Thursday, May 7, 2020

Tchaikovsky’s poison

‘It is said that to abuse oneself with alcoholic drink is harmful. I readily agree with that. But nevertheless, I, a sick person, full of neuroses, absolutely cannot do without the poison . . .’ So confided the great Russian composer, Tchaikovsky, born 180 years ago today, to his diary. Although the diaries are full of references to his drinking, they reveal nothing about his inclination towards homosexuality; they do, though, provide lots of comment on other musicians and on writers: he was a great fan of Tolstoy, and admired the composers Beethoven and Mozart, but considered Brahms a ‘scoundrel’.

Pyotr Ilyich Tchaikovsky was born on 7 May 1840 in the Ural Mountains near the metal works where his father worked. He started piano lessons at five, and, while at the School of Jurisprudence, between 1850 and 1859, he helped in a choir. Although he began his career at the Ministry of Justice, he did not stay long there, preferring to enter the St Petersburg Conservatory, where he worked under Anton Rubinstein and Nikolai Zaremba. Later, he taught at the new Moscow Conservatory. Although his First Symphony was given a good reception in 1868, a year later his first opera, The Voyevoda, flopped. Subsequent works were largely successful.

In the mid-1870s, he found a patron in Nadezhda von Meck, a wealthy widow, and this allowed him to give up teaching. Though they never met, the two corresponded for over 13 years. In an attempt to deal with growing concerns about his sexuality, Tchaikovsky married an admirer in 1877. But the marriage failed almost immediately, and he plunged into an emotional crisis and an attempted suicide. His brother, also a homosexual, took him back to St Petersburg. Thereafter, as he travelled widely across Europe, and, once, to the US, his fame as a conductor and composer grew. Although it was said he died of cholera, some researchers suggest he may have committed suicide out of fear that his affair with a Russian nobleman would be exposed. More biographical information is available online at the Tchaikovsky Research website, Wikipedia, or Encyclopaedia Britannica.

Tchaikovsky kept a diary during the latter years of his life, and this was first translated (by Wladimir Lakond) and published (by W. W. Norton, New York) in 1945. However, nearly half a century earlier, G. Richards in London published Tchaikovsky - His life and works, with extracts from his writings, and the diary of his tour abroad in 1888. This latter book is freely available online at Internet Archive, but the 1888 ‘diary’ reads as though it were written as a memoir not a diary. See The Diary Junction for some links to online extracts of Tchaikovsky’s diary.

Academics have, naturally, examined the diaries very closely, not least in search of some clues concerning the composer’s sexuality. In his book Musical Musings Petr Beckmann has a chapter on How Homosexual Was Tchaikovsky?, and this is available online at Fort Freedom. Beckmann notes, first of all, that the musicologist E. Yoffe believes there is nothing in Tchaikovsky’s ‘voluminous correspondence (5,000 letters) or in his eleven diaries (1873, 1884, 1886-1891) that refers directly to his alleged homosexuality’.

Beckmann explains that Tchaikovsky’s diaries often contain brief, even one-word entries (‘A walk. Newspapers. Whist. Supper at home.’) and very frequently contain statements about his inclination to drink: ‘I drank a good deal’; ‘Drunkenness’; ‘Felt bad from drunkenness’; ‘Drunkenness at the [railroad] station’; ‘Drunkenness during intermission [at the opera]’. However, Beckmann then goes on to discuss some ambiguous entries in the diaries where Tchaikovsky writes of unspecified ‘inclinations’.

Beckmann concludes as follows: ‘I know only of two places in Tchaikovsky’s diaries and correspondence where he expresses disgust at himself for some behavior or habit whose nature he does not indicate. Homosexuality is a distinct possibility, though I have given reasons why that appears unlikely, or at least no more likely than his (documented) addiction to alcohol or an (entirely speculative) addiction to drugs. Should homosexuality prove nevertheless correct, it would be but an additional symptom in a high-strung over-sensitive man who was emotionally severely maladjusted, or even disturbed.’

As for the diaries themselves, the excellent Tchaikovsky Research website provides comprehensive information on all the surviving manuscripts and fragments. It also has available many extracts, newly translated into English. The main diary index provides a portal to view extracts from April-June 1884 and February-April 1886, but other extracts in English can be found when viewing the results of searches on individual topics, such as other composers.

20 February 1886
‘Bright, frosty, but spring is near, - the snow was melting in the sunshine, and during the day it was just as warm in the gallery as in the room. After tea I went to the school, but a mass was in progress (somebody’s funeral service) and there were no lessons. I wrote with success. After dinner I walked to the river via Praslovo (but skirting it to avoid the urchins). During tea I read Shakespeare’s “Henry IV”. I like it very much, and yet I’m not a Shakespearist. I worked splendidly in the evening. After supper I fussed over my choice of Mozart for the suite, playing them through until 11.30. Aleksey sorted out all my letters today. Photographs.’

13 July 1886
‘When I made the acquaintance of L N Tolstoi I was overcome by fear and a sense of awkwardness in front of him. It seemed to me that this supreme student of human nature would, with one glance, be able to penetrate into all the recesses of my soul. In his presence, so I thought, there was no longer any way of successfully concealing all the rubbish which I have at the bottom of my soul and just showing myself from the bright side. If he is kind (and that he must be, of course), I said to myself, then he will tactfully and gently, like a doctor investigating a wound who knows all the places that hurt, avoid touching and irritating these, but in this way he will also make me feel that nothing is hidden from him; if, on the other hand, he is not particularly compassionate, he will stick his finger straight into the sorest spot. I was terribly afraid of either of these situations. However, neither the one nor the other actually occurred. In his writings the most profound student of human nature, he turned out to be a simple, sound, and sincere person in his treatment of other people, and he revealed very little of that all-knowingness which I had been afraid of. He did not avoid touching [these sore spots], but neither did he seek to cause deliberate pain. It was clear that he by no means saw in me an object for his investigations; rather, he simply wanted to chat with me about music - something that he was interested in at the time. Amongst other things, he liked to reject Beethoven and openly expressed doubts as to his genius. Now that is a trait which is not at all characteristic of a great man, since bringing down to the level of one's ignorance a genius who has been recognized as such by all, is typical of narrow-minded people.

Perhaps never in my life has my composer’s pride been so flattered and moved as when L N Tolstoi, sitting beside me and listening to the Andante from my First Quartet, burst into tears.’

11 July 1886
‘It is said that to abuse oneself with alcoholic drink is harmful. I readily agree with that. But nevertheless, I, a sick person, full of neuroses, absolutely cannot do without the poison against which Mr Miklukho-Maklai [a Russian anthropologist] protests. A person with such a strange name is extremely happy that he does not know the delights of vodka and other alcoholic drinks. But how unjust it is to judge others by yourself and to prohibit to others that which you yourself do nor like. Now I, for example. am drunk every night, and cannot do without it. What should I do then . . .’ (This extract can be found on the Fort Freedom website.)

2 October 1886
‘Probably after my death people will be interested to know what my musical passions and prejudices were, especially since I rarely expressed these in conversation.

I shall make a small start now and eventually, when I get to those composers who lived at the same time as me, I will also discuss their personalities.

I’ll start with Beethoven, whom it is customary to praise unconditionally - indeed, one is supposed to cringe before him as before God. And so, what does Beethoven mean to me?

I bow before the greatness of some of his works, but I do not love Beethoven. My attitude towards him reminds me of how I felt as a child with regard to God, Lord of Sabaoth. I felt (and even now my feelings have not changed) a sense of amazement before Him, but at the same time also fear. He created heaven and earth, just as He created me, but still, even though I cringe before Him, there is no love. Christ, on the contrary, awakens precisely and exclusively feelings of love. Yes, He was God, but at the same time a man. He suffered like us. We are sorry for Him, we love in Him His ideal human side. And if Beethoven occupies in my heart a place analogous to God, Lord of Sabaoth, then Mozart I love as a musical Christ. Besides, he lived almost like Christ did. I think there is nothing sacrilegious in such a comparison. Mozart was a being so angelical and child-like in his purity, his music is so full of unattainably divine beauty, that if there is someone whom one can mention with the same breath as Christ, then it is he.

Speaking about Beethoven, I have stumbled across Mozart. It is my profound conviction that Mozart is the highest, the culminating point which beauty has reached in the sphere of music. Nobody has made me cry and thrill with joy, sensing my proximity to something that we call the ideal, in the way that he has.

Beethoven also caused me to shudder. But it was rather out of something akin to fear and painful anguish.’


This article is a revised version of one first published 10 years ago on 7 May 2020.

Wednesday, May 6, 2020

My unjust condemnation

‘I was with General Lafayette, invited by him to discuss reconciliation with Bolívar. I explained to him the origin and the development of our enmity, the persecution I suffered, the outrages, and my unjust condemnation; I told him that Bolívar was vindictive and proud, and that in my current disgrace I should not neither abate myself nor humiliate myself, and that with these principles he could use me as much as seem convenient and opportune to him.’ This is from a diary kept by Francisco de Paula Santander, one of the founders of Columbia who died 180 years ago today, after being exiled to Europe. His diaries have only been published in Spanish, but a few extracts in English can be found online in Revista Brasileira de História.

Santander was born in the Spanish Viceroyalty of New Granada, not far from the Venezuelan border, in 1792 to a cocoa farmer and his wife, both descendants of Spanish aristocracy. He studied law, but was attracted by the growing movement for independence. By the age of 18, he had taken up a military career with the federalists. He was promoted rapidly, and was at the front line during several defining battles in the war for independence from the Spanish colonies. He fought under Simón Bolívar for many years, being made a general when only 24. Unhappy with his role, though, he resigned within a few months. In 1821, after the Constitution of Cúcuta (the founding document and constitution for Gran Colombia) was proclaimed, 
Bolívar was elected president, and Santander vice president; Santander, though, was placed in charge of the government while Bolívar headed to Venezuela to propose a wider union of territories.

As acting president, Santander sent trade missions around the world and managed to persuade Great Britain and the US to recognise Gran Colombia as a state. The new nation, though, was in a turbulent economic state, having endured a prolonged state of war. In time, a rift in ideology developed between Santander and Bolívar  especially over their views on the future of Gran Colombia - Santander seeing its future as a separate country, and Bolívar wanting to create a unified South American state. In 1828, Bolívar declared himself dictator and abolished the vice-president position, effectively cutting Santander off from all political power and influence. Just weeks later, Santander was arrested for an assassination attempt on Bolívar. He was found guilty and sentenced to death. Bolívar pardoned him, but forced him into exile. Two years later, Gran Colombia was dissolved, and Bolívar died soon after (aged 47).

Santander returned from exile to New Granada in 1832, having learned much from his time in Europe. Under a new constitution, he was selected to be president, a post he then held until 1836. That same year, he married Sixta Pontón, and they had three children. As president, he ordered the execution of several Spanish officers in captivity and reinstated many of the doctrines that had been overturned by Bolívar  More specifically, he advanced public education, and signed a final peace treaty with Spain. He died in 1840, like Bolívar at the aged of 47. Further information is available from Wikipedia, New World Encyclopedia, and Totally History.

During his exile in Europe Santander kept a diary, eight notebooks in all, but these were only revealed for the first time in 1948 by the National Museum of Colombia. The diaries were then published, in 1963, with the sponsorship of the Colombian Banco de la República as Diario del general Francisco de Paula Santander en Europa y los EE. UU., 1829-1932. A review of this, in English, can be read at the Hispanic American Historical Review website.

Subsequently, in 1989, the Biblioteca de la Presidencia de la Republica in Bogotá published a two volume edition: Santander en Europa: Diario de viaje, 1829-1830. There is no English edition of Santander’s diaries. However, in 2013, the periodical, Revista Brasileira de História, published an essay, in English, by Libertad Borges Bittencourt on Santander’s diary: To write, to tell, to keep: the diary of Santander in European exile (1829-1832). And this is freely available online at Scielo. Here are a few extracts as found in Bittencourt’s essay.

7 November 1829
‘Today it is one year since Urdaneta [president of Gran Columbia 1830-1831] pronounced my death sentence, violating all the rights and laws of justice.’

6 May 1830
‘I was with General Lafayette, invited by him to discuss reconciliation with Bolívar. I explained to him the origin and the development of our enmity, the persecution I suffered, the outrages, and my unjust condemnation; I told him that Bolívar was vindictive and proud, and that in my current disgrace I should not neither abate myself nor humiliate myself, and that with these principles he could use me as much as seem convenient and opportune to him.’

7 May 1830
‘they were talking with me about the projected reconciliation with Bolívar. I told them decidedly that on my part the reconciliation could be made under the following conditions: 1) that the political regime in Colombia would be republican and partially federative; 2) that General Bolívar, in good faith, would agree to this and govern without privileging any parties and in conformance with the law; 3) that all the outrages and persecutions I suffered would be remedied. On the other hand, I cannot commit myself to anything, because that would mean humiliation and debasement, unworthy of me and prejudicial to the welfare of my homeland.’

26 June 1830
‘There I heard of Bolívar’s new farce in Bogotá in April and read some public documents from Bogotá. In summary there was a movement in Casanare in favor of the Venezuela pronouncement, for which reason the principal neighbors of Popayán sent a petition to Congress, dated 29 March, stating that it was necessary to cede to the nature of things and the impulse of public opinion, forming a confederation to prevent war with Venezuela, which the Granadines did not want to do this because the Venezuelans should not be considered, according to the principles of public law, as factions, since a large dissident part of a state which had the means to support their decisions could not be treated like this. They conclude by asking for the convocation of a Granadine congress and the adoption of a federal regime which is desired on a daily basis by people with an imperious need. Another document signed by General Obando in Bogotá expresses equal feeling and talks of the effervescence in the capital. Based on all of this the provisional government of Bogotá (D. Caycedo, Osorio, Márquez and Herrán), or instigated by Bolívar, who saw that the opinion was decided in favor of the Venezuela pronunciation and the federation, sent a message to the Congress on 15 April inviting it to dissolve and to meet in a new convention in New Granada. This produced a great altercation in Congress when García Del Rio and De Francisco called the provisional government revolutionary and traitors. Nevertheless, the ministers of England, Brazil, and the United States had sent a note to the government, without the interest of intervening in domestic affairs and without being able to appreciate the reasons for the message of the government to Congress, declaring that any secession of Colombian territory would impose on them the duty to withdraw, taking their functions to be finished and that any treaties with Colombia on the part of their respective governments would be considered invalid. This scandalous note produced its effect: the Council declared that it would preserve national integrity and the Council of State proclaimed Bolívar as president, with the debates in the Chamber being suspended. Bolívar returned to his mandate.

27 August 1830
‘To my answer that I was no longer one, because my country was an independent state and called Colombia, they asked me several questions about our army, the way of fighting war, and, particularly about Bolívar; I sought to be moderate about the political conduct of our Liberator and praised his military conduct; the officer answered that irrespective of what I had said there were important men in Colombia who were opposed to the political conduct of Bolívar, which to him seemed doubtful whether or not they were without ambition. My answer was reduced to saying that in effect he had personal enemies and enemies of his political principles, and that time would say with justice which was right. The officer named Sucre as being opposed to Bolívar and, not remembering my name, said these precise words: “There is another general who was president of Colombia when Bolívar was in Peru who they say demonstrated great talent and many services, and who positioned himself completely against the ideas of Bolívar, as he supported the laws of his country.” This praise made me flush, but I did not reveal myself. However, my servant, in a stop to change horses shortly afterwards, revealed who I was, and the officer paid me many flattering compliments.’

16 September 1831
‘I was presented to the king in his palace of Neuilly by Count Saint Maurice; I went with a complete military uniform, and the king, the queen, and Mme. Adelaida, the king’s sister, asked me different question about the geography of Colombia and its political situation. The king told me that we should not fear any attack from Spain, for which it would be necessary to form a government that would inspire confidence in Europe and maintain public order.’

Saturday, May 2, 2020

Crushing the slave traffic

‘We met a Brazillian named Jose dos Cento, who came to Whydah a poor man, but has become rich, from his own direct energies, and perseverance, he ships a great quantity of Palm oil, as well as a little in the Slave Trade when a fair opportunity offers, on that point he does not speculate much, I am glad to be encouraged to state that the legitimate [trade] is beginning to Bud, competition has become so great that it has so far enhanced the value of Palm Oil from 2 dollars for a measure of 19 Gallons to six dollars for the same, so it is too obvious, that could the abominable [i.e. slave] traffic be crushed legitimate trade would soon outstay the odium.’ This is from the diary of a John Beecroft, a Yorkshire-born sailor, explorer and colonial governor baptised 230 years ago today. He is remembered for the part he played in helping Britain combat the slave trade.

Beecroft was baptised on 2 May 1790 in Sleights near Whitby, North Yorkshire. Little is known about his early years, but from his teens he was employed at sea, on coastal vessels. In 1805, he was captured by a French privateer, during the Napoleonic Wars, and held prisoner until 1814. Subsequently, he joined the merchant navy and, as master of a transport vessel, traveled to Greenland with William Parry’s expedition searching for a Northwest Passage. The significant part of Beecroft’s career began in 1829 with his appointment as superintendent of works at Fernando Po, an island in the Gulf of Guinea nominally under Spanish control but where Britain was establishing a base for combating the slave trade. The following year, when the island’s governor returned to England on sick leave, Beecroft took over as acting governor, a post conferred on him by the Spanish government with the rank of lieutenant in the Spanish navy.

Britain gave up its settlement on Fernando Po in 1833, but Beecroft stayed on as a partner in a firm that controlled the shore establishments and trading, and despite his status as a simple private citizen, effectively he continued to govern the island, maintaining a court of justice, and generally overseeing the island’s affairs. In 1843, in fact, the Spanish formally made him governor of Fernando Po and two other Spanish islands. During this time, he systematically explored the interior of Africa using steam ships to navigate up the Niger and other river systems further than had been possible previously. The native Africans he employed as crew proved far more resilient to the endemic malaria which had claimed numerous European lives on previous expeditions. In 1849, he was also appointed consul, by the British, of the Bights of Benin and Biafra.

As consul, Beecroft assisted in the British bombardment of Lagos in 1851, negotiated (and was a signatory to) the Treaty Between Great Britain and Lagos, and was instrumental in the deposition of Pepple, King of Bonny, in 1854. He died that same year just as he was about to embark on another Niger expedition. According to Anthony Tibbles’ bio of Beecroft in The Historical Encyclopedia of World Slavery, ‘his principle contribution to the abolition of the slave trade was in using his influence with African chiefs to cut off the supply of slaves to illegal slavers and to help provide the more stable conditions required by legitimate traders.’ Further information is also available from Wikipedia, Genealogy, and The Oxford Dictionary of National Biography (log-in required).

In 1850, Beecroft undertook a diplomatic mission to Dahomey (in present-day Benin) to visit its king, Gezo. The mission was part of a sustained effort by the British government to persuade Gezo to collaborate in the suppression of the trans-Atlantic slave trade. Although the mission of 1850 was a failure, Beecroft’s account of it - his journal - is now considered an invaluable source for the history of Dahomey, especially for the information it provides on the role of the slave trade within the kingdom, as well as its response to British pressure for the trade’s abolition. The journal exists in a single manuscript version in Beecroft’s own handwriting. It was 
edited by Robin Law and published recently - in 2019 - as Consul John Beecroft’s Journal of his Mission to Dahomey, 1850 (Oxford University Press). According to the publisher, the book includes extensive editorial annotations and analysis.

Frederick E. Forbes, a naval lieutenant who accompanied Beecroft on the Dahomey mission, also kept a journal, but his was published in 1851 immediately after the mission’s conclusion. Dahomey and the Dahomans: being the Journals of Two Missions to the King of Dahomey and Residence at his Capital in the years 1849 and 1850 can be freely consulted at Internet Archive. Law suggests it is not clear why Beecroft’s journal was overlooked for so long, but suggests Beecroft’s manuscript was much longer and more difficult to decipher than Forbes', and that Beecroft himself expected to produce a revised/edited version which he never did. In any case, Law says publication of the Beecroft journal now serves to redress the imbalance.

Law has edited the Beecroft journal to be an ‘accurate transcription of the original text, with all its defects and idiosyncrasies’. Here are two extracts.

16 May 1850
‘I arose at 5 o’ clock. Ther 74°. washed and shaved in readiness to receive our friend the Vice-Roy as he promised to pay us a visit early, but we were disappointed, he had been carouseing all night, and required sleep when he ought to be have been on his legs, I am extremely sorry that Mr Hutton, has thought fit to take the greater part of the useful community belonging to English Town with him to Badagry, they have been absent about six weeks, it appears rather mysterious, I trust there is not any sinister motive to annoy, still I have a better opinion of Mr Hutton, but it is very annoying as we are in want of people to send the King’s Presents on to Abomey. There are only a few Hammock bearers here, Noon all the Presents were removed from the Fort to Caboceers, he having received orders from his Majesty to leave Whydah for the Customs at Abomey on the 20th inst[ant] this afternoon we waited on Monsieur Casse and Blanchely at the French Fort, and were very kindly received, showed us through the whole Factory, it is well adapted for trading purposes, with large Vats for storing palm oil, they will have a great quantity left after dispatching the Barque Bon Pere she will be completed in a day or two having 300 Tons.

we had previously applied to Mr Hutton for a supply of cowries for the mission, they not having any we were necessitated to purchase from Monsieur Casse at 21 dollars per cwt [= hundredweight] a high price I ordered two casks, and thirty pieces of different sorts of cloth, for use at Abomey We returned at 4 o’clock to the English Fort. We met a Brazillian named Jose dos Cento, who came to Whydah a poor man, but has become rich, from his own direct energies, and perseverance, he ships a great quantity of Palm oil, as well as a little in the Slave Trade when a fair opportunity offers, on that point he does not speculate much, I am glad to be encouraged to state that the legitimate [trade] is beginning to Bud, competition has become so great that it has so far enhanced the value of Palm Oil from 2 dollars for a measure of 19 Gallons to six dollars for the same, so it is too obvious, that could the abominable [i.e. slave] traffic be crushed legitimate trade would soon outstay the odium.

Whydah has many drawbacks, the distance it has to be rolled to the Beach shipment, at a risk these are obstacles not to be easily surmounted, but it only requires the energies & mind of the purchasers to obviate, in a great measure, a moiety of these difficulties and commence a new plan, if the other [trade] was finished the Path would be made perceptible.

Received from the French Fort 1014 lbs of cowries and the 30 pieces of cloth ordered.

After dinner I took a walk accompanied by Capt Forbes and Mr Roberts, round the Fort, on our way we came upon the Fetish peoples performances their superstitious fooleries and rogueries, we were detained a short time, as they belonged to English Town, looking at their distortions, and gesticulations, going round the circle, Keeping time to their rude music of country Drums, and Horns, there were a great number of lookers on with us en passant, at last an aged Lady and three or four more of Grey haired venerables, Old Gents heads of the Fetish, came up and paid their respects to us, we were then in a measure obliged according to the Custom of the Country to acknowledge the same and give them a small present of rum, particularly being Englishmen and strangers, for which they overwhelmed us with thanks and e[n]comiums, shortly after Capt Forbes and myself left and prolonged our walk a short distance into the country, the Path we had chosen appeared a very impoverished soil, Iron stone, and mica, saw several gigantic Bombax Trees, taken possession of by the Fetish and walled in, the country as far as the eye can discern is level, with a Park like appearance, we returned at sunset, on our arrival at the Fort found a messenger from Badagry with letters from Mr Hutton stating that he had remained at Porto Novo, on his way here, the messenger was one of their own people, he of course accosted accosted Mr Roberts in a very friendly manner, it did not seem pleasing to Mr Hastie. Capt Forbes and myself left and retired to our own domicile and talked over other matters more serious connected with our mission we retired to rest at 9 o’clock this day ends with a very find wr. Reported that a very small schooner of 35 Tons [was] taken by Phoenix belonging to a Black man named José liveing at Aghwey.’

26 June 1850
‘daylight dull cloudy wr Ther 75° Forbes took his walk as usual, returned at 7 o’clock took a light Breakfast of Tea and eggs. 10 o’clock the Mayo-gau made his appearance, to report progress it was as I had expected that the King wished us to remain to see the Fetish Custom, and the small Schooner dressed out with Flags and some other fooleries, that would take fifteen days, I told him it would be three weeks for they Procrastinate too much you are never sure of their word, as soon as that was communicated we sent down for 50 dollars more cowries, Noon fresh westerly Breezes Mayo told us the Fetish people were going to amuse themselves with their ribaldry if [we] wished to see them we were at liberty, I told him that I had seen them and got them in my Book. Then at 2 o’clock 78° dined and took a walk to the Gate, where the Fetish women were performing an old Caboceer very polite introduced us to two of the Kings Brothers, and gave us each a Country stool to sit on, sent small decanters of rum, Gin &c &c and a Pot of water and Peto, or country Beer, we tasted of each with them, they were all women performers, a few of the King's wives, and one of his daughters were present, sent for a Keg of rum and presented to the old Caboceer, it was placed in front. The two Kings sons and two Caboceers presented it in due form with a long speech, they returned us many thanks Bah-dah-huu Kings Brother was particularly complimentary. and said it pleased him too much to see Englishmen at Abomey, friends with his brother the King. They sung Praises trusting God would take care of us, and Protect us from harm, they said that they would be glad to see us tomorrow as they were going to sacrifice a Bullock, they then retired and we returned home, we received a few necessaries from Whydah from Mr Hastie they arrived at a very convenient season for we were nearly dry, it is truly Kind and thoughtful of him, he states that he has been confined 8 days, retired to rest at 9 o’clock. the Fetish performers were all aged.’

Wednesday, April 22, 2020

Kollwitz’s weavers

‘Went to the theater with Karl; saw The Weavers [. . .] I was overcome by something of the same feeling I had when I saw The Weavers for the first few times. Of the feeling that animates the weavers, the desire for eye for eye, tooth for tooth, the feeling I had when I did the weavers. My weavers. In the meantime I have been through a revolution, and I am convinced that I am no revolutionist.’ This is from the diaries of Käthe Kollwitz, a famous German artist and sculptress who died 75 years ago today. She is largely remembered for her depictions of the effects of poverty, hunger and war on the working class.

Kollwitz was born in 1867 in Königsberg, Prussia, the fifth child of a housebuilder and his religious wife. From the age of 12, she was instructed in drawing and copying plaster casts; and by 16, much influenced by her grandfather’s socialist politics, she was drawing working people, the ones she saw coming to her father’s office. With no colleges open to her nearby, she studied in Berlin and Munich art schools for women. Initially trained as a painter, she was influenced by the work and writings of fellow artist Max Klinger and began to focus on the graphic arts. After 1890, she was mostly etching and working with sculpture (later also turning to lithography and woodcuts). She became engaged to Karl Kollwitz, a medical student, while in Munich, and by 1891 they had married, and were living in a large apartment in Berlin, and he was practising as a qualified doctor. They had two sons, Hans and Peter.

Kollwitz’s series of etchings The Weavers (1898) - inspired by seeing a performance of Gerhart Hauptmann’s The Weavers, which dramatized the oppression of the Silesian weavers in Langenbielau and their failed revolt in 1844 - first brought her critical attention. She joined the Berlin Secession artistic movement from 1901, and in the years through to 1908 - during which she made several trips to Paris - she produced her second major cycle of works - Peasant War. She was awarded the Villa Romana prize for the etching Outbreak, and the prize allowed her to study in Florence during 1907. On returning to Germany, biographers says, she became inspired by the Expressionists and Bauhaus artists to simplify her modes of expression. Her son, Peter, died in combat in 1914, leading her into a deep depression. She worked for years on a monument to him, destroying one and not completing a second until 1932.

In 1922–23, Kollwitz produced the cycle War in woodcut form. Much of her art in this period was taking pro-war propaganda and turning it round to create anti-war works, critical of the growing nationalism she was witnessing. In 1924, she finished her three most famous posters: Germany’s Children Starving, Bread, and Never Again War. By the mid-1930s, she had completed her last major cycle of lithographs, Death, and was facing persecution by the Nazi regime. She died on 22 April 1945. Four museums - in Berlin, Cologne and Moritzburg, and the Käthe Kollwitz Museum in Koekelare - are dedicated solely to her work. The Käthe Kollwitz Prize, established in 1960, is named for her. Further information can be found online at Wikipedia, the Käthe Kollwitz Museum, The Art Story or Spartacus

Kollwitz kept a diary intermittently throughout the latter part of her life, from 1909. Extracts from these diaries were first edited by her son, Hans Kollwitz, translated by Richard and Clara Winston, and published in 1955 as Diaries and Letters of Kaethe Kollwitz by Henery Regnery Company. It was subsequently reissued by Northwestern University Press in 1988 as 
The Diary and Letters of Kaethe Kollwitz - a digital copy of this can be borrowed freely from Internet Archive (with log-in). Hans Kollwitz says in his introduction: ‘The diaries give us a valuable insight into Mother’s methods of work and her tempo. She constantly swung between long periods of depression and inability to work and the much shorter periods when she felt that she was making progress in her work and mastering her task. She suffered terribly during these spells of emptiness.’

Here are several extracts from the diaries, including one in which Kollwitz reflects on her past entries, observing that she wrote mostly about obstacles and trouble and seldom about being happy.

1 December 1914
‘Conceived the plan for a memorial for Peter tonight, but abandoned it again because it seemed to me impossible of execution. In the morning I suddenly thought of having Reike ask the city to give me a place for the memorial. There would have to be a collection taken for it. It must stand on the heights of Schildhorn, looking out over the Havel. To be finished and dedicated on a glorious summer day. Schoolchildren of the community singing, “On the way to pray.” The monument would have Peter’s form, lying stretched out, the father at the head, the mother at the feet. It would be to commemorate the sacrifice of all the young volunteers.

It is a wonderful goal, and no one has more right than I to make this memorial.’

22 August 1916
‘Stagnation in my work.

When I feel so parched, I almost long for the sorrow again. And then when it comes back I feel it stripping me physically of all the strength I need for work.

Made a drawing: the mother letting her dead son slide into her arms. I might make a hundred such drawings and yet I do not get any closer to him. I am seeking him. As if I had to find him in the work. And yet everything I can do is so childishly feeble and inadequate. I feel obscurely that I could throw off this inadequacy, that Peter is somewhere in the work and I might find him. And at the same time I have the feeling that I can no longer do it. I am too shattered, weakened, drained by tears. I am like the writer in Thomas Mann: he can only write, but he has not sufficient strength to live what is written. It is the other way round with me. I no longer have the strength to form what has been lived. A genius and a Mann could do it. I probably cannot.

For work, one must be hard and thrust outside oneself what one has lived through. As soon as I begin to do that, I again feel myself a mother who will not give up her sorrow. Sometimes it all becomes so terribly difficult.

Hoyer has answered my letter. His reply is very kind. He too calls me Mother. But that doesn’t bother me. Now all three of them call me that, Hans Koch, Noll and Hoyer. At first I felt alarm, then happiness, and now diffidence -wondering what I can give them. I can really be a mother only to my own.

I suppose it is conceivable to broaden out so that one can feel great love for other children than one’s own, but again it is the same as in my work: I feel that I cannot. I am not broad enough for that. My strength is insufficient.’

28 June 1921
‘Went to the theater with Karl; saw The Weavers at the Grosse Schauspielhaus. The inflammatory effect of the mass scenes. “Let Jaeger come out, let Jaeger come out! Let Hoelz come out!”

I was overcome by something of the same feeling I had when I saw The Weavers for the first few times. Of the feeling that animates the weavers, the desire for eye for eye, tooth for tooth, the feeling I had when I did the weavers. My weavers.

In the meantime I have been through a revolution, and I am convinced that I am no revolutionist. My childhood dream of dying on the barricades will hardly be fulfilled, because I should hardly mount a barricade now that I know what they are like in reality. And so I know now what an illusion I lived in for so many years. I thought I was a revolutionary - and was only an evolutionary. Yes, sometimes I do not know whether I am a socialist at all, whether I am not rather a democrat instead. How good it is when reality tests you to the guts and pins you relentlessly to the very position you always thought, so long as you clung to your illusion, was unspeakably wrong. I think something of the sort has happened to Konrad. Yes, he - and I too - would probably have been capable of acting in a revolutionary manner if the real revolution had had the aspect we expected. But since its reality was highly un-ideal and full of earthly dross - as probably every revolution must be - we have had enough of it. But when an artist like Hauptmann comes along and shows us revolution transfigured by art, we again feel ourselves revolutionaries, again fall for the old deception.’

31 December 1925
‘Recently I began reading my old diaries. Back to before the war. Gradually I became very depressed. The reason for that is probably that I wrote only when there were obstacles and halts to the flow of life, seldom when everything was smooth and even. So there were at most brief notes when things went well with Hans, but long pages when he lost his balance. And I wrote nothing when Karl and I felt that we belonged intimately to one another and made each other happy; but long pages when we did not harmonize. As I read I distinctly felt what a half-truth a diary presents. Certainly there was truth behind what I wrote; but I set down only one side of life, its hitches and harassments. I put the diaries away with a feeling of relief that I am safely out of those times. Yet they were times which I always think of as the best in my life, the decade from my mid-thirties to my mid-forties. A great many things were very confused in those days. Then came the war and turned everything topsy-turvy. Knocked one down flat on the ground. Half alive and half dead, one crawled in silence, living a humble life drenched with suffering. One rose to one’s feet very slowly indeed. New happiness came with Hans, Ottilie, the babies. Karl was always at my side. And that is a happiness that I have fully realized only in these last years - that he and I are together. Now we are wonderfully fond of one another. He is no longer the same man he once was, as I am no longer the same woman. He has left many things behind him, has grown out of and above them. What has remained is his “innocence,” as Sophie Wolff calls it. He has a really innocent heart, and from that comes his wonderful inward joyousness.’

May 1943 [The last diary entry.]
‘Hans has reached the age of 51. Air-raid alarm the night of May 14. It was the loveliest of May nights. Hans and Ottilie did not go to sleep until very late. They sat in the garden and listened to a nightingale.

After work Hans came, then Ottilie and finally Lise. The four of us sat together. On his birthday table, below the grave relief, I had placed the lithograph Death Calls, the print of which I worked over. Then there was a drawing I had made of Karl one time when he was reading aloud to me. We were sitting around the living room table at the time. This drawing is a favorite of Hans’. And there was also the small etching. Greeting, which is closely connected with his birthday.

We lit Josef Faasen’s large candle.

Early next morning, Hans came again and brought a great bouquet of lilies from the garden. What happiness it is for me that I still have my boy whom I love so deeply and who is so fond of me.

Goethe to Lavater, 1779: “But let us stop worrying our particular religions like a dog its bone. I have gone beyond purely sensual truth.” ’

Wednesday, April 15, 2020

Diary briefs

Turkish diary of a genocide - Rudaw

Newly uncovered Holocaust diary - The Jerusalem Post

WW2 PoW diaries published - Express & Star, Amazon

Diaries of 20th century Irish diplomat - The Journal

Pepys and the plague - The Spectator

C19th attitudes to homosexuality - The Conversation, Pink News, BBC

The Dalai Lama’s escape to India - Penguin, The Free Press Journal

Diary from ill-fated colonists’ ship - New Zealand Herald

Somme diary fetches £2,600 - Hansons, Metro, BBC

Margaret Thatcher’s clothing diary! - Sky News

Happy birthday, Jeffrey

Happy birthday Jeffrey Archer, 80 today! It’s been an eventful, colourful 70 years for the best-selling author and occasional politician, with many ups and downs. Being sent to prison was certainly one of the downs, but he made the best of it, one might gather, by producing three volumes of diaries from the experience. The first volume shows that within a week he was already worrying about his future as a free man and not being able to explain to everyone who recognises him as a perjuror that he hadn’t had a fair trial.

Archer was born in London, on 15 April 1940, but he spent most of his childhood in Weston-super-Mare, Somerset. After short spells with the army and police, he worked as a PE teacher, before entering Brasenose College, Oxford, to study education. While there he was successful in athletics, sprinting 100 yards in 9.6 seconds for Great Britain in 1966, and becoming president of the university’s athletics club. During this period, he also earned a reputation for raising money for charity, and met his future wife, Mary, who was studying chemistry.

On leaving Oxford, Archer’s own website explains, he was elected to the Greater London Council, and three years later at the age of 29, he became Member of Parliament for Louth. After five years in the Commons and ‘a promising political career ahead of him’, he invested heavily in a Canadian company called Aquablast, on the advice of the Bank of Boston. The company went into liquidation, and three directors were later sent to jail for fraud. Left with debts of nearly half a million pounds, and on the brink of bankruptcy, he resigned from the House of Commons - and started his writing career.

In 1976, his first book, Not a Penny More, Not a Penny Less, was published, first in the US, but then very quickly in more than a dozen countries. His third novel, Kane and Abel, was a number one best-seller in hardcover and paperback all over the world and, according to Archer’s website, sold over 3.5 million in the UK paperback edition alone. With his fame as a writer and his financial situation much improved he fell into favour with the Conservative Party again, and was appointed deputy chairman by Margaret Thatcher in 1985. Gaffes and a scandal involving a call girl led to his resignation a year later. In 1992, though, he was made a life peer as Baron Archer of Weston-super-Mare thanks to prime minister John Major.

The call girl scandal led to a libel case which Archer won, donating the settlement to charity. More than a decade later, though, he was prosecuted for having committed perjury and conspiracy to pervert the course of justice in that libel case. He was sentenced to four years imprisonment, and was released in July 2003, having served two years.

Before being charged with libel, Archer had been selected by the Conservative Party as candidate for the London mayoral election of 2000; expulsion from the party followed his stepping down from the mayoral race. Wikipedia notes that during the 1990s and early 2000s, Archer was investigated (but not charged) in connection with allegations of insider trading at Anglia Television, where his wife was a director, and the disappearance of money from Simple Truth, a fundraising campaign run by Archer.

For three months while in prison, Archer kept a diary and this was published by Macmillan in three volumes between 2002 and 2004. Wikipedia has an entry dedicated to these diaries, and Archer’s own website offers a few pages of extracts from each volume, as well as images of his diary manuscripts. The first volume - A Prison Diary by FF8282 - covers the three weeks he spent at HMP Belmarsh, a double A category high-security prison in south London, said to hold some of Britain’s most violent criminals. Here are parts of Archer’s first diary entry (as found on his website).

19 July 2001
12.07 pm
‘You are sentenced to four years.’ Mr Justice Potts stares down from the bench, unable to hide his delight. He orders me to be taken down.

A Securicor man who was sitting beside me while the verdict was read out points towards a door on my left which has not been opened during the seven-week trial. I turn and glance at my wife Mary seated at the back of the court, head bowed, ashen-faced, a son on either side to comfort her.

I’m led downstairs to be met by a court official, and thus I begin an endless process of form-filling. Name? Archer. Age? 61. Weight? 178lbs, I tell him. [. . .]

I am ushered into a room only slightly larger than the cell to find my silk, Nicholas Purnell QC, and his junior, Alex Cameron, awaiting me.

Nick explains that four years means two, and Mr Justice Potts chose a custodial sentence aware that I would be unable to appeal to the Parole Board for early release. Of course they will appeal on my behalf, as they feel Potts has gone way over the top. Gilly Gray QC, an old friend, had warned me the previous evening that as the jury had been out for five days and I had not entered the witness box to defend myself, an appeal might not be received too favourably. Nick adds that in any case, my appeal will not be considered before Christmas, as only short sentences are dealt with quickly.

Nick goes on to tell me that Belmarsh Prison, in Woolwich, will be my first destination.

‘At least it’s a modern jail,’ he comments, although he warns me that his abiding memory of the place was the constant noise, so he feared I wouldn’t sleep for the first few nights. After a couple of weeks, he feels confident I will be transferred to a Category D prison – an open prison – probably Ford or the Isle of Sheppey.

Nick explains that he has to leave me and return to Court No. 7 to make an application for compassionate leave, so that I can attend my mother’s funeral on Saturday. She died on the day the jury retired to consider their verdict, and I am only thankful that she never heard me sentenced.

I thank Nick and Alex for all they have done, and am then escorted back to my cell. The vast iron door is slammed shut. The prison officers don’t have to lock it, only unlock it, as there is no handle on the inside. I sit on the wooden bench, to be reminded that Jim Dexter is inocent, OK! My mind is curiously blank as I try to take in what has happened and what will happen next.

The door is unlocked again - about fifteen minutes later as far as I can judge - and I’m taken to a signing-out room to fill in yet another set of forms. A large burly officer who only grunts takes away my money clip, £120 in cash, my credit card and a fountain pen. He places them in a plastic bag. They are sealed before he asks, ‘Where would you like them sent?’ I give the officer Mary’s name and our home address. After I’ve signed two more forms in triplicate, I’m handcuffed to an overweight woman of around five foot three, a cigarette dangling from the corner of her mouth. They are obviously not anticipating any trouble. She is wearing the official uniform of the prison service: a white shirt, black tie, black trousers, black shoes and black socks.

She accompanies me out of the building and on to an elongated white van, not unlike a single-decker bus, except that the windows are blacked out. I am placed in what I could only describe as a cubicle – known to the recidivists as a sweatbox – and although I can see outside, the waiting press cannot see me; in any case, they have no idea which cubicle I’m in. Cameras flash pointlessly in front of each window as we wait to move off. Another long wait, before I hear a prisoner shout, ‘I think Archer’s in this van.’ Eventually the vehicle jerks forward and moves slowly out of the Old Bailey courtyard on the first leg of a long circuitous journey to HMP Belmarsh.

As we travel slowly through the streets of the City, I spot an Evening Standard billboard already in place: ARCHER SENT TO JAIL. It looks as if it was printed some time before the verdict.

I am well acquainted with the journey the van is taking through London, as Mary and I follow the same route home to Cambridge on Friday evenings. Except on this occasion we suddenly turn right off the main road and into a little backstreet, to be greeted by another bevy of pressmen. But like their colleagues at the Old Bailey, all they can get is a photograph of a large white van with ten small black windows. As we draw up to the entrance gate, I see a sign declaring BELMARSH PRISON. Some wag has put a line through the B and replaced it with an H. Not the most propitious of welcomes.

We drive through two high-barred gates that are electronically operated before the van comes to a halt in a courtyard surrounded by a thirty-foot red-brick wall, with razor wire looped along the top. I once read that this is the only top-security prison in Britain from which no one has ever escaped. I look up at the wall and recall that the world record for the pole vault is 20ft 2in. [. . .]

I’m not, as I thought I might be, placed in a hospital ward but in another cell. When the door slams behind me I begin to understand why one might contemplate suicide. The cell measures five paces by three, and this time the brick walls are painted a depressing mauve. In one corner is a single bed with a rock-hard mattress that could well be an army reject. Against the side wall, opposite the bed, is a small square steel table and a steel chair. On the far wall next to the inch-thick iron door is a steel washbasin and an open lavatory that has no lid and no flush. I am determined not to use it. On the wall behind the bed is a window encased with four thick iron bars, painted black, and caked in dirt. No curtains, no curtain rail. Stark, cold and unwelcoming would be a generous description of my temporary residence on the medical wing. No wonder the doctor didn’t return my smile. I am left alone in this bleak abode for over an hour, by which time I’m beginning to experience a profound depression. [. . .]

There is a rap on the cell door, and a steel grille that resembles a large letter box is pulled up to reveal the grinning West Indian.

‘I’m Lester,’ he declares as he pushes through a pillow - rock hard; one pillow case - mauve; followed by one sheet - green; and one blanket - brown. I thank Lester and then take some considerable time making the bed. After all, there’s nothing else to do.

When I’ve completed the task, I sit on the bed and start trying to read The Moon’s a Balloon, but my mind continually wanders. I manage about fifty pages, often stopping to consider the jury’s verdict, and although I feel tired, even exhausted, I can’t begin to think about sleep. The promised phone call has not materialized, so I finally turn off the fluorescent light that shines above the bed, place my head on the rock-hard pillow and despite the agonizing cries of the patients from the cells on either side of me, I eventually fall asleep. An hour later I’m woken again when the fluorescent light is switched back on, the letter box reopens and two different eyes peer in at me – a procedure that is repeated every hour, on the hour - to make sure I haven’t tried to take my own life. The suicide watch.

I eventually fall asleep again, and when I wake just after 4 am, I lie on my back in a straight line, because both my ears are aching after hours on the rock-hard pillow. I think about the verdict, and the fact that it had never crossed my mind even for a moment that the jury could find Francis innocent and me guilty of the same charge. How could we have conspired if one of us didn’t realize a conspiracy was taking place? They also appeared to accept the word of my former secretary, Angie Peppiatt, a woman who stole thousands of pounds from me, while deceiving me and my family for years.

Eventually I turn my mind to the future. Determined not to waste an hour, I decide to write a daily diary of everything I experience while incarcerated.

At 6 am, I rise from my mean bed and rummage around in my plastic bag. Yes, what I need is there, and this time the authorities have not determined that it should be returned to sender. Thank God for a son who had the foresight to include, amongst other necessities, an A4 pad and six felt-tip pens.

Two hours later I have completed the first draft of everything that has happened to me since I was sent to jail.’


This article is a revised version of one first published 10 years ago on 15 April 2010.

Thursday, April 9, 2020

Atomic Bomb Dome

Following the dropping of an atomic bomb on Hiroshima in the Second World War, the city was left in ruins. Among those ruins close to the hypocentre only one structure was left standing - a domed exhibition hall designed by a Czech architect, Jan Letzel, born 140 years ago today. Following the end of the war, there was much debate over what to do with the ruined building, and it remained neglected for many years, until the early 1960s. Only then did the local authorities accept that it should be preserved as a peace monument. Decades later, it gained acknowledgement by Unesco as a World Heritage Site. But where is the diary connection? According to the Hiroshima Peace Media Center, the movement to preserve the ruined dome was inspired by a diary kept by a young student - a 15 year old girl who died of leukaemia having been exposed to the nuclear bomb fall when only one year old.

Letzel was born on 9 April 1880 in Náchod (Bohemia, now part of the Czech Republic) to a couple who ran a hotel. After being trained in civil engineering, he won a scholarship to study architecture, under Jan Kotěra (one of the founders of modern Czech architecture), at the School of Applied Arts in Prague. He undertook various study tours in 1902-1903, and was then employed by an architectural firm in Prague. He designed and built a sanatorium and a pavilion in the Art Nouveau style in Mšené-lázně. Further travels in Europe followed, and a stay in Cairo where he also worked for a while. 


By mid-1908, though, Letzel had landed in Tokyo, where he joined a firm of French architects. In 1910, Letzel and his friend Karel Hora founded their own architectural firm. Over the next few years, he designed some 40 buildings, many of them significant, including the Jesuit College, the German embassy, and a domed exhibition hall in Hiroshima. The start of World War I interrupted his practice, but, in 1919, after Czechoslovakia had become an independent country, he was appointed its commercial attaché to Japan. Many of his buildings were destroyed in the 1923 Great Kantō earthquake. Deeply disappointed, he returned to Prague in 1923 and died in 1925 still only 45. Some further information about Letzel can be found at Wikipedia, at Radio Prague International, and at this website.

Letzel is best remembered today for the Hiroshima exhibition hall, with its distinctive dome at the highest part of the building. The building underwent several name changes, before being known as the Hiroshima Prefectural Industrial Promotion Hall from 1933. It became famous after surviving the atomic attack of 6 August 1945 - indeed it was the only structure left standing near the bomb’s hypocentre. It was scheduled to be demolished with the rest of the ruins, but because the majority of the building was intact some wanted to preserve it. Thus, it remained neglected for many years. 


According to the Hiroshima Peace Centre, one factor that led to the structure’s preservation was a diary kept by a high school student, Hiroko Kajiyama. Having being exposed at the age of one, she died some 15 years later, from leukaemia. Significantly, she had noted in her diary: ‘Only the tragic Industrial Promotion Hall will forever continue to tell future generations of the catastrophic atomic bombing.’ This inspired other students to launch a campaign which, eventually led to the Hiroshima City Council passing a resolution requiring the dome to be preserved. In 1996, Unesco acknowledged the building as a World Heritage Site under the name Hiroshima Peace Memorial - though it is more generally known as the Atomic Bomb Dome. See also the Commemorative Exhibition for the 50th Anniversary of the Hiroshima Peace Memorial Museum and HuffPost.

Wednesday, April 8, 2020

Nijinsky going mad

One of the most famous dancers that ever lived, Vaslav Nijinsky, died 70 years ago today, three weeks after his 60th birthday. But the dance in him had died 30 years before that, leaving him to spend half his lifetime in and out of mental institutions. Astonishingly, at the very point in his life that he was going mad, when, in fact, the dance was leaving him, he started to write a diary, and kept on writing for six weeks. A sanitised version was first published between the wars, but the full and unbowdlerised text only emerged in the 1990s.

Wacław Niżyński, or Vaslav Nijinsky, was born in 1890 to Polish parents, both dancers, in Kiev, Ukraine. Aged nine, he was entered into the Imperial Ballet School, and by 1907 began to star as a soloist at the Mariinsky Theatre. In 1908, he embarked on a relationship with Sergei Diaghilev - although sexual at first, it was their partnership in dance that would lead them both to fame. In 1909, Diaghilev took a company of Russian opera and ballet stars - including Nijinsky and Anna Pavlova - to Paris for a highly successful season; and thereafter he formed Les Ballets Russes which would become an artistic and social sensation, setting trends in art, dance, music and fashion for the next decade.

Within a couple of years, Nijinsky himself was choreographing the troupe’s ballets, notably those based on Debussy’s Prélude à l’après-midi d’un faune and Stravinsky’s Le Sacre du Printemps. The Diaghilev-Nijinsky relationship took a turn for the worse in 1912, when Les Ballets Russes toured South America without Diaghilev. Romola Pulszky, a Hungarian countess who had been pursuing Nijinsky, finally won him over onboard the ship to South America and they were married in Buenos Aires. But on returning to Europe, Diaghilev - angered by the turn of events - dismissed Nijinsky, who then tried, unsuccessfully, to set up his own company.

During the First World War, Nijinsky was interned in Hungary but Diaghilev succeeded in getting him released for a North American tour in 1916. Thereafter, though, the dancer succumbed increasingly to mental illness, and was taken by Romola for treatment to Switzerland. There he suffered a nervous breakdown in 1919, and spent the rest of his life in and out of psychiatric institutions. He died on 8 April 1950. For further biographical information see Wikipedia or the American Ballet Theatre website.

In 1919, in Switzerland and on the edge of his breakdown, Nijinsky began writing a diary and he continued to do so for six weeks, filling four notebooks (although one is just letters). A version of this diary was first edited by Romola and published in English in 1936. In 1953, Editions Gallimard came out with another heavily edited version, this time in French. Even after Romola died in 1978, her daughters, Kyra and Tamara, refused to release the full text, and it was not until 1995 that a full unexpurgated text was first published in France (by Editions Actes Sud).

In a review of the French edition, The New York Times said: ‘Much of the text reads like a stream of consciousness dominated by a series of fixations, including Nijinsky’s identification with God and Jesus Christ, his love of humanity, his concern for feelings, his distaste for eating meat, his disdain for money, his wife’s curiosity about his writing and his need to confess his sexual habits.’

Four years on, in 1999, an English version translated by Kyril Fitzlyon and edited by the American dance critic, Joan Acocella, was published in New York (by Farrar, Strauss and Giroux) and London (by Allen Lane).  The publishers say The Diary of Vaslav Nijinsky is ‘the only sustained, on-the-spot written account we have by a major artist of the experience of entering psychosis’. The full text can be borrowed online freely from Internet Archive (though log-in is required).

In Acocella’s introduction, she explains with precision how extensively Romola bowdlerised her husband’s diary for the 1936 edition. But Acocella also acknowledges that ‘a large part’ of Nijinsky’s reputation actually rests on the diary as it was first published - an edition which is still in print today (as part of the Penguin Modern Classics collection).

Various reviews of the unexpurgated diary can be found on the internet. Peter Kurth at Salon is not very impressed: ‘Unfortunately, the diary provides no special insight into the qualities that made Nijinsky one of the greatest dancers of all time. Dance is impossible to recapture on paper. And Nijinsky’s case is doubly problematic, since his total output was small, and only one of the dances that he choreographed for himself, L’Apres-midi d’un faune, still survives in performance. Acocella thinks it entirely possible that in writing the diary Nijinsky hoped to create a work of literature, but she offers it, wisely, for what it is: a footnote to genius, the last, sad record of a legend.’

The New York Times (again, this time about the English edition) concludes with this thought: ‘The diary’s final lines are not, as the old edition had it, ‘God seeks me and therefore we will find each other,’ but a mundane thought that never gets finished. How ironic that in erasing the real ugliness of his insanity, the old version silenced not only Nijinsky’s true voice but the magnificently gifted body from which it came. And how fortunate we are to have them both restored.’ A few pages of the book and other reviews can be read at Amazon.

It is worth noting that although this text of Nijinsky’s is referred to by everyone as a ‘diary’, it does not look like a diary, for there are no dates at all, and nor, with some exceptions such as when he writes about his meals, does it read much like a diary. Also worth noting is the fact that the Australia-based film director Paul Cox made a film, released in 2001, called The Diaries of Vaslav Nijinsky - see IMDB.

Finally, here are some extracts from The Diaries of Vaslav Nijinsky - unexpurgated edition: 1) the first in the book; 2) one about Diaghilev; 3) and the diary’s very last entry.

1)
‘I have had a good lunch, for I ate two soft-boiled eggs and fried potatoes and beans. I like beans, only they are dry. I do not like dry beans, because there is no life in them. Switzerland is sick because it is full of mountains. In Switzerland people are dry because there is no life in them. I have a dry maid because she does not feel. She thinks a lot because she has been dried out in another job that she had for a long time. I do not like Zurich, because it is a dry town. It has a lot of factories and many business people. I do not like dry people, and therefore I do not like business people.

The maid was serving lunch to my wife, to my first cousin (this, if I am not mistaken, is how someone related to me by being my wife’s sister is called), and to Kyra, together with the Red Cross nurse. She wears crosses, but she does not realize their significance. A cross is something that Christ bore. Christ bore a large cross, but the nurse wears a small cross on a little ribbon that is attached to her headdress, and the headdress has been moved back so as to show the hair. Red Cross nurses think that it is prettier this way and have therefore abandoned the practice that doctors wanted to in-still in them. The nurses do not obey doctors, because they do not understand the instructions they have to carry out. The nurse does not understand the purpose she is here for, because when the little one was eating, she wanted to tear her away from her food, thinking that the little one wanted dessert. I told her that “she would get dessert when she had eaten what was on the plate.” The little one was not offended, because she knew I loved her, but the nurse felt otherwise. She thought that I was correcting her. She is not getting any better, because she likes eating meat. I have said many times that it is bad to eat meat. They don’t understand me. They think that meat is an essential thing. They want a lot of meat. After eating lunch they laugh. I am heavy and stale after eating, because I feel my stomach. They do not feel their stomachs, but feel blood playing up. They get excited after eating. Children also get excited. They are put to bed because people think they are weak creatures. Children are strong and do not need help. I cannot write, my wife disturbs me. She is always thinking about the things I have to do. I am not bothering about them. She is afraid I will not be ready. I am ready, only my digestion is still working. I do not want to dance on a full stomach and therefore will not go and dance while my stomach is full. I will dance when it all calms down and when everything has dropped out of my bowels. I am not afraid of ridicule, and therefore I write frankly. I want to dance because I feel and not because people are waiting for me. I do not like people waiting for me and will therefore go and get dressed. I will put on a city suit because the audience will be composed of city folk. I do not want to quarrel and will therefore do whatever I am ordered to do. I will now go upstairs to my dressing room, for I have many suits and expensive underwear. I will go and dress in expensive clothes so that everyone will think I am rich. I will not let people wait for me and will therefore go upstairs now.’

2)
‘I know the tricks of impresarios. Diaghilev is also an impresario, because he has a troupe. Diaghilev has learned to cheat from other impresarios. He does not like being told that he is an impresario. He understands what being an impresario means. All impresarios are considered thieves. Diaghilev does not want to be a thief and therefore does not want to be called an impresario. Diaghilev wants to be called a Maecenas. Diaghilev wants to become part of history. Diaghilev cheats people, thinking that no one knows what he is aiming at. Diaghilev dyes his hair so as not to be old. Diaghilev’s hair is gray. Diaghilev buys black hair creams and rubs them in. I noticed this cream on Diaghilev’s pillows, which have black pillowcases. I do not like dirty pillowcases and therefore felt disgusted when I saw them. Diaghilev has two false front teeth. I noticed this because when he is nervous he touches them with his tongue. They move, and I can see them. Diaghilev reminds me of a wicked old woman when he moves his two front teeth. Diaghilev has a lock of hair dyed white at the front of his head. Diaghilev wants to be noticed. His lock of hair has become yellow because he bought a bad white dye. In Russia his lock was better, because I never noticed it. I noticed it much later, for I did not like paying attention to people’s hairstyles. My own hairstyle bothered me. I constantly changed it. People said to me, “What are you doing with your hair? You always change your hairstyle,” and then I said that I liked changing my hairstyle because I did not want to be always the same. Diaghilev liked to be talked about and therefore wore a monocle in one eye. I asked him why he wore a monocle, for I noticed that he saw well without a monocle. Then Diaghilev told me that one of his eyes saw badly. I realized then that Diaghilev had told me a lie. I felt deeply hurt. I realized that Diaghilev was deceiving me. I trusted him in nothing and began to develop by myself, pretending that I was his pupil. Diaghilev felt my pretense and did not like me, but he knew that he too was pretending, and therefore he left me alone. I began to hate him quite openly, and once I pushed him on a street in Paris. I pushed him because I wanted to show him that I was not afraid of him. Diaghilev hit me with his cane because I wanted to leave him. He felt that I wanted to go away, and therefore he ran after me. I half ran, half walked. I was afraid of being noticed. I noticed that people were looking. I felt a pain in my leg and pushed Diaghilev. I pushed him only slightly because I felt not anger against Diaghilev but tears. I wept. Diaghilev scolded me. Diaghilev was gnashing his teeth, and I felt sad and dejected. I could no longer control myself and began to walk slowly. Diaghilev too began to walk slowly. We both walked slowly. I do not remember where we were going. I was walking. He was walking. We went, and we arrived. We lived together for a long time. I had a dull life. I grieved alone. I wept alone. I loved my mother and wrote letters to her every day. I wept in those letters. I spoke of my future life. I did not know what to do. I cannot remember what I wrote, but I have a feeling that I wept bitterly. My mother felt this because she wrote me letters in reply. She could not reply to me about my aspirations, because they were my aspirations. She was waiting for my intentions. I was afraid of life because I was very young. I have been married for over five years. I lived with Diaghilev also for five years. I cannot count. I am now twenty-nine years old. I know that I was nineteen when I met Diaghilev. I loved him sincerely, and when he used to tell me that love for women was a terrible thing, I believed him. If I had not believed him, I would not have been able to do what I did. Massine does not know life, because his parents were rich. They lacked for nothing. We did not have bread. My mother did not know what to give us to live on. My mother joined the Ciniselli Circus in order to earn a little money. My mother was ashamed of such work because she was a well-known artiste in Russia. I understood it all, even though I was a child. I wept in my heart. My mother also wept. One day I could bear it no longer and ran to Bourman, a friend of mine, he was called Anatole. He is now married to Klementovich.’

3) ‘I had a good dinner, but I felt that I should not eat soup. It was canned soup . . . I wanted to run and get some money, for I thought it was necessary, but God proved to me that I should not. I took a checkbook. I want to take a checkbook and not money, because I want to show on the Stock Exchange that I have credit. The stockbrokers will believe me and will lend me money. I will win without money. I know that everyone will be frightened, and therefore I will go to the Stock Exchange by myself. I will put on a bad suit because I want to see the whole life on the Stock Exchange. I will deceive the stockbrokers. I will take my good suit and pretend to be a rich foreigner, and I will visit the Stock Exchange. I am afraid of the Stock Exchange because I do not know it. I went there once with Diaghilev, who knew a man who was a stockbroker. Diaghilev gambled for low stakes and therefore won. I will gamble for low stakes because I too want to win. I know that little people lose because they get very nervous and do silly things. I will observe everyone with complete detachment, and I will understand everything. I do not like knowing everything in advance, but God wants to show me the way people live and therefore is warning me. I will go to the railway station on foot and not in a cab. If everyone is going in a cab, I will too. God wants to show people that I am the same kind of person as they are ...................
I will go now..............
I am waiting..............
I do not want.............
I will go to my wife’s mother and talk to her because I do not want her to think that I like Oscar more than her. I am checking her feelings. She is not dead yet, because she is envious.................’


This article is a revised version of one first published 10 years ago on 8 April 2010.

Tuesday, April 7, 2020

Poindexter, Reagan and Bush

Thirty years ago today, John Poindexter, a US national security adviser, was convicted of conspiracy and other charges pertaining to the infamous Iran-Contra Affair. Though the convictions were overturned the following year, Poindexter’s defence might have been assisted had access to the diaries of President Ronald Reagan and Vice President George H W Bush not been quashed under the guise of ‘executive privilege’.

The National Security Archive, located at The George Washington University, gives this summary of the Iran-Contra affair: ‘On November 25, 1986, the biggest political and constitutional scandal since Watergate exploded in Washington when President Ronald Reagan told a packed White House news conference that funds derived from covert arms deals with the Islamic Republic of Iran had been diverted to buy weapons for the US-backed Contra rebels in Nicaragua. In the weeks leading up to this shocking admission, news reports had exposed the US role in both the Iran deals and the secret support for the Contras, but Reagan’s announcement, in which he named two subordinates - National Security Advisor John M Poindexter and NSC staffer Oliver L North - as the responsible parties, was the first to link the two operations.’

More than three years later, on 7 April 1990, Poindexter was convicted for conspiracy, obstruction of justice, perjury, defrauding the government, and the alteration and destruction of evidence pertaining to the Iran-Contra Affair. On appeal, these convictions were reversed in 1991. (North had been convicted on lesser charges the previous year, and his convictions were reversed in 1990.)

Poindexter, born in 1936, studied at the United States Naval Academy and the California Institute of Technology. He had a distinguished career in the navy (battleship command and high-ranking Pentagon posts) before serving in the Reagan administration, first as a military assistant then, from 1983 to 1985, as Deputy National Security Advisor. In 1985-1986, he was National Security Advisor providing recommendations to the President on national security, foreign policy and defense policy. He reached the navy rank of Vice Admiral, but was retired, because of the Iran-Contra Affair, as a Rear Admiral in 1987. After that and until retirement he worked in the hi-tech private sector, apart from a few months as Director of the DARPA Information Awareness Office - see Wikipedia for more biographical information.

The Federation of American Scientists (FAS) website has the text of the Final Report of the Independent Counsel for Iran/Contra Matters, and Chapter Three deals with United States v. John M Poindexter. It provides a full background to his indictment in March 1988, and gives a run down of the trial and outcomes. More specifically it also mentions how, in September 1989, Poindexter’s attorneys informed the court that ‘the defendant is willing to seek access to the personal diaries and notes of former President Reagan and former Vice President Bush pursuant to a . . . subpoena.’

The judge in the case subsequently ordered President Reagan to make diary entries available for the court’s in-camera review; and, after the review, it ordered him to produce the relevant diary entries for Poindexter - in the absence of a claim of executive privilege. This was headline news at the time - see the Google archived Associated Press report. But then, the Report explains, President Reagan, joined by the Bush Administration, claimed executive privilege and this was granted by the court, thus allowing the Reagan-Bush motions to quash the subpoena for the diary entries.

Executive privilege, according to Wikipedia, is the power claimed by the President of the United States and other members of the executive branch to resist certain subpoenas and other interventions by the legislative and judicial branches of government. The Supreme Court has confirmed the legitimacy of this doctrine but only to the extent of confirming that there is a qualified privilege: ‘Once invoked, a presumption of privilege is established, requiring the Prosecutor to make a ‘sufficient showing’ that the ‘Presidential material’ is ‘essential to the justice of the case’.

Here is more from the National Security Archive on Reagan and Bush.

On Reagan: ‘The scandal was almost the undoing of the Teflon President. Of all the revelations that emerged, the most galling for the American public was the president’s abandonment of the long-standing policy against dealing with terrorists, which Reagan repeatedly denied doing in spite of overwhelming evidence that made it appear he was simply lying to cover up the story. Despite the damage to his image, the president arguably got off easy, escaping the ultimate political sanction of impeachment. From what is now known from documents and testimony - but perhaps not widely appreciated - while Reagan may not have known about the diversion or certain other details of the operations being carried out in his name, he directed that both support for the Contras (whom he ordered to be kept together ‘body and soul’) and the arms-for-hostages deals go forward, and was at least privy to other actions that were no less significant.’

On Bush: ‘Then-Vice President George H W Bush became entangled in controversy over his knowledge of Iran-Contra. Although he asserted publicly that he was ‘out of the loop - no operational role,’ he was well informed of events, particularly the Iran deals, as evidenced in part by this diary excerpt just after the Iran operation was exposed: ‘I’m one of the few people that know fully the details . . .’ [see below also]. The problem for Bush was greatly magnified because he was preparing to run for president just as the scandal burst. He managed to escape significant blame - ultimately winning the 1988 election - but he came under fire later for repeatedly failing to disclose the existence of his diary to investigators and then for pardoning several Iran-Contra figures, including former Defense Secretary Weinberger just days before his trial was set to begin. As a result of the pardons, the independent counsel’s final report pointedly noted: ‘The criminal investigation of Bush was regrettably incomplete.’

The Project for the Old American Century is one of the websites that has several pertinent extracts from George Bush’s diary made available in 1993:

5 November 1986
‘On the news at this time is the question of the hostages . . . I’m one of the few people that know fully the details . . . it is not a subject we can talk about . . .’

13 November 1986
‘I remember Watergate. I remember the way things oozed out. It is important to be level, to be honest, to be direct. We are not saying anything.’

25 November 1986
‘The administration in disarray - foreign policy in disarray - cover-up - who knew what when?’

1 January 1987
‘These so-called findings on Iran - I'll be honest - I don’t remember any of them, and I don’t believe that they were even signed by the president, frankly. But sometimes there are meetings over in the White House with Shultz, NSC guy, Casey and Weinberger, and they make some decisions that the president signs off on. . . And the facts are that the Vice President is not in the decision making loop.’

And here is one excerpt from Reagan’s diary, taken from a Vanity Fair preview of The Reagan Diaries edited by Douglas Brinkley and published in 2007.

24 November 1986
‘Big thing of the day was 2 hour meeting in the situation room on the Iran affair. George S. is still stubborn that we shouldn't have sold the arms to Iran - I gave him an argument. All in all we got everything out on the table. After meeting Ed [Meese, attorney general] & Don [Regan] told me of a smoking gun. On one of the arms shipments the Iranians pd. Israel a higher purchase price than we were getting. The Israelis put the difference in a secret bank acct. Then our Col. [Oliver] North (NSC) gave the money to the ‘Contras’. This was a violation of the law against giving the Contras money without an authorization by Congress. North didn't tell me about this. Worst of all John [Poindexter] found out about it & didn’t tell me. This may call for resignations.’

This article is a revised version of one first published 10 years ago on 7 April 2010.