Carry on carping

The British Library has just bought, for over £200,000, the personal archive of Kenneth Williams, including all his diaries and many letters. Williams was one of Britain’s great 20th century comic personalities - a star of 26 Carry On films and several long-running and very popular radio programmes - his camp character seemingly becoming more and more exaggerated with age. Although a selection of his diaries was first published in the 1990s, and was acclaimed for revealing him as an intimate, gossipy (and often bitchy) diarist,  the British Library says that more than four-fifths of Williams’s diary material, never before seen by researchers, will - from next year - be publicly available for the first time.

Williams was born in 1926 in London, the son of a hairdresser, and educated at Lyulph Stanley School. At 18 he joined the army, and went with the Royal Engineers survey section to Bombay, and then to Sri Lanka, but managed to transfer to Combined Services Entertainment. After the war, he tried to establish himself as a serious actor in the theatre, but gravitated to radio where his voice and style suited programmes such as Hancock’s Half Hour and the Kenneth Horne shows. Indeed, he remained a radio star for the rest of his life, appearing, for example, in Just a Minute for over 20 years.

Having established a comic persona with radio, Williams did win roles in television and films, most notably in the Carry On series of films. Despite all the bawdiness of his comedy, he publicly insisted that he was celibate, and his diaries later revealed unconsummated passions towards various men. Stanley Baxter was a lifelong friend; and Williams was known to take holidays with Joe Orton and Kenneth Halliwell. He died, in 1988, from an overdose of barbiturates. It was never established whether his death was accidental or suicide, but some have argued that he would not have committed suicide without leaving a note for his dearly loved mother. Further biographical information can be found at Wikipedia, from a selection of obituaries at the Kenneth Williams Appreciation Society website, or at Dangerous Minds.

Williams kept diaries all his life, from as young as 14 until his death. The earliest surviving diary is from 1942, but there are no diaries for 1943-1946 when he was touring with the army. His last diary entry was written on 14 April 1988, the day before his death: ’By 6.30 pain in the back was pulsating as it’s never done before . . . so this, plus the stomach trouble combines to torture me - oh - what's the bloody point?’

In 1993, HarperCollins published The Kenneth Williams Diaries as edited by Russell Davies - nowadays it’s called an ‘outrageous bestseller’. Substantial parts of the book can be freely read online at Googlebooks and Amazon. At the time of publication, the book was reviewed with frenzied adjectives, recently echoed by the Daily Mail in describing the diaries as ‘excoriating, furious, bitter, resentful, occasionally self-hating and almost always bitchy on an epic scale’. See also a review in The Independent - Carry on carping with Ken.

Having been kept locked away, Williams’s 43 diaries (along with 2,000 letters) have now been bought by the British Library for £220,000, although copyright remains with the Williams estate, owned by Paul Richardson, his friend and neighbour. According to the British Library press release: ‘It is estimated that 85% of the newly-acquired archive is unpublished material never before seen by researchers, and the archive will be of huge interest to social historians of post war Britain, detailing the experience of a gay man both before and after the Wolfenden Report and the decriminalisation of homosexuality in 1968, alongside the mundane details of everyday life in London. The diaries and letters also record the actor’s experience of the dying days of the repertory theatre system and the growth of modern celebrity culture, something he seemed both to love and loathe.’

In announcing the purchase, the British Library has committed itself to making the diaries available in its Reading Rooms from March next year. It has also made available - courtesy of the Kenneth Williams estate - a number of extracts, from the diaries, not published before.

21 August 1950
‘Dreary day spent watching the lousiest production of ‘Seagull’ in rehearsal. It was monumentally boring. Can’t see it EVER being a success. CE [Clifford Evans] in London, R [Richard West, assistant director] rehearsing company. Very dreary for him. Performance in evening bad. Lousy house.’

12 June 1954
‘It seems almost incredible to me now, that I have come through 6 weeks of this kind of purgatory. I am genuinely perplexed as to how I have come through it. A team of people for whom I have practically no affection whatsoever. Plays so wretched that I blush to think I’ve helped to propagate them: and a kind of acting which is so dirty that I mentally vomit. This lesson has been learned. Proximity with such muck is dangerous. It is also futile artistically. One achieves nothing. One is in danger of losing everything. How right everyone was in London! What a fool I was to venture near such crap!’

10 January 1957
‘I’ve had my hair cut short again so it doesn’t blow about in the wind. Eden has resigned. That equally mediocre fossil-Macmillan has taken over! The Tory situation is quite pathetic since that old hypocritical ratbag Churchill left. He excelled so greatly in the oratorical sense - in the corruption of the poetic consciousness.’

4 May 1966
‘We went to see DR ZHIVAGO - the Robert Bolt screenplay - directed by David (dreary) Lean. Starring Omar Sharif. This may be the Great Russian Novel, but it’s a pain in the arse as a film. Then same old faults with Lean:m- pretentious shots that mean NOTHING, and a story that is almost without any really interesting & dramatic momnets. Everyone has LONG PROFOUND looks at each other - they frequently cry on meetings, or seeing people shot or something. But the fact is that no film should be boring, and this one is.

With the exception of ROD STEIGER’s performance. When he was on, it really came to life. I’m astonished on reflection, to find that his scenes are still clear in my mind, tho’ most of the others have vanished entirely. Him pacing up and down in the house during the attempted suicide - him in the restaurant when the workers go by singing - him being shot, and his stoical reaction at the Ball - his asking the girl to leave and falling down the stairs - all the sugar etc. It all stays clearly in the mind. Vivid. V. good actor.’

19 July 1967
‘Sitting in their lounge, in the quiet of the evening. I felt I would love to have a place of my own where there was such peace. I suppose one never really does get it in London. I should think I’ve heard more noise and drilling these last few years than ever before in my life. O! for those old days of quiet when new building was rare, and road mending was once in a blue moon!’

17 February 1969
‘Home by 4.30. Purchased black leather address book & blotting paper on the way. 4.45 JOHN SIMMONDS rang. He talked in v. hushed & mournful tones about KH and said Barry Took said this and that and I said ‘Its Barry Took who should go’ and he said he rather agreed. I said we should bring back the team & re-vamp the show and carry on. Phoned Hugh P. after and he agreed with me. (Rang Gordon [Jackson] and the boys told me he was opening tonight in HAMLET at the Roundhouse! I’d forgotten (if I ever knew) and didn’t send him a wire. This study is so cold - I’ve had to put my jacket on! ) I feel particularly annoyed about the radio series being cancelled, because its another source of revenue gone bust. Thank goodness I started the ‘Just A Minute’ series because that’s a source of income. Peter Eade telephoned to say that Bill Cotton had been on the phone saying that they’d take 6 of the Kenneth Williams (Pilot) series but they couldn’t afford more than £400 each, including the writer’s fee!! (We’re asking 500 an episode and 150 for the writing) so Peter said he’d have to discuss it with me. Then Cotton said they were going to repeat the Int. Cabaret series on BBC2 at the same TIME! This sounds like LUNACY to me.’

15 April 1969
‘At lunch I had the great shouting match with Joan Sims. Her patronage & assumption at times that she should tell me what to do, is intolerable. I shouted ‘You cow cunted mare’ and Hattie intervened and told me to stop it. Afterwards, Joan apologised and then of course, I apologised as well & suddenly I remembered that it has all happened before! The same sequence in ‘Camping’ – ugh! I loathe her standards & her mouldy respectability but not her personally. Oh! I don't know tho. I don’t like her either. Not anything about her really.’

21 April 1969
‘Did SMA at the Paris. Peter B drove me there. Joan S was v buoyant and performed quite brilliantly in the show - her characterizations and singing are quite superb. There’s no doubt, she’s an asset all right.’

22 June 1979
‘On the news they announced that JEREMY THORPE had been acquitted!! So that lying crook Scott has not succeeded in his vindictive quest!! They were cheering Jeremy outside the Old Bailey, and he rather spoiled it by making a sanctimonious speech about JUSTICE etc. Whereas he should have just expressed satisfaction and breezed away!’

29 June 1984
‘Up at 6.40. Got papers round corner at 6.45. Went out at 9.20 to get fags. Returned at 9.50 and Almanac asked where Louie was… Nosey nit… He’s left telephone directories lying in foyer for DAYS. HE pointed to them and told me ‘that’s what they waste your money on!’ and railed against wastage. Never heard such humbug.

Did the accounts for the month and walked with them to Smee handing the stuff over to Lynn. Walked home via Aldwych. Reflected that nothing really changes. I’m still walking about this city dragging my loneliness with me, putting on a front, whistling in the dark. It is getting darker all the time.

Went to Tesco’s and got fish and ham and tomatoes and had that at 5.30. Tried doing a bit more writing but my heart, it isn’t in it. Think I’ll have to leave it for a bit. Feel more like weeping.’

12 October 1985
‘TURNED OFF HEATING ‘cos the weather is so WARM.

Up at 7.15 and got papers on Warren Street. Quite a lot of letters to answer AND the endless invitations to speak at functions… I sent the usual printed refusal. … Now PAUL came at 11.45 and we walked with Louisa to VECCHIA where he gave us lunch. It was very good. PAUL said he was v busy with ‘Merry Widow’ production at the Wells. We got a cab back and I felt very tired so went to lie down, but the rest was all intermittent and uneasy.

M came at 7.30 and we went to ROYS where he gave me dinner. It was fine til the table next to us filled with dreadful people: one sneezing and spraying germs everywhere. Thankfully we’d finished the meal and M readily agreed to leave these loathsome neighbours. That DAVID (John Maynard’s friend) was very kind to us. M said of the clientele ‘bit off-putting seeing such a gathering of clones’ and I agreed. Society NEEDS women because it wants the leavening only THEY can provide. There is something very unhealthy about the homosexual world: no wonder they arouse such antagonism.’

And here are a few further extracts, from The Kenneth Williams Diaries as edited by Russell Davies.

2 June 1948
‘Feeling awful. Will probably die tonight at about eleven.’

11 June 1949
‘Went to the Bank and arranged to have my account transferred to Newquay. Deposited £7 - which means that £3.10.0 a week saved, since I started on full salary, which is not so good. Must do better than this.

Richard came to my room and read this! - funny he’s the only one I’ve ever allowed to read my private and so personal! diary. But s’pose that apart from S., he’s the only one I can really trust, who will never abuse my confidence.

Met some queers in the New, and got sent up by two young matelots - rotten! awful!’

22 May 1951
‘Letter from Robert Sheaf, asking me to take part in a Shakespearean tour of villages. Sounds delightful. He saw me in Bordeaux, obviously thinks I’m young and inexperienced and would be delighted to join him and a few intense young men, doing Romeo all over Oxfordshire. Very funny reely. This little chic stays single. Read ‘The City and the Pillar’ by [Gore] Vidal. Wonderful book. Commended by Stanley in his last letter.’

28 November 1952
‘Fred Treves came to tea and there was a furious argument - spiritual versus rational. Hell! Roman Catholicism from the foundation by Peter, Christ’s meeting with John the Baptist, Individual Revelations - Church Antipathy to, etc. etc., the end. I was angry about getting worked up as I always do when discussing organised religion. I hate the aggressiveness which automatically follows its assumption of power.’

5 January 1953
‘It is always so easy for me to read what I have just written and find it vastly entertaining and well done. It seems that everything I accomplish is of enormous interest to me and I am full of admiration for myself. Is this a good thing? Or does it much matter whether it is or not? Enough of this self-analysis. Too fashionable by half in this day and age.’

17 March 1955
‘The business of actually sustaining a performance night after night is peculiarly difficult for me: my temperament seems so against it. I am by nature erratic - given to enthusiasm which wane after a time; quick to grasp the bones of a subject, slow to develop them.’

15 March 1963
‘Stanley B. [Baxter] rang me. I was delighted & I shot up there to see him on the 30 bus. He drove out to Bucks. & we talked & talked. There are times (when he is prepared to be vulnerable)) when he is just superb. Disarming, honest, charming, and hilariously funny all at once. When he’s like this one could die for him. It was so good for me to see him.’

The Diary Junction

An inner confession

‘A symphony is not just a composition in the ordinary sense of the word; it is more of an inner confession at a given stage of one’s life.’ This is Jean Sibelius, Finland’s greatest composer and a national hero born 150 years ago today, writing in his diary. While sometimes demonstrating such considered wisdom, though, his diary often descends into existential angst as well, like in this entry written a few months later: ‘Don’t give in to tobacco or alcohol. Better to write rubbish in your “diary”. Confide your miseries to paper. In the long run it’s better so! Yes - in the long run.’

Johan (colloquially Janne, and later Jean) Christian Julius Sibelius was born on 8 December 1865 in Hämeenlinna, a small garrison town in the Grand Duchy of Finland, part of the Russian Empire. His father was the city medical officer, but he died young leaving his estate bankrupt. Sibelius was brought up in the household of his maternal grandmother, with summer holidays at his paternal grandmother’s in Loviisa. In 1872, Sibelius started at the Swedish preparatory school of Eva Savonius, but soon moved to Lucina Hagman’s Finnish-language preparatory school.

Early music instruction came from relatives; and, as Sibelius and his two siblings grew up, so they would play in a trio, he preferring the violin. On graduating from high school, he began to study law at the Imperial Alexander University in Finland but quickly switched to the Helsinki Music Institute (now the Sibelius Academy) from 1885, remaining until 1889. For the next two or three years, Sibelius travelled in Europe, studying in Berlin and Vienna, starting to compose in earnest, and absorbing many different musical experiences. In late 1891, he appeared for the first time in public as a conductor at a concert in Helsinki. And, in 1892, he completed Kullervo, a suite of symphonic movements.

Sibelius, having wooed Aino, the daughter of a Baltic aristocrat for several years, married her in mid-1892, her parents, apparently, having warmed to the penniless Sibelius thanks to the success of Kullervo. They would have six children, and live, from 1904, in a newly-built family home, Ainola, on Lake Tuusula, Järvenpää. For several years, Sibelius supplemented his income with teaching work, which left him insufficient time for composing. Biographers note that the influence of Wagner which could be heard in some of his compositions faded eventually; and, as the century neared its end, the Finnish senate awarded him a significant annual grant, allowing him more freedom to compose.

In 1899, at a time when the Russian emperor Nicholas II was restricting the Grand Duchy’s powers, Sibelius premiered his First Symphony, as well as patriotic compositions, Song of the Athenian Boys and Press Celebration Music (including, what become known as, Finlandia). These brought him much wider attention, and fame as a national figure. And soon he was making a name for himself abroad, as he accompanied, in 1900, his friend Robert Kajanus and orchestra on a tour of European cities - playing Sibelius’s new works. The following year, Sibelius’s Symphony No. 2 in D Major was conducted by Ferruccio Busoni in Berlin, and the British composer Granville Bantock commissioned his Symphony No. 3 in C Major in 1907.

After an operation to remove a throat tumour in 1908, Sibelius abstained from alcohol and tobacco; some see a link between this and the darker, more uncompromising music that followed, En Saga, for example, and Symphony No. 4 in A Minor. During the war years, he continued to compose smaller works, and made progress on his Fifth Symphony, but he also started drinking again. In 1918, he conducted a march in Helsinki at the conclusion of the Finnish Civil War, reinforcing his position as a national hero.

After the war, Sibelius travelled to Denmark, and also to England, giving successful concerts. Two further symphonies followed, but, from 1926 onwards he barely produced any new compositions. Biographers believe he was working on an eighth symphony, perhaps through to the early 1930s, but, in the mid-1940s, he burned a large number of papers, and left behind no trace of any such new symphony. His 90th birthday, in 1955, was widely celebrated in Finland, but two years later, in 1957, he died in Ainola. For more biographical information see The Finnish Club of Helsinki’s Sibelius website, Wikipedia, Sonos, or Encyclopaedia Britannica.

Sibelius began to keep a diary while in London in February 1909, jotting down his travel finances, but also confiding, as if to a friend about his life and thoughts. He continued writing in this journal until the end of 1913; and in mid-1914 he began a new journal, which he wrote in regularly until the 1920s. The two diaries contain around 90,000 words (in Swedish, Sibelius’s native language).

The Sibelius website gives this overview of the diary: ‘Sibelius writes down weather reports, finances, natural phenomena, the names of people he has met and discussions he has had. He reports everyday incidents, his journeys and family gatherings. The diaries also reveal the composer’s times of gloom. Negative criticism depressed him, as did the temporary - and often well-founded - periods when his wife would not speak to him. To his family he sometimes said that he would go and get rid of his bad moods in his diary, and once he called his diary his “spittoon”. In fact, the diary tends to portray Sibelius as a more melancholy person than he actually was.’

Although the diaries have not been published in their own right, they are available to researchers at the Finnish National Archive; and Erik Tawaststjerna used them extensively for his biography of Sibelius. In Finnish and Swedish this was published in five volumes. However, for the English market, they were condensed by Tawaststjerna, translated by Robert Layton, and published (between the 1976 and 1997) by Faber & Faber in three volumes. Each one can be previewed at Amazon (Vol. I - 1865-1905, Vol. II - 1904-1914, Vol. III - 1914-1957) or Googlebooks (Vol. I, Vol. II, Vol. III).

Indeed, Tawaststjerna opens his biography, in the first volume, with a Sibelius diary entry that, he says, ‘resembles in certain respects the Finland he himself knew as a child’: (12-13 April 1915) ‘When I shut my eyes I can picture in my mind a small town with one-storey barracks from the Swedish epoch. It is a late summer’s day between five and six in the afternoon some time during the 1820s. The sun is slowly sinking towards the horizon; an officer is visiting a family with two daughters, their mother and brother, and is obviously not his first visit. They have been enjoying themselves, reading novels, playing the piano; there are geraniums in the window and the house is an old-fashioned one of considerable style. Tea is served and afterwards the party breaks up; they are all fond of each other and there is an atmosphere of real friendship, perhaps love.’

Otherwise, however, it is not until the second volume that the chronology of Sibelius’s diary entries becomes useful for Tawaststjerna’s narrative. The translator, Layton, adds a note: ‘The style of the diaries is very difficult to convey. They make even fewer literary aspirations and convey the feeling of an information dialogue with an alter ego; they are cryptic jottings, highly idiosyncratic in their vocabulary and more often than not unsyntactical and badly punctuated. Indeed, at times they are difficult to make much of and in order to convey what Sibelius’s intentions are, I have found myself drawing on idioms that may not have enjoyed currency in English in the early part of the century. However, I hope that something of their flavour and also what he is trying to say to himself comes across.’

Here are several of Sibelius’s diary entries as found in Volume II of Tawaststjerna’s biography.

Undated in the biography
‘Don’t you understand now? By being so open, you have forefeited the respect that you feel to be your entitlement. Keep your thoughts to yourself and guard your tongue in talking to others. And then your pupils (!), stand fast by them. Otherwise the best and first will have every right to treat you in kind.’

Undated in the biography
‘Don’t worry about your being 44. There’s still time. All major composers found their way to the stars by discipline and self-study. Don’t be so overawed by youth that your creativity is stifled. They won’t be able to silence your art.’

Undated in the biography
‘Don’t change the colouring before it’s necessary. In scoring one should, as a rule, avoid leaving a paragraph without any strings. The sound can seem rough. Remember the differences in wind instruments in different countries, layout of strings and so on, keep a flexible balance that can be adjusted depending on circumstances. A satisfactory sonority still depends to a large extent on the purely musical substance, its polyphony and so on. In small orchestras the oboe, usually badly played, has to be treated with the same caution as the trumpet. In some orchestras the bassoon in its middle and high register cannot play piano. Only the bottom seems capable of that. In such orchestras the lower register of the flute is almost only usable in forte. Usually both in the wind and brass, the initial entry can be tentative and leave much to be desired in terms of intonation and ensemble. Beginning must be carefully marked. Also there is need for great care when the main burden of the melodic line moves from one instrument to another.’

21 April 1910
‘Again in the deepest depression. Working hard at the newcomer.’

27 April 1910
‘Light, expectant, hopeful thoughts. Worked in my own way. Try to concentrate. ‘A must.’ Now or never.’

7 May 1910
‘Took a ten-kilometre walk while composing, forged the musical metalwork and fashioned sonorities of silver.’

12 August 1910
‘This business of concerning yourself with practical affairs when you are a creative artist. Think of all the time and energy you waste on them every day. For you this is corrosive. But press on, in spite of all the derision and abuse. Worked well today on the development of the first movement. Don’t lose the sense of life’s pain and pathos!’

16 August 1910
‘When will I get this development finished? i.e. be able to concentrate my mind and have the stamina to carry it all through. I managed when I had cigars and wine, but now I have to find new ways. I must!’

17 August 1910
‘Crossed out the whole of the development. More beauty, and more real music. Not just scoring or crescendos but stereotyped writing. Now I have to speed up. Now or never!’

5 November 1910
‘Worked well. Forged onwards into the finale. Wonderful day with snow interlacing the trees and their branches - typically Finnish.

A symphony is not just a composition in the ordinary sense of the word; it is more of an inner confession at a given stage of one’s life.’

25 December 1910
‘Christmas - ! Aino sick . . . Continue to work. Money worries begin again! Of my State Prize only 400 remains. Eight doctors’ bills unpaid. Misery wherever one turns.’

31 August 1911
‘Don’t give in to tobacco or alcohol. Better to write rubbish in your “diary”. Confide your miseries to paper. In the long run it’s better so! Yes - in the long run.’

Art but no artists

Rainer Maria Rilke, one of most intense of German-language poets and considered by some to be a founder of modern literature, was born 140 years ago today. During a two year period - when he was in love with the married Russian-born Lou Andreas-Salomé and then meeting his future wife Clara Westhoff - he kept a series of diaries. The editors of the English edition of these diaries claim they span a crucial period in the artistic growth of the young poet.

René Maria Rilke was born in Prague, then part of the Austro-Hungarian empire, on 4 December 1875. His father worked as a railway official having retired from the military, and his mother was considered socially ambitious. René’s childhood was not especially happy, and he was sent to military academy for five years until 1891. He left on account of ill health, only to find his parents had separated. He was tutored for university entrance, and then began studying philosophy at Charles-Ferdinand University. But, by this time, he had already published a first volume of poetry, Leben und Lieder, and was intent on a literary career. Disenchanted with his academic studies, he left, travelling to Munich to study art. There he mixed with artistic types, managed to get some of his plays produced, and published more poetry.

In 1897, Rilke fell in love with the much-travelled Lou Andreas-Salomé, a married woman many years his senior. She appears to have had a major influence over the still-young Rilke, persuading him to change his first name to Rainer, and introducing him to the ideas of psychoanalysis (she had studied with Freud). He travelled to Florence for a few weeks, then twice with Salomé to Russia, meeting Leo Tolstoy in 1898, and Boris Pasternak and Spiridon Drozhzhin, a peasant poet, in 1899. The following year, Rilke stayed at the artists’ colony at Worpswede, where he met Clara Westhoff. They married early in 1900, and had one daughter, Ruth, in late 1901.

In 1902, Rilke travelled to Paris, where he would stay for much of the rest of the decade. Clara left Ruth with her parents and joined him there. He became fascinated by Rodin, writing and lecturing on the sculptor, and even acting as his secretary for a period, and later by Cezanne. Apart from two or three more collections of poetry, he also completed his only novel The Notebooks of Malte Laurids Brigge. He began to visit Ronda in Spain, and also Trieste in Italy, but the outbreak of WWI found him in Germany and unable to return to Paris. He managed to avoid active service, with the help of influential friends, by being assigned to the War Records Office.

After the war, Rilke moved to Switzerland, where he wrote his last two works, Duino Elegies and the Sonnets to Orpheus. He died of leukemia late in 1926, highly respected in literary and artistic spheres but barely known by the general public. The Poetry Foundation provides this modern assessment: ‘Widely recognized as one of the most lyrically intense German-language poets, Rainer Maria Rilke was unique in his efforts to expand the realm of poetry through new uses of syntax and imagery and in the philosophy that his poems explored.’ While Encyclopaedia Britannica (1979 edition) calls him ‘a major Austro-German poet regarded as one of the founders and giants of modern literature.’ Further information can be found at Wikipedia, the Academy of American Poets, The Atlantic, or Picture Poems. For samples of Rilke’s poems see All Poetry.

Between April 1898 and December 1900, Rilke kept three diaries. The first of these, while in Florence, was probably written for or inspired by Salomé, since it is known that her own mental regimen included keeping a diary, and she is said to have asked Rilke to bring her back a diary. Biographers suggest the second diary, kept after his return to Schmargendorf, might also have been written with her in mind. The third diary was written during his sojourn at Worpswede. (However, it is worth noting that despite the diary names, Rilke visited Worpswede during the time of the Schmargendorf diary, and stayed at Schmargendorf during the time of the Worpswede diary.) They were first edited and published in German in 1942 by Ruth and her husband Carl Sieber.

A first English edition, translated and annotated by Edward Snow and Michael Winkler, was published by W. W. Norton & Co in 1997 - Rainer Maria Rilke - Diaries of a Young Poet. In their introduction, Snow and Winkler explain: ‘Rilke’s diaries do maintain a certain chronological flow, albeit one with breaks and longer interruptions, but they are not directly the immediate account of a specific time; it is not their intent to record the minutiae of day-to-day life. For this reason they have not become identified by their chronology. Rather, they are usually titled after three places where Rilke lived and, at least for a time, felt at home: Florence (and the Tuscan countryside), the village of Schmargendorf just outside Berlin, and Worpswede, an artists’ colony in the moors near Bremen.’

The editors claim that the diary period spans a crucial period in Rilke’s artistic growth: ‘At the beginning of this phase the young poet had perfected, if not yet exhausted the rhetorical techniques and mannerisms of his early, impressionistic style. His verse was still prone to the gossamer and was given more to a flirtation than a sustained artistic engagement with the exquisite and the delicate. [. . . He] had come to realise only too well that he needed to constrain his busy games of make-believe and learn how to control his ingenious lyricism. This made it necessary, most of all, to free himself from the rapturous self-indulgence that could spin mellifluous lines and intricate rhymes with prolific ease. He had to submit himself to the kind of self-discipline that comes with the ascetic solitude of regular, arduous work. Rilke’s three early diaries reflect this search for a language that might capture the specificity of things natural and crafted and at the same time convey their intrinsic spirituality. They chronicle, in other words, the emergence of the “sachliche Sagen,” the objective and visually precise language that will come to characterise his “poetry of things.” ’

Although diary entries - many dated but not all - do predominate in Diaries of a Young Poet, there is also a good deal of poetry as well as some letters. The book can be previewed online at Googlebooks. Here, though, is one extract from each diary.

17 May 1898 [Florence diary]
‘No human being can raise so much beauty out of himself that it will cover him over completely. A part of himself will always gaze out from behind it. But in the peak times of art a few have erected before themselves, in addition to their own beauty, so much noble heritage, that the work no longer needs them. The curiosity and custom of the public will seek and of course find their personality; but that misses the point. In such times there is an art, but there are no artists.

There is an ever-recurring cycle of three generations. One finds the god, the second arches the narrow temple over him and in doing so fetters him, while the third slides into poverty and takes stone after stone from the sanctuary in order to build meagre and makeshift huts. And then comes one which must seek god again; and to such a generation these belonged: Dante and Botticelli and Fra Bartolommeo.

The element of reconciliation and loveliness that one treasures in the works of Raphael is a triumph that only seldom occurs; it signifies a high point of art, but not a high point of the artist.

Pre-Raphaelites: simply a caprice. Tired of smooth beauty, one seeks the effortful - not so? How facile a proposition! Tired of art, one seeks the artist, and in each work looks for the deed that elevated the man, the triumph over something within him, and the longing for himself.

In notes jotted down day after day vis-a-vis the paintings of the quatrocento, I could have offered nothing more than the tourists’ handbooks do. For they have formulated with unsurpassable cogency the measure of abstract beauty that inheres in the things. So much so that in fleeting consideration one employs quite unconsciously those infamous half-scientific terms that, once sharp and pregnant, have through so many mindless uses become dull and vacuous.

A handbook on Italy, if it wanted to teach pleasure, would have in it but one single word and one single piece of advice. Look! Whoever has a certain culture in him must make do with this guidance. He will not acquire pearls of knowledge and it will scarcely occur to him to ask whether this work is from the late period of an artist or whether in that work “the broad manner of the master” holds sway. But he will recognize an abundance of will and power that came from longing and from apprehension, and this revelation will make him better, greater, more thankful.’

11 September 1900 [Schmargendorf diary]
‘A fine evening at the Overbecks’. The blond painter was with me for the length of the twilight; I showed her some Russian books, the pictures of Nadson and Garshin, Droshin’s portraits, and other mementos. In the evening she sat next to me, and there was much conversation between us. The table was nicely set; small chamomiles slanted to one side framed the simple white runner, which was accented by blue-and-red-embroidered signatures of guests who had preceded us. Dr. Hauptmann and I added our names to this roll. Hauptmann was in rare form, made many cutting remarks regarding the temper of our time, always in the most charmingly ingenuous way. [. . .]

Clara Westhoff had come on her bicycle, But she walked almost the whole way back to Westerwede, since while we were talking I had passed by my gate and continued on at her side. It was about two hours past midnight. The skies were gray, quiet, and the landscape could be seen, completely without color, stretching far in the distance . . . The birch trees stood like candles beside long trails. The only thing white was a white cat, which would appear from behind the bushes in silent leaps, then vanish in the mistless meadows. It was a melancholy cat that staged a solitary dance. In the garden everything green was a shade darker. Almost black, the full bushes leaned against the white railing of the forecourt. Around the urns there was depth and air.’

14 December 1900 [Worpswede diary]
‘Sometimes I remember in exact detail things and epochs that never existed. I see every gesture of people who never lived a life and feel the swaying cadence of their never-spoken works. And a never-smiled smiling shines. Those who were never born die. And those who never died lie with their hands folded, repeated in beautiful stone, on long level sarcophagi in the halflight of churches no one built. Bells that never rang, that are still uncast metal and undiscovered ore in mountains, ring. Will ring: for what never existed is what is on its way, on its way over to us, something in the future, new. And perhaps I’m remembering distant futures when what never existed rises up in me and speaks.’

Anna with Gestapo

Anna Freud, a key figure in the development of psychoanalytic child psychology, was born 120 years ago today. It seems unlikely that she never kept a diary, but her papers remain under the control of the Freud archive and, to date, there has been no published evidence of any journals or diaries. Her famous father wasn’t much of a diary keeper either, but, in the latter years of his life, he kept a ‘chronicle’ consisting of no more than a single phrase for most days. This has been published in a large book - as The Diary of Sigmund Freud - with half-page explanations for every phrase! According to the editors, Anna’s name ‘absolutely dominates’ the record - with entries such as ‘Anna with Gestapo’.

Anna Freud was born in Vienna on 3 December 1895 to Sigmund Freud and Martha Bernays, the youngest of six children. She is said to have been competitive with her siblings, and to have been naughty, learning more at home than at school. From 1915, she worked as a teacher in her old school, the Cottage Lyceum, remaining there until 1920. She left, apparently, due to illness. By this time, she was already undergoing analysis by her father.

Having had the chance to observe children on a daily basis while teaching, Anna Freud was drawn to child psychology, and began her own psychoanalytical practice. From 1927 until 1934, she was General Secretary of the International Psychoanalytical Association, originally started by her father, where she presented papers outlining her approach to child psychoanalysis. Having taught at the Vienna Psychoanalytical Training Institute for some years, she became its director in 1935. The following year, she published The Ego and the Mechanisms of Defence, a founding work of ego psychology, establishing her reputation as a pioneering theoretician.

In 1938, the Freuds fled from Austria in response to Nazi harassment of Jews - indeed Anna had been arrested by the Gestapo. They immigrated to London, to a house in Maresfield Gardens, Hampstead, (not a 100 metres, in fact, from where I spent my early childhood in the 1950s). Sigmund Freud died a year later, but Anna continued to live in the same house (now a museum) for the rest of her life. Anna’s teaching in London led to a conflict between her and Melanie Klein - who had evolved her own theory and technique for child analysis - which threatened to split the British Psychoanalytical Society. A series of war-time ‘Controversial Discussions’ ended with the formation of parallel training courses for the two groups.

During the war, Anna set up the Hampstead War Nursery to provide foster care for over 80 children of single-parent families. Together with her lifelong friend Dorothy Burlingham, she published studies of children under stress in Young Children in War-Time and Infants without Families. By 1947, Freud and Kate Friedlaender had established the Hampstead Child Therapy Courses, training English and US child therapists, and a children’s clinic was added a few years later. From the 1950s, Freud travelled regularly to the US to lecture and teach. At Yale Law School, for example, she taught seminars on crime and the family, leading to publication of Beyond the Best Interests of the Child (1973) with Joseph Goldstein and Albert Solnit.

The publication of her collected works was begun in 1968, but the last of the eight volumes did not appear until 1983, a year after her death. The International Journal of Psycho-Analysis put out a memorial issue, and the clinic was renamed the Anna Freud Centre. Further information is available from The Freud Museum, Wikipedia, the BBC, Psychology’s Feminist Voices or The Philosophers’ Mail.

If Anna Freud kept a diary at any point in her life, there’s been no sign of it being published or being used for biographical purposes. The only diaries kept by Anna held in the Freud Museum archives are appointment diaries. The so-called Freud Archive, held by the US Library of Congress, has a significant number of documents which remain sealed for years to come - see an article by Joseph L. Sax in RBM. But, whether any of these are Anna’s or not is hard to tell. A review of the fictional Hysterical: Anna Freud’s Story by Rebecca Coffey states, ‘Anna’s papers and diaries remain under the control of the Freud Archives’.

In the absence of any diaries left by Anna, I turned to her father. But he wasn’t much of a diary writer either. Ilse Grubrich-Simitis, in her book Back to Freud's Texts: Making Silent Documents Speak (Yale University Press, 1996, see Googlebooks) refers to his ‘diary like personal jottings’ and specifies: ‘the slim “Geheim-Chronik” [secret chronicle] kept jointly with his fiancée from 1883 to 1886; the “Resiejournal” [travel diary], also comprising only a few pages, on the beginning of the voyage to America in 1909 with Ferenczi and Jung; the entries in “Prochaskas Familien-Kalender”; the “Kürzeste Chronik”.’

This latter, the “Kürzeste Chronik” or “Shortest Chronicle”, was published in English by the Hogarth Press in 1992 as The Diary of Sigmund Freud 1929-1939: A Record of the Final Decade (translated and annotated by Michael Molnar). The book is large and thick, and lavishly illustrated with many black and white photographs, but the actual diary entries by Freud are so short - a few words - that they are even included verbatim within the index (as well as at least three times elsewhere)! The bulk of the book, however, is taken up with extensive annotations of each diary entry - explanations, embellishments and analysis of Freud’s daily life.

Molnar explains in his introduction that, in 1986, the papers stored all over the house were assigned to an archive, and how, at that point, Freud’s diary was handed over to him. He goes on to say: ‘It is worth noting how frequently various names are mentioned in the diary. Not surprisingly, it is Anna’s name which absolutely dominates the record, for it was during these years of sickness that she became Freud’s constant companion, his faithful “Anna-Antigone”.’ Here are some, but not all, of Sigmund Freud’s laconic diary entries mentioning his daughter.

3 December 1929
‘Anna’s birthday 34 yrs’

17 December 1929
‘Anna to Essen - cut stones bought’

21 December 1929
‘Anna back’

26 March 1930
‘Anna to Bpest. Elkuss +’

27 March 1930
‘Anna back - Eitington from Paris’

15 April 1930
‘Anna & Dorothy to Paris’

17 April 1930
‘Anna & Dorothy back’

14 September 1930
‘Anna at Mother’s burial’

22 February 1932
‘Anna and I have infectious cold’

3 December 1933
‘Anna 38 yr’

23 January 1935
‘Anna’s lecture’

11 June 1937
‘Anna’s accident’

22 March 1938
‘Anna with Gestapo’

20 May 1939
‘Anna to Amsterdam’

The father of neurology

‘The floor is made of tile mosaics as are the walls - no seat - only a hole which seems narrow to me at ground level. One has to be agile - but the Arabs certainly are in this respect. They do everything squatting. It is perfect, a paradise for the sense of sight and smell.’ This is Jean-Martin Charcot, born 190 years ago today, the great physician of France’s early Belle Epoque, the so-called ‘father of neurology’ and/or the ‘Napoleon of the neuroses’, writing about a Moroccan toilet in his one and only significant diary.

Charcot was born in Paris on 29 November 1825 into a modest artisan family. He seems to have been a gifted school child, mastering several languages, and was selected by his father as the one child to receive a higher education and enter medical school. He received his M.D. from the University of Paris in 1853 with a dissertation on arthritis. In 1860, he was named associate professor in medicine, and two years later, he was appointed head of a hospital service at Salpêtrière, a complex in the 13th arrondissement near the Seine. Aged 39, he married Augustine-Victoire Durvis, a young widow, with whom he had two children.

Charcot began to publish many books and articles on infectious illnesses, geriatrics, diseases of the internal organs. And, in 1872, he was elected to the Paris Medical Faculty as professor of pathological anatomy. During the 1870s, he turned increasingly to the new discipline of neurology, becoming one of the world’s foremost experts on the subject, publishing on a wide range of neurological conditions, MS, Parkinson’s disease, Tourette’s, aphasia etc. He was the first to describe several conditions, including multiple sclerosis and the disintegration of ligaments and joint surfaces (Charcot’s disease, or Charcot’s joint) caused by locomotor ataxia and related diseases or injuries. In particular, he was known for his work on hysteria, and he developed the practice of using hypnosis as a means to study his patients, often using the technique in public demonstrations.

This - the early years of the Belle Epoque - was a heyday for the medical profession in France, as a group  progressive physician-scientists - among whom Charcot was the most famous - sought to modernise medicine more in line with scientific understanding. Apart from his medical discoveries, he also pioneered the art and science of medical photography. Charcot’s second-to-none reputation as a teacher attracted students from all over the world, not least, in 1885, Sigmund Freud.

Meanwhile, in their grand home on the boulevard Saint-Germain, the Charcots would give lavish parties, attracting the cream of Parisian society, politicians, artists, writers and, of course, other physicians. In 1882, Charcot was named Chair for the diseases of the nervous system, the first such professorial post in the world. Financing followed his fame, with the government resourcing a new neuropathological institute at Salpêtrière. Charcot died, relatively young, in 1893. Further information is available at Wikipedia, National Center for Biotechnology Information, Science Museum, and inside Medical Muses: Hysteria in 19th-Century Paris by Asti Hustvedt (some pages of which about Charcot are viewable at Googlebooks).

Charcot was not a diarist, though he did occasionally keep note-books when on holiday or travelling. One such note-book so stood out from the rest for Toby Gelfland (Department of History, University of Ottawa) that he decided to translate, edit and publish it - as Charcot in Morocco (University of Ottawa Press, 2012). In July 1887, Charcot went south to Spain for his annual summer holiday, but, on this occasion, concluded the voyage with a week in Morocco, and while there kept a detailed personal diary, amounting to 14,000 words, 95 manuscript pages, and various sketches, maps and watercolours.

The journal is a unique document, says Gelfand, because of its sheer length and detail but also because of ‘the intimate, relaxed, colorful, at times frankly exuberant quality of a first-person narrative written primarily for oneself, even if it were later to be shared with family and friends’. Furthermore: ‘The journal offers rare access to an otherwise elusive figure who said little of a spontaneous nature in public. [. . .] Historians, following most contemporary accounts, tend to portray Charcot as an authoritarian and rather austere medical leader, a “grand patron” who was at once intimidating and shy, if not secretive. The Moroccan journals reveals a less pretentious figure possessed of a rough and ready sense of humor, someone who did not always take himself or others so seriously.’

10 August 1887
‘Soon we reach the 1st Moroccan doorway, a square house, which sits atop a high hill. Two Moors of the Emperor who are to accompany us emerge; one carries a gun, the other a bag. These 2 do not join in with our group. Sometimes they approach, then at other times they disappear - only to reappear a little afterwards at a turn in the way . . . they are definitely strange; as well they have a rather unhealthy look about them with their caped robes that seem to be soaked with sweat.

We have been walking perhaps 2 hours when suddenly the plain widens out. In the middle we see a castle in ruins covered with ivy - not far off, some stones are piled up in a way that marks off an oval shape of earth. It is a tomb. There are many others. On a few of the tombs, red rags hang from sticks planted in the ground, rags now faded which must have formerly had a beautiful red color. They mark the tomb of a chieftain, more or less canonized and elevated to the level of a saint. It was here that the battle against the Moroccans took place which led to the march on Tetuan. More than 20 years ago, all that. The name Prim returns to mind. We walk on and keep on walking. From time to time I look at my watch. We’re going to get to the Moor’s place soon, no doubt! By this time hunger and thirst have set in. But where is this the devil of a house of the Moor? We don’t see it. Here are a few trees and rocks. We have lost sight of the sea. Anxiously, we walk on for nearly an hour; devil of a house gone astray. We begin to berate the Moors of the Emperor who led us down this wrong path. At last, there it is, a hut scarcely above the ground, hidden among the underbrush and tall cactus. [. . .]

I get up and rejoin the group drinking water, who are sharing a watermelon. On the mound where they are sitting, there is no more space. One of the Moors of the King noticed; he goes up to my son and, tapping him gently on the shoulder, says to him, in Spanish, “Your father is not seated.” My son gets up and I sit down in his place. An example of Arab manners that is in sum very edifying and which demonstrates that, even if we are among the people of Barbary, we are not with barbarians.’

11 August 1887
‘Soon we arrive at one of our “wealthy Moors”. [. . .] The young ladies go into the women’s quarters. Employing a searching gaze, we look into everything open to us. I think they were expecting us; most certainly, they were waiting for us. However a flurry of emotion, doubtless feigned, a pretended surprise, took place when we entered. A lady of mature years, who appeared beautiful to me, quickly fled, but not before showing us her face. That left 4 or 5 negresses, who shamelessly stayed where they were. Moreover, they were very beautiful, their arms and legs nude, their bodies lightly clothed in a clear fabric. They certainly do not belong to the religion whose acolytes cover up. As always, the first floor with balcony is just about the same as the lower floor. But it seems we cannot visit since the private living quarters are there. I look everywhere for a certain spot which interests me from a hygienic perspective. Instinct guides me. Here water flows on the ground - one certainly cannot go in without clogs. The floor is made of tile mosaics as are the walls - no seat - only a hole which seems narrow to me at ground level. One has to be agile - but the Arabs certainly are in this respect. They do everything squatting. It is perfect, a paradise for the sense of sight and smell.’

12 August 1887
‘It is agreed that I will give a few medical consultations; they implored me to do so. A few people have been referred by the consul, or by M. Alvans, the military envoy, who never tires of being helpful.

Here come the patients, 5 or 6 of them, all Jews. They file into the patio. I sketch one who presents a beautiful case of Parkinson’s. Nothing very interesting from the point of view of diagnosis. But all are nervous cases. Yesterday, on the square, they showed me a Jew who remained mute, so they say, during his entire childhood but who eventually began to speak. Was he a case of hysteria?

The consultation is over. I must see the town some more so as to take with me an indelible visual impression. Along the way, on one of the most densely inhabited streets, we hear in the distance a sort of chanting, mixed and monotonous at the same time: the voices of men. They appear in a cortege of about a hundred persons; they are walking quickly, they seem to be in a hurry. “The dead go quickly.” In fact it is a burial. The deceased is carried on a kind of cot, nude in a white shroud which hides him completely, the head too. It seems to me that no one stirs nor extends greetings. We don’t either: that is not the custom here. We let the cortege pass, we will meet it again momentarily, in the cemetery.’

We hope for better times

‘Our Co for the first time have the sad duty to perform of burying one of their number. Jane is also quite sick of a Diareah but we hope not dangerous. [. . .] many are complaining & the dust is the greatest hardship to endure we have found on our whole journey. But we hope for better times.’ This is the heartfelt diary writing of Polly Lavinia Crandall Coon - born 1890 years ago today - travelling with others on the long and arduous trail across the continent, from Wisconsin to Oregon, in search of a better life.

Polly Lavinia was born on 24 November 1825 in Alfred, Allegheny, New York, the eldest child of what would become a large family. In 1838, the family moved west to Lima, Rock County, Wisconsin where they settled. Paul became one of the members of the Wisconsin constitutional convention in 1847, and was dubbed a ‘Father of Wisconsin’. But, in 1952, they set off, west again, overland in wagons to Oregon, with most of their children, including Polly and her daughter. Polly’s husband, Thomas, and her brother had already made the journey a year or two earlier.

Once settled in the new land, Thomas died, in early 1854, and two months later Polly gave birth to their second child. Soon after, Polly had her claim of land surveyed. She sold it off in lots to form a new town, called Silverton - on the banks of Silver Creek. She taught at a school in Silverton, and also in Salem and other nearby communities. In 1855, she married Stephen Price, a carpenter and millwright, who built them a new home. They had one son, before moving, in 1856, to Salem; and much later they lived in Hood River, on the south bank of the Columbia River. Both Stephen and Polly died in 1898. Not much is known of Polly, though a little more information can be found at the Liberal University of Oregon website.

A daily diary kept by Polly on her journey was published by A. H. Clark, in 1983, within Covered Wagon Women - Diaries & Letters from the Western Trails, 1852: The Oregon Trail, as edited and compiled by Kenneth L. Holmes and David C. Duniway. This was the fifth volume of an eleven-volume series: Covered Wagon Women - Diaries & Letters from the Western Trails, 1840-1890. Some pages of Polly’s diary - Journal of a Journey Over the Rocky Mountains - can be read at Googlebooks. Here are a few extracts (they are as originally published except for a few full stops which I have inserted where they naturally ought to be).

29 March 1852
‘Started from the town of Lima Rock Co. Wis. on our long contemplated journey to seek a home on the Pacific coast, in the territory of Oregon. Passed through Janesville to the town of Plymouth where we struck our camp for the first time, & found that we had truly left all comfort behind at least as far as the weather is concerned. But all are in health & spirits seeming determined to manufacture as much comfort as possible from what material we have.’

8 April 1852
‘All are well & in excellent spirits. We traveled yesterday 16 miles and camped on a vast prairie in Lafayette Co where nothing but land & sky were to be seen save one little log house. But to make up the absence of other interesting matter we found a wedding party assembled in the aforesaid “log house”. The “old Man” came up and gave us all an invite to attend the dance in the evening. We all went down but none of us joined in the exercises but Ray & Stallman. They reported to have had a very fine time and staid till morning the others returned at 9 o’clock. We have tonight a beautiful camping ground near the line between G[r]ant and Lafayette pleasant weather but still wet under foot.’

9 April 1852
‘Rained all day consequently we have laid by - improving the time in doing some baking. At night the ground being very wet we were obliged to take shelter in the house.’

10 April 1852
‘Reached the Mississippi at Eagle Ferry 2 miles above Dubuque found a number of teams in wait to go over.’

11 April 1852
‘After being delayed all day in getting all crossed over we at length reach Dubuque. We made a few purchases & excited not a little curiosity nor a few remarks from the good people of the city by our “Bloomer Dresses.” Left this town about 3 o’clock passing out some 2 miles through the deepest mud & worst roads I ever saw. Camped in a field & got about half enough poor hay for which the Man charges 30 cts per yoke. I record this as a demonstration of the depth of the heartlessness to which the human heart is capable of arriving.’

12 April 1852
‘Our brother Ray left us this morning - It was with deep regret and tearful eyes we left him to plod on alone towards his home. We feel sad that we leave him behind but hope another year will bring him to Oregon. This after noon it is quite pleasant except the chilling winds which sweep furiously across the endless praries of the state of Iowa. All well and judging from the talking and laughing we hear from the adjoining tent all are in good spirits. The roads continue very bad otherwise we get along very finely.’

11 May 1852
‘Traveled near about 16 miles & camped again on a large Prarie near a beautiful spring which we consider a great treat. After getting our tents pitched & supper nearly in readiness a heavy thunder shower struck us & we were nearly drenched but succeeded in keeping our beds tolerable dry.’

28 May 1852
‘We have all felt much distressed today at witnessing a scene truly heartrending. About noon we came by a Camp where yesterday all were well & today one man was buried - another dying & still another sick. The disease was Diareah which which they had not medicine to check & the result from death. The man that was buried left a young wife to either return through a savage country or go on alone and heartbroken. Many of our Company are complaining but none very sick.’

13 August 1852
‘Dr Weber grew worse after stoping, medicine had no effect & about 1 o’clock at night he died. Our Co for the first time have the sad duty to perform of burying one of their number. Jane is also quite sick of a Diareah but we hope not dangerous. Samuel does not not improve much. The weather is so very hot & dusty that very many are complaining & the dust is the greatest hardship to endure we have found on our whole journey. But we hope for better times.’

17 August 1852
‘Our Co commenced crossing - having stretched a rope across the river & coupled two wagon boxes together, towed over the cattle first & then carried our wagons, luggage & people. We got over quite early with the sick ones in order to make them as comfortable as possible.’

I hope not a ‘what it was’

Robert Charles Benchley - the early 20th century American columnist and comic actor - died 70 years ago today. He seemed to find his métier early on, while at Harvard through writing for its literary and comic magazines. But, after university, it took him some years to settle into what became a successful career as both a drama critic/humorist in New York, and a comic actor/monologuist in Hollywood. He did, at times, keep diaries, and although these have not been published, as far as I know, Benchley’s son Nathaniel drew on them extensively for his 1955 biography, as did Wes D. Gehring almost 40 years later.

Benchley was born in 1889 in Worcester, Massachusetts. His elder brother, Edmund, died in the Spanish-American war when Robert was but 9, and subsequently Edmund’s rich fiancee, helped Robert attend Phillips Exeter Academy in Exeter, and later, from 1908, Harvard. At Harvard, Benchley became involved with theatrical productions and the Harvard Advocate and the Harvard Lampoon, being elected, in his third year, to the board of the latter. In 1914, her married Gertrude Darling, who he’d met at high school, and they had two sons, Nathaniel (one of whose children, Peter, would write the famous book, Jaws) and Robert.

After Harvard, Benchley tried a variety of jobs in New York City - copy work, translation, press agent, reporting - but too often found himself not quite at ease with the work or the expectations of others. Having written freelance articles for Vanity Fair since 1916, he was taken on as managing editor in 1919, along side his Harvard Lampoon collaborator, Robert Sherwood, and Dorothy Parker, who had taken over as theatre critic from P. G Wodehouse. Although Vanity Fair suited Benchley well, allowing him to vent his humorous style, he, along with Sherwood and Parker soon fell out with the managers. When Parker was fired, Benchley resigned in sympathy, and returned to freelancing. The three friends had been meeting for lunches at the Algonquin Hotel, and, as this continued, so they became known as the Algonquin Round Table.

In 1920, Benchley joined the staff of Life magazine as the drama critic, eventually managing the whole drama section, and remained until 1929. During this time, the Round Table put on a one-night review, but Benchley’s contribution - The Treasurer’s Report - was so popular that he was asked to reprise it often. Irving Berlin, in fact, hired him for $500 a week to perform it nightly during Berlin’s Music Box Revue which ran for a year in 1921-1922. This led to work writing work for film screenplays and Broadway musicals, including, in 1928, a film version of The Treasurer’s Report. Benchley then wrote and/or starred in many more short films. On leaving Life, he was invited to be the theatre critic for the newly-established magazine The New Yorker, which would publish an average of nearly 50 Benchley pieces a year during the early 1930s.

The 1930s and early 1940s saw Benchley often in Hollywood, moving from Paramount to MGM and back again to Paramount, making 40 short films and appearing in minor roles in some 50 feature films. His How to Sleep (1935) won an Academy Award for best live-action short film. Biographers say, however, that though films brought Benchley fame, it is his writing that must be considered his lasting achievement. From 1920s on, and every few years, he published a compendium of his columns and essays, illustrated by Gluyas Williams: Pluck and Luck (1925), for example, My Ten Years in a Quandary, and How They Grew (1936), and Inside Benchley (1942). In later years, Benchley’s drinking led to him being diagnosed with cirrhosis of the liver, and he died, still in his mid-50s, on 21 November 1945. A limited amount of further information can be found at Wikipedia, The Worcester Writers Project, or Encyclopædia Britannica.

In 1955, McGraw-Hill published Nathaniel Benchley’s biography of his father - simply called, Robert Benchley - drawing on diaries Benchley had kept as a young man. More recently, in 1992, Greenwood Press published Wes D. Gehring’s “Mr B” or comforting thoughts about the bison: a critical biography of Robert Benchley, and this too culled significant details from Benchley’s diaries. Indeed, where Nathaniel’s book contains no introduction, and no acknowledgement of sources, Gehring’s book does, at least, provide some background on the diaries.

According to Gehring, Benchley’s diaries are contained in five bound volumes, for the years 1911-1914 and 1916, and these are held by the Mugar Memorial Library, Boston University. There were also, he says, childhood diaries, and possibly adult diaries (the library holds travel diary fragments, from 1922 and 1930), but these were most likely destroyed by his wife. Gehring believes she might have done this to carry out Benchley’s wishes. And, in support of this idea, he quotes Benchley as having said once, ‘no one else is ever going to get a look at these diaries so long as I have a bullet in my rifle.’

Gehring quotes extensively from Benchley’s diaries, but in a very bitty way, weaving phrases and sentences into his own text. (He does, though, scrupulously provide a date for each one.) Here’s an example from Gehring: ‘Besides his wedding, 1914 was also memorable as Benchley received his first check for a story (the amount was forty dollars). The September 28 timing could not have been more opportune, because as Benchley noted in his diaries: “our bank account was nil, it lacking two days of pay-day.” He would later describe their first married New Year’s Eve together, “sitting up in bed going over the bills to be paid tomorrow.” (From the notes: the first quote is dated 28 September 1914, the second 31 December 1914.)

The following, more complete, extracts from Robert Benchley’s diaries can be found in Nicholas Benchley’s 1955 biography.

23 July 1907
‘Then Lucy, Miss Jean, Jessie, Miss Ida and I went on the river in the moonlight in the two canoes. Sang and drifted. Took my mandolin. Slick.’

22 November 1907
‘Played football in the moonlight until nearly 11 o’clock. Came back to the room and fooled around.’

10 December 1907
‘Had a peach of a rough-house up in John’s room trying to put Fat on one bed.’

25 February 1908
‘Fat and I went to the Town Hall and hear Jacob Riis lecture on “The Battle with the Slums.” Illustrated. Very interesting.

1911 [on being elected to the board of Harvard Lampoon - undated in Nathaniel’s book]
‘It will mean a lot of work and a lot of worry and responsibility for it is a responsible position, yet I am very happy to be given it - not least of all because Mother will be so proud - and Gertrude too - and maybe my course will seem a little more worth while to Lillian. I never dreamed when I was a struggling freshman toiling over bum jokes that I would some day be the dreaded censor of the jokes of others - I trust I remember enough of how I felt, to be as nice as Hallowell was to me then. It is the biggest thing so far in my college course, but it doesn’t seem so big now that I’ve got it - I can see lots of bigger things that I ought to do, a “cum laude,” for instance.’

30 July 1914
‘Europe seems tottering on the brink of a general war over the Austria-Servia affair, but I can’t make it seem possible that they really will fall back so far into the middle ages after having come so far.’

31 July 1914
‘The stock markets are closed, and Germany is on the point of declaring war on Russia. Still, I can’t help feeling that things will be straightened out without a general European war.’

3 August 1914
‘A depression seems hanging over everything that is ominous - reflected from Europe where all the progress of 100 years is going to smash. H. G. Wells wrote better than he knew. But if any one is to lose, I hope that it is Germany and Austria, on whose aggressive brutality rests the blame.’

4 August 1914
‘Germany has declared war on England and Turkey on Servia. It is almost ludicrous in its immensity, yet frightful.’

16 August 1914
‘Japan has jumped in now and given Germany till August 20 to get out of Kaeow Chow. It is something of the “kick-him-in-the-teeth-he-ain’t-got-no-friends” attitude, and “come-on-in-and-get-a-piece-while-the-getting-is-good.”

13 November 1915
’12:27 - GAME CALLED. Nurse (a new one) comes in and asks my name. “Benchley.” Well, Miss Erbstadt just telephoned down & said the baby has just arrived and they are both all right. She said she didn’t know whether it was a boy “or what it was.” I hope not a “what it was.” “Both all right” is more to the point.

12:32 - Another nurse says she thinks she said a boy, but not sure. It ought to be fairly easy to ascertain before long.

12:35 - A Boy! and love from the Wife! Yea! Nurse tried to tell me “twins,” but I was a sly dog and didn’t bite.’

Sense and senselessness

Happy 90th birthday, Zygmunt Bauman. Born in Poland, but domiciled in Britain since the early 1970s, Bauman has become one of the world’s most influential sociologists, publishing prolifically across the spectrum of sociology and social theory. Not known as a diarist, he has, however, recently published a work provocatively called, This is Not a Diary, with entries dated as if it were a diary - each one being a mini-essay on whatever sociology-related subject happened to come to mind that day. The first dated entry is titled, On the sense and senselessness of diary-keeping. Another - On the friends you have and the friends you think you have - is about the evolutionary anthropologist, Robin Dunbar, under whom I, personally, studied many years ago.

Bauman was born to Jewish parents in Poznań, Poland, on 19 November 1925. When the Nazis invaded, in 1939, his family fled to the Soviet Union where he enlisted in the Polish division of the Red Army, working as a political education instructor. He was involved in the battles of Kolberg and Berlin, and in May 1945 was awarded the Military Cross of Valour. In the early post-war years, he served as a political officer in the Internal Security Corps (KBW) formed to combat Ukrainian and Polish insurgents, and as an informer for military intelligence. In parallel, he studied philosophy at the University of Warsaw. In 1948, he married Janina Lewinson, and they had three daughters.

Having risen to the rank of major, Bauman was dishonourably discharged from the KBW, in 1953, when his father - a Zionist - sought permission to emigrate to Israel, even though he, himself, held anti-Zionist views. The following year he became a lecturer at the University of Warsaw. A visit to the London School of Economics led to his first major book, in 1959, on the British socialist movement, some years later translated into English. Other books followed, notably the popular Socjologia na co dzień in 1964, later forming the basis for his English-language text-book Thinking Sociologically in 1990.

By the late 1960s, an orchestrated anti-semitic campaign was leading many Poles of Jewish descent, not least the intellectuals, to emigrate. At the same time, Bauman’s politics had fallen out of line with that of the communist government; so, in 1968, he gave up his Polish citizenship in order to be allowed to leave the country. He went first to Tel Aviv University, but, by 1972, he had taken up a chair in sociology at Leeds University. He retired in 1990, but since then has published over 40 books, on subjects such as globalisation, modernity and postmodernism, consumerism and morality. His wife, Janina, who also wrote a few books on her wartime memories, died in 2009. The following year, the University of Leeds launched The Bauman Institute in Bauman’s honour. There is further biographical information at Wikipedia, University of Leeds, The Guardian, The Culture Society, and The American Task Force on Palestine. The photo was found at Culture.pl.

There is no obvious evidence that Bauman has kept a diary through his long life - although he might have done. However, in 2010 and 2011 he took it into his head to keep a kind of journal, with dated entries, but with all the entries more like mini-essays on current issues of interest or concern to him. Some of these were clearly inspired by things he had read, in the news or elsewhere, and so the dates do have some occasional relevance. The collection of mini-essays were published by Polity Press in 2012, and somewhere along the publishing road acquired the playful title: This is Not a Diary. A few pages can be read at Amazon.

Each dated entry starts with its own title, such as On the quandries of believing, On hurting flies and killing people, On glocalisation coming of age, On immoral axes and moral axemen, etc. Each entry is too long to quote in full, and, unfortunately, given the essay structure, any cutting back reduces, in every sense, Bauman’s little essays. Nevertheless, here are extracts from two sections. I’ve chosen the opening entry, partly because it is the first, and partly because it is, ostensibly, about diary keeping (though more about writing in general). I’ve chosen the second because it’s about a Robin Dunbar theory, and Robin was my tutor, some decades ago (when I was preparing an MSc biological anthropology thesis - on paternal care in primates; see my own diaries - November 1989).

3 September 2010
‘On the sense and senselessness of diary-keeping. I confess: as I am starting to write (it is 5 a.m.), I haven’t the slightest idea what, if anything, will follow, how long it will go on and how long I’ll need, feel the urge and wish to keep it going. And the intention, let alone the purpose, is anything but clear. The question ‘what for’ can hardly be answered. At the moment when I sat down at the computer, there was no new burning issue waiting to be chewed over and digested, no new book to be written or old stuff to be revised, recycled or updated, no new interviewer’s curiosity to be satiated, no new lecture to be sketched out in writing before being spoken - no request, commission or deadline . . . In short, there was neither a frame nailed together waiting to be filled, nor a plateful of podgy work in search of a mould and a form.

I guess the question ‘because of what’ is more in order in this case than the question ‘what for’. Causes to write are abundant, a crowd of volunteers line up to be noted, picked and chosen. The decision to start writing is, so to speak, ‘overdetermined’.

To begin with, I’ve failed to learn any other form of life except writing. A day without scribbling feels like a day wasted or criminally aborted, a duty neglected, a calling betrayed.

To go on, the game of words is for me the most heavenly of pleasures. I enjoy that game enormously - and the enjoyment reaches its peak when, after another reshuffle of the cards, the hand I get happens to be poor and I need to strain my brains and struggle hard to make up for the blanks and bypass the traps. Forget the destination; it is being on the move, and jumping over or kicking away the hurdles, that gives life its flavour. [. . .]

What, after all, is the difference between living and reporting life? We can do worse than take a hint from José Saramago, my lately discovered fount of inspiration. On his own quasi-diary he reflects: ‘I believe that all the words we speak, all the movements and gestures we make . . . can each and every one of them be understood as stray pieces of unintended autobiography, which, however involuntary, perhaps precisely because it is involuntary, is no less sincere or truthful than the most detailed account of life put into writing and onto paper.’ Exactly.’

27 December 2010
On the friends you have and the friends you think you have. Professor Robin Dunbar, an evolutionary anthropologist in Oxford, insists that ‘our minds are not designed [by evolution] to allow us to have more than a very limited number of people in our social world’. Dunbar has actually calculated that number; he found that ‘most of us can maintain only around 150 meaningful relationships’. Not unexpectedly, he’s called that limit, imposed by (biological) evolution, the ‘Dunbar number’. This hundred and a half is, we may comment, the number reached through biological evolution by our remote ancestors, and where it stopped, leaving the field to its much nimbler, more agile and dexterous, and above all more resourceful and less patient successor - called ‘cultural evolution’ (that is, triggered, shaped and driven by humans themselves, and deploying the teaching and learning process rather than changing the arrangement of genes). [. . .]

Electronic sustained ‘networks of friendship’ promised to break through recalcitrant, intrepid limitations to sociability set by our genetically transmitted equipment. Well, says Dunbar, they didn’t and will not: the promise can’t but be broken. ‘Yes.’ says Dunbar in his opinion piece for the New York Times of 25 December, ‘you can “friend” 500, 1,000, even 5,000 people with your Facebook page, but all save the core 150 are mere voyeurs looking into your daily life.’ Among those thousands of Facebook friends, ‘meaningful relationships’, whether serviced electronically or lived off-line, are confined as before within the impassable limits of the ‘Dunbar number’. [. . .]

Dunbar is right that the electronic substitutes for face-to-face communication have brought the Stone Age inheritance up to date, adapting and adjusting the ways and means of human togetherness to the requirements of our nouvel age. What he seems to neglect, however, is that in the course of that adaptation those ways and means have also been considerably altered, and that as a result ‘meaningful relationships’ have also changed their meaning. And so must the content of the ‘Dunbar number’ concept have done. Unless it is precisely the number, and only the number, that exhausts its content. . .’

NB: As usual in Diary Review articles, trailing dots enclosed by square brackets (i.e. [. . .] ) indicate text I have left out from the source published text. Trailing dots not enclosed by square brackets are as found in the original text.

The 33rd Vice President

‘Hoover is apparently on his way toward becoming a kind of American Himmler.’ This is Henry Agard Wallace, the 33rd Vice President of the United States, who died 50 years ago today. A clever and successful farmer, he played an important political role in Franklin D. Roosevelt’s New Deal policies, and was a whisker away from becoming President, but, after the war, he found himself opposing the US’s growing antipathy towards the USSR. Wallace kept a daily diary during the latter years of WW2, and it contains much of interest about his own politics, and about the Roosevelt and Truman administrations.

Wallace was born in 1888 on the family livestock farm near the town of Orient, Iowa. In 1892, the family moved to Ames, where his father, having given up farming, became professor of agriculture at the Iowa State Agricultural College. Soon after, the family took in a student, George Washington Carver, the African-American later to become a well-known botanist and inventor, who took the young Wallace on nature walks. Carver left when Wallace was still only 8, but is said to have left a deep and lasting influence on the boy. While a student at West High School, he attended lectures at Iowa State University given by the vice-dean Perry G. Holden who believed the quality of corn yield could be predicted by how good it looked. Wallace, using five acres of land behind his home, proved there was no relationship between yield and appearance.

Wallace moved on to study at Iowa State Agricultural College, and to write for his family’s successful magazine, Wallaces’ Farmer. He married Llo Brown in 1914, and went to live on a 40 acre farm near Johnson County. They would have three children. He taught himself statistics, and introduced econometrics into the field of agriculture. When his grandfather died, he became joint editor, with his father, of Wallaces’ Farmer, and then, after the end of WWI, he took over as sole editor, offering solutions to the agricultural depression - often at odds with Herbert Hoover, who had been in charge of the Office of Food Administration during the war. In particular, Wallace believed that farm surpluses were the cause of much misery in rural areas, and sought to find ways to limit production.

In 1923, Wallace developed a strain of hybrid corn - disease resistant and with higher yields - so commercially successful that a few years later he was able to launch Hi-Bred Corn Company. Increasingly, Wallace was drawn into politics - not as a Republican like the Wallaces before him - and in 1933, Franklin Roosevelt appointed him Secretary of Agriculture. He soon established and began to administer the Agricultural Adjustment Act, to control production, raise and stabilise farm prices, conserve soil, and store reserves. Widely regarded as a champion of human welfare, detractors saw his approach as too wasteful. In 1940, he was chosen to be Vice President to Roosevelt, a role he expanded beyond its normal remit, travelling to Latin America and the Far East. During WWII, he took on additional duties, especially in national economic affairs, though was stripped of these after publicly feuding with Secretary of Commerce Jesse H. Jones.

In 1944, however, Democratic Party conservatives - especially Southerners - opposed Wallace’s renomination as Vice President, and Harry S. Truman was chosen instead, succeeding to the post in January 1945. So it was Truman that became President less than three months later, when Roosevelt died. A few weeks before then, though, Roosevelt had named Wallace as Secretary of Commerce, a post he was to hold onto for little more than a year - being the last of Roosevelt appointees to be fired by Truman. Subsequently, Wallace became the editor of The New Republic magazine, a platform he used to oppose Truman’s tough cold war foreign policies; and then he set  himself up as a presidential candidate, with a newly-formed Progressive Party, standing in the 1948 presidential election. His stance on closer relations with the USSR, and his soft approach towards communism in the US, were against the political current, and seriously undermined his support.

Wallace resumed his farming interests, and, among things, developed a hugely successful breed of chicken. In 1950, when North Korea invaded South Korea, he left the Progressive Party and supported the US effort in the Korean War. In 1952, he published an article Where I Was Wrong trying to explain his once trusting stance toward the Soviet Union, and declaring that he now considered himself an anti-Communist. He died on 18 November 1965. Further information can be found at Wikipedia, US Senate, Spartacus Educational, The New Yorker, American University, or New Deal Network.

Wallace kept a diary at various times in his life: in 1935 during the controversy within the Department of Agriculture; in 1939-1940, preceding, during and following his nomination for Vice President; and from early 1942 to September 1946. Generally, he dictated his diary daily to a secretary, but also would keep pocket journals when on travels. Some of this diary material was published by Houghton Mifflin Company in 1973 in The Price of Vision - The Diary of Henry A. Wallace 1942-1945, as edited by John Morton Blum. Blum notes that ’as his temperament dictated, Wallace was a frank but never an intimate diarist.’ The book does not appear to have been reprinted or reissued since the 1970s, and, indeed, Wallace himself is little remembered these days. One review can be found online in the Annals of Iowa, which concludes: ‘Because he was so often involved in decision-making at the highest levels, Wallace’s diary illuminates one of the most critical periods in American history.’

14 April 1944
‘. . . Major General Leslie Groves [commanding officer of the Manhattan Project, developing the atomic bomb] presented me with a report on a governmental secret project which is the most interesting report I have ever seen. This is a project about which I have talked with Vannevar Bush for the last two years. This is a project which should result in definitely ending the war within another 18 months at the outside . . .’

20 May 1944, Edmonton, Canada
‘Gen. Gaffney, born in Massachusetts, raised in Texas, strong for the North. Prefers it to the tropics. Likes to hunt. Tells of unpreparedness in Alaska. Japs could have taken Seward. We had no cruisers up there. Army high command was convinced Japs would not strike at Alaska. Thinks there are great mineral and agricultural possibilities in northwest territory. Prof. Blackfoot of University of Alberta thinks there are enormous possibilities for dairying and hog possibilities. Soil marvelous, deep, black . . .’

29 August 1944
‘. . . At lunch with the President. The President seemed to be looking quite well, in good spirits and very cordial. He complimented me on the work I had been doing in New England and said they would want me to do a lot of work of this kind during the campaign. He then started to skate over the ice at once as fast as he could, saying that I was four or six years ahead of my time, that what I stood for would inevitably come. I told him I was very happy about what had been demonstrated at the convention and following the convention because I now knew that the people were for me. [. . .] I went on to say that I knew just exactly what happened at the convention but that the reason I had come out for him was because his name was a symbol of liberalism not only in this country but in the whole world. He then hastened to say how much he appreciated that and said if everything went well on November 7 [when President Roosevelt would be elected to a fourth term] I could have anything I wanted in the government with one exception. The exception was the State Department. [. . .]

The President said he thought the election was going to be very close but in case we won, one of the first things we would do would be to sit down with me and make a list of folks we were going to get rid of, said the first on the list would be Jesus H. Jones. I said, “Well, if you are going to get rid of Jesse, why not let me have Secretary of Commerce with RFC and FEA thrown in? There would be poetic justice in that.” The President said, “Yes, that’s right.” ’

19 December 1944
‘I got it on very good authority yesterday that Edgar Hoover continually has Drew Pearson [a journalist and diarist - see Salty and Petulant] shadowed. Hoover specializes on building up a file against the various public figures and especially against the columnists. He has not yet built up much of a file against Walter Winchell. Winchell has so far been too smart for Hoover. Hoover is apparently on his way toward becoming a kind of American Himmler.’

14 January 1945
‘. . . Ernst asked what the President was going to do with Jesse Jones? I said, “Why should he do anything with Jesse Jones?” Ernst replied, “Well if he takes care of Jesse in some way, it will reduce the amount of discord.” I said, “Well, it seems to me it would be better for the President to fight on this issue and get licked than to give Jesse something.” In other words, what I was really saying to Ernst was that I would rather not to be confirmed by the Senate than to have Jesse Jones still in government.’

[This was the last entry Wallace made as Vice President, and he only took up the diary again the following April. In the meantime, his nomination as Secretary of Commerce was almost not confirmed, Blum explains in a footnote, as Jones and others fought to block him in the Senate.]

12 September 1946
‘At the meeting with the President I went over page by page with him my Madison Square Garden speech to be given on September 12. Again and again he said, “That’s right”; “Yes, that is what I believe.” He didn’t have a single change to suggest. He twice said how deeply he appreciated my courtesy in showing him my speech before I gave it.

The President said that Secretary Byrnes’ speech of September 6 had been cleared with him over the telephone and then it had been sent back to Washington for minor checking. He said also that he thought it must be a pretty good speech because neither the British, the French, nor the Russians liked it.

The President apparently saw no inconsistency between my speech and what Byrnes was doing - if he did he didn’t indicate it in any way. He spoke very hopefully about the future, saying that he thought the situation between the United States and Russia was much more peaceful than the newspapers would have us believe. He said the dark cloud on the horizon was the state of Stalin’s heath; that Stalin was now an old man. He said also it was almost impossible to do business with Molotov . . .’