Today marks the centenary of the birth of the great British variety performer Max Bygraves. From humble origins, he rose steadily to the top of the show business world successfully releasing many albums, playing many times at the London Palladium and hosting his own television shows. He also wrote several autobiographical works; one of these is half filled with extracts from diaries he kept in 1996 and 1997. ‘One thing that is noticeable about my diaries of the past,’ he says in one entry, ‘is that they all start off with good intentions - the months of January and February are always quite full with entries, but then I either get lazy, or else nothing noteworthy seems to happen. When the summer arrives I only ever seem to jot down such entries as ‘golf’, ‘laid in garden’ or ‘planted some tomatoes’, etc, etc.’
Walter William Bygraves was born in London on 16 October 1922 where he grew up in a council flat with five siblings. His father was a boxer and a casual dockworker. Walter was educated locally, but sang with a choir at Westminster Cathedral. He left school at 14, working as a pageboy in a hotel, then as a messenger. During the war, he served as fitter in the Royal Air Force as well as working as a carpenter. After the war, he was employed on building sites, but he also worked as an entertainer in pubs during the evenings. He changed his first name to Max in honour of the comedian Max Miller. He married Gladys (Blossom) Murray in 1942, and they had three children. (Though Bygraves also had three children from extra-marital affairs.)In the summer of 1946, Bygraves toured in a variety show with Frankie Howerd, who introduced him to Eric Sykes. With Sykes, he began writing scripts and developed a radio show - Educating Archie. In 1950, he made his first appearance at the London Palladium, supporting Abbott and Costello; the following year he did the same for Judy Garland who then invited him to perform at the Palace in New York. The 1950s saw Bygraves release seven top ten hits, many of them novelty songs, appear in several films and on television. By 1961 he was famous enough for Eamonn Andrews to feature him on This Is Your Life. In the 1970s he released several very successful albums, and appeared more often on TV shows - he hosted Family Fortunes (having taken over from his friend Bob Monkhouse) between 1983 and 1985.
Bygraves and Blossom retired to Australia, but he was coaxed out of retirement for a series of tours with the Beverly Sisters in 2002, then for a farewell set of performances in 2006. Bygraves published several books, from a novel (The Milkman's on His Way, 1977) to autobiographical works such as Stars in My Eyes: A Life in Show Business, 2002). He collected 31 gold discs in total and was appointed OBE in 1983. He died in Australia 2012, the year after his wife. Further information is available online from Wikipedia, The Guardian obituary and All Music.
In 1997 Breedon Books brought out Max Bygraves In His Own Words. The first six chapters of this are written as conventional autobiography covering the extent of his life through to 1996 (when he was in his mid-70s). In chapter 20, Bygraves reflects on his friendships and relationships with other ‘stars’, and in chapter 21 he focuses particularly on The London Palladium (which he played so often). And, in two of the final chapters he reflects on his life more generally. But, more than half of the book - chapters 7-18 - is filled with extracts from diaries he kept in 1996-1997 - i.e. the year or so directly prior to publication of the book. A copy can be digitally borrowed at Internet Archive. Here’s a couple of extracts in which he mulls over his diary writing habits and expresses sympathy for John Profumo.
31 December 1996
‘Today we say farewell to 1996 - tomorrow a brand new year. I am going for my last swim of ’96 as soon as I have made this entry in my large new desk diary one of the nicest I have ever had. It reminds me of that large five-year diary that my father gave me on the day I joined the RAF back in 1940. It is on moments like these that his words come back to me: “Anything worth remembering, jot down! You’ll never regret it.”
When he eventually died, almost 20 years ago, we continually discovered old Woodbine packets and small bits of paper with the day’s events, neatly dated and written down in his own particular brand of shorthand: “Feb 19 - Tram strike, w Bellamys. ND hand plast - mend pumps”. Deciphered, this read: “There was a tram strike and so I walked to Bellamy’s Wharf. There was no work (ND - nothing doing). His hand was in plaster but he managed to do a repair job on his boots (mend pumps)”.
I have two regrets and may possibly do something about them in 1997. One is that I should have learned shorthand, and the other is to type as competently as Jennifer, my assistant. To her it comes as easy as ABC. I write in long-hand, pass it to her and, shortly afterward, she hands me a pristine copy. I never cease to marvel at lyrics that I have dashed off in a way that sometimes even I can’t read - and yet Jennifer nonchalantly hands them back to me complete and neat - and I am so impressed! I look at my scribble, which is now beautifully typed, and think what a genius I am, thank you Jennifer ... and your word-processor!
The old year is going with a flourish. The plants and bushes have never looked more radiant. In full bloom, the tippichina trees and poincianas make the grounds here at Attunga Park into a wonderland. It is hard to stand at the entrance and not feel the poem that has been carved in stone in so many gardens all around the world. I read the words by the bird bath that Bloss put in place more than five years ago ...
The kiss of the sun for pardon.
The song of the birds for mirth.
You are nearer God’s heart in a garden,
Than anywhere else on earth.
I once asked a gardener who had written those words, but it seems that it was by that writer named Anonymous. It’s a shame to think of all the pleasure his or her words have given and yet have to miss out on the copyright!
It is hot - 85 degrees - not a bird in sight it is much cooler to stay in the trees. Now and again a crow squawks. The news is that Europe is experiencing the worst winter in a decade with quite a few old people dying. The protest marches in Belgrade have dwindled because the rebels can’t face the cold - and I feel so very lucky and humble that I am in a profession that allows me to travel away from all those tribulations. Mind you, we still have to watch out for sunburn, skin cancer, mosquito bites, snakes and so on, but there are few places that I would rather be.
When you are used to Christmas and the New Year being all that winter wonderland stuff that the traditional Christmas cards portray, it comes as a bit of a culture shock to spend that time in Australia. Gone are the robins, the log fires and the gentle snowflakes - instead there are parrots, barbecues and the sort of sunshine that enables you to fry eggs on the rocks. There are, of course, exceptions to even Australia’s beautiful weather.
2 January 1997
‘One thing that is noticeable about my diaries of the past is that they all start off with good intentions - the months of January and February are always quite full with entries, but then I either get lazy, or else nothing noteworthy seems to happen. When the summer arrives I only ever seem to jot down such entries as ‘golf’, ‘laid in garden’ or ‘planted some tomatoes’, etc, etc.
In the summer of my 1996 diary I am surprised to see how many blank pages there are, and not because there was nothing happening - in fact I had a most busy time. Contracted for a ten-week season at Bournemouth’s Pavilion Theatre, every show a different audience, relatives coming to stay, fly-fishing on the River Test a couple of days each week, golf with good friends like Gordon Dean, directors from the BBC in London to talk over proposed shows, phone-ins, charity appearances etc. (The strangest charity show was to cut the ribbon at a pedestrian crossing on the Poole Road, to allow old folk from a retirement home to cross without having to walk a quarter of a mile down the road to another crossing). Looking back, there are quite a few entries that I could have made interesting, so I can only plead laziness!
After cutting that tape on the Poole Road, I was invited back to the home for tea and cakes. Because I am in the business of entertainment I am usually button-holed by the senior citizens to do something about the appalling quality of programmes on television. They must think that I am some form of Mary Whitehouse. One lady, while making a point, made the company laugh when she said: “Why don’t they do something about all that swearing on TV? It’s bloody disgusting!”
I just have to stand there helpless. All I can do is nod and agree, but they think that I can just pick up the phone and say to the Director-General: “Now look here, folk don’t like four-letter words that they hear on TV. With very little being done to chastise the guilty actors and directors you should do something about it - after all, you’re the boss!”
That’s what they think that I can do. And I have to pass it all off with a shrug by saying: “It’s not bloody right is it!” A sneaky way to get out of an argument with a little of what they call comic relief.
Another entry is for May 16th. I promised to appear for Jack (known as John) Profumo at Toynbee Hall in the East End of London. John does such wonderful work at the ‘Hall’ for the poor and deprived - not just now, but for many years past. One stupid mistake forever labelled him as the man who brought down the Tory government because of the Christine Keeler affair. The country lost a very good bloke.
I knew him slightly before the Keeler affair, when he was Minister for War. It was during those days that we went to different parts of the world entertaining our troops. John was such a gentleman, and a real pleasure to talk with - he didn’t become charming after the affair. His wife, former actress Valerie Hobson, is a sweetie too. They both work hard at Toynbee Hall. You know what I’d like to do? I’d like to walk down Park Lane holding the biggest banner that I could carry, emblazoned with the words: ‘John Profumo and Co ... public benefactor . . . let’s hear it for John!’
Another entry is for Monday, April 22nd 1996. All I noted down was ‘QE2 to New York.’ This turned out to be one of the best trips ever on this lovely ship. I am not quite sure if it was my eighth or ninth voyage, but it was really enjoyable. My son Anthony came with me to help out with the lighting, look after the props, take the bandcall and be general dogsbody. He is good company and we get along well.
The other joyful part was that my good friend Gordon Dean and his attractive wife also came aboard to celebrate their tenth wedding anniversary - a cruise to New York, then fly back to Heathrow on Concorde. We shared a table with two other good friends from Bournemouth - Jim and Jane, so the six of us had some splendid meals in the Queens grill. Colin, the mâitre d’ excelled - every dish was a banquet.
I did two concerts in the main lounge, which had been refurbished since our last trip. I thought that the good old QE2 had suffered badly with the publicity surrounding the fact that she had not being ready in time on a previous trip. Many of the passengers had complained and Cunard had been forced to pay out some pretty hefty sums in compensation. On this trip, however, all faults had been rectified and we were there to enjoy it. The audience appeared to enjoy my stint and I finished by doing several encores and everyone was most complimentary.’