A most excellent person

Today marks the 320th anniversary of the death of John Evelyn, a contemporary and friend of Samuel Pepys, who described him as a ‘most excellent person’. He was a writer, gardener, and a diarist, and his diaries, spanning 50 years, are considered of historical importance. Here is the draft chapter on Evelyn from London in Diaries (see an earlier Diary Review article for more about this yet-to-published book).

John Evelyn - a most excellent person
John Evelyn is another famous 17th century London diarist, though his diaries reveal a far less colourful character than Pepys, and show none of the latter’s wide-ranging curiosity, nor his introspection, nor his love of gossip. The two lived contemporaneously - Evelyn was born before Pepys and died after him - and were friends, mentioning each other in their diaries. But what Evelyn’s diary lacks in colour and entertainment, it makes up for in time span and historical importance. He was much interested in London’s development, its new squares, houses and gardens, and, after the Great Fire, he was involved with rebuilding the city.

Evelyn was born in 1620 at Wotton, near Dorking in Surrey, the large family estate founded originally on wealth accumulated after his great-grandfather brought the invention of gunpowder to England. John would, eventually, inherit Wotton, but not until the end of his life, in 1699. John spent much of his childhood near Lewes in Sussex with his mother’s parents, and declined to go to Eton. He was admitted into the Middle Temple in 1637, and also became a fellow commoner at Balliol College, Oxford, though he left without taking a degree. After his father’s death in 1640, Evelyn inherited sufficient wealth to allow him to live independently.

These were, though, confusing times in England, especially for a Royalist like Evelyn. After a very brief involvement with the Royalist army, he managed to gain permission to go abroad, where he stayed - in France and Italy - for several years to avoid the Civil War. In Paris, in 1647, he married the 12 year old Mary Browne, daughter of the English ambassador. He returned to England soon after, but did not live with his wife for several years. In 1652, the couple moved into Sayes Court, Deptford. This was a property, once leased from the crown by his father-in-law, but which had been seized by Parliament, and which Evelyn had had to buy back. In time, he rebuilt the house and developed a beautiful garden. This latter was a project that would lead to his serious interest in botany and garden history, and the writing of an encyclopaedia of gardens and gardening practices - Elysium Britannicum.

Here is Pepys, a lifelong friend of Evelyn, describing a visit to Sayes Court some years later (in 1665): ‘ . . . and so I by water to Deptford, and there made a visit to Mr Evelyn, who, among other things, showed me most excellent painting in little; in distemper, Indian incke, water colours: graveing; and, above all, the whole secret of mezzo-tinto, and the manner of it, which is very pretty, and good things done with it. He read to me very much also of his discourse, he hath been many years and now is about, about Guardenage; which will be a most noble and pleasant piece. He read me part of a play or two of his making, very good, but not as he conceits them, I think, to be. He showed me his Hortus Hyemalis; leaves laid up in a book of several plants kept dry, which preserve colour, however, and look very finely, better than any Herball. In fine, a most excellent person he is, and must be allowed a little for a little conceitedness; but he may well be so, being a man so much above others.’

After the Restoration of the monarchy in 1660, Evelyn was favoured by Charles II, though he never sought or held high rank. Instead, he busied himself with various minor posts usually aimed at improving public life, whether by licensing hackney coaches, developing sewers, reforming the streets, regulating the Royal Mint, or re-planning London after the great fire. He was a founder member of the Royal Society. Under the Catholic King James II, he became alarmed by attacks on the English Church, which led him to concur with the revolution of 1688 that brought William of Orange to the throne. Towards the end of his life, in 1695, he was made treasurer of Greenwich hospital for old sailors.

Writing was surely Evelyn’s main passion. His early works were largely Royalist tracts, but other, mostly scientific, books soon followed. He wrote pioneering works on tree cultivation (Sylva, or a Discourse of Forest Trees), soils (A Philosophical Discourse of Earth) and pollution (Fumifugium). His later works tended to be more concerned with culture, art, and religion, with titles such as Sculpture: or the History and Art of Chalcography and Engraving in Copper, and Numismata - A discourse of medals, antient and modern. An 800-page history of religion was published after his death.

And then there is his diary which has come to overshadow all his other works. First edited by William Bray and published in two volumes by Henry Colburn in 1818 as Memoirs Illustrative of the Life and Writings of John Evelyn, comprising his Diary from 1641 to 1705/6, and a Selection of his Familiar Letters. A more complete and definitive edition comprising six volumes was edited by Esmond Samuel de Beer and published by Clarendon Press 1955. Experts acknowledge that some parts of Evelyn’s diaries were compiled at a later date from notes, and that because they show evidence of hindsight, they are more memoir than diary.

Though covering a period of over 50 years, Evelyn’s diary is not as long as Pepys’s, nor is it as entertaining or interesting. It is dry and factual, and mostly the entries are brief and unemotional - except on the death of a child. When Richard - aged but 5 - dies, Evelyn fills several pages with the precocious boy’s achievements, concluding with, ‘Here ends the joy of my life, and for which I go even mourning to the grave.’ 

Arthur Ponsonby, author of English Diaries, says this of Pepys and Evelyn: ‘Although the two diarists were contemporaries and friends, and although they came across many common acquaintances in their official and Court experiences, they did not live in the same stratum of society, and their method, their motive, their point of view, their manner and their characters were so completely different that except for the fact that they refer to the same people and the same events, the two celebrated journals that have been handed down to us have very little resemblance, and they seem to call for different moods in the reader.’

Birds and animals in St James’s Park
9 February 1665
Dined at my Lord Treasurer’s, the Earl of Southampton, in Bloomsbury, where he was building a noble square or piazza [London’s first square, or at least one of the earliest], a little town; his own house stands too low, some noble rooms, a pretty cedar chapel, a naked garden to the north, but good air. I had much discourse with his Lordship, whom I found to be a person of extraordinary parts, but a valetudinarian.

I went to St James’s Park, where I saw various animals, and examined the throat of the Onocrotylus, or pelican, a fowl between a stork and a swan; a melancholy waterfowl, brought from Astrakhan by the Russian Ambassador; it was diverting to see how he would toss up and turn a flat fish, plaice, or flounder, to get it right into his gullet at its lower beak, which, being filmy, stretches to a prodigious wideness when it devours a great fish. Here was also a small water-fowl, not bigger than a moorhen, that went almost quite erect, like the penguin of America; it would eat as much fish as its whole body weighed; I never saw so unsatiable a devourer, yet the body did not appear to swell the bigger. The solan geese here are also great devourers, and are said soon to exhaust all the fish in a pond. Here was a curious sort of poultry not much exceeding the size of a tame pigeon, with legs so short as their crops seemed to touch the earth; a milk-white raven; a stork, which was a rarity at this season, seeing he was loose, and could fly loftily; two Balearian cranes, one of which having had one of his legs broken and cut off above the knee, had a wooden or boxen leg and thigh, with a joint so accurately made that the creature could walk and use it as well as if it had been natural; it was made by a soldier. The park was at this time stored with numerous flocks of several sorts of ordinary and extraordinary wild fowl, breeding about the Decoy, which for being near so great a city, and among such a concourse of soldiers and people, is a singular and diverting thing. There were also deer of several countries, white; spotted like leopards; antelopes, an elk, red deer, roebucks, stags, Guinea goats, Arabian sheep, etc. There were withy-pots, or nests, for the wild fowl to lay their eggs in, a little above the surface of the water.

Burning an effigy of the pope
10 June 1673
We went, after dinner, to see the formal and formidable camp on Blackheath, raised to invade Holland; or, as others suspected for another design. Thence, to the Italian glass-house at Greenwich, where glass was blown of finer metal than that of Murano, at Venice.

5 November 1673
This night the youths of the city burned the Pope in effigy, after they had made procession with it in great triumph, they being displeased at the Duke for altering his religion and marrying an Italian lady. [The Duke of York, who later became King James II, had converted to Catholicism, and some weeks prior to this diary entry married a 15 year old Italian princess, Mary of Modena.]

Practising for a siege at Windsor
21 August 1674
In one of the meadows at the foot of the long Terrace below the Castle [Windsor], works were thrown up to show the King a representation of the city of Maestricht, newly taken by the French. Bastians, bulwarks, ramparts, palisadoes, graffs, horn-works, counter-scarps, etc., were constructed. It was attacked by the Duke of Monmouth (newly come from the real siege) and the Duke of York, with a little army, to show their skill in tactics. On Saturday night they made their approaches, opened trenches, raised batteries, took the counter-scarp and ravelin, after a stout defense; great guns fired on both sides, grenadoes shot, mines sprung, parties sent out, attempts of raising the siege, prisoners taken, parleys; and, in short, all the circumstances of a formal siege, to appearance, and, what is most strange all without disorder, or ill accident, to the great satisfaction of a thousand spectators. Being night, it made a formidable show. The siege being over, I went with Mr Pepys back to London, where we arrived about three in the morning.

11 May 1676
I dined with Mr Charleton, and went to see Mr Montague’s new palace, near Bloomsbury, built by Mr Hooke, of our Society, after the French manner [now the site of the British Museum].

From Enfield to Bellsize House in Hampstead
2 June 1676
I went with my Lord Chamberlain to see a garden, at Enfield town; thence, to Mr Secretary Coventry’s lodge in the Chase. It is a very pretty place, the house commodious, the gardens handsome, and our entertainment very free, there being none but my Lord and myself. That which I most wondered at was, that, in the compass of twenty-five miles, yet within fourteen of London, there is not a house, barn, church, or building, besides three lodges. To this Lodge are three great ponds, and some few inclosures, the rest a solitary desert, yet stored with no less than 3,000 deer. These are pretty retreats for gentlemen, especially for those who are studious and lovers of privacy. 

We returned in the evening by Hampstead; to see Lord Wotton’s house and garden (Bellsize House), built with vast expense by Mr O’Neale, an Irish gentleman who married Lord Wotton’s mother, Lady Stanhope. The furniture is very particular for Indian cabinets, porcelain, and other solid and noble movables. The gallery very fine, the gardens very large, but ill kept, yet woody and chargeable The soil a cold weeping clay, not answering the expense.

9 October 1676
I went with Mrs. Godolphin and my wife to Blackwall, to see some Indian curiosities; the streets being slippery, I fell against a piece of timber with such violence that I could not speak nor fetch my breath for some space; being carried into a house and let blood, I was removed to the water-side and so home, where, after a day’s rest, I recovered.

Dining with Pepys at the Tower
18 April 1678
I went to see new Bedlam Hospital, magnificently built, and most sweetly placed in Moorfields, since the dreadful fire in London.

4 June 1679
I dined with Mr Pepys in the Tower, he having been committed by the House of Commons for misdemeanours in the Admiralty when he was secretary; I believe he was unjustly charged.

3 July 1679
Sending a piece of venison to Mr Pepys, still a prisoner, I went and dined with him.

14 September 1681
Dined with Sir Stephen Fox, who proposed to me the purchasing of Chelsea College, which his Majesty had sometime since given to our Society, and would now purchase it again to build a hospital; or infirmary for soldiers there, in which he desired my assistance as one of the Council of the Royal Society.

4 August 1682
With Sir Stephen Fox, to survey the foundations of the Royal Hospital begun at Chelsea.

An innumerable assembly of drinking people 
1 May 1683
I went to Blackheath, to see the new fair, being the first procured by the Lord Dartmouth. This was the first day, pretended for the sale of cattle, but I think in truth to enrich the new tavern at the bowling-green, erected by Snape, his Majesty’s farrier, a man full of projects. There appeared nothing but an innumerable assembly of drinking people from London, peddlars, etc., and I suppose it too near London to be of any great use to the country.

30 October 1683
I went to Kew to visit Sir Henry Capell, brother to the late Earl of Essex; but he being gone to Cashiobury, after I had seen his garden [later to become the famous Kew Gardens] and the alterations therein, I returned home. He had repaired his house, roofed his hall with a kind of cupola, and in a niche was an artificial fountain; but the room seems to me overmelancholy, yet might be much improved by having the walls well painted á fresco. The two green houses for oranges and myrtles, communicating with the rooms below, are very well contrived. There is a cupola made with pole-work between two elms at the end of a walk, which being covered by plashing the trees to them, is very pretty; for the rest there are too many fir trees in the garden.

Streets of booths on the frozen Thames
1 January 1684
The weather continuing intolerably severe, streets of booths were set up on the Thames; the air was so very cold and thick, as of many years there had not been the like. The smallpox was very mortal.

9 January 1684
I went across the Thames on the ice, now become so thick as to bear not only streets of booths, in which they roasted meat, and had divers shops of wares, quite across as in a town, but coaches, carts, and horses passed over. So I went from Westminster stairs to Lambeth, and dined with the Archbishop. [. . .] After dinner and discourse with his Grace till evening prayers, Sir George Wheeler and I walked over the ice from Lambeth stairs to the Horseferry.

24 January 1684
The frost continues more and more severe, the Thames before London was still planted with booths in formal streets, all sorts of trades and shops furnished, and full of commodities, even to a printing press, where the people and ladies took a fancy to have their names printed, and the day and year set down when printed on the Thames: this humor took so universally, that it was estimated that the printer gained £5 a day, for printing a line only, at sixpence a name, besides what he got by ballads, etc. 

Coaches plied from Westminster to the Temple, and from several other stairs to and fro, as in the streets, sleds, sliding with skates, a bull-baiting, horse and coach-races, puppet-plays and interludes, cooks, tippling, and other lewd places, so that it seemed to be a bacchanalian triumph, or carnival on the water, while it was a severe judgment on the land, the trees not only splitting as if the lightning struck, but men and cattle perishing in divers places, and the very seas so locked up with ice, that no vessels could stir out or come in. The fowls, fish, and birds, and all our exotic plants and greens, universally perishing. 

The air full of the fuliginous steam of sea-coal
Many parks of deer were destroyed, and all sorts of fuel so dear, that there were great contributions to preserve the poor alive. Nor was this severe weather much less intense in most parts of Europe, even as far as Spain and the most southern tracts. London, by reason of the excessive coldness of the air hindering the ascent of the smoke, was so filled with the fuliginous steam of the sea-coal, that hardly could one see across the street, and this filling the lungs with its gross particles, exceedingly obstructed the breast, so as one could scarcely breathe. Here was no water to be had from the pipes and engines, nor could the brewers and divers other tradesmen work, and every moment was full of disastrous accidents.

Building about the city too disproportionate for the nation
12 June 1684
I went to advise and give directions about the building of two streets in Berkeley Garden, reserving the house and as much of the garden as the breadth of the house. In the meantime, I could not but deplore that sweet place (by far the most noble gardens, courts, and accommodations, stately porticos, etc., anywhere about the town) should be so much straitened and turned into tenements. But that magnificent pile and gardens contiguous to it, built by the late Lord Chancellor Clarendon, being all demolished, and designed for piazzas and buildings, was some excuse for my Lady Berkeley’s resolution of letting out her ground also for so excessive a price as was offered, advancing near £1,000 per annum in mere ground rents; to such a mad intemperance was the age come of building about a city, by far too disproportionate already to the nation: I having in my time seen it almost as large again as it was within my memory.

Fire on and in the river for the Queen’s birthday
15 November 1684
Being the Queen’s birthday, there were fireworks on the Thames before Whitehall, with pageants of castles, forts, and other devices of girandolas, serpents, the King and Queen’s arms and mottoes, all represented in fire, such as had not been seen here. But the most remarkable was the several fires and skirmishes in the very water, which actually moved a long way, burning under the water, now and then appearing above it, giving reports like muskets and cannon, with grenades and innumerable other devices. It is said it cost £1,500. It was concluded with a ball, where all the young ladies and gallants danced in the great hall. The court had not been seen so brave and rich in apparel since his Majesty’s Restoration.

7 December 1684
I went to see the new church at St James’s, elegantly built; the altar was especially adorned, the white marble inclosure curiously and richly carved, the flowers and garlands about the walls by Mr Gibbons, in wood: a pelican with her young at her breast; just over the altar in the carved compartment and border environing the purple velvet fringed with I. H. S. richly embroidered, and most noble plate, were given by Sir R. Geere, to the value ( as was said) of £200. There was no altar anywhere in England, nor has there been any abroad, more handsomely adorned.

Buried at Westminster without any pomp
14 February 1685
The King [Charles II had died on 6 February] was this night very obscurely buried in a vault under Henry VII’s Chapel at Westminster, without any manner of pomp, and soon forgotten after all this vanity, and the face of the whole Court was exceedingly changed into a more solemn and moral behavior; the new King [James II] affecting neither profaneness nor buffoonery. All the great officers broke their staves over the grave, according to form.

22 May 1685
Oates [Titus Oates instigated the fictitious Popish plot that led to several executions before being found out], who had but two days before been pilloried at several places and whipped at the cart’s tail from Newgate to Aldgate, was this day placed on a sledge, being not able to go by reason of so late scourging, and dragged from prison to Tyburn, and whipped again all the way, which some thought to be severe and extraordinary; but, if he was guilty of the perjuries, and so of the death of many innocents (as I fear he was), his punishment was but what he deserved. I chanced to pass just as execution was doing on him. A strange revolution!

The Apothecaries’ garden at Chelsea
7 August 1685
I went to see Mr Watts, keeper of the Apothecaries’ garden of simples at Chelsea [now the Chelsea Physic Garden], where there is a collection of innumerable rarities of that sort particularly, besides many rare annuals, the tree bearing Jesuit’s bark, which had done such wonders in quartan agues [fevers/chills]. What was very ingenious was the subterranean heat, conveyed by a stove under the conservatory, all vaulted with brick, so as he has the doors and windows open in the hardest frosts, secluding only the snow.

19 January 1686
This night was burnt to the ground my Lord Montague’s palace in Bloomsbury, than which for painting and furniture there was nothing more glorious in England. This happened by the negligence of a servant airing, as they call it, some of the goods by the fire in a moist season; indeed, so wet and mild a season had scarce been seen in man’s memory.

Shells, insects, animals - all destined for the British Museum
16 December 1686
I carried the Countess of Sunderland to see the rarities of one Mr Charlton in the Middle Temple, who showed us such a collection as I had never seen in all my travels abroad either of private gentlemen, or princes. It consisted of miniatures, drawings, shells, insects, medals, natural things, animals (of which divers, I think 100, were kept in glasses of spirits of wine), minerals, precious stones, vessels, curiosities in amber, crystal, agate, etc.; all being very perfect and rare of their kind, especially his books of birds, fish, flowers, and shells, drawn and miniatured to the life. He told us that one book stood him in £300; it was painted by that excellent workman, whom the late Gaston, Duke of Orleans, employed. This gentleman’s whole collection, gathered by himself, traveling over most parts of Europe, is estimated at £8,ooo. He appeared to be a modest and obliging person. [This collection was later bought by Sir Hans Sloane and formed part of the British Museum.]

16 March 1687
I saw a trial of those devilish, murdering, mischief doing engines called bombs, shot out of the mortar piece on Blackheath. The distance that they are cast, the destruction they make where they fall, is prodigious.

Coronation of King William and Queen Mary 
11 April 1689
I saw the procession to and from the Abbey Church of Westminster, with the great feast in Westminster Hall, at the coronation of King William and Queen Mary [after the flight of James II]. [. . .] The Parliament men had scaffolds and places which took up the one whole side of the Hall. When the King and Queen had dined, the ceremony of the Champion, and other services by tenure were performed. The Parliament men were feasted in the Exchequer chamber, and had each of them a gold medal given them, worth five-and-forty shillings. [. . .]

Much of the splendor of the proceeding was abated by the absence of divers who should have contributed to it, there being but five Bishops, four Judges (no more being yet sworn), and several noblemen and great ladies wanting; the feast, however, was magnificent. The next day the House of Commons went and kissed their new Majesties’ hands in the Banqueting House.

8 July 1689
I sat for my picture to Mr Kneller, for Mr Pepys, late Secretary to the Admiralty, holding my ‘Sylva’ [his book] in my right hand. It was on his long and earnest request, and is placed in his library. Kneller never painted in a more masterly manner.

Buildings destroyed by a storm and a fire
11 July 1689
I dined at Lord Clarendon’s, it being his lady’s wedding day, when about three in the afternoon there was an unusual and violent storm of thunder, rain, and wind; many boats on the Thames were overwhelmed, and such was the impetuosity of the wind as to carry up the waves in pillars and spouts most dreadful to behold, rooting up trees and ruining some houses. The Countess of Sunderland afterward told me that it extended as far as Althorpe at the very time, which is seventy miles from London. It did no harm at Deptford, but at Greenwich it did much mischief.

10 April, 1691
This night, a sudden and terrible fire burned down all the buildings over the stone gallery at Whitehall to the water side, beginning at the apartment of the late Duchess of Portsmouth (which had been pulled down and rebuilt no less than three times to please her), and consuming other lodgings of such lewd creatures, who debauched both King Charles II. and others, and were his destruction.

Great auction of pictures at Whitehall
21 June 1693
I saw a great auction of pictures in the Banqueting house, Whitehall. They had been my Lord Melford’s, now Ambassador from King James at Rome, and engaged to his creditors here. Lord Mulgrave and Sir Edward Seymour came to my house, and desired me to go with them to the sale. Divers more of the great lords, etc., were there, and bought pictures dear enough. There were some very excellent of Vandyke, Rubens, and Bassan. Lord Godolphin bought the picture of the Boys, by Murillo the Spaniard, for 80 guineas, dear enough; my nephew Glanville, the old Earl of Arundel’s head by Rubens, for £20. Growing late, I did not stay till all were sold.

5 October 1694
I went to St Paul’s to see the choir, now finished as to the stone work, and the scaffold struck both without and within, in that part. Some exceptions might perhaps be taken as to the placing columns on pilasters at the east tribunal. As to the rest it is a piece of architecture without reproach. The pulling out the forms, like drawers, from under the stalls, is ingenious. I went also to see the building beginning near St Giles’s, where seven streets make a star from a Doric pillar placed in the middle of a circular area; said to be built by Mr Neale, introducer of the late lotteries, in imitation of those at Venice, now set up here, for himself twice, and now one for the State.

A death, a fire, a storm and a fog
5 March 1695
I went to see the ceremony. Never was so universal a mourning; all the Parliament men had cloaks given them, and four hundred poor women; all the streets hung and the middle of the street boarded and covered with black cloth. There were all the nobility, mayor, aldermen, judges, etc. [Queen Mary II had died of smallpox two months earlier.]

5 January 1698
Whitehall burned, nothing but walls and ruins left. [In fact, Inigo Jones’s Banqueting House survived the fire.]

26 March 1699
After an extraordinary storm, there came up the Thames a whale which was fifty-six feet long. Such, and a larger of the spout kind, was killed there forty years ago (June 1658). That year died Cromwell.

15 November 1699
There happened this week so thick a mist and fog, that people lost their way in the streets, it being so intense that no light of candles, or torches, yielded any (or but very little) direction. I was in it, and in danger. Robberies were committed between the very lights which were fixed between London and Kensington on both sides, and while coaches and travelers were passing. It began about four in the afternoon, and was quite gone by eight, without any wind to disperse it. At the Thames, they beat drums to direct the watermen to make the shore.

The death of Samuel Pepys
26 May 1703
This day died Mr Samuel Pepys, a very worthy, industrious and curious person, none in England exceeding him in knowledge of the navy, in which he had passed through all the most considerable offices. Clerk of the Acts and Secretary of the Admiralty, all which he performed with great integrity. When King James II went out of England, he laid down his office, and would serve no more; but withdrawing himself from all public affairs, he lived at Clapham with his partner, Mr Hewer, formerly his clerk, in a very noble house and sweet place, where he enjoyed the fruit of his labors in great prosperity. He was universally beloved, hospitable, generous, learned in many things, skilled in music, a very great cherisher of learned men of whom he had the conversation. His library and collection of other curiosities were of the most considerable, the models of ships especially.

26-27 November 1703
The effects of the hurricane and tempest of wind, rain, and lightning, through all the nation, especially London, were very dismal. Many houses demolished, and people killed. As to my own losses, the subversion of woods and timber, both ornamental and valuable, through my whole estate, and about my house the woods crowning the garden mount, the growing along the park meadow, the damage to my own dwelling, farms, and outhouses, is almost tragical, not to be paralleled, with anything happening in our age. I am not able to describe it; but submit to the pleasure of Almighty God.

31 October, 1705
I am this day arrived to the 85th year of my age. Lord teach me so to number my days to come, that I may apply them to wisdom!

See also Modesty, prudence, piety, and Virtues and imperfections.

This article is a slightly revised version of one first published on 27 February 2016.

Thirst after grandeur

‘What a delightful sight it is, after a shower of rain, to see the dear Women tripping along and tucking their drapery round their lovely hips, now & then giving one a glimpse of a lovely ankle & part of a full leg.’ This is Benjamin Haydon, an English painter born 240 years ago today. He was an artist with a significant talent, but his allegiance to 18th century trends, especially historical subjects, meant he was swimming against the Romantic tide, one which would make household names of William Blake and J. M. W. Turner. Chronic financial difficulties compounded his artistic frustrations, and he rarely managed to live within his means, especially after he had married and had children. His story is a sad one, but his characterful diary - initially published in five volumes - is superb because it not only tells us much about the man, but also gives picturesque insights into London life, whether the art and literary scene, chasing after girls or the trials of a day out with his family.

The following is a chapter on Benjamin Haydon taken from my (unpublished) book London in Diaries (see The Diary Review for more about this). Further biographical information is available at Wikipedia and Encyclopaedia Britannica. And the diaries, themselves, can be sampled in Neglected Genius - The Diaries of Benjamin Robert Haydon, 1808-1846 by John Jolliffe (Faber & Faber, 2012) at Googlebooks.

Benjamin Haydon and his thirst after grandeur

Though thriving in the early 19th century, the London art scene was very much in flux. Painters associated with the Romantic movement - William Blake, John Constable and J. M. W. Turner - were moving away from classicism and its focus on history favoured by, among others, Sir Joshua Reynolds, first president of the Royal Academy, and popular interest was moving with them.

Benjamin Haydon, an ambitious young painter from the west country, arrived into this cauldron of change, his heart set on following in Reynolds’ footsteps, and re-establishing a grandeur of British art through historical painting. He wrote in his autobiography, ‘I thought only of LONDON - Sir Joshua - Drawing - Dissection and High Art.’ Unfortunately, Haydon’s life in London was to be beset with frustrations and difficulties, both artistic and financial, which would eventually lead him to take his own life. Today, his autobiographical writing and especially his diaries have saved him from obscurity, for they demonstrate an immense vitality of feeling and observation. They give brilliant insights into aspects of London, from its literary world - he was friends with the Romantic poets - to the trials of a day out to Gravesend with his family.

Haydon was born in Plymouth [on 26 January] in 1786. His father worked as a bookseller/publisher, and his mother was the daughter of a priest. He was schooled locally, but the relationship with his father, who had very different ideas for his career, was always strained. In 1804, he escaped to London. Initially thinking he would study alone, he soon became drawn into the Royal Academy, in particular through its recently-appointed keeper, Henry Fuseli. Aged 21, Haydon exhibited for the first time. The painting - Joseph and Mary Resting on the Road to Egypt - sold for £105. Two years later, he finished The Assassination of L. S. Dentatus, which sold for twice as much. Although it increased his fame, it also resulted in a lifelong quarrel with the Academy, which, he felt, had failed to hang it with sufficient prominence. An allowance from his father ceased in 1810, leading Haydon to start borrowing money, a habit that dogged him for the rest of his life. During the 1810s, he travelled to Paris and studied for a short while at the Louvre. Works such as Christ’s Entry into Jerusalem and The Raising of Lazarus followed, but so did his first arrest for debt.

In 1821, Haydon married Mary Hyman, a young widow with whom he had fallen in love some years earlier. Mary already had two children, and she bore eight more, although only three of these, including Haydon’s first born Frank, survived beyond childhood. In debt again, he was sent to prison for the first time in 1823 - other incarcerations followed at regular intervals. One of his most well-known paintings, from this time, The Mock Election, shows those in jail imitating an election taking place outside. King George IV gave him £500 for the work.

When not in prison or working on commissions, Haydon began to tour the country lecturing on painting and promoting his idea that important buildings should be decorated with historical representations of glory. In the late 1830s, he published a substantial essay - Painting and the Fine Arts - and soon after began writing his autobiography. This was edited by Tom Taylor in three volumes and published posthumously, in 1853. Today, it is considered one of Haydon’s most important achievements. 

Haydon continued to paint in the 1840s, sometimes very large pictures, like The Maid of Saragossa and The Anti-Slavery Convention, but his style was already long out of fashion, and he was chronically frustrated at the lack of public interest in his work. In May 1846, an exhibition he had organised closed with the loss of a considerable sum; a few days later a friend reneged over a promise of a £1,000 loan; and, on 22 June, he bought a gun and shot himself. The wound failed to kill him and left him conscious, so he resorted to a razor to cut his throat. A note to his wife said: ‘Pardon this last pang, many thou has suffered from me; God bless thee in dear widowhood. I hope Sir Robert Peel will consider I have earned a pension for thee. A thousand kisses. Thy husband & love to the last.’

Haydon began keeping a diary in 1808, and continued the practice throughout his life, the very last entry being on the day of his suicide. This diary was first quoted extensively in the three volume autobiography edited by Taylor, but publication of the complete text had to wait until the 1960s when Harvard University Press published five volumes, carefully edited and annotated by Willard Bissel Pope. In 1960, the Keats-Shelley Journal reviewing the diary called Haydon the only English romantic, not excepting Byron, to parallel ‘the self-torturing sophist, wild Rousseau’; and said of him that ‘a great writer was lost’ because again and again his sketches were more vivid than his novelistic contemporaries.

A more accessible collection of extracts from Haydon’s diary were edited by John Joliffe and published by Hutchinson in 1990 under the title, Neglected Genius: The Diaries of Benjamin Robert Haydon 1808-1846. ‘His violent self-righteousness,’ Joliffe says, ‘may have frustrated most of his aims, but his sheer vitality and his quite exceptional powers of observation and description make him an irresistible subject.’

The capital of the world
14 May 1809
I began to study in London in lodgings in the Strand, 342, May 20th, 1804, and studied night [and] day, till I brought a weakness in my eyes, which obstructed me for 6 weeks. In January, 1805, I first entered the Academy. March, went into Devonshire, where I obtained bones from a Surgeon of Plymouth and drew nothing else for three months; returned to the Academy in July; met [David] Wilkie [Scottish painter] there first time. Studied incessantly, sitting up many nights, shattered myself so much obliged to leave off. Went into Devonshire for the recovery of health. Began to paint after two years’ application to Anatomy & Drawing, May, 1806. Commenced my first picture, October 1st, and finished it March 31st, 1807. Went into Devonshire for 6 months. Studied heads from Nature. Came to town. My dear Mother died at Salt Hill. January 1st, 1808, commenced by second Picture, Dentatus.

11 July 1810
In passing Piccadilly I observed in some horses galloping the various positions of their limbs - what was the position of the fore legs when the hind legs were in such a position, &c - it is astonishing how truly you get at their motions by thus scrutinizing; I made some sketches, after I arrived home, and they seemed to spring and had all the variety I could possibly wish - and such a look of Nature and activity!

9 September 1810
I walked to see Wilkie yesterday to Hampstead; as I returned about four o’clock the Sun was on the decline - and all the valley as I looked from Primrose Hill wore the appearance of happiness & Peace. Ladies glittering in white, with their aerial drapery floating to the gentle breeze, children playing in the middle of the fields, and all the meadows were dotted with cows, grazing with their long shadows streamed across the grass engoldened by the setting Sun. Here was a mower intent on his pursuit, with his white shirt and brown arms illumined in brilliancy; there another, resting one hand on his Scythe, and with the other wetting it with tinkling music - some people were lying, others standing - all animate & inanimate nature seemed to enjoy and contribute to this delicious scene, while behind stood the capital of the World, with its hundred spires - and St Paul’s in the midst towering in the silent air with splendid magnificence.

A delicious tumble in Greenwich
30 November 1812
Went to the House of Lords to hear the Prince open Parliament in State. It was a very grand affair - the beautiful women - educated, refined, graceful, with their bending plumes & sparkling eyes - the Nobility, the Chancellor - I could not help reflecting how long it was before society arrived at such a pitch of peace & quietness, that order & regulation such as I witnessed existed. What tumult, what blood, what contention, what suffering, what error, before experience has ascertained what was to be selected, or what rejected.

25 April 1813
I felt this morning an almost irresistible inclination to go down to Greenwich and have delicious tumble with the Girls over the hills. I fancied a fine, beamy, primy, fresh, green spring day (as it was), a fine creature in a sweet, fluttering, clean drapery, with health rosing her shining cheeks, & love melting in her sparkling eyes, with a bending form ready to leap into your arms. After a short struggle, I seized my brush, knowing the consequences of yielding to my disposition, & that tho’ it might begin today, it would not end with it.

A critique of Sir Joshua’s exhibition
8 May 1813
Sir Joshua’s exhibition opened. The first impression on my mind was certainly that of flimsiness. They looked faint, notwithstanding the effect was so judiciously arranged. Sir Joshua’s modes of conveying ideas were colour & light and shadow; of form, he knew nothing. The consequence was he hinted to his eye & untrained hand, and with great labour & bungling, modeled out his feelings with a floating richness, an harmonious depth, and a gemmy brilliancy that was perhaps encreased by his perpetual repetitions, and which renders him as great a master of colour as ever lived. Of poetical conception of character as it regards Portrait, he had a singular share. How delightful are his Portraits, their artless simplicity, their unstudied grace, their chaste dignity, their retired sentiment command us, enchant us, subdue us.

The exhibition does great credit to the Directors of the British Gallery. It will have a visible effect on Art; it will raise the character of the English School; it will stop that bigotted, deluded, absurd propensity for Leonardo Da Vincis & insipid Corregios, and as men who shared Sir J’s friendship and been soothed by his manners, it does credit to their hearts as men.

6 August 1815
What a delightful sight it is, after a shower of rain, to see the dear Women tripping along and tucking their drapery round their lovely hips, now & then giving one a glimpse of a lovely ankle & part of a full leg.

Nature in the park; marbles in the museum
2 June 1816
I rode yesterday to Hampton Court round by Kingston & dined at Richmond. The day is delicious, the hedges smelling of may blossom, the trees green, the leaves full & out, the Thames shining with a silvery glitter, & a lovely girl who loves you, [in] the dining room of the Star & Garter at Richmond, sitting after dinner on your knee, with her heavenly bosom palpitating against your own, her arm round your neck playing with your hair, while you are sufficiently heated to be passionately alive to the ecstasy without having lost your senses from its excesses - Claret on the table and the delicious scene of Nature in Richmond Park beneath your open window, moaty, sunny, out of which rises the wandering voice of the cuckoo, while the sun, who throws a silent splendour over all, sinks into the lower vaults & the whole sky is beginning to assume the tinged lustre of an afternoon.

28 May 1817
On Monday last there were one thousand and two people visited the Elgin marbles! a greater number than ever visited the British Museum since it was established. It is quite interesting to listen to the remarks of the people. They make them with the utmost simplicity, with no affectation of taste, but with a homely truth that shews they are sound at the core. We overheard two common looking decent men say to each other, ‘How broken they, a’ant they?’ ‘Yes,’ said the other, ‘but how like life.’

28 June 1817
Dined at Kemble’s farewell dinner [the actor John Philip Kemble had played his last stage role, Corialanus, a few days earlier, his retirement having been hastened, perhaps, by the rise in popularity of Edmund Kean]. A more complete farce was never acted. Many, I daresay, regretted his leaving us, but the affectations of all parties disgusted me. The Drury Lane actors flattering the Covent Garden, the Covent Garden flattered in turn the Drury Lane. Lord Holland flattered Kemble; Kemble flattered Lord Holland. [. . .] Anyone would have thought that the English Stage had taken its origin from Kemble - Garrick was never mentioned - when all that Kemble has done for it has been to improve the costume. Yet Kemble is really & truly the Hero of all ranting; all second rate ability find it much easier to imitate his droning regularity than the furious impulses of Kean, who cannot point out when they come or why, but is an organ for Nature, when she takes it in her head to play on him.

Of Walter Scott and Wordsworth; and Keats in Kilburn meadows
7 March 1821
Sir Walter Scott breakfasted with me with Lamb, & Wilkie, and a delightful morning we had. I never saw any man have such an effect on company as he; he operated on us like champagne & whisky mixed. It is singular how success & want of it operate on two extraordinary men, Wordsworth & Walter Scott. Scott enters a room & sits at table, with the coolness & self possession of conscious fame; Wordsworth with an air of mortified elevation of head, as if fearful he was not estimated as he deserved. Scott is always cool, & amusing; Wordsworth often egotistical and overbearing. [. . .] Scott’s success would have made Wordsworth insufferable, while Wordsworth’s failures would not have rendered Scott a bit less delightful.

29 March 1821
Keats is gone too! [A few weeks earlier, Haydon had written of the death of John Scott, editor of the London Magazine, after a duel.] He died at Rome, Feby. 23rd, aged 25. Poor Keats - a genius more purely poetical never existed. [. . .]

The death of his brother [in December 1818] wounded him deeply, and it appeared to me from that hour he began seriously to droop. He wrote at this time his beautiful ode to the nightingale. ‘Where Youth grows pale & spectre thin & dies!’ - alluded to his poor Brother.

As we were walking along the Kilburn meadows, he repeated this beautiful ode, with a tremulous undertone, that was extremely affecting! I was attached to Keats, & he had great enthusiasm for me. I was angry because he would not bend his great powers to some definite object, & always told him so. Latterly he grew angry because I shook my head at his irregularity, and told him he was destroying himself.

The last time I saw him was at Hampstead, lying in a white bed with a book, hectic, weak, & on his back, irritable at his feebleness, and wounded at the way he had been used; he seemed to be going out of the world with a contempt for this and no hopes of the other.

Gorgeous splendour of ancient chivalry
21 July 1821
What a scene was Westminster Hall on Thursday last! It combined all the gorgeous splendour of ancient chivalry with the intense heroic interest of modern times; every thing that could effect or excite, either in beauty, heroism, grace, elegance, or taste; all that was rich in colour, gorgeous in effect, touching in association, English in character or Asiatic in magnificence, was crowded into this golden & enchanted hall!

I only got my ticket on Wednesday at two, and dearest Mary & I drove about to get all I wanted. Sir George Beaumont lent me ruffles & frill, another a blue velvet coat, a third a sword; I bought buckles, & the rest I had, and we returned to dinner exhausted. [. . .] I dressed, breakfasted, & was at the Hall Door at half past one. Three Ladies were before me. The doors opened about four & I got a front place in the Chamberlain’s box, between the door and Throne, & saw the whole room distinctly. Many of the door keepers were tipsey; quarrels took place. The sun began to light up the old gothic windows, the peers to stroll in, & the company to crowd in, of all descriptions; elegant young men tripping along in silken grace with elegant girls trembling in feathers and diamonds. Some took seats they had not any right to occupy, and were obliged to leave them after sturdy disputes. Others lost their tickets. Every movement, as the time approached for the King’s appearance, was pregnant with interest. The appearance of the Monarch has something the air of a rising sun; there are indications which announce his approach, a whisper of mystery turns all eyes to the throne! Suddenly two or three run; others fall back; some talk, direct, hurry, stand still, or disappear. Then three or four of high rank appear from behind the Throne; and interval is left; the crowds scarce breathe! The room rises with a sort of feathered, silken thunder! Plumes wave, eyes sparkle, glasses are out, mouths smile. The way in which the King bowed was really monarchic! As he looked towards the Peeresses & Foreign Ambassadors, he looked like some gorgeous bird of the East.

After all the ceremonies he arose, the Procession was arranged, the Music played, and the line began to move. All this was exceedingly imposing. After two or three hours’ waiting, the doors opened, and the flower girls entered, strewing flowers. The exquisite poetry of their look, the grace of their actions, their slow movement, their white dresses, were indescribably touching; their light milky colour contrasted with the dark shadow of the archway. The distant trumpets & shouts of the people, the slow march, and at last the appearance of the King under a golden canopy, crowned, and the universal burst of the assembly at seeing him, affected every body.

A crowd of feelings but I cannot write
4 December 1821
I am married! Ah, what a crowd of feelings lie buried in that little word. I cannot write or think for the present. I thank God for at last bringing me to the arms of the only creature that ever made my heart burn really, & I hope he will bless me with health & understanding & means to make her happy & blessed. Dearest, dearest Mary - I cannot write.

17 September 1826
Walked into a delicious meadow, and sat down on an old stump behind some hay ricks, my back turned on the Edgware road. It was a beautiful seclusion; just after passing the Turnpike near West End Lane, you turn down a lane which leads to the Harrow road; about a dozen yards on the left is a style, & close to the style hay ricks & a fallen stump. Here I sat and read Xenophon’s treatise on riding & Cavalry exercise, in a French translation, which decidedly proves the Greeks did not shoe their Horses, as he gives instructions how to get the hoof so firm that it shall resist injury successfully.

London Bridge is opening
1 August 1831
Went to see the King’s procession to open the London Bridge, by particular desire, that is, of Master Frank, Alfred, Frederick, Harry, & Mary Haydon, not forgetting Mrs Mary Haydon the Elder. Well, I went, to the gallery of St Paul’s, and after waiting about 5 hours, a little speck with a flag and another little speck with a flag, and another speck in which I saw ten white specks, and 6 red & yellow specks, came by, & immediately 200,000 specks uttered a shout I could just hear, and some specks waved handkerchiefs, & other specks raised hats, and this, they said, was the King, and directly a little round ball went up in the air and that, they said, was an air balloon, and then they all shouted, and Mrs Mary Haydon the Elder had a pain in her stomach, and Master Frederick wanted to drink, and Miss Mary said she was faint, and Master Frank Haydon said, ‘is this all?’ - and Mr Haydon said he was very hot, and then they went down an infinite number of dark stairs and got into a coach & drove home, & each fell asleep and this was pleasure. Now if Mr Haydon had gone to work with his Xenophon, neither Master or Mrs or Mr Haydon would have had a pain in their bellies and Mr Haydon’s Back-ground would have been done, and his Conscience would have been quiet, & now he has spent 1.18.6 to get a pain in his belly, and has the pain without the money - and this is pleasure.

18 November 1831
This day my dear little child Fanny died, at 1/2 past one in the forenoon, aged 2 years, 8 months, & 12 days being born on March 6th, 1829. Dear Little Soul, she had water in the head, all the consequences of weakness & deranged digestion, and was one of those conceived creatures, born when the Mother has hardly any strength from the effects of a previous confinement. Good God! She never spoke, or was not able to utter syllable, & never walked. Reader, whoever thou are, shrink not from Death with apprehension. Death was the greatest mercy an Almighty could grant.

For this earthly happiness I paid 2.12.6
1 September 1838
Went to Gravesend with my family for a day of relief & pleasure. First we got into an Omnibus & were jolted & suffocated [to] the Bank. Second the Steamer at the Bridge had just gone. Third we had to wait amongst the Porters & Packages 3/4 of an hour for the next. 4th we got on board the sunny side in a cabin, close to the Boiler, & were alternately baked by the sun & broiled by the steam pipe. Fifth we got to Gravesend tired & hungry. 6th we walked to a romantic love lane, which was a garden straight walk with dirty wooden seats, and sundry evidences that people in Gravesend had good digestions & sound peristaltic motion. 7th we ordered Roast Beef for Dinner, and my dear Mary kept her appetite to enjoy a hearty meal, when the Landlord put down lamb she hated  & so did I. 8th we had rum as hot as aqua-fortis, & then old port as weak as children pap. We all got aboard with indigestion. I fell asleep on Deck & got a pain in my head, and we got home tired, grumbling, ill humoured, had tea & crept to bed.

Today I am heated, discontented, & indignant, & it will take 24 hours more to recover in. For this earthly happiness I paid 2.12.6. - enough to feed us for a week! - so much for pleasure.

20 May 1846
Continually attending to Exhibitions is dreadful and if you do not, you get robbed. These things an Artist should have nothing to do with; details of business injure my mind and when I paint I feel as if Nectar was floating in the Interstices of the brain. God be praised, I have painted today.

22 June 1846
God forgive - me - Amen. Finis of B R Haydon ‘Stretch me no longer on this tough World’ - Lear. End.

This article is a slightly revised version of one first published on 26 January 2016.

The cost of stockings

Here is a final selection from the yet-to-be-published London in Diaries, this one about Marielle Bennett, a would-be actress, and a Mass Observation respondent during the Second World War. Her diary remains unpublished, and unnoticed within the Mass Observation archive, but it provides a fascinating record of what one unremarkable Londoner was experiencing day-by-day during the war years. See also The Drama of London in WWI, 34 heads on London Bridge, I was utterly amazed! and Innumerable ripples; countless diamonds.

Marielle Bennett and Mass-Observation

Only two decades after the end of the First World War, which had caused so much devastation and death, German aggression again drew Britain into a major military conflict. The Second World War, though, would go on to involve nations across the globe, and be considered as the deadliest conflict in human history. Despite the global nature of the war, Britain with its political centre as ever in London, was very much a dominant and central force, as well as a major military target - just as it had been in the earlier war.

It is no wonder that so many individuals uprooted from normal life and turned into active participants of war, living in adversity and close to killing and destruction, should have chosen to try and record the extraordinary things happening to and around them. There are, thus, many published diaries specifically about the Second World War, and even today, more than 65 years later, newly found or edited war diaries are popular publishing ventures. Only a relatively small number, though, were written in London - but, unlike diaries set in the city during peaceful years, all or most of the Second World War diaries do have much to say about the city itself.

Charles Ritchie, a Canadian diplomat now largely remembered for his diaries, was in London during the war, and his diary - The Siren Years - is witty and readable. Anthony Weymouth, a physician who also worked for the BBC, gives a detailed but far dryer account in his Journal of the War Years. Frances Partridge, one of the Bloomsbury Set, published her diary under the title A Pacifist’s War. Colin Perry was just a lad, but his Boy in the Blitz, first published in 2000, is a lively, youthful take on London during 1940.

One of the most well-known of Second World Diaries, although not published until the 1980s, is that by Nella Last, a housewife in Barrow-in-Furness. Last was one of 500 or so individuals who responded to a call by the social research organisation Mass-Observation to write about their lives. It had been launched in 1937 to record life in Britain, ‘an anthropology of ourselves’, according to the founders. With little funding, it relied on volunteers to keep diaries or reply to open-ended questionnaires. Researchers also recorded, anonymously, people’s conversations and behaviour at work, in public places, and at sports and religious events.

Mass-Observation worked throughout the war producing thousands of reports and a series of published books. After the war, its emphasis shifted away from social issues towards consumer behaviour, and, in 1949, Mass Observation was registered as a limited company, and eventually incorporated into an advertising firm. The Mass Observation Archive is now held at the University of Sussex, and holds all the material generated between 1937 and 1949, with a few later additions, from the 1950s and 1960s. The project was re-launched in 1981, and today continues to collect information aimed at providing a structured programme through which ‘ordinary’ people can write directly about their lives, and at creating ‘a resource of qualitative longitudinal social data’.

Nella Last’s diary written for Mass-Observation was exceptional because of the quality of her writing, its editors said at the time of publication, but also for the length and regularity of Last’s writing. In fact, many of the diaries delivered to Mass-Observation were bitty and intermittent in character, and only very few have been published. While Last’s is not set in London, there is at least one published Mass-Observation diary that is: Love & War in London by Olivia Crockett, billed as London’s answer to Nella Last.

Another London diary in the Mass Observation Archive - but unpublished - was written by Marielle Bennett. As with Crockett’s diary, Bennett’s is also a blend of private feelings mixed with her reactions to the war and its effect on people and places. It opens in August 1939 with sporadic entries until October, and restarts in the summer of 1940 for a couple of months. The following year, she writes to Mass-Observation: ‘I have been very slack. . . however I will make a fresh attempt starting from this month.’ She restarts in May 1941 for a few weeks. There are also a few entries in 1942, 1946 and 1947.

Not much is known of Bennett, other than that revealed in her Mass-Observation diary. The start of the war finds her living with her parents at 53 Upper Park Road, NW3; but, by the middle of 1941 she is staying out of London near Barnet. She was separated from her husband in the mid-1930s, and in 1940 reverts to her maiden name (Vaughan). She calls herself an actress, though there is a little evidence in the diary of her working, at least until after the war, though she does visit, and write about, the theatre often. In the spring of 1941, Bennett’s grandmother dies, and thereafter many pages of the diary relate to her efforts to sell or trade her grandmother’s jewellery and clothes/furs.

From the start of the diary, Bennett shows an interest in psychology. She attends some ‘brilliant lectures’, but then, having decided to try and train as a psychiatric social worker becomes very depressed when trying to analysis herself. She abandons her training for a while, but returns to studying books at home, and making weekly visits to a therapist. She makes the acquaintance of various people who have known Jung or Freud, and in June 1941 becomes much more serious about her therapy, taking a more intensive series of sessions with her analyst, often thinking about her dreams, and doing ‘psychic paintings’.

There is a persistent sense in Bennett’s diary that she is writing for an audience (i.e. Mass-Observation, to whom she sends what she calls ‘reports’) not only because of the occasional comment such as ‘Sorry this report is so trivial but nothing of importance has happened to me,’ but also because of a vague sense, here and there, of her making an effort to provide information and observations. Nevertheless, on reading the diary, one feels very close to her, as though one is there with her, making curtains out of black satin, having trouble finding suitable clothes to wear in the air-raid shelter, and being frustrated that she no longer wants to go to the cinema because all the films are ‘only slightly covered propaganda’.

Mother bought many yards of black satin
1 September 1939
Walked over the heath and saw the balloon barrage etc. Help my parents to put up rolls of brown paper and tape for the black out. Does not prove to be very successful.

2 September 1939
Mother bought many yards of black satin, which we made into curtains all the after noon, which proved to be more satisfactory, but really hate all the preparation and found it very wearisome. Not that quite a number of acquaintances seem to be enjoying themselves, the sense of responsibility and having something to do seems to make them feel more important. [. . .] Went to the cinema, difficult to get home in the dark.

3 September 1939
Hear the Chamberlain speech out of my window from a neighbouring wireless. Do not listen after I hear we are at war. The air-raid warning came as rather a surprise. Did the proscribed things, closing windows etc. Mother worried because my father is driving some greyhounds to the country and she did not know where he was. However all is over.

Gas masks; the cost of stockings
30 September 1939
I met my friend, who is at present touring in a comedy, we did some shopping. I discovered that stockings are up 1/-, my usual 3/11 cost 4/11. The colours were not good either and little selection. The assistant told me that their usual 1/6½ ones will soon be sold at 2/11 and are not fashioned (fully). [. . .]

After tea I went with my family to the pictures. I carried a gas mask for the first time as I did not know whether I could get in the films and I knew my father would not want me to have a long argument, which I should have done had I been alone. The films were “Hound of the Baskervilles” and another with Jackie Cooper and Freddie Bartholomew. Very patriotic and upholding of the military tradition in American. Very obvious and silly film, I thought.

1 October 1939
At six I went over to a friend’s flat in Westminster. The bus was slow. Noticed an ARP warden on duty outside the flats. Walked over to Chelsea via the embankment to see an acquaintance. She said she was hoping to go to Rumania for the Quakers to help with the refugee problem. Had dinner. Was told of a young man who has decided to join up because he cannot bear the thought of carrying a civilian gas mask down Oxford Street! Had a bottle of claret and went to bed.

How little meat one gets at Maison Lyons
3 October 1939
Noticed what little meat one gets nowadays in the 1/6 luncheon at Maison Lyons. Was telephoned by a pacifist friend who invited me to a meeting.

4 October 1939
Went to the hair dresser. The shop was so quiet, I was there four hours and only saw two other customers. The head man has been called up for the Territorials. The second who did my hair said “I was going to join the navy, but my girl doesn’t want me to, she says let the others go first.” Then he said his parents want him to return to S. Africa where he can get a job. He said “supposing the U Boats get me?” and remarked that he would hate to leave all his friends as he has been here many year.

7 October 1939
I stayed in most of the day and refused to go to the cinema with my parents. I have decided not to go to this form of entertainment while it continues to be only slightly covered propaganda. I’d prefer to keep my money and see a theatrical show. For the most part thank God the theatre is still fairly free.

Not all shows are musicals or comedies YET
13 October 1939
Went to “Music at Night”. The Westminster was fairly full. In the programme the management appealed for support and good attendances otherwise they will be “One of the war’s first casualties.” Excellent show, do not think they will have to worry. But getting home was awful, pouring with rain and so few buses. However it was worth it to me. I noticed a good many uniforms in the audiences, women as well as men. I do not know whether this is the type of play appreciated during war time, but it was certainly gratifying to know that all shows are not musicals or comedies YET.

14 October 1939
Noticed a local shelter has been pulled down and is being rebuilt. Spoke to a tobacconist who said the heath is ruined now owing to the trenches and guns etc.

Air-raid suits going out of fashion
26 August 1940
Start out with the intention of buying an air-raid suit for me. First we went to Bournes but they had nothing I liked. Then to Dickens and Jones who had the very thing at 41/2 guineas but we could not afford more than 2. Then to Swan and Edgars where they were horrible, trying to be very feminine instead of tailored, bits of fur and coloured scalves hanging about. Then to Weiss in Shaftesbury Avenue. The sales girl said they had gone out of fashion and most women prefer trousers and a sweater now. They had nothing suitable either. Some terrible things like striped pantaloons at 16/11. Eventually, rather hot and cross, I made up my mind to give up the idea and buy something else with the money.

28 August 1940
Called for Mother and we went together to Victoria and picked up tickets for the matinee of “Cornelius” Had lunch at Zeeta’s, service very slow, think the girls are inexperienced and overworked. The theatre was a superb show. Beautifully produced and the type casting excellent. In fact I have not enjoyed anything so much for ages. The audience was pathetically small and had to applaud like mad.

Bombs in Kentish Town, Kilburn and Fitzjohns Avenue
29 August 1940
Heard from the charwoman that Kentish Town got a bomb. That accounted for the noise being so near. Also heard that Smiths factory at Cricklewood had got some. Charwoman said that everyone “turned as white as a sheet.” Her husband will watch from the doorway but when she goes near he has “a fit”.

30 August 1940
After a quiet night I went up to Hampstead in the morning to order a new book that Priestly recommended on the wireless “The End of Economic Man”. [. . .] Father rang up [. . .] he had heard that our district had been bombed. However he said Fitz Johns Avenue had shattered windows, we did not verify this.

31 August 1940
Hear that Kilburn has been bombed. Stay in for first warning. I set off to meet a friend, but first took some old silver to a place where they buy metal for Spitfires, at first the man only offered me 2/3, I protested as it was 4 pieces. [. . .] Eventually we compromised and I took 9/-. I believe he would have gone to 10/- but I did not persuade him. He said he would lose over the deal. I bet he does!! He said he was going to close the shop next week as he does not like the raids and he thinks they are going on indefinitely. He was a lively old man and I liked him. he told me to get out of Hampstead on account of the Jewish refugees as Hitler would be after them. [. . .]

‘Dirty swine, everyone ought to be killed’
Met my best friend - an actress is who now married and just about to give birth. I am to be the godmother. We intended to go to coffee and then a doctor in Queen Anne’s Street, but we had just met when the warning went, as were in Evans, we sheltered there. Very comfortable. The first shelter I’ve been in. My friend varnished her nails most of the time [. . .]

Went to the Hollyrood and had two lagers. Telephoned another friend and then the sirens sounded again. We could not get back into the pub so we chased along Oxford Street to the Horseshoe where we went down the dive and had another and waited for the all clear. I went to the lavatory then, to find the attendant, a woman about 50, in an uproar. “Dirty swine, everyone ought to be killed, they are not fit to live. We ought to have killed them after the last war. Inhuman devils.”

4 September 1940
The pub was in uproar, because a very familiar figure - a man of about 40 - who I have often seen there came in in battle uniform of a private. Everyone teased him saying “Nice bit of stuff” and things like that. He seemed to think that nothing fitted him at all, and said his boots must have been worn in the evacuation of Dunkirk.

The whole of our street cordoned off
5 September 1940
Our char woman came today. She was very amused because a whole lot of children were shut in an air-raid shelter whether yesterday or the day before. “You could ‘ear the kids screaming fit to bust theirselves.” At last they were rescued by the warden, who must have inadvertently shut them in.

9 September 1940
The whole of [our] street was cordoned off [after a bomb in the night] and people from outlying districts came and peered over the ropes at us as though we were exhibits. We ourselves had to either tell the police when we left home that we should be returning in a few minutes, or else we had to produce our identity cards. We had huge squads of demolition workers to pull down the remains of the house [no 54], and the occupants who seemed to have either been away at the time or to have escaped with slight injuries stood outside and collected all the things that were still “collectable”, clothes were tied up in bundles and taken off. Of course nothing was much good from 54, but the house next door 56 was not quite so badly damaged. A baby and its parents usually live in that house but luckily had spent the night on the opposite side of the street and had not been injured. Some children had cuts and I saw several people walking round with cuts and bandages. I went up the street to post a letter and the demolition men must have taken a dislike to me in my trousers and one called out “Pleased with yourself aren’t you?” Which rather upset me, as altho’ I am terribly pleased to have escaped so narrowly, I am awfully sorry for the other people. Still perhaps I do look pleased with self. I hope not!

Mum nearly caught in trial gas attack
8 May 1941
We are now sleeping out of London and returning every day. We started to do that from April 17th after the heavy raid on London.

21 May 1941
Went into west end. Had an appointment with a psychologist with whom I am studying analytical psychology.

24 May 1941
I came home for lunch and then Mother went to Kentish Town to buy some things. She could not get any emerald green sating ribbon for a new night gown I am making. On her way back she was nearly caught by a trial gas attack the ARP had organised at the end of this road. She had no gas mask and they were laying out the people who had gone out without gas masks on the pavement as though they were casualties.

News full of aeroplanes and guns and ships
30 May 1941
Won at darts. Have done so for several evenings. My father’s greyhound came in second in the rerun for the Wembley Gold cup. It came in first in the first run. Very disappointing. One of the last dogs turned round and ran in the wrong direction causing the judges to ask for a rerun. The race was broadcast and naturally we were very excited when it won [on the first run]. Still second wasn’t bad, but hard luck on my father.

2 July 1941
Went to the films with my people and saw “Kipps” which I thought very good, and thank god not about the war. I got so fed up with all the propaganda we had to sit thro’ first. MOI film about WAAFs and another about Merchant ships and the news just full of aeroplanes and guns and ships.

Giving the boys something to look at
5 July 1941
A WAAF friend of mine telephoned that she was in Paddington waiting to go through to another depot. [. . .] I was in my bath when I got the message, but I dressed and hurried to Paddington in very quick time and we had a drink or two at The Norfolk Hotel, and she told me what terrible head aches she has had since she went on the gas course a fortnight ago. We went up to the services cloak room in Paddington Station and I was amused to find the room literally covered in photographs cut from Magazines like “Lilliput” of nude women. The cloak room attendant said it “gave the boys something to look at.”

21 July 1941
Had several conversations with people who expressed the opinion that “life isn’t worth living now”. Complaints about money, food queues, lack of cigarettes, and rationing of clothes seemed to abound.

23 July 1941
Then we went to see ‘Blythe Spirit’ which is one of the best productions I have ever seen. Margaret Rutherford as the medium was superb. I do not know when I have seen a more amusing and yet realistic characterisation. I could go over and over again and not get bored with that show. My friend saw a man come into one of the boxes towards the end of the play and look around at the audience intently and then make a great show of lighting a cigarette. She said it must have been Noel Coward as no one else would do it quite like that but I was too interested in the play to worry about the author! After that we went to get tea at The Prompt Corner only to find it closed. I was not surprised at that as all the places I hope to find seem closed. Eventually we got some at a nasty little cafe in Charing Cross.

Innumerable ripples; countless diamonds

Here is a fourth sample chapter from the yet-to-be-published London in Diaries, this one about Thomas Cobden-Sanderson, a bookbinder associated with the late 19th century Arts and Craft movement. His diary, more than any other, reveals a passionate relationship with London’s most important (historically and geographically) feature: the River Thames. See also The Drama of London in WWI, 34 heads on London Bridge, and I was utterly amazed!.

Thomas Cobden-Sanderson, bookbinder by the Thames

No feature of London - not even St Paul’s or the White Tower - has as much physical presence or historical importance as the river Thames. Indeed, it has been around much longer than the city itself, and has been the most significant factor in the city’s growth over the years. Many of the diarists in this collection mention the river, but none have as vital or as spiritual a connection as Thomas Cobden-Sanderson, and none write of it as romantically, as here: ‘What I should like to convey is the intense energy, sparkling, crisping, into moments of whitest, brightest light, again and again and again, everywhere over the surface of the the outstretched sheet of water.’ He was an extraordinary man in many ways, abandoning a legal career, he took up with William Morris’s Arts and Craft movement, becoming a highly-skilled bookbinder and printer. Apart from lyrical descriptions of the river, it figures often in his exquisitely-written diary for more practical reasons, whether because he is walking with his lover along the Embankment, setting up a business in a house with a garden that runs down to the riverbank, or secretly at night drowning blocks of valuable metal type.

Thomas James Sanderson was born in 1840, at Alnwick in Northumberland. His father, James, was a district surveyor of taxes who worked his way up to become a Special Commissioner of Income Tax at Somerset House. After grammar school, Thomas studied at Trinity College, Cambridge, aiming to enter the church, but he left without taking a degree, apparently in protest against the examination system. After a period of soul searching, he was called to the Bar as a member of the Inner Temple, where he worked throughout the 1870s. He was involved in establishing the powers, rights and obligations of the London and North Western Railway Company, a task which debilitated his health, and led him to go abroad to recuperate.

In Siena, in 1861, he met Janey Morris (wife of William who, still in his 20s, was in the process of launching a new-style company to supply decorative arts). Janey was with two daughters of Richard Cobden, a well-known British manufacturer and statesmen. The following year Thomas married the younger Cobden daughter Anne (she was 29 at the time, and he 41), and, out of respect for her father, changed his own surname to Cobden-Sanderson. Soon after, he left the Bar and, eager to work with his hands in the spirit of the evolving Arts and Crafts movement, took up a suggestion by Janey Morris, to train as a bookbinder. He and Anne lived first in Hendon and then in Hampstead; and they had two children, Richard and Stella. 

Cobden-Sanderson took his new craft to the highest level, binding classic works of literature in simple but sumptuous floral designs with gold on leather. Unusually, he chose which books to bind, and sold them through Bains in the Haymarket. By the late 1880s, his bound books were much in demand from American buyers. Both Thomas and Anne were early socialists. Anne became a leading campaigner for woman’s suffrage, and was arrested in 1909 for picketing outside 10 Downing Street (and kept a diary while in prison). She also did much to press for various improvements in children’s well-being. 

In the early 1890s, Cobden-Sanderson started the Doves Bindery at 15 Upper Mall, Hammersmith, a small house with a garden running down to the Thames, not far from William Morris’s Kelmscott House. At first, he employed several professional binders to work on individual books as he had done, but, in 1890, he launched, in partnership with Emery Walker, the Doves Press, and thereafter the Bindery worked more mundanely to cover printed editions. Between 1900 and 1917, the Doves Press produced 50 classic titles (Shakespeare, Milton, Goethe, the Bible, etc), all in the so-called Doves Type (designed by Walker) and all austere, characterised by a lack of illustration and ornament, in reverence to the literature itself.

Although the partnership with Walker, who had other interests, had been dissolved in 1908, it allowed Cobden-Sanderson to continue using the Doves Type until his death, at which time it would revert to Walker. Fearing his ex-partner might not use the type in a way he thought fitting, Cobden-Sanderson chose to destroy it. He did this during many nights in the latter half of 1916 by throwing the metal blocks into the Thames. Subsequently, he wrote to Walker’s lawyers, and his actions became public knowledge. Cobden-Sanderson died in 1922, and Anne was left to settle, at some personal cost, the legal action brought against her husband by Walker.

Throughout most of his life Cobden-Sanderson kept a regular diary. This was edited by his son, Richard, and published in 1926 in two volumes as The Journals of Thomas James Cobden-Sanderson, 1879-1922. They reveal the author as a spiritual man, high-minded and intellectual, lacking perhaps a little in humour and colour himself, though the details that emerge of his life and those of others in the Arts and Crafts movement are immensely interesting, not least those about the early life-changing suggestion by Janey Morris and those about the disposal of the Doves Type. And through all of his life, apparently, and the diary, runs the River Thames which regularly inspires him to flights of literary fancy.

Annie back from Chelsea
31 May 1883
Yesterday Annie and I walked together on the Embankment towards Westminster, I to the Long Gallery, she to the Abbey to wait till I had done. But the day was so lovely, the sun so bright, the river so attractive, that when I suggested that we should walk on the river-side of the road, she suddenly bethought herself of Walter Sickert at Chelsea, and should she not go by water to see him? I backed her up, and so at the next pier we parted; she went down the landing steps - the tide was very low - and I continued along the Embankment, looking back from time to time. Presently her steamer approached the pier, paused and came off again - I watched it approach, and a wave of a parasol drew my eyes to my darling. I waved my hand and hat, and smiled to her. [. . .]

Here there came a knock at the door, and my diary fell to the ground as I rushed to open it. It was Annie back from Chelsea. We embraced, and then she hurriedly began to tell me of a girl whom she had met on the steamer, red-haired, consumptive, Scotch, an envelope folder or sorter, returning from the Brompton Hospital where she was an out-patient. (She ought to be an in-patient, but could get no letter). [. . .] She got 1d. for 1,000 envelopes, and, when well, made 12s a week.

Why don’t you learn bookbinding?
24 June 1883
Yesterday afternoon we called at the Morrises, and in the evening supped with the William Richmonds, where we again saw the Morrises. I was talking to Mrs Morris after supper, and saying how anxious I was to use my hands - “Then why don’t you learn bookbinding?” she said. “That would add an Art to our little community, and we would work together. I should like,” she continued, “to do some little embroideries for books, and I would do so for you.” Shall bookbinding, then, be my trade?

26 June 1884
I am now the proprietor of a workshop! On Saturday I signed an agreement by virtue of which I became on Tuesday last the tenant under Mr Williams (of Williams and Norgate [a bookseller]), of three rooms of the second floor of 30 Maiden Lane, being part of the back premises of Williams and Norgate’s shop in Henrietta Street at £50 per annum.

23 July 1884
On Monday, Morris and the Hyndmans came to lunch with us, and I afterwards went with them to Hyde Park to take the opportunity of the Liberal demonstration to spread socialistic literature and to hold an open-air meeting. This last was a fiasco, being brought to an ignominious close by an ugly rush of the crowd.

27 August 1885
On Saturday Annie and I went to the meeting for the protection of young girls, in Hyde Park. Mrs Morris was in the procession of the Ladies’ National Society, and Morris in the brake of the Socialist League.

A body of art which quite startles
2 April 1886
I went on to St James’s to see the Graham pictures on view at Christie’s. Burne-Jones, Rossetti, Millais and F. Walker - prodigious performances. They, and the works of Millais and Holman Hunt on view in Bond Street, constitute a body of art which quite startles by its greatness.

24 December 1886
Yesterday I went into town to do some shopping. I called at Bain’s [booksellers]. He told me with great joy that he had only one of my books left - The Gospels!

28 March 1891
On Wednesday last I went to the British Museum to see a collection of drawings arranged by Sidney Colvin, and later I went to Hammersmith to see Morris. I found Mrs Morris very happy, for he was very much better. He was having his supper - oysters etc. When he finished, I went into his room, and found him sitting in a chair by the fire with a large silk handkerchief spread over his knees. He looked - despite his supper! - a little empty, his clothes hanging somewhat loosely upon him. But he was cheery and hopeful, and fell to talking about the new book (The Glittering Plain) now in the course of printing at the Morris Press. It promises to be a very beautiful book. [The Glittering Plain, a novel by Morris, is considered to be one of the first in a genre now called fantasy.]

The occasional sound of an oar turning 
4 April 1891
Last Sunday I visited Morris’s printing press. Morris was a little down; not up to talking. 

The Press has been set up in a little cottage opposite The Doves, and next door to Sussex House [Upper Mall, north bank of the Thames in Hammersmith], and is worked by two compositors and one pressman - of course all by hand. I saw the new type, and the sheets, paper and vellum, already printed The Glittering Plain.

4 July 1895
I am reading Pater’s study of Dionysus. It is delightfully silent. From the window I see the lights on and beyond Hammersmith Bridge, and the lengthened reflection on the dark river, and I hear the occasional sound of an oar turning in the rowlocks; but the tide is low, and the otherwise-sounding river is still, sounding only with the passing toiling barge, and alive with moving lights. On my table are my tools, and a glass of tiger-lilies given to me out of our garden by my cleaner, Mrs Mansel.

William Morris in a bathchair
11 October 1896
Morris is dead. He died on Saturday 3rd October at 11:30 in the morning. I saw him alive in Riverscourt Road the preceding Monday. I had been to the Bindery to get some of my books for the Arts and Crafts Exhibition, and I was on my way to the Gallery on my bicycle, when on turning the corner into Riverscourt Road I saw before me, going in the same direction, Morris in a bathchair, with a shawl across his shoulders [. . .].  I had never seen Morris in his chair before. It was a strange sensation to see the strong man so reduced. Yet he looked clear of complexion and ruddy red, and though he said not a word he yet lifted his gloved hand and waved me farewell as I mounted again and turned and bade him good-bye. . . a last good-bye.

21 August 1897
How superbly beautiful the river is at this moment! There is a high wind blowing the surface into innumerable ripples, each of which catches instantly and reflects a dazzling gleam from the sun, so that there are as it were countless diamonds at play, reflecting and deflecting rays of brightest light, so that the river’s face is an ever shifting . . . 

What I should like to convey is the intense energy, sparkling, crisping, into moments of whitest, brightest light, again and again and again, everywhere over the surface of the outstretched sheet of water.

Education: shall we at last transform it, and with it our vision of and dealings with the world? Shall we have the energy of the light I see in dazzling brilliance playing upon the reflecting facets of the water, and play with the earth our home, and its dwelling-place, the infinite voids of space? Education will be transformed. “Arts and crafts” will invade and overcome literature and science and commerce, and with our own eyes we shall re-see the universe, and with our own hands and brains we shall re-create it afresh.

My writing splutters and fails of the mark.

Hampstead hideous with affluent vulgarity
28 September 1897
A cold mist this morning shuts out the sun, and only the near trees, now so yellow, are visible, and the outlines of the bridge. [. . .] On Sunday I went to Hampstead, and lunched with the Kapteyns, and had tea with Blomfield, and looked over the wall at the old house and home, No. 49. It looked very pretty, but Hampstead is becoming every moment more hideous with affluent vulgarity. I wheeled along the Finchley Road to the cemetery, and went and stood by the dear, quiet grave of Father and Mother.

21 January 1898
The sea-gulls - or river-gulls? - are sweeping in wide curves to and fro over the river - the river slides smoothly on its course - the wintered trees, arrested, placidly wait for the spring, the sky overhead is one continuous veil of stationary cloud.

All life at its best is poetry
9 May 1905
I have just seen Swinburne pass through the [British] library into the Large Room preceded by a lady and Watts-Dunton. Swinburne had on a grey, large, soft felt hat. His head, too, seemed vast, his shoulders, on the other hand, seemed slight and very sloping, and his figure plump but small. He walked without moving his body, or arms, which were held down straight at his sides. So passed our greatest living poet. I rose from my seat to see him, and pondered upon the insignificance and significance of things. The library remained as undisturbed as the surface of a lake and its whole body of water by the entrance of an undistinguishable pebble.

30 May 1905
The poets are the supreme craftsmen - the poets at their best. But all life at its best is poetry.

26 July 1908
Yesterday there was a procession, or series of processions, in support of the Licensing Bill. Annie with Stella went off early to join in it under the Suffragist banner. [. . .] I took the Turnham Green omnibus at the top of Rivercourt Road, and drove to Hyde Park Corner. There I got down, for already a procession blocked the way. I stood at the gate and watched the passing whirl; not a great stream, but great “the cause.”

25 August 1908
I went the other night to a concert at Queen’s Hall. It was a Promenade Concert, and a Wagner night. The Hall was packed. To get in I had to go to the end of a long queue extending round the building. I paid 2s., and got a seat in the balcony. The music was very loud, and filled the Hall like a great sea, and beat up into our ears as the sea does into the caves and hollows of the shore. [. . .]

Having resolved to close the Bindery next year, it seems to follow as a matter of course that I should close the Press also. But whereas I seemed to come naturally, after twenty-five years, to the former resolve, to come to the latter seemed to be against nature, there are so many great books to print and so few to bind.

Westminster Cathedral and St Paul’s 
12 October 1908
Yesterday was a lost day, save that in the morning I was at Westminster Cathedral and St Paul’s - the former, by the way, was the finer. St Paul’s seemed littered up with columns and architectural ornament, and the arches under the dome hideous in the meanness of their junctions coming down together, and [William Blake] Richmond’s decoration has not enlarged them. The effect of the Cathedral, on the other hand, with sun and shade and enclosed atmosphere, was quite beautiful. In both, however, the singing was enchanting.

14 October 1908
I came [to Kew Gardens] to see the great lily. But one had flowered and passed away in a day, and the next would not flower till to-morrow. I walked around the tank and saw the blossom of the flower to be, and its vast leaves outspread upon the water, slowly born and quickly dead, and so on from age to age.

Annie must not go to prison again
30 January 1909
Annie has just been in to say that Mrs Pankhurst has been proposing on the telephone to come and see her this afternoon. The Women’s Social and Political Union want Annie now to speak on their platform, perhaps “to go to prison.”

1 February 1909
I was at Kew on Saturday, and walked through the flower-house; lilies, lilac, azaleas, camellias, carnations, all, and others in sweet flower; and around them, outside, the bare dreaming trees, whose time is yet to come.

On Sunday afternoon, yesterday, Mrs Pankhurst called. She was gentle and affectionate, but, as it seemed to us all, tired. The prison immurement seemed to have damped her fire. [. . .] This is an odious result of prison, and an argument against its use as a weapon of revolt. Annie must not go again.

The Red Flag at the Albert Hall
20 November 1913
Last night I went to the Albert Hall to hear Larkin [Jim Larkin, an Irish trade unionist then heavily involved in the famous Dublin Lock-out dispute], and was disappointed. When he was speaking a raid was made on the hall by some “students” from outside. Suddenly a sound of running feet arose in the corridor, then the attention of the whole audience was concentrated on a dense commotion at one of the entrances to the hall and the passage leading down from it, and from all parts of the hall men rose from their seats and rushed towards it. The scrimmage continued with a dead sound of the struggle, but, as I remember, otherwise in silence. But from above women leant over from the balconies, and looking upon the struggle applauded. As it went on - I witnessed it from a box - limelights burst out in various parts of the hall, and finally the organ contributed its roar to the ear, playing “The Red Flag.” At last victory was cheered by the audience, and Larkin resumed his speech. The students had been driven out; but outside they raided the electric works, and tried to put out the lights of the hall, fortunately unsuccessfully. I was disappointed; not in this, which was highly dramatic and thrilling, but in Larkin’s speech.

12 December 1913
Last night Annie and I went to see and hear Anatole France [French novelist and man of letters] at the Suffolk Street Galleries, at the invitation of the Fabian Society. Bernard Shaw in the chair. Anatole France looked like an affectionate old fox, and spoke with great animation, and many smiles and many wrinkles. He was, or seemed to be, short and stout and bent and grey. Justice, Pity, Mercy, Love - these are things as wonderful as are the flowers of the field and the stars of heaven.

13 December 1913
Clear for London, and cold. Yesterday morning as I walked through Kensington I paused in front of a “provision” shop, and looked at the birds - shot, and hanging with their heads downward - golden plovers, pheasants, partridges. Pitiful sight.

The great fight at Olympia 
1 July 1914
On coming home last night between 10 and 11 o’clock after dining with Stella, I at once felt myself in an atmosphere of excitement - motors were rushing past, and newspaper boys and men were rushing about on foot, and crying hoarse, and to me unintelligible, cries. As I proceeded towards Addison Bridge - I was on my bicycle - the crowd and excitement became so great that I had to get off and walk close to the kerb. Presently the crowd was impenetrable. I asked the reason why. The great fight at Olympia - which was indeed all lighted up; Bombardier Wells had just knocked Bell out in the second round, and that was it! I pulled to the side, and leaning my bicycle against the wall on the bridge, waited the passing of the crowd. Such a crowd! Old and young, rich and poor, evening dress and filth, and men, almost all, or boys, but some women on foot, in the latest limpest evening dress, some in motors; all hurrying by as if all were bearers, to some remote other world, of long expected news. [Wells beat the Australian Colin Bell, for the heavyweight championship of the British Empire and a purse of £10,000. The New York Times headline for a report of the match ran: Women flock to fight at Olympia.] 

5 August 1914
Europe and the world are now in the hands of statesmen and warriors, who have enslaved - and are now hurling against each other their enslaved - human beings, drilled to destruction. Death, not Life, and Death in another form than in times of peace, now fills to their utmost limits the minds of men, and spreads itself over all the aspects of life.

A gun mounted in peaceful Green Park
9 October 1914
A few moments ago, as I passed into [Hyde] Park, a regiment of recruits marched by - it brought tears to my eyes.

8 February 1915
In the Green Park, newly erected, there is an enclosure and platform, and on the latter, with its muzzle appearing above the screen, is mounted a gun. In the midst of Peaceful Green Park.

24 January 1916
This morning I walked to Kensington through the Park. At Hyde Park Corner three guns mounted on trucks passed. Horrible looking weapons, apparently for high firing. Walking on, I saw a company of soldiers doing bayonet practice, piercing sacks with a thrust of their bayonets. I had just passed the gardens on the other side, where the flowers of spring were just piercing the grass. How beautiful they were; how horrible the bayonets.

This evening I began its destruction
31 August 1916
The Doves Press type was designed after that of Jensen; this evening I began its destruction. I threw three pages into the Thames from Hammersmith Bridge. I had gone for a stroll on the Mall, when it occurred to me that it was a suitable night and time; so I went indoors, and taking first one page and then two, succeeded in destroying three. I will now go on till I have destroyed the whole of it.

9 February 1918
Just returned from Bow Street whither I went at 2pm to stand by Bertie Russell, on trial for some writing which I had not seen in some obscure pacifist journal. He was sentenced to six months’ imprisonment in the second class. He appealed, and Frank and I bailed him out, otherwise he would have gone straight to prison. To prison, to solitary confinement, day and night in a locked cell. There was not a crowded court, only a gathering of friends, mainly women. [. . .] Bertie sat in front of the dock with his co-defendant, a young lady editor and proprietor of the journal in question, The Tribunal.

11 November 1918
The bells are ringing, and the guns have ceased.

12 November 1918
All London went merrily mad yesterday. I was indoors all day. All London merrily mad; all Germany?

The Oxford-Cambridge boat race
31 March 1921
The race was rowed yesterday, and after a terrific struggle - first Cambridge leading, then, at Hammersmith Bridge, Oxford, then beyond Chiswick, out of sight, Cambridge - Cambridge finally won by a length, but never once, or hardly once, was daylight seen between the boats. The crowd was immense, for the day was fine, and it was expected that the race would be a great race. We had a great crowd, and all the morning was taken up in preparing tea - cakes, tables, etc. - and arranging seats and benches in the garden. We were to be “at home” from 4 to 6pm - the race being at 5 or thereabouts - and by 4 I was exhausted, and retired to the parlour to rest.