of him orthography, even if in quite a number of thrillers the screenwriter and the director decide to make characters appear at each others spaces effortlessly, disregarding all obstacles. Take a look at Basic Instinct [Paul Verhoeven, 1992] and you will see what I mean. Characters show up inside other people’s houses as if they walked through walls. And that’s not right.’

***

‘There is a moment, during each of the processes involved in making a film, when I go to pieces and think that I have irretrievably lost control of my movie. It happens when I write it, while we are shooting (when editing I suffer more that one crisis) and, certainly, when the film is ready and no one has seen it yet, that’s when I truly shit myself.

In order for the crises to be short-lived, you need to have a very close relationship with what you are shooting. I know these crises; I’ve experienced them in every single one of my fifteen previous films. Always. As with all passions - and for me, making movies is essentially a passion - crises evaporate when one irrationally loves what one is doing. (And it has nothing to do with whether the film afterwards turns out to be good or bad, whether the crises were justified or not; often crises arise out of very specific problems. I’m talking about the crises that surface without a justifiable reason and still manage to drag you down into a sea of confusion.)

I am currently living one of those moments. I feel (and I am sometimes absolutely positive) that all I am doing is a mistake, including this “dear” diary. Experience tells me that the only thing that I can do is to take the plunge and closely watch every movement, every shot, every phrase, every pause, every tear, and every joke. I shouldn’t be talking about this. A director’s loneliness is sacred. And the director himself should be the first to respect it, without sharing it with you as I am doing right now.’

A new phase of history

‘The war is coming nearer and nearer to us and it makes one think all the more. We are living in a new phase of history the course of which no man can foresee. Nobody believed that we should be engaged in war, certainly not in a death struggle so soon. We made no preparations, even for war industry to be developed, and we cannot now catch up. It is too late. The year may see us beaten, but it cannot bring us to the defeat of Germany, unless it is by economic means.’ This is from the diaries of Sir Edmund Ironside, a British army general veteran of both world wars, who died 60 years ago today. His diaries, which are extremely readable, provide a fascinating glimpse of British decision-making in the run-up to the Second World War, and during its first years.

Ironside was born in Edinburgh in 1880 into a military family, though his father died soon after his birth. Subsequently, his widowed mother took him often to the Continent, where he developed an ability for learning languages. He was educated in St Andrews, then at Tonbridge School in Kent before being admitted to the Royal Military Academy, Woolwich. He was a tall, strong man and excelled at sports, acquiring the nickname Tiny. 

Ironside was commissioned into the army as a second lieutenant with the Royal Artillery in mid-1899, being despatched soon after to South Africa, where he fought throughout the Second Boer War. He undertook some intelligence work at the time, and his escapades led to claims that was the model for Richard Hannay, a character in the novels of John Buchan. Subsequent postings took him to India and back to South Africa, and saw him rising to Brigade-Major by 1909. He entered the Staff College, Camberley, in 1912, but his course was cut short by the onset of what would become the First World War. He fought in the battles of Vimy Ridge and Passchendaele in 1917 and the following year, as acting colonel, he commanded a machine gun corps on the Somme, subsequently assuming command of the 99th Infantry Brigade. In 1915, he marred Mariot Ysobel Cheyne; their first child was born in 1917, their second in 1924.

Following the war, Ironside travelled to northern Russia as chief of general staff of the abortive Allied expeditionary force charged with countering the Bolshevik revolution. After serving as a military aide to Admiral Horthy in Hungary and as commandant of Camberley Staff College, Ironside spent time in India, was promoted to general, and in 1936 took over Eastern Command, Home Forces. Perceiving the onset of war sooner rather than later, he consistently urged the need to strength the country’s military capabilities. In 1938-1939, he served as Governor of Gibraltar. With the start of the Second World War, he was appointed Chief of the Imperial General Staff (CIGS) - a position he didn’t covet - and adopted a policy of strong defence in France, planning to send 20 British divisions. He also planned to send three divisions to strategic Norway, but the German army arrived first. In late May 1940, he advised Prime Minister Churchill that on a visit to France he had detected a sense of defeatism among the generals there, and he advised that British forces in France should be evacuated. Churchill agreed to put him in charge of the home army in Britain, a position he much preferred to CIGS.

However, Ironside’s plans for home defence soon ran up against much criticism, and within months Churchill had relieved him of his position. Six weeks later, in retirement, he was appointed a field marshal, the army’s highest rank. He was raised to the peerage in the New Year Honours as ‘Baron Ironside of Archangel and of Ironside in the County of Aberdeen’, and retired to Morley Old Hall in Norfolk with his family. He died on 22 September 1959. Further information is available at Wikipedia, Find a Grave, The Peerage, or the Oxford Dictionary of National Biography (log-in required). Some pages of Ironside: The Authorised Biography of Field Marshal Lord Ironside (by his son, Edmund) can also be read online at Googlebooks or Amazon.

Ironside started keeping a diary in his 20s (‘since his subaltern days’, say Roderick Macleod and Denis Kelly, the editors of the first published collection of his diaries), and he did so, as he said himself, ’to refresh and correct his recollection of the past’. The Ironside Diaries 1937-1940 was published by Constable in 1962, and came about partly at the initiative of Macleod (who had been Ironside’s Military Assistant when he, Ironside, was CIGS). Ironside had forbidden publication of his diaries, but when Macleod sought his help for writing a history of the 1937-1940 period, Ironside relented, giving him carte blanche to quote from them. Ironside died before Macleod’s text was fully ready for publication, and subsequently it was decided that publishing a selection of Ironside’s diaries ‘would be of far more interest to the general public than any account based on the inevitable hindsight and second-thoughts of twenty years after’. 

Every night, the editors explain, Ironside ‘wrote a page and sometimes several pages in his clear and characteristically bold hand, in brown, leather covered, foolscap-sized volumes, each about half-an-inch thick’. They chose their selection from 12 volumes with some 850,000 words. A decade later, Leo Cooper published a second volume of Ironside’s diary extracts with the title High Road to Comman: the Diaries of Major-General Sir Edmund Ironside 1920-22 (as edited by his son, Edmund).

The following extracts are taken from The Ironside Diaries 1937-1940.

26 September 1937
‘About 12 o’clock about 20 cars came up the road. In the leading one, an enormous open grey six-wheeler, sat the Führer in light brown - almost biscuit colour - with a cap with a brown leather peak. On his right was Mussolini in his greyish field kit, almost a light blue. His great black face and big jaw stuck out fiercely. Then he raised his hand in a Fascist salute as did Hitler with his. The German seems less theatrical. Mussolini gave one the impression of trying to look fierce. He stalked up the hill with the Führer almost hurrying beside him. Neither of them big men in size. . . .

The air attack and the tank attack was then launched with a lot of popping and banging. Rows and rows of them coming in waves . . . It showed what a force Germany has created in such a short time, even though it is at the moment in many ways an experimental one. They still require a long time to perfect this great instrument of theirs.

Just after the attack commenced Goering came up in Air Force uniform and walked up the hill. A youngish but immensely fat man, with simply enormous legs. A fair unlined face, and a few longish hairs hanging down under his cap. I should say that his life is not a very good one, for he panted badly coming up the hill and was obviously distressed. He was surrounded by a small band of his party, all frightfully enthusiastic at being in the train of so great a man.

After the attack had been going along for nearly an hour, we, the British delegation, were ushered up towards the tent and introduced to the Führer. He came walking down to us in his long coat and I was at once struck by his vacuous-looking grin - one can hardly call it a smile - and his watery, weak-looking eye. . . Reichenau told Hitler that I could speak German, and I chatted for a minute with him in German. He complimented me and told me I spoke it like a German.

The man struck me not at all. His voice was soft and his German of the south. He made no more impression on me than would have a somewhat mild professor whom I rather suspected of having a drop too much on occasions.

I must say that I was disappointed. The man must have the stuff in him, but he didn’t make any impression upon me. Then, a minute later, Goering came gracefully as an elephant down to us . . . I thought Goering a nasty creature . . . a harsh and domineering voice.

One almost wishes that our rulers could have seen this show. They would have been impressed by the pace at which these people are working, by their obvious earnestness, their sincerity. The more I look at it the more do I think that they will pull off what they are after. The French want us to join with them in an offensive the minute that Germany turns eastwards and attacks her [i. e. France’s] allies there. Can their Army carry out an offensive? I should much doubt if the French soldiers will fight an offensive battle in support of any Ally so far away. . . An offensive against Germany from the West must penetrate very deeply and would be a question of an enormous invading force. It would mean something that France couldn’t, in my opinion, sustain for a minute.

C.I.G.S. worrying himself about little details instead of thinking of the big things. . . Manoeuvres are definitely off.’

27 August 1939
‘Down to Chartwell for lunch yesterday. . . Winston was full of Georges, whom he had seen over in France. I found that he had become very French in his outlook and had a wonderful opinion of the whole thing he saw. He had General Spears with him. The burden of his song was that we must have a great Army in France, that we couldn’t depend upon the French to do our effort for us. That we must get twenty Divisions by Christmas. I told him that we had no such plans in being. He showed me how the French were going to attack Italy and how they held the high ground round the Mont Cenis and looked down upon the Italians below them. I told him that the French had told him far more than they had told our General Staff, that I had been unable, as C.-in-C. designate, to get any clear plan out of things. Winston said that we were trying to get as much control in the conduct of affairs as if we had an Army of one and a half millions. This we couldn’t have. . . I rang up Macleod and he had been to the War Office where they said that news was difficult to get through, but as far as could be ascertained no big movement of the Germans had taken place. They expected them to begin tomorrow.’

6 April 1940
‘A very quiet War Cabinet, and my Instructions to the people who may have to act in Norway if the German reacts [to the mine-laying operation] went through without a comment.

Halifax reported that the Ministers had a difficult time handing in their Notes [telling the Norwegian and Swedish Governments that the Allies were about to lay mines] in Stockholm and Oslo. The old Swede remarked: “Then our two countries are very near to war.” What that meant I don’t know.’

7 April 1940
‘I cannot think that we have a War Cabinet fit to compete with Hitler. Its decisions are so slow and cumbersome. We still refer the smallest thing to a Committee. Halifax is much too good a man to compete with a lot of knaves. The Prime Minister is hopelessly unmilitary. . .  Winston becomes a sort of Chairman of the Co-ordination Committee. We shall have more strength there if he can be kept upon the proper lines. But the whole show is ponderous and clumsy.’

15 May 1940
‘This morning at 8 a.m., just as I was talking to Gort, the P.M. rang up and told me that he had been talking to Reynaud [on the telephone], who was thoroughly demoralized. He had said that the battle was lost. The road to Paris was open. Couldn’t we send more troops? Winston told him to keep calm, that these incidents happened in a war. We have no extra demands from Gamelin or Georges, both of whom were calm, though they both considered the situation serious. I told him this. Apparently the French are giving back at Namur and may bend back to Charleroi, still keeping a hold on us at Wavre. I shouldn’t be at all surprised if the line was back again upon the French frontier before long.

The Germans are using mechanized troops with very few infantry columns. The German tanks are very good and I think that there can be no doubt that the French have been caught unawares and that they have not fought well. That happened in the last war. Drastic steps had to be taken to put things right.

Winston told Reynaud that even if the French gave in we should fight on alone. He was quite calm and very firm.

Italy now seems certain to come in against us. Very soon too. . . Winston has asked the President of the U.S.A. to become nonbelligerent and to supply us out of stock - with forty destroyers amongst other things.

Then the Cabinet decided unanimously to bomb the Ruhr. It starts to-night. An announcement in the papers that the aerodromes of Holland would soon be completely in the hands of the Nazis and England would soon feel the weight of the bombing on her own body. We shall have had a start anyway. One never saw the necessity for courage and determination more [than] at this moment. It will be interesting seeing how the various people react. . . We at least have a Cabinet with some courage now.

I never saw anything so light up as the faces of the R.A.F. when they heard that they were to be allowed to bomb the oil-refineries in the Ruhr. It did one good to see it. They have built their big bombers for this work and they have been keyed up for the work ever since the war began. Now they have got the chance. I am wondering what the result in the way of reprisals is going to be. Shall we get it as soon as to-morrow night in return? It may be a diversion from the bombing in France. They may be too employed there to turn off from their targets.

The war is coming nearer and nearer to us and it makes one think all the more. We are living in a new phase of history the course of which no man can foresee. Nobody believed that we should be engaged in war, certainly not in a death struggle so soon. We made no preparations, even for war industry to be developed, and we cannot now catch up. It is too late. The year may see us beaten, but it cannot bring us to the defeat of Germany, unless it is by economic means.

I have a sort of feeling in the back of my head that if Italy comes in, and this seems pretty certain, she will be the Achilles heel of the Axis. . .’

31 May 1940
‘Apparently, people are pleased to hear of 75% of the men from the B.E.F. coming back with their rifles. In all the rush of trying to get down to the boats, the tendency to throw off all weight is irresistible. I can only hope that we are taking heavy toll of the Germans. With all the bombing going on we ought to be killing a good number. It will all take them time to reorganize and get going again. I also wonder if the French are fighting, too, to get away. I see that the C.-in-C. of the First Army has been captured somewhere near Steenvoorde. . .

Fifth Column reports coming in from everywhere. A man with an arm-band on and a swastika pulled up near an important aerodrome in the Southern Command. Important telegraph poles marked, suspicious men moving at night all over the country. We have the right of search and I have put piquets on all over the place to-night. Perhaps we shall catch some swine.

At 4.30 p.m. I went up to see the King and found him in very good form. He told me that two of the Corps Commanders, Adam and Brooke, were off and that Gort was coming off to-night. That they had 160,000 men odd off. He said that hoped to get off the remainder to-night. Some 11,000 French had come off. I told him how things were going, that we were short and that equipment was wanting everywhere.’

Things will not go well for Ghana

Kwame Nkrumah, the first president of Ghana, was born 110 years ago today. He led the British colony of Gold Coast to independence and oversaw his nation’s transformation into a republic. But as president, he became overly autocratic and was eventually deposed in a coup in 1966. A diary he kept in the last decade of his life found its way to the United States where it became the subject of a legal battle between its owner and a Ghanaian patriot. Although the diary was returned to Ghana in 2012 amid a flurry of publicity, there seems to be no information online about what it happened to it then, and I can only find one small tidbit concerning its contents: he wrote, ‘Things will not go well for Ghana’, and ‘[my] vision’ for the country will now be ‘lost’.

Nkrumah was born on 21 September 1909 and raised in a rural village in the British colony, Gold Coast. He was schooled at a local Catholic mission, and then at a government training college in Accra. He took up teaching at a primary school, but was then made head of a school at Axim, where he began to become involved in politics. He had heard the Nigerian president Nnamdi Azikiwe speak, and it was him that advised Nkrumah to enrol at Lincoln College, a historically black college in the US, where he himself had studied. Starting in 1935, Nkrumah spent ten years in the US, first at Lincoln, then at the University of Pennsylvania, where he received a Masters of Philosophy and a Masters of Education. At first he supported himself with menial jobs, but he also began to lecture and preach at Presbyterian churches. He was an activist student, organising a group of expatriate African students in Pennsylvania and building it into the African Students Association of America and Canada, becoming its president.

Nkrumah moved to London in 1945, with the intention of studying for a doctorate, but failed to stay more than a term or so at LSE or University College. Instead, he became very involved in organising the Fifth Pan-African Congress in Manchester (October 1945). In 1947, he returned home to take up a position as general secretary of the new United Gold Coast Convention (UGCC) which aimed for self-government. Following extensive riots in 1948, he and other UGCC leaders were briefly arrested. A year later, he split from the UGCC to form the Convention Peoples’ Party (CPP) which was committed to achieving immediate self-government. He initiated a campaign for nonviolent protests, strikes and non-cooperation with the British colonial authorities, but this led to him being arrested and imprisoned for a year. In 1951, though, after being elected to parliament, he was released, and he then became prime minister of Gold Coast in 1952. It would be five more years before full independence was realised and Gold Coast became the self-governed nation of Ghana. Nkrumah was hailed as the Osagyefo - meaning ‘redeemer’ in the Akan language. That same year, in 1957, he married Fathia Rizk, an Egyptian Coptic, and they had four children.

While Nkrumah set about building roads, school and health facilities, his style of leadership proved increasingly authoritarian. In 1960 he won a plebiscite for Ghana to become a republic. Nkrumah became president. However, mounting economic troubles and foreign debt (and other troubles) began to threaten his presidency. He was forced to abandon the country’s Second Development Plan; the economy contracted, and widespread unrest culminated in a general strike. An attempt on Nkrumah’s life in 1962, led to his increasing seclusion from public life, as well as to a massive buildup of the country’s internal security forces. While Nkrumah focused on the ideological struggle for black peoples, the crisis in Ghana itself worsened, until, in 1966, while he was visiting China, the army and the police seized power. On returning to Africa, he found asylum in Guinea, where he spent the remainder of his life, writing books, among other things, such as Dark Days in Ghana and Class Struggle in Africa. He died, while in Romania, in 1972. Further information is available online at Wikipedia, South African History Online, or Encyclopaedia Britannica.

In the last years of his life, from the mid-1960s onward, Nkrumah kept a diary. It was with him when he died, but then, somehow, it seems to have found its way to the US. Some 30 years after his death, the diary became the subject of a legal battle. An article to be found online at GhanaWeb describes the story of the diary as reading like ‘a whodunnit bestseller’. For 20 years, the diary was in the possession of an American, a financial consultant called Robert Shulman, but then it was tracked down by Vincent Mbirika, a Kenyan scholar and expatriate who lived in New York, and who wanted the diary returned to Ghana. A law suit followed, and in April 2012 the court agreed that the diary rightly belonged to Ghana and to the Nkrumah family (see New African Magazine, GhanaWeb or Denise Valentine’s blog.)

I have not been able to track down any online trace of the diary since 2012, nor any extracts from it. However, this GhanaWeb article (dated two weeks earlier than the one above) does give some information about the diary, as follows:

‘The diary entries start from the mid-1960s, when the Osagyefo was president, and run to the late 1960s when he had been deposed and was living in exile in Guinea as a guest of President Sekou Toure.

One entry, from 1966, the year Nkrumah was ousted by the military, mentions the purchase of military equipment from the Soviet Union. In another entry, from 1968, when Nkrumah was living in Guinea, the former president instructs his wife, Fathia, to “take care” of their children - Gamal Gorkeh, Sekou, and Samia (who is now an MP in Ghana and chairperson of the Convention People's Party founded by her father).

Possibly the most compelling entry in the diary (which is about the size of a small paperback and has a bookmark with the colours of Ghana’s flag stuffed in its pages), is one where Nkrumah, who had been Ghana’s head of state since independence from Britain in 1957, reflects on the abrupt end of his presidency. It makes clear that Nkrumah was worried about Ghana and Africa’s future. He wrote: “Things will not go well for Ghana” and said his “vision” for Ghana would now be “lost”.’

I don’t feel like living

‘A living person always has hope (sometimes unconsciously). Although life is difficult, it is also beautiful. Life has its strange charm. (I will tell you the truth: I don’t feel like living, it’s too much for me, I will go to sleep soon and I don’t want to get up).’ This is from the diary of Rywka Lipszyc, born 90 years ago today. She was a teenager confined to the Łódź Ghetto during the Holocaust in Poland and barely survived the war, dying not long after being liberated from a concentration camp. But astonishingly, a diary, a heart-rending diary she kept for six months in 1943-1944 was preserved in Russia for many years, and only recently, found its way to the US and into publication.

Rywka was born on 15 September 1929 into a Polish-Jewish family, the eldest of four children. The family was imprisoned in the Nazi ghetto at Łódź following the German invasion of Poland. Her mother and father both died in 1941-1942; Rywka, one sister and three cousins were deported to Auschwitz-Birkenau concentration camp in mid-1944. Her sister was gassed to death on arrival, while Rywka went to work for the women’s commando. Further moves followed, to Christianstadt in Krzystkowice, and to Bergen-Belsen concentration camp from where she was eventually liberated along with her surviving two sisters. She was, however, very ill, and was transported to a hospital in Niendorf, Germany, where, it is believed, she died, aged 16. Further information is available at the official Rwyka website and Wikipedia,

Extraordinarily, a diary kept by Rywka was found amid the ruins of the crematoria at Auschwitz-Birkenau in June 1945 by a Red Army doctor, Zinaida Berezovskaya. She took it back with her to the Soviet Union, and when she died it passed to her son along with other war memorabilia. When, the son died in 1992, Zinaida’s granddaughter, on a family visit to Russia, discovered the manuscript and took it back with her to the US. A decade later, in 2008, she brought it to the Jewish Family and Children’s Services (JFCS) Holocaust Center in San Francisco. A team of researchers and historians then began working to authenticate, preserve, transcribe, and translate the diary into English. Finally, it was edited by Anita Friedman, and published in 2014 as Rwyka’s Diary: The Writings of a Jewish Girl from the Lodz Ghetto by the JFCS Holocaust Centre and Lehrhaus Judaica (a Jewish educational institution now known as Hamaqom | The Place). For more on the diary and its provenance see the JFCS Holocaust Centre, the Rwyka website, the Koret Foundation, or Yad Vashem. There is further information on the website about the film Diary from the Ashes.

The Rwyka website also has a generous selection of extracts from the diary, organised by topic (disease and hunger, work, siblings, etc.). Here are a few of them.

11 December 1943
‘Sometimes I think that life is a dark road. On this road among the thorns there are other, more delicate flowers. These flowers have no life, they suffer because of the thorns. Sometimes the thorns are jealous of the flowers’ beauty and hurt them more. The flowers either become thorns themselves or suffer in silence and walk through the thorns.

They don’t always succeed but if they persevere, something good will come of it. I think it happens quite rarely but in my opinion every true Jew who is pursuing a goal suffers and keeps silent. Besides, I think life is beautiful and difficult, and I think one has to know how to live. I envy people who have suffered a lot and have lived a difficult life, and yet have won the battle with life. You know, Surcia, such people (when I read or hear about them) cheer me up. I then realize that I am not the only one or the first one, that I can have hope. But I’m not writing about myself.

You know, when I’m very upset I admire life. Then I wonder. Why at the same time are some people crying, while others are laughing or suffering? At the same time some are being born, others die or get sick. Those who are born grow up. They mature in order to live and suffer. And yet all of them want to live, desperately want to live. A living person always has hope (sometimes unconsciously). Although life is difficult, it is also beautiful. Life has its strange charm. (I will tell you the truth: I don’t feel like living, it’s too much for me, I will go to sleep soon and I don’t want to get up). Oh, Surcia, if I really couldn’t get up!’

14 February 1944
‘Mr. Zemel came and delivered a speech, or rather he repeated what the Chairman had said before. And: those who are to be deported but are hiding are being aided by other people. This is forbidden … Apparently, this is going to be some kind of easy labor.

But who knows? What’s more, during the working hours between 7 a.m. and 5 p.m. nobody will be allowed to walk in the streets. The ghetto is turning into a Arbeits Lager [Labor Camp}.. The apartments will have to be locked. Only the bed-ridden with medical certificates will be able to stay inside. Nobody else. Now I don’t know what’s going to happen to Saturdays … after all, an apartment can be locked with a padlock. What’s going to happen with attendance at the workshops? God! What’s going to happen? Only You know.’

16 February 1944
‘And … one secret … my cousins are almost out of marmalade and brown sugar, but Cipka and I still have quite a lot. This morning we were going to work (Cipka and I) and she told me that on Sunday when we went to get our rations, Chanusia said to Estusia that we’d finish our marmalade and sugar very quickly and they’d have to share theirs with us. Estusia replied, “I surely wouldn’t think otherwise.”

Stupid cousins, you were so wrong! I have my own satisfaction. I haven’t thought of being as “generous” as you! I don’t even think about it. Ha, ha, ha, at the bottom of my heart I’m sneering at them. Anyway, it’s not worth pondering over! Times are terrible … many people have left … there is hunger … but I’ve already written about it. I feel something, but I can’t express it, though I’d like to. I’d like to help everybody … I’d like to be helpful … I’d like to be useful! I’m full of these inexpressible emotions. I don’t know … it’s connected with my longing and I’m so sad. But I can’t be overwhelmed by sadness, because I know that nothing good will come out of it. I’m against evil … I want kindness! I do want it! There is a saying, “Where there’s a will, there’s a way,” but it doesn’t apply in my case … because I want to do so much … so much, but what can I do? Little, very little, almost nothing…’

28 February 1944
‘I couldn’t write in the workshop, because I was busy with Cipka’s dress. I had a small problem with the soup, so my break was rather sad (because of the soup). But to the point! Sewing something gives me a lot of pleasure and when I finish it I’ll know that I’m stronger … I’ll know that regardless of the conditions I’ll be able to move forward. I’ll have a profession. I won’t depend on my fate, but my fate will depend on me. I feel stronger.

A few years ago, in my dreams, when I was imagining my future, I could see sometimes: an evening, a studio, a desk, there is a woman sitting at the desk (an older woman), she’s writing … and writing, and writing … all the time … she forgets about her surroundings, she’s writing. I can see myself as this woman. Another time I could see a modest apartment which I share with my sister - earlier I thought it was Tamarcia, but today it’s more probable that it’s Cipka. Some other time I can see: an evening, a modest room with lights, all my family sitting at the table. It’s so nice … so warm, cozy … Oh, it’s so good! Later, when they all go to bed, I sit at the sewing machine and I’m sewing … sewing … it’s so sweet, so good … so delightful! Because everything I make with my own hands is our livelihood. It pays for bread, education, clothes … almost everything. The work I do with my own hands … I’m very grateful to Mrs. Kaufman for this … and then (obviously only when I think about it, because it’s not a reality yet), then I feel that, that I can be useful, and not only can, I have to, I have to! (I have to stop now and bring some water.)

Will I be able to write now as I was writing before? I have to try. (Oh, damn it! Cipka took my pencil case and a pen. I had to try four nibs. None of them is good and I can hardly write.) I know, because I’ve said it to myself many times that work is essential in human life, at least in mine. I’d like to dream up work for myself, difficult but rewarding so I’d know that I’m doing it for somebody, that there is somebody. This is most important: I’d like to give but also to take. It doesn’t come easy.’

5 April 1944
‘Because of the holidays there is a lot of commotion. But not everything is positive, unfortunately. Yesterday those who registered for matzos didn’t get any bread. They can starve for a few days or eat matzos. Well, it’s not so easy to be a Jew. At every step there are difficulties. And the weather is capricious, too, although no doubt it is much better, but … children who were adopted receive coupons, so Cipka and I do, too. What we’ll get, I don’t know, that will become clear today. Some kitchens were registering people for the holiday soup. A few girls from our group are leaving at 10 a.m. Today, we’ll find out. Anyway! I wish it were a holiday right now! During the holidays I won’t know where to go first, to Dorka Zand, to Mrs. Lebensztajn, to Dorka Borensztajn and … and I don’t know myself, and now … I’ve planned to write tomorrow, but I don’t know whether I’ll be able to or whether I’ll have an opportunity.

Three years ago the holidays fell on the same days. It was the last holiday, the last Seder with my Daddy. Oh, time goes by so quickly! Daddy was supposed to be released from the hospital for the holidays. Ereve Peysech [the Eve of Passover] like this year, fell on Friday, so Daddy came back on Thursday (like tomorrow). We, the children, were very impatient all day and every few minutes we would approach the window or the balcony to see if an ambulance was coming. […] I couldn’t stay still in one spot but I remember how happy I was that Daddy was coming back. We, the children, weren’t allowed in the hospital, so we would write letters and Mom would take them to Daddy. I discovered so much love for us in Daddy’s letters. God! Perhaps because of this separation, because of these letters, I loved him even more.

In the winter I saw Daddy in the hospital window. He was cheerful, he could easily pour his own reassurance into me, he said he was better, and soon we’d see each other. Didn’t I see for myself that he was doing better? Yes, that’s why I still believed his words. I was full of hope and reassurance myself. Later, Daddy took a turn for the worse, the hospital itself was getting worse, but nevertheless Daddy was supposed to come home for the holidays.

On that Thursday I didn’t remember or I didn’t want to remember that Daddy was feeling much worse than in the winter. However, I was very happy that finally he’d be at home. At that time I remembered only the good things, like Daddy holding my hand on Yom Kippur, the letters and the visits. […] In the evening, at last the ambulance stopped in front of the gate. I was on the balcony and my heart totally stopped for a second. And then it started to pound so violently that I thought my chest would explode. I had no idea what to do: stay in place or run to the door. I don’t exactly remember what I did. I only know that it seemed forever when my Daddy was climbing the stairs. Finally, finally, Daddy was in the room and … how disappointed I was … it wasn’t the same Daddy as the one in the hospital window. He didn’t even smile, didn’t respond to our greetings. He was upset and visibly tired. He wanted to go to bed as soon as possible. We had to leave the room.

God! This feeling! It was in the evening, but the light wasn’t on yet. In that darkness everything was black in front of my eyes. I simply didn’t see anything or anyone. Like a drunk I stumbled into the other room. I felt like sobbing, but I didn’t. I remained silent. Various thoughts were running through my head: what’s wrong with Daddy? Why is he so different? I didn’t expect this. […] I was telling myself that he was only tired, but I was overcome by a strange anxiety. I was bothered by the thought that Daddy wasn’t thinking about us. […] It is true, later I calmed down about the change in Daddy. We even talked to him, although I was very shy, but in my heart … there was a pain, a sorrow in my heart. I don’t know, I don’t know what to call it. Such feelings always wear me out, reduce my energy. I’m unable to do anything. When Daddy wanted a cup of tea, I brought it for him with great difficulty. I had to bring it, because it would look bad that here he is from the hospital and I’m disobedient. The next day I tried to do everything right, although Daddy was very upset. I tried to make every good moment last and not irritate him. Oh, nobody will ever know how hard it was for me and how “cold” I was feeling. And yet nobody knew. […] I withdrew into myself. Nobody could get anything out of me. After all nobody even supposed that I was worried. Oh, how much I needed a kind word, how much I wanted to be alone with Daddy. I wanted him to be like he was in the past. I missed all that and I felt so helpless, so helpless.

After a few days Daddy regained his cheerfulness and good spirits, but I didn’t have any more opportunities to fulfill my dreams. We were all very happy to be in one room with Daddy. We didn’t talk much, but we exchanged looks. Oh, those looks! I couldn’t say anything at all, not even that I wished him to get better, nothing … simply nothing. I was very awkward. But I wanted to, I wanted to. Only God knows this, because I didn’t tell anybody.

Oh, now I’m remembering it all. I can’t even look at Daddy anymore, only at his picture. But I’ll never see Daddy alive, never see him alive again, never again. God! How terrible it is! It’s going to be the third Seder without Daddy, and the second one without any man at all. Last year Aunt Chaiska was here, and today … today there is Estusia. Oh, it’s so tragic! If only Abramek were here! Oh, God, precisely on Pesach, at the Seder, Daddy will be missed most. Oh, he’ll be missed so much …’

Diary briefs

Italy’s ‘City of Diaries’ - Atlas Obscura (see also Italy’s Town of the Diary)

Taylor Swift’s diaries - USA Today, Mail Online

Kafka’s diaries unveiled in Israel - Haaretz, The Times of Israel

Abbey Road diary entry - NME

Epstein’s secret diaries! - The Sun, The Mirror

Brigitte Reimann diaries - Seagull Books, Lipstick Socialist

Writing Japan’s War in New Guinea - Amsterdam University Press, AJRP

A bear bayed by dogs

Happy birthday Jack Ward Thomas - 85 today. A wildlife research biologist, conservationist and professor, Thomas rose to the giddy political heights of being chief of the US Forest Service during the Bill Clinton administration. He was particularly embroiled in political disputes over the demise of the northern spotted owl, the Endangered Species Act, and the preservation of old-growth forests in the Pacific Northwest. For about a dozen years, including those when he was serving as chief of the forest service, he kept detailed, if sporadic, diary entries - later published in several volumes. In one diary entry he confesses that he feels ‘terribly out of place’, and writes, ‘A remark came back to me that one of the industry lawyers made. He said I reminded him of a grizzly bear bayed by dogs: angry, puzzled, and frightened.’

Thomas was born in Fort Worth, Texas, on 7 September 1934. He studied wildlife management at Texas A&M University, with higher degrees in wildlife ecology from West Virginia University (1969) and forestry (natural resources planning) from the University of Massachusetts (1972). He began his working life with the Texas Game and Fish Commission in the late 1950s, moving, in 1966, to join the Forest Service in Morgantown as a research wildlife biologist; then in 1969 he joined the Urban Forestry and Wildlife Research Unit at Amhurst. In 1974, he became the chief research wildlife biologist and project leader at the Blue Mountains Research Lab in La Grande, Oregon.

During the 1980s and 1990s, Thomas became increasingly involved in both research and politics related to the northern spotted owl, the Endangered Species Act, and old-growth forests in the Pacific Northwest. In the spring of 1993, in the wake of the President Clinton Forest Conference in Portland, Thomas was named to head the Forest Ecosystem Management Assessment Team (FEMAT) with the aim of resolving the spotted owl crises. In December that year, he was appointed Chief of the U.S. Forest Service despite opposition from some environmental groups, the timber industry, and many of the old-guard agency personnel. The following year, he responded to the death of 34 fire fighters by significantly improving woodland fire safety procedures. 

Thomas stepped down from the political position in 1996, accepting a position at the University of Montana as professor of wildlife conservation, only retiring in 2005. He has been responsible for many hundreds of publications: whole books, chapters in books, essays etc on elk, deer, and turkey biology; wildlife habitat; songbird ecology; northern spotted owl management; forestry and land-use planning. Further (limited) biographical information can be found at Wikipedia, Jack Ward Thomas website, or the Forest History Society (and its blog).

Off and on between 1986 and 1999 Thomas kept a diary. A selection of entries written while he was chief of the forest service - 1993-1996 - was published in 2004 by the Forest History Society in association with The University of Washington Press as Jack Ward Thomas: The Journals of a Forest Service Chief. Some pages of this can be previewed at Googlebooks. Further selections of his diary entries were published more recently, in 2015, by the Boone & Crockett Club. Excerpts from Wilderness Journals: Wandering the High Lonesome can be previewed at Boone & Crockett and at Amazon.

Here are three of Thomas’s diary entries from The Journals of a Forest Service Chief.

30 August 1990, [in camp. Eagle Cap Wilderness Area, Oregon]
‘On the eve of my departure for the Eagle Caps, I was working late in my office clearing my desk and leaving instructions for work to be done in my absence. At 7:00 p.m. Pacific time (10:00 p.m. Eastern time), Undersecretary Jim Moseley called. I could tell from his voice, which was tired and dispirited, that the call was not good news. Moseley wanted me to hear the news from him and not from some newshound with the freshly leaked story.

The working group has recommended to Secretary of Agriculture Clayton Yeutter to go with the ISC report with an allowable cut of 3.0 billion board feet [bbf] for Forest Service lands in 1991, scaling down to 2.7 to 2.6 in subsequent years. Secretary Yeutter was in agreement. However, when they took it to the White House, something (Moseley doesn’t know what) went wrong. The president’s chief of staff, John Sununu, was in the Soviet Union giving advice on how to organize the Soviet premier’s office. So Sununu (who has been perceived as the big, bad “booger” who will eat everybody alive if they go with the ISC report) was not present. Interior Secretary Lujan was evidently the stumbling block, saying things like “no bunch of biologists are going to determine policy for the United States government.” That is understandable - he will look very bad if the ISC report is adopted now, after he let Jamison convince him that there was “new or better science” or “other experts” who had devised a “better way.” To adopt the ISC report now is to have to eat those words, and he simply doesn’t have the stomach for it.

It now looks as if the train wreck proponents have carried the day. The timber cut level being proposed is an annual cut of 3.7 to 4.2 bbf and you sacrifice the number of habitat conservation areas necessary to hold the cut level. They will ask Congress for “sufficiency language” to preclude the environmentalists from challenging the decision in the courts. That will, if Congress approves, have the effect of declaring that whatever is prescribed will, de facto, provide adequate protection to the spotted owl and that is that - problem solved.

I had listened quietly to this point and now I began to speak quietly and calmly though my chest was tight. I said that we would expect to see our committee in front of Congress within ten days and there was no way we could support that decision. At that point, we would have to follow the dictates of our profession, which would lead us into direct conflict with the administration. Truly, we must say in the manner of Martin Luther, “Heir stehe Ich. Ich kannicht auder.” ’

13 August 1993
‘In keeping with Friday the 13th, my mail contained the paperwork from the timber industry lawyers: the secretaries of Agriculture and Interior and I and the entire FEMAT are being sued. The basis of the suit is that FEMAT operations were conducted in a manner not in compliance with the Federal Advisory Committee Act. The brief was filled with page after page demanding documents and affidavits, and question after question concerning how FEMAT operated.

Well, I will deal with that when the time comes. The White House team set the rules and FEMAT did the technical work. I have learned to simply tell the truth in the briefest possible manner and then let the lawyers fight it out and the judges rule.

There are moments, however, when I sit at my desk answering interrogatories and sit hour after hour being deposed by lawyers and sit on the witness stand in court trying to tell the truth while not being discredited by the legal attack dogs - at such times it is sometimes difficult to remember that somewhere there are biologists in denim pants and work boots doing fieldwork far from the world of lawyers in their three-piece suits, shiny black shoes, crisply ironed white shirts, and fresh haircuts. I feel terribly out of place in this world - and the worst part is, they know it. A remark came back to me that one of the industry lawyers made. He said I reminded him of a grizzly bear bayed by dogs: angry, puzzled, and frightened.

Now when I am at the mercy of the lawyers, I keep the image of the cornered grizz’ in mind, knowing that the smooth Harvard lawyer has never seen a bear swat the life out of a dog with one sweep of a paw. The thing about bear baiting is that sometimes you get the bear, but sometimes the bear gets you!’

8 October 1993, La Grande
‘Assistant Secretary Jim Lyons called from his mother’s home in New Jersey at 12:30 a. m. Eastern Standard Time. His message was simple: President Clinton had signed off on my appointment as the next chief of the Forest Service earlier in the day. The next step is a call from White House attorneys to make certain there is nothing in my background that would preclude my appointment or that might prove an embarrassment to the president of the United States.

The waiting and uncertainty have come to an end. Mr. Lyons was still uncertain as to the exact mechanism of making the appointment public knowledge. I told him that whatever his intention, I was not available for the next ten days because of a long-standing speaking engagement and an elk season that begins next week. He asked if elk season was mandatory so far as my participation was concerned. I told him that I had not missed an elk-hunting season in twenty years and didn’t intend to start now.

What was not relayed to him was how badly I needed this hunting season in the high Wallowas, particularly just now. I have a real need to draw strength from the wilderness and the isolation and the majesty and the solitude. What lies just ahead - and now with certainty - is the awesome responsibility of rebuilding the Forest Service and the loss of my life’s partner and the light of my life. If I had my sweetheart with me, there is little doubt that the journey would be exciting and joyful. She would make certain of that, as she always has when I was shy and withdrawn and a little afraid. Just now, the contemplation of that journey without her fills me with trepidation.’

A life too bustling

‘I have taken a resolution to write down in this book, as in times of leisure I may have opportunity, things past, or things that may occur hereafter, for the perusal and consideration of my [. . .] beloved children.’ This is Sir Richard Steele, a British political and literary figure from the late 17th and early 18th centuries, who died 290 years ago today. He tried once to keep a diary, starting with the above resolution, and left behind but a handful of entries. The editor of his memoirs regrets that his subject never kept more of a diary - ‘his life was too bustling’. Nevertheless, he had plenty of Steele’s letters to choose from, as well as snippets from a letter-journal kept by Steele’s friend Jonathan Swift.

Steele was born in Dublin in 1672 to an attorney and his wife; however he was largely brought up by an uncle and aunt. He was educated at Charterhouse School where he met Joseph Addison, and at Oxford (first Christ Church and then Merton college). He joined the Life Guards of the Household Cavalry in order to support King William’s wars against France, and was commissioned in 1697. In 1700, he gravely wounded a fellow officer in a duel. He rose to the rank of captain before leaving the army in 1705 (probably because he had neither the money or connections necessary for advancement). The following year, he was appointed to a position in the household of Prince George of Denmark, consort of Anne, Queen of Great Britain. By this time, he was already advancing a parallel career as a writer, with essays and plays. The Christian Hero was a moralistic tract, published in 1701, which led to him being branded a hypocrite for not following the ways of his own writings; and The Funeral and The Tender Husband were two theatrical comedies which brought him some success.

In 1705, Steele married the widow Margaret Stretch, but she died the following year. At the funeral, he met Mary Scurlock who he married two years later. They had one daughter (though Steele also had one illegitimate daughter as well). In 1709, he co-founded (with his friend Addison) The Tatler, featuring cultivated essays - many written by Steele - on contemporary matters. Although it would only last two years, the name has lived on, being re-used several times for later journals. The same is also true for Steele’s next short-lived ventures, The Spectator (1711) and The Guardian (1713). That year, 1713, Steele became a Member of Parliament for Stockbridge but was soon expelled for issuing a pamphlet in favour of The Hanoverian Succession. But when George I (born in Hanover) came to the throne the following year, Steele was knighted and given responsibility for the Theatre Royal, Drury Lane; and he returned to Parliament in 1715 representing Boroughbridge. In 1719, Steele fell out with Addison, who died that same year.

In 1722, Steel wrote his last and most successful comedy, The Conscious Lovers. Two years later - and still notoriously improvident, impulsive, ostentatious, and generous (the Encyclopedia of World Biography says) - he was forced to retire from London because of his mounting debts and his worsening health. He went to live on his wife’s estate in Wales, where he suffered a paralysing stroke in 1726, eventually dying on 1 September 1729. Further information is also available at Wikipedia, Encyclopaedia Britannica, and The Twickenham Museum.

Steele was not a diarist, and Henry R. Montgomery, editor of Memoirs of the Life and Writings of Sir Richard Steele, soldier, dramatist, essayist, and patriot (William P. Nimmo, 1865 - see Internet Archive, volume one and volume two), laments this fact more than once. In his preface, however, he does commend Steele for his letters: ‘These letters are wholly unlike those of Pope and many other literary men, written for display. They are artless, unpremeditated effusions of the moment, and serve in some degree to supply the absence of anything in the shape of a diary or journal. It is indeed to be regretted that he did not leave us something of that kind. But his life was too bustling for that. Swift’s Journal to Stella is one of the most interesting things he has left behind him. What would we not give for a Boswell of those men and those times!’ Subsequently, Montgomery says of Steele’s many letters to his (second) wife, ‘while regretting the absence of a diary, which would have taken in a wider range of topics, this correspondence, which is almost as regular as a journal, supplies its place in a more limited circle, it is true, but, so far as it goes, in a more interesting form.’

In his book, Montgomery also employs Jonathan Swift’s famous Journal to Stella which was in fact composed from letters (as opposed to journal entries). Swift was a contemporary of Steele’s, and a friend. Montgomery says: ‘The intimacy of Steele with Swift has been previously noticed. He now made a memorable visit, arriving in London in the beginning of September 1710, with a commission to solicit from the Queen the remission of the first fruits and twentieth parts, payable to the Crown by the clergy of Ireland. There is reason to believe that he procured that commission with the view of pushing his own affairs at the present important crisis when the ministry was tottering. At all events he got so deeply involved in politics on his arrival that his stay was prolonged during the next two or three years. During that time he maintained a regular correspondence with Miss Esther Johnson, better known under the poetical name of Stella, in which he has celebrated her. [. . .] The correspondence was maintained in the form of a journal or diary, and is very valuable as preserving a minute record of the events of those few eventful years. By bringing into one view the scattered notices of Steele that occur in it, we obtain glimpses of him and his affairs at this time more minute and interesting than are to be obtained from any other source.’ (See also Live ten times happier for more on Journal to Stella.)

Steele may not have been a diarist, but at least once in his life he did try to become one. In 1721, just two days after his friend Robert Walpole became prime minister, Montgomery says, ‘we find [Steele] stating distinctly his impression of the secret cause of the deprivation of his rights, in a way to exonerate the Duke of Newcastle, at least of the exclusive blame.’ Unfortunately, his patience with the diary form lasted but a few days. Here is Montgomery again: ‘These entries, with another small fragment at a later date, constitute the whole of the diary; and comparatively trifling as they are, these few items but make us regret the more what we might have had if the plan which he thus late and fitfully took up had been sooner adopted, and he had given us the spirit of those Attic nights which he enjoyed in the company of Addison, Congreve, and the other wits, as well as notices and anecdotes of the leading men and events of the time.’ What follows is most of the diary material left behind by Steele.

April 4, 1721.
‘I have lately had a fit of sickness, which has awakened in me, among other things, a sense of the little care I have taken of my own family. And as it is natural for men to be more affected with the actions and sufferings and observations upon the rest of the world, set down by their predecessors, than by what they receive from other men; I have taken a resolution to write down in this book, as in times of leisure I may have opportunity, things past, or things that may occur hereafter, for the perusal and consideration of my son, Eugene Steele, and his sisters Elizabeth Steele and Mary Steele, my beloved children.’

9 April 1721
‘Easter Sunday. After the repeated perusal of Dr Tillotsou’s seventh sermon, in the third volume of the small edition of his admirable and comfortable writings, and after having done certain acts of benevolence and charity to some needy persons of merit, I went this day to the holy sacrament. In addition to the proper prayers of the Church, I framed for my private use on this occasion the following prayer: [. . .]’

9 [10?] April 1721
‘I have this morning resolved to pursue very warmly my being restored to my government of the Theatre Royal, which is my right, under the title of the Governor of the Royal Company of Comedians, and from which I have been violently dispossessed by the Duke of Newcastle, Lord Chamberlain of his Majesty’s Household, upon a frivolous pretence of jurisdiction in his office, which he has been persuaded to assert against the force of the King’s patent to me. This violation of property I take to have been instigated by the late Secretaries Stanhope and Craggs, for my opposition to the Peerage Bill, by speeches in the House and printed pamphlets.

The Duke of Newcastle brought me into this present Parliament for the town of Burroughbridge, upon which consideration I attempt all manner of fair methods to bring his grace to reason without a public trial in a court of justice: and, therefore, after applying to my Lord Sunderland and Walpole for their good offices, I writ the following letter to his grace’s brother, Mr Henry Pelham, lately appointed one of the Lords of the Treasury [. . .]’

29 April 1721
‘I purchased this day fifteen assignments in the Fish-pool undertaking, with a promissory note to deliver to Mr Robert Wilks (who sold them to me) a bond of five hundred pounds upon demand; the said bound to be payable within two years after this day.’

The talented Mrs Mahler

Alma Mahler-Werfel, the Austrian musician and wife/lover of several celebrated artistic figures, was born 140 years ago today. She was a significant musician in her own right, but on marrying Gustav Mahler, her talent was suppressed. Marriages to the architect Walter Gropius and the writer Franz Werfel followed, and, after emigrating to the US, she became a culture figure herself in New York. More than 30 years after her death, her diaries - kept as a young woman - were published in English.

Alma was born in Vienna on 31 August 1879 into a privileged and cultured family, her father being a landscape painter. She was tutored at home, and raised as a Roman Catholic. Her father died when she was a young teenager, and thereafter she focused her studies on the piano. She contracted measles which left her with a hearing defective. When her mother married again, to Carl Moll, the painter Gustav Klimt and the composer Alexander Zemlinsky became regular visitors. Zemlinsky, in fact, taught Alma, and became her first lover. In 1902, though, she married Gustav Mahler, then the director of the Royal Opera, and nearly 20 years older. It seems, he showed no interest in her music, and even wished for her to stop composing. They had two daughters, one of whom died young. In the wake of her daughter’s death, Alma became depressed and began an affair with the young architect Walter Gropius.

Shortly thereafter, in 1911, Mahler died. Alma distanced herself from Gropius, but had an affair with the young painter Oskar Kokoschka. Both Gropius and Kokoschka enlisted in the army at the start of the war in 1914, but it was Gropius who Alma married, during one of his military leaves, in mid-1915. They had one daughter who died of polio aged 18. She then began a relationship with the Jewish poet Franz Werfel, and gave birth to another child, who died aged only 18 months. Alma and Gropius divorced, but it was not until 1929 that she married Werfel, taking the name Mahler-Werfel. In the 1930s, the couple fled Germany, first to France, and then to the US, where they lived in Hollywood. After Werfel’s death, Alma moved to New York where she became a cultural figure, and lived until 1964. Further information is available from Wikipedia, the Alma play website, or All Music.

In 1998, extracts from Alma’s diaries were published, covering the years from 1898 until her marriage to Mahler. The original manuscripts consist of 22 exercise books, and are full of her text in diversely coloured inks, pencil and crayon, with ornately written headlines, as well as many black ink line drawings. The extracts were translated into English and edited by Antony Beaumont and Susanne Rode-Breymann for publication in the UK by Faber and Faber as Alma Mahler-Werfel, Diaries 1898-1902. A few extracts can be read online at The New York Times book pages or at Amazon.

27 January 1898
‘This morning: practised. This evening: Dr Pollack and Narziss Prasch. Yesterday I played ‘Die Walküre’ until late at night. I like the first act best, particularly the close, ‘Blühe, Wälsungen Blut’. And the passage where Siegfried draws Sieglinde passionately towards him is wonderful - such fire, genuine erotic ardour. Is there anything to equal it?

My throat is very sore today.’

4 February 1898
‘This morning: a wealthy collector by the name of Schreiber. I sat at the piano, shivering. ‘I hope to God he buys something,’ I thought to myself. But no - the silly ass didn’t. He promised to come again. But that was it. If someone doesn’t take the plunge straight away, they’ll think twice before doing so later.’

13 February 1898
‘Spent the morning with the Lichtenheld girls. Mizzi gave me a delightful picture of herself.

This afternoon Gretl Hellmann called and, since today marks the Death of Richard Wagner, I played ‘Tristan’, ‘Walküre’ and ‘Götterdammerung’ to her all afternoon. The latter was supposed to be performed at the Opera but was cancelled due to the indisposition of Winkelmann. They gave ‘Norma’ instead. How mean not to play W. on the anniversary of his death.’

10 March 1898
‘This evening: tarot party with the Zierers, Frau Duschnitz, Spitzer, Lehmann, Hellmer, Epstein & Klimt. After dinner we took black coffee in the studio, danced and sang. Lehmann sang Rubinstein’s duet ‘Über allen Gipfeln ist Ruh’ with Mama. Klimt is such a dear man. I’m writing this because they went back to playing cards and roped Klimt in too. At 2:00 the Zierers and Frau Duschnitz went home. Then the fun really began. Mama and Marie Lehmann danced a pas de deux, then we all sang glees and had a whale of a time. After we’d danced our fill, the party ended at 3:30. Mama said: The Zierers are bound to make remarks, because Klimt sat with you (Alma) all evening and spoke to you so much.

But he was delightful, talked about his painting etc., then we talked about ‘Faust’, a work which he loves as much as I do. No, he’s a really delightful fellow. So natural, so modest - a true artist!’

23 March 1898
‘Frau Radnitzky came to give Gretl her lesson. I avoided her, like a dog that’s committed some misdemeanour. She vented her fury on the innocent Gretl. Well, on Saturday I’ll probably hear all about it. I’m looking forward to it already. Mama and I went to Taubenrauch to order our spring oufit - frightfully expensive - 90 fl! Mama said: You know, Alma, I still have 100 fl in a savings account that nobody knows about, I shall use it to foot the bill.

My eyes filled with tears, and I resolved to withdraw the 20 fl in Gretl’s and my post office book and give them to Mama. Gretl agreed.

This evening: Mama was at Dr Herz’s. We went to the Zierers’. Something funny happened: Flora wasn’t quite certain whether we’d be coming, and had invited Amelie Engel. All of a sudden she came along, kicked up a hell of a fuss and said: Do you think I came here to hobnob with the Schindlers?

But she stayed all the same, and we - Lilli, Gretl and I - treated her with utter contempt. Lilli was even rude to her, just for our sake. After dinner I was asked to play. I didn’t. Then Amelie came to me and said: Fräulein, you must have heard what I said. I’m really sorry, you must surely have misunderstood me.

And she made her apologies as prettily as you could imagine - far better than I ever could. So then I played, and so did she. She played waltzes beautifully, and I played quite well for the first time in days.’

The Diary Junction