Gouty old gentlemen

‘The hippos were delightful. They seemed so aristocratic, like gouty old gentlemen, puffing and blowing and yawning, as though everything bored them.’ This is from the diary of Richard Harding Davis - the colourful American journalist-adventurer who died a century ago today. He was a prolific writer, turning his experiences and travels - often instigated by his work as a war correspondent - into books of stories, whether fiction or non-fiction. Only a few short diary fragments written by Davis have ever been published - thanks to a biography by his brother - and several of these concern the hunting of hippos!

Davis was born in 1864 in Philadelphia, Pennsylvania. Both his parents were journalists, though his mother achieved some fame as a novelist also. He studied at Lehigh University, where his uncle was a professor, and he contributed short stories to the student magazine, The Lehigh Burr, eventually becoming its editor. His first published book was a collection of these stories The Adventures of My Freshman. In 1885, he transferred to Johns Hopkins University. After university, he worked on various Philadelphia newspapers, before moving to New York and The Evening Sun. Increasingly, he became noticed for writing on controversial and high profile subjects, as well as for his Van Bibber stories of city life. In addition, he was writing short stories for other publications. In 1890, he switched jobs, to become managing editor of Harper’s Weekly.

During the 1890s, Davis was publishing two or three books every year, some were collections of his travel and journalistic writing - like The Rulers of the Mediterranean and Three Gringos in Central America and Venezuela - while others were collections of his short fiction. He also turned, increasingly, to war reporting, making a name for himself following the Spanish-American War, with the 1st US Volunteer Cavalry, better known as the Rough Riders (second in command, one Theodore Roosevelt, later US president). He went on to cover the Second Boer War, becoming one of the world’s best known war correspondents. By then he was writing for the New York Herald, the New York Times and Scribner’s Magazine.

Davis reported on the Russo-Japanese War, and on the Salonika Front in the First World War (being arrested as a spy briefly by the Germans). A large number of his articles can be read at the Historic Journalism website, which, incidentally, says of him, ‘The well-traveled and photogenic Richard Harding Davis represented all that was edgy and glamorous about that new breed of American journalist: foreign correspondent. Fearlessly tramping by rail, road and horseback to the front lines of the “Great War”. He continued writing a great many books - most of these can be found online, freely available, at Internet Archive. His 1897 novel Soldiers of Fortune was turned into a play and, later on in the 1910s, to two films. He also wrote more than a score of plays, Including Ranson’s Folly, The Dictator, and Miss Civilization. In 1899, he had married Cecil Clark, but they divorced in 1912, and he then married Bessie McCoy, an actress, with whom he had one child. Davis died on 11 April 1916. Further information can be found at Wikipedia, The Spanish American War website, PBS, or Encyclopaedia Britannica.

Another biographical source is Adventures and Letters of Richard Harding Davis, a book written by his brother Charles Belmont Davis and published originally by Charles Scribner’s Sons in 1917. Although there are no details in the biography about any diaries Richard Davis might have kept during his life, Charles does include half a dozen or so extracts from a diary his brother kept in 1907. Here are several of them.

24 January 1907
‘Last day in London. Margaret Frazer offered me gun from a Captain Jenkins of Nigeria. Instead bought Winchester repeating, hoping, if need it, get one coast. Lunched Savoy - Lynch, Mrs. Lynch, her sister-very beautiful girl. In afternoon Sam Sothern and Margaret came in to say “Good bye.” Dined at Anthony Hope’s-Barrie and Mrs. Barrie and Jim Whigham. Mrs. Barrie looking very well, Barrie not so well. As silent as ever, only talked once during dinner when he told us about the first of his series of cricket matches between authors and artists. Did not have eleven authors, so going along road picked up utter strangers one a soldier in front of embracing two girls. Said he would come if girls came too - all put in brake. Mrs. Barrie said the Llewellen Davis’ were the originals for the Darlings and their children in Peter Pan. They played a strange game of billiards suggested by Barrie who won as no one else knew the rules and they claimed he invented them to suit his case. Sat up until three writing and packing. The dinner was best have had this trip in London.’

22 February 1907
‘Spent about the worst night of my life. No mattress, no pillow. Not space enough for my own cot. Every insect in the world ate me. After a bath and coffee felt better. It rained heavily until three P. M. Read Pendennis, and loved it. The picture of life at Clavering and Fairoaks, and Dr. Portman and Foker are wonderful. I do not know when I have enjoyed and admired a work so much. For some reason it is all entirely new again. I will read them all now in turn. After rain cleared took my slaves and went after “supplies.” Met a King. I thought he was a witch doctor, and the boys said he was a dancing man. All his suite, wives and subjects followed, singing a song that made your flesh creep. At Hatton and Cookson’s bought “plenty chop” for “boys” who were much pleased. Also a sparklet bottle, some whiskey and two pints of champagne at 7 francs the pint. Blush to own it was demi Sec. Also bacon, jam, milk, envelopes, a pillow. Saw some ivory State had seized and returned. 15 Kilo’s. Some taken from Gomez across street not returned until he gave up half. No reason given Taylor agent H. & C. why returned Apparently when called will come down on the ivory question. Cuthbert Malet, coffee planter, came call on me. Only Englishman still in Service State. Had much to say which did not want printed until he out of country which will be in month or two. Anstrossi has given me side of cabin where there is room for my cot, so expect to sleep.’

27 February 1907
‘Saw two hippos. Thought Anstrossi said they were buffalo. So was glad when I found out what they were. I did not want to go home without having seen only two dead ones. In a few minutes I saw two more. Anstrossi fired at them but I did not, as thought it not the game when one could not recover them. Before noon saw six in a bunch - and then what I thought was a spit of rock with a hippo lying on the end of it, turned out to be fifteen hippos in a line! Burnham has told he had seen eleven in the Volta in one day. Before one o’clock, I had seen twenty-six, and, later in the day Anstrossi fired at another, and shot a hole in the awning. That made twenty-seven in one day. Also some monkeys. The hippos were delightful. They seemed so aristocratic, like gouty old gentlemen, puffing and blowing and yawning, as though everything bored them.’

28 February 1907
‘When just going up for coffee, saw what was so big, looking at it against horizon, thought it must be an elephant. Was a young hippo. Captain Jensen brought boat within eighty yards of him, and both Anstrossi and I fired, apparently knocking him off his legs, for he rolled on his side as though his back was broken. I missed him the second shot, which struck the water just in front of him. The other three shots caught him in the head, in the mouth and ear. He lay quite still, and the boys rushed out a gang plank and surrounded him singing and shouting and cutting his tail to make him bleed and weaken him. They don’t die for an hour but he seemed dead enough, so I went to my cabin to re-load my gun and my camera. In three minutes I came out, and found the hippo still quiet. Then he began to toss his head and I shot him again, to put him out of pain. In return for which he rolled over into the water and got away. I was mad. Later saw four more. Just at sunset while taking bath another was seen on shore. We got within sixty yards of him and all of us missed him or at least did not hurt him. He then trotted for the river with his head up and again I must have missed, although at one place he was but fifty yards away, when he entered the water, a hundred. I stepped it off later in the sand. I followed him up and hit him or some one of us hit him and he stood up on his hind legs. But he put back to land for the third time. Captain said wait until moon came out. But though we hunted up to our waists saw none. One came quite close at dinner. Seven on the day.’

22 April 1907
‘A blackmailer named H_ called, with photos of atrocities and letters and films. He wanted 30 Pounds for the lot. I gave him 3 Pounds for three photos. One letter he showed me signed Bullinger, an Englishman, said he had put the fear of God in their hearts by sticking up the chiefs head on a pole, and saying, “Now, make rubber, or you will look like that.” Went to lunch with Pearson but it was the wrong day, and so missed getting a free feed. Thinking he would turn up, I ordered a most expensive lunch. I paid for it. Evening went Patience, which liked immensely and then Duchess of Sutherland’s party to Premiers. Saw Churchill and each explained his share of the Real Soldiers row.’

William Godwin’s diary

The English writer and philosopher William Godwin, an early proponent of idealistic liberalism, died 180 years ago today. He is, perhaps, better remembered for his daughter, Mary, who married the poet Percy Shelley and wrote Frankenstein. Godwin kept a diary throughout his life. Although the daily entries are little more than lists of names and places and books read, the diary as a whole is considered of ‘immense importance to researchers of history, politics, literature, and women’s studies’.

Godwin was born in 1756 in Wisbech, Cambridgeshire, into a large family of religious dissenters. Educated into a strict Calvinism, he finished his schooling at the Hoxton Academy, and served as minister in several places before returning to London. But by then he had shed his religion in favour of an idealistic liberalism based on the sovereignty and competence of reason to determine right choice. In order to further his new ideas, he set out on a writing career, contributing to political journals and associating with radical societies. He also tried setting up a school, and writing novels, though these early ventures did not come to much.

In 1793, Godwin published Enquiry concerning Political Justice, and its Influence on General Virtue and Happiness - now considered his greatest work - setting out his positive vision for an anarchist society of small self-subsidising communities. After the writings of Edmund Burke and Thomas Paine, it was the most popular written response to the French Revolution. He followed this with a (hugely successful) novel - Things as They Are; or, The Adventures of Caleb Williams - which some consider the first ever thriller. In 1795, Godwin and Mary Wollstonecraft, who he had first met some years earlier and who now had a daughter, became intimately involved. She fell pregnant by Godwin, and the two married in London in 1797. Mary Wollstonecraft Godwin was born within a few months, but her mother died ten days later.

That same year, 1797, Godwin published a collection of essays entitled The Enquirer; and he wrote a biography of his wife, published as Memoirs of the Author of a Vindication of the Rights of Woman (though it was not very well received for being too revelatory). After producing a third and final edition of Political Justice, he turned to literature and history, trying his hand at plays, another novel and a life of Chaucer. In 1801, he married his neighbour Mary Jane Clairmont, who brought two children into the household (in addition to Godwin’s daughter and step-daughter). However, she proved an ill-tempered stepmother and was inhospitable to some of Godwin’s friends. This union produced a son for Godwin, David, who went on to become a journalist but died young from cholera.

In 1805, to secure a better financial situation, the Godwins, with help from friends, began running a children’s bookshop. Godwin wrote a variety of books - fables, histories, dictionaries - for the shop, while his wife saw to the business end, and translated books from French. In 1812, Godwin became a kind of mentor to Percy Shelley, who then visited the house often, and who provided much needed funds (borrowed against his future expectations) in support of Godwin and his family. In 1814, however, Shelley eloped with Godwin’s 16-year-old daughter Mary to the Continent. They returned to England and married in 1816 (after the death of Shelley’s first wife). Only a couple of years later, Mary Shelley’s book Frankenstein, dedicated to Godwin, would be published.

The most notable publications of Godwin’s later career were Of Population, a belated attempt to refute Thomas Malthus’s 1798 An Essay on the Principle of Population - itself a response to Godwin’s ideas (see more on Malthus’s diary at The cost of men and food); History of the Commonwealth of England, from its Commencement to the Restoration of Charles II in four volumes; and Thoughts on Man, his Nature, Productions and Discoveries. Godwin died on 7 April 1836. For more information see Wikipedia, Stanford Encyclopaedia of Philosophy, The History Guide, The Wordsworth Trust or University of Oxford podcasts.

Godwin kept a diary for most of his life, leaving behind 32 octavo notebooks now held by the Abinger Collection of manuscripts in the Bodleian Library, Oxford. Although each diary entry - 1788-1836 - is no more than a short list of names, places etc., and often no more than a few words, the entire text has been considered important enough to be fully digitalised, analysed and uploaded to a dedicated website hosted by the Bodleian  This was funded, between 2007 and 2010, by the Leverhulme Trust and others under the direction of Oxford’s David O’Shaughnessy and Mark Philp and Victoria Myers from Pepperdine University, California.

According to the project: ‘The diary is a resource of immense importance to researchers of history, politics, literature, and women’s studies. It maps the radical intellectual and political life of the late eighteenth and early nineteenth centuries, as well as providing extensive evidence on publishing relations, conversational coteries, artistic circles and theatrical production over the same period.  One can also trace the developing relationships of one of the most important families in British literature, Godwin’s own [. . .]. Many of the most important figures in British cultural history feature in its pages, including Anna Barbauld, Samuel Taylor Coleridge, Charles James Fox, William Hazlitt, Thomas Holcroft, Elizabeth Inchbald, Charles and Mary Lamb, Mary Robinson, Richard Brinsley Sheridan, William Wordsworth, and many others.’

The website offers - freely - an image of every page and a transcription of the text. Moreover, for every person, place, publication, play, meal etc. mentioned in the diary, there is a link to further detailed notes and collated lists of other mentions in the diary of the same subject. Often times, nearly every word of a diary entry is a highlighted link to further information. An introduction to the website can be found here, a more detailed intro to the complexities of the text can be found here, and an example of how the diary has been used can be seen at the Shelley’s Ghost exhibition website. (See also Write. Read Homer about Mary Shelley’s diaries.)

Although they make little sense divorced of the links and explanations provided by the William Godwin Diary website, here are a few examples of Godwin’s diary entries.

8 March 1790
‘House of Commons: Tobacco act, Capt. Williams’s Petition, Quebec’

13 November 1791
‘Correct. Dyson & Dibbin call; // talk of virtue & disinterest. Dine at Johnson’s, with Paine, Shovet & Wolstencraft; talk of monarchy, Tooke, Johnson, Voltaire, pursuits & religion. Sup at Helcroft’s:’

28 July 1792
‘Write 2 pages, on prosperity. Finish Merchant of Venice: Much Ado, 3 acts. Miss Godwin at tea.’

23 August 1792
‘Walk to Rumford, 3 hours: stage to town, breakfast at miss Godwin’s: dine at Mr Marshal’s. See Cross Partners’

4 February 1795
‘Call on mrs Jennings: tea Johnson’s, Kentish Town.’

9 July 1795
‘Breakfast at Buckingham: dine at Watford: tea Fawcet’s, Hedge Grove, sleep: see Wilson, Smith, &c.’

7 September 1808
‘Church-yard: walk to Thatcham: dine at Woolhampton: tea Theal, sleep. George Dandin.’

10 April 1816
‘Dine at Darlington: pass Durham: sleep at Newcastle—intelligent bailiff, pleasing gentleman, Cumberland farmer.’

27 April 1816
‘Breakfast at Carlisle: coach to Penrith: chaise along Ulswater: dine at Wordsworth’s: call, w. him, on Jackson; adv. Wakefield: circuit of Grasmere. Derwent Coleridge dines: write to M J & Thos Moore.’

1 November 1830
‘Essays, revise. Homer, v. 395. Museum; Du Bartas: theatre, Henry V. 60 / 65’

The Galtee Boy

The Galtee Boy, a fanatical Irish republican by the name of John Sarsfield Casey, was born 170 years ago today. Imprisoned and then deported for his crimes against the state, he benefitted from an amnesty, allowing him to return to his beloved Ireland, where he helped campaign for the rights of tenants in the Galtee Mountains area. He left behind a memoir about his time in jail, and also a diary of his sea journey to Australia.

Casey was born on 2 March 1846 (according to the Cork City Gaol website) in Mitchelstown, County Cork, Ireland, into a family of shopkeepers. As a youngster, he became involved in the Irish Republican Brotherhood (the Fenians). Calling himself The Galtee Boy, he wrote letters to the Fenian newspaper, The Irish People, describing the round-up of Cork Fenians in 1865, their trials and their experiences in prison. His exposure of tenant conditions in the Galtee Mountains led to a libel case and helped inspire the Land League. Eventually, he was tried and sentenced himself, and then deported along with 60 other Fenians to Australia in 1867.

In May 1869, Casey was granted a free pardon and sailed for Ireland arriving in February 1870, with nine other released Fenians. Immediately, he threw himself again into the Irish struggle, writing articles on conditions in Australia, and becoming noted for his work on behalf of the tenants of the Galtee countryside. Later in life, he became a Coroner for County Limerick, a position he held until his death in 1896. A little further information is available at the Cork City Gaol and Irish Democrat websites.

In 2004, University College Dublin Press published, for the first time, a memoir written by Casey soon after his return to Ireland, called The Galtee Boy - A Fenian Prison Narrative. It is said to be the ‘most extensive surviving account of Cork Fenianism by a participant’. But another document written by Casey has also survived - a detailed diary he kept during his voyage to Australia. Extracts from this were published in Diaries of Ireland - An Anthology 1590-1987 by Melosina Lenox-Conyngham (Lilliput Press, Dublin, 1998) - a few pages can be read at Amazon.

Lenox-Conyngham’s source was a slim edition of the full text of the diary transcribed/edited by a relative of Casey’s, Martin Kevin Cusack, and published a decade earlier by Dorrance & Co, in the US. This was entitled Journal of a Voyage from Portland to Fremantle on board the Convict Ship “Hougoumont” Cap Cozens Commander October 12th 1867 By John S. Casey, Mitchelstown, Ireland. A few copies are available secondhand, at prices upwards of £50 (at Abebooks for example).

In his introduction, Cusak explains why he wanted to publish the text: ‘It had been my hope for many years to somehow help bring about the opening of this Journal and thereby allow the strength of character, the dedication to freedom, the literary talents, and the enduring faith of John Sarsfield Casey to shine forth as an inspiration to all of us. As a descendant relative of The Galtee Boy, I am proud to identify with his determined, life-long pursuit of liberty. He was a first cousin of my grandmother, Ellen Casey Cusack.’

He goes on to provide further background: ‘It is worth noting that the Journal is regarded as being of great historical interest by scholars and serious students of Irish and Australian history. The Casey Journal has been preserved in the family for 120 years. In May of 1969 it was among the papers of Dan Casey of Mitchelstown, last son of The Galtee Boy. Around the time of Dan Casey’s death, the manuscript was inadvertently delivered into the hands of the Cork County Library. Upon discovering this, a friend of the Casey family, believing he was acting in the family’s best interest, insisted upon its immediate return. It was returned promptly but in those few hours of possession, the Librarian made photocopies of it. The official stamp of the Cork County Library can be seen on the last page before the back cover. It is believed the copying was done without the knowledge of the immediate family and it remained unknown to the rest of us in the family until early in 1987.’

Here are several extracts from Cusack’s book (though, for clarity, I have added a few fullstops and dashes in places where extra spaces in the published text appear to signal a separation of phrases).

11 October 1867
‘Wrote letter - miserable arrangements on board in respect to closets &c - Whilst in port nothing of importance has occured - Rumour that we are to sail on to day (Friday) anchor raised & everything in readiness for sailing’

12 October 1867
‘Sails set - Blue Peter hoisted - 2 PM set sail fair wind. Take a farewell glance at Portland as we sail within one mile of its rock bound coast - Emotions of the pleasant kind. Towed out by the gun-boat “Earnest” - deck crowded with anxious faces eagerly pointing out objects of interest to one another - Pass the evening in playing Chess &c’

13 October 1867
‘Ship rolling very much - feel a little “squeamish” On deck nothing visible but sky and water save a few solitary sea-birds that kept eternally skimming over the crested waves - Had several Interviews with Hr Deleany RCC. Begs of me to serve Mass for him - I consent - Mass on board - I serve with difficulty in consequence of being seasick - Majority of hands troops &c on board Catholics - Mass in main hatchway - wind strong speed 6 knots - still towed out by “Earnest” Eat very little to day - 2 OC exceedingly sick - get some ease by lying in bunk - None sick but myself “spued” off everything I eat - Water distilled & measured out 3/4 pint per man per diem - find I cannot read. Ordered below for night at 4.30. Amuse ourselves every night with a concert.’

25 October 1867
‘Morning cloudy with a slight mist - Convoy still in sight 8 OC. A slight fall of rain till 8.30. Clouds clear off & leave the sun shining brilliantly - Ship’s yards truly square for 1st time - Cannot remain on forecastle for any time - Speed 8 knots under full canvas - 2 OC Air mild and balmy like a glorious summers day in Ireland - Home thoughts crowd upon me of pleasant days spent in the green meadow inhaling the fragrant odour of the newly mowed hay or of pleasant hours spent in company of la bella Maria in Kingstons demesne beside the tinkling stream. Passengers relieving monotony of voyage by various games such as Chess Dominoes Drafts Dice Cards &c. Evening enlivened by music (The Banjo) on deck accompanied with singing & dancing alternately reminds of Scotts lines on Don Roderick: “And to the tinkling of the soft guitar; Sweet stooped the ‘western sun’ bright rose the evening star”. ’

26 October 1867
‘Morning calm breeze light speed, 4 knots 12 OC. Breeze increasing - speed 8 knots - 2 Sail in sight - one of them “our Convoy”. A prisoner received 48 lashes from boatswain to day without wincing for beating another prisoner most inhumanly - At conclusion cheered by his Comerades - got cross irons on his feet - Evening looking gloomy - dark sombre clouds flitting across sky - Sunset very stormy looking - fear a rough night wind increasing sailors furling royals &c. 4.30 All hands below - usual amusements.’

27 October 1867
‘Awoke last night at 11 OC by dreadful noise on deck. Ship pitching - all hands “piped” up - great confusion below for 5 or 7 minutes. Ship tossed about like a cork - Terror increases by Sailors refusing to go aloft - fear a watery grave - cry on deck of breakers ahead - orders given to “bout” ship - sheet lightning flashing in all directions - one of the sails fluttering to the wind another minute & it is carried away - Blowing with terrific violence - ship labouring fearfully & timbers creaking mournfully. Officers mount aloft - Ship stands still for a minute & immediately receives several tremendous dashes of waves which almost capsizes her - sea roaring dreadfully & dashing in over gunwale - wind howling dismally through the rigging - 12 OC - Not much calmer all damage apparently over - Some sailors return to their duty & are working away to the jolly chorus of: Heave haul away, Haul away my dandies.’

4 December 1867
‘Blowing exceedingly hard all night. Speed 12 knots. Not better. Stomach bad - raining very hard all night. All hands obliged to remain below all day - Morning calm, 3 knots - 10 of our lads reported - rope 1 pepper box - 8 deprived of wine for week. Sails hanging motionless.’

5 December 1867
‘Morning dark heavy & inclined for rain - a dead calm - very disagreeable on deck - a thick mist falling. Sailing under a cloud of canvas yet scarcely making any progress.’

6 December 1867
‘Morning cloudy - raining all day - all hands obliged to remain below which is dark damp like hell - the most disagreeable day I ever spent almost becalmed.’

7 December 1867
‘Morning cloudy - raining at intervals with Dr off hospital diet - half starved on it - wind coming in fitful gusts - extremely cold all day &  last night - On look out for flying Dutchman - amusing to see passengers with terror depicted on their countenances at idea of meeting him - Sea very rough - Day has a very strange & ominous aspect. The surface of the ocean & glassy & scarcely a breath of air disturbed the solemn stillness that prevailed. The ship lay motionless yielding only to that never ceasing swell that heaves the bosom of the broad Atlantic - the sails reposed uselessly against the masts or flapped to and fro in dead compliance with the breathing sea. The sky vas of a dull grey leaden hue - no clouds could be seen but the XXX XXX vault of heaven was wrapped in one dark impenetrable veil whose dreariness was made much more dreary by reflection in the waters beneath. This universal stillness reigned during the morning broken only by the shriek of the sea bird as it skimmed over the surface of the waters. About mid-day the rain poured down in torrents such as they only who have witnessed can conceive - This lasted for two or three hours yet the sea remained a perfect calm - the air cold thick and still. When the rain ceased all was silent as the grave - 6 OC. Ignorant of danger we sat down to our customary amusements which were only interrupted by an XXXXXXX ocassional wish to have a breeze spring up - At 6 OC Sails were shortened & everything on deck and aloft made ready for a wild night. At 7 OC the ship was sailing under closely reefed topsails & Mr J Flood who came down informed us that the hatchways were nailed down - At 8 OC we retired to rest but scarcely had two hours elapsed before a dull roaring sound was heard in the distance growing louder and louder as it approached until it seemed to burst over us. In a few minutes the sea dashed into fury & the ship speeding through on a gale of terrific violence - Sleep was impossible - The noise on deck.’

6 January 1868
‘Glorious morning promising another broiling day - Still a dead calm - ship scarcely moving - went about 5 knots per hour during the night. Spanish vessel still in sight about 5 miles to NE of us. Mass on board. Dread that this calm will continue for some time - 12 OC - Not a ripple on the surface of the waters shining like a plate of fretted gold. How slowly creep the hours in those calms especially as we are so near our destination. Nothing to read - nothing to discuss - nothing to while away an hour with except to sit in a state of dreamy thoughtfulness watching the sea birds skimming over the surface of the water - your thoughts wandering back to the green hills the shady groves & the pleasant valleys of “That beautiful land far away; That isle of the blue sea carressed; Where the fields are so green & the mountains so grey; In this isle far away in the West”.

Such a life is intolerable. 4 OC - Supper - Cry on deck of - A Shark A Shark - all hands rush on deck in a state of great excitement and in an instant bulwarks & forecastle are crowded. I too rush up and from the forecastle obtain a glimpse of the huge monster as he slowly glides through the blue waters beneath his green eyes gleaming with a fierce and ominous expression and his body assuming the most gorgeous colours - the principal being a bright emerald green. Two immense fins project beneath the jaws. A bait is thrown out attached to a strong iron hook - in an instant he perceives it & slowly and noiselessly glides towards it. When within two feet of it he turns on his back XXX opens his voracious jaws - exhibiting to the spectators two rows of sharp saw like teeth.’

9 January 1868
‘Blowing hard all night, sailing under scarcely fifty yards of canvas. All hands on deck and hard at work during the night. 6 OC Strong breeze glorious morning. Sky clear - speed 10 knots - On look out for land since 4 OC - 7.45 Land Ahead - on our lee bow a long low range visible surmounted by a lighthouse - Rottenest Island [. . .] The misty outline of the coast is more defined to the R of Island. The mainland appears low & sandy - the range surmounted by “Bush”. The pilot boat appears in the distance - 7 men in her - Fremantle now visible after dinner - a few merchant vessels in roads - prospect cheerless in the extreme - A sober sadness now assails me at idea of being separated from many of my comerades. Look in vain for the emerald green hills dotted with sheep - the waving meadows - the yellow corn fields bowing beneath the golden ear, the broad transparent river meandering through the deep garment of fairest green and the darkly shadowed mountains in the background which gladdened the sight on nearing the shores of Holy Ireland - There all is grand - Here all is dreary desolate & cheerless. How many of the stout hearts now beating are destined to lay their bones in this land. How many will again tread the fair hills of Holy Ireland. Oh! for a dip into the gloomy dark future!’

The Diary Junction

The cost of men and food

‘Married men are paid by the keep of a cow, a house, potatoe & flax ground, with a certain yearly sum in money. At one period of the war unmarried ploughmen paid by the year received 18£, and 6½ bolls of meal with milk. In 1816 the money wages fell to 9£. At present. 12£.’ This is Thomas Robert Malthus, the British scholar whose writings on political economy and populations studies - notably that population growth will always tend to outrun food supply - caused controversy in his time. He left behind a few travel diaries, which show him always aware of ‘the economic aspect of things’ as well as ‘his persistent interest in the costs and amenities of living in different environments’.

Malthus was born on 13 February 1766 into a large prosperous family living in Westcott, Surrey. He was educated at home, then Warrington Academy, and entered Jesus College, Cambridge, in 1784, eventually being elected a Fellow in 1793. Earlier, though, he had taken orders for the Church of England, and become a curate. His first work - An Essay on the Principle of Population - was published anonymously in 1798, and then revised by him five or six times, during his lifetime, incorporating new information. The work made him famous at the time, and he remains one of the most well remembered of early economists.

Essentially, Malthus argued in his essay that hopes for future human happiness - as expressed by learned men, including his father - must be in vain because food supply, which increases in arithmetic progression, will always be outstripped by population growth, which increases by geometric progression if unchecked. Indeed, population, he argued, will expand to the limit of subsistence, and be held in check by war, famine, ill health.

In 1804, Malthus married Harriet Eckersall, and they had three children. When the East India Company College was founded, in 1805-1806, to train administrators for the Honourable East India Company, he was appointed professor of history and political economy. Although initially situated in Hertford, new buildings including accommodation for the professors and their families were soon after constructed at Haileybury, just outside the city, where Malthus taught and lived for the rest of his life (having helped, in 1817, defend the college against closure).

In 1818, Malthus was elected a Fellow of the Royal Society. In 1820, he published his Principles of Political Economy, and soon after was a founding member the Political Economy Club. Later, he was elected one of the 10 royal associates of the Royal Society of Literature, and he cofounded the Statistical Society of London. He died suddenly in late 1834. Further information is available at Wikipedia, The Concise Encyclopedia of Economics, BBC, Encyclopaedia Britannica, New World Encyclopedia or the Biographical Dictionary of British Economists.

Malthus travelled infrequently: to northern Europe in 1799, through Sweden and Finland to St Petersburg; to France and Switzerland in 1802; to Ireland in 1819; to the Continent in 1825; and to Scotland in 1826. He may have kept diaries on all these trips, who knows, but only those from 1799, 1825 and 1826 appear to have survived - the 1799 diary (four notebooks) only being discovered in 1961. These diaries were transcribed and edited by Patricia James and published in 1966 in Cambridge at the University Press for the Royal Economic Society as The Travel Diaries of Thomas Robert Malthus.

According to the eminent British economist Lionel Robbins, who wrote the foreword, the diaries are not only notable for their occasional entries on population questions (shedding light on differences between the first and second editions of ‘Essay on the Principle of Population’), but because ‘they afford valuable evidence of general temper of the author’s mind in its focus on the economic aspect of things - his patient empiricism, his concern with the mundane details of institutions and customary behaviour, his persistent interest in the costs and amenities of living in different environments.’

Robbins finishes his foreword: ‘Since the discovery of these diaries, I have often thought of the pleasure which they would have given to Maynard Keynes who wrote so eloquently of their author and who valued so highly the ways of living and thinking for which he stood. How he would have relished the piquant details of travel and the agreeable parties at which such serious questions were discussed. It is a fitting thing that they should now be published by the Royal Economic Society whose fortunes he did so much to establish and whose meetings for so many years were made memorable by the liveliness of his wit and fancy.’

Here are several extracts from the three tours: Scandinavia, 1799 (four notebooks), the Continent, 1825, and Scotland, 1826.

13 June 1799
‘Showry. Therm at 2, 59. Saw the King’s library which consists of upwards of 300,000 volumes. It contains many scarce books & valuable manuscripts; but we were too much pressed for time to examine them with any attention. Talked to a man who had published a book on Statistics. According to his calculations, 1 in 40 die in Norway, 1 in 38 in the islands, 1 in 37 in the dutchies. He said that Professor Thaarup had stolen from him.  Call’d upon Monsr. Wad, professor of natural history in the University, a great mineralogist, & saw some curious specimens relating to the formation of coal & amber, a new semimetal & some new crystals & c. & c. We have found all the professors that we have seen extremely polite, & ready to give every kind of information. The King’s library is open every day from 10 till 12, & a professor generally attends.

There are no corn laws in Denmark & no publick store except a small one for the army. The Bank is entirely a government institution but in great credit. The notes are as low as 1 rix dollar. Silver must be paid at the bank when demanded. These notes bear a discount in Holstein. I heard, but do not know whether from good authority or not, that there was a discount on these notes in the islands about 10 yrs ago. The Bank is said now to be very rich in silver, & it is thought probable that in a few years the notes will be destroyed & that there will be only a silver currency.

Every thing is remarkably dear at present in Copenhagen. Beef & mutton 6d., Fresh butter is. Common labour in the environs of the town 2s. - in the country 1s. 4d. There is a very great demand for labour at present, and labourers are scarce. Every thing in the shops is remarkably dear, & books particularly so. Only four years ago labour in the country was 1 danish marc or 8d. a day. This rapid rise in the price of labour has placed the lower classes in a very good state, and it is expected that there will be a very rapid increase of population. In the afternoon went to see the review, which upon the whole went off very well, tho it was unluckily a showry afternoon. The soldiers at a distance appeared to be handsomely drest, but on a nearer view their cloathing was very coarse. The horses small, but handsome, & in good order - all with long tails. Towards the end of the review I got near the King’s tent & saw him quite close. He is treated quite as an idiot. The officers about the court have all orders not to give him any answer. Some of the party observed him talking very fast & making faces at an officer who was one of the sentinels at the tent, who preserved the utmost gravity of countenance & did not answer him a single word. Just before the royal party left the tent the Prince rode up full speed, & his father made him a very low bow. I could not well distinguish the Prince’s countenance, and could only see that he had a thin pale face & a small person. His father has the same kind of face & person, but is reckoned a better looking man.

We observed the French minister with his national cockade. He had an interesting, tho rather fier countenance, and seemed to look on what he saw as a poor farce not worth his attention. When he addressed any person his features relaxed into mildness & he seemed to be perfectly well bred in his manner. The Princess Royal is rather pretty, and is, I understand, a most agreeable & valuable woman. Lady R F spoke in the highest terms of her - She is a daughter of the Prince of Hesse who lives in the palace at Sleswic. We saw the Princess get into her carriage with her daughter, the only remaining child of five, who is now about five yrs old. There was a large party of nobility in the King’s tent, but Ld R F was not there. The King drove off first, accompanied by the Princess Royal & her daughter, in a gilt chariot with six very handsome grey horses.’

28 June 1799
‘We were engaged to dine with Mr Ancher at half past 2, & to go to his brother’s in the evening. In the morning, walked up to the Castle with the daughter of the landlord of our Inn as an interpreter. She speaks french, is a little of a coquette, & is much celebrated in the neighbourhood for the gracefulness of her manners; but she has not much pretension to beauty. On account of her superior accomplishments she is admitted into the first circle at Christiania. Mr A praised her highly & said that she was one of their best actresses. They have private theatricals at Christiania as well as at Frederickshall, & Mr A himself often takes a principal part - sometimes indeed that of author as well as actor. He told us of a tragedy that he had written on the subject of the death of Major Andre, which he performed before the Prince Royal, playing himself the part of the Major. The Prince, he told us, was highly pleased.’

8 June 1825
‘Bruges at 8 o’clock. Hotel nearly full.’

9 June 1825
‘Tower in the Market Place. Church of Notre Dame: Carved Pulpit. Statue of the Virgin by Michaelangelo. Tombs of Charles the Bold & his daughter. St Salvador. Baptism of John by Van Os. Resurrection not yet put up.

Church of Jerusalem not worth going to. Black Manteau’s. Some of the whitened houses do not suit the antient character of the Town.

At the Hotel Fleur de Bled Vin de Bordeaux ordinaire 2.f.’

10 June 1825
‘To Ghent by the Grand Barque. Passage 5½ francs each, dinner included, wine excluded. Vin de Bordeaux ordinaire 3 f. Claret at 4 f. not better. - rather approaching to the wine at 1½ f.’

For a great part of the way the banks were so high that the country was not visible - wood on each side - chiefly poplar of different kinds, and beech - Latter part of way banks lower - neat houses - good deal of rye the main food of the common people. Labour 14 sous, 28 French Sous. White bread 3½ pounds for 4 Sous or pence.’

11 June 1825
‘Town - marks of the wealth and splendour of the middle ages. Cathedrale de St Bavo rich in marble. Pulpit by Delvaux. Statue of Bishop Trieste by Quesnoy. Chch. St Michael. Crucifixion by Vandyke - a very fine picture, but dirty, and not distinct. -another copy in Academy in better order, but not reckoned so good. Van Kraeger. Boxon sculptor - single portrait of himself.

Nunnery. Town Hall Gothic side superb.

Sabots, women without stockings. Blue Carters frocks. Cotton cloaks.’

12 June 1825
‘Feats of swimming from the bridges of the Schelde and the Leys, numerous barges laden with Coals chiefly from Charleroix.

In the afternoon to Brussels by the Diligence - premiere caisse. Pavé the first half of the way between two rows of beeches. Country flat but not unpleasing from the number of trees - chiefly different kinds of poplar, and beech, - no large timber. Much rye in full ear, and good crops, some barley turning yellow, - but little wheat - just coming into ear. good crops flax. From Alost the crops of wheat and rye forwarder, and the finest and fullest I ever saw. - the first half of the way the houses the neatest, - last half thatched cottages, and a waving country much like England. Alost and Assche very white and cheerful. Blue frocks, women without shoes. Hotel Belle Vue. Place Royale. Park - splendid.’

4 July 4 1826
‘Hill by Turnpike before breakfast. Small hill the other way after breakfast. Down to Stoney river and wooden bridge. View of Luss & Ben Lomond. Steam boat. Rowerdennan. Tarbet. Inversnaith. Rob Roy’s cave. Tarbet. Walk on a shoulder of one of the mountains in the evening.

Heard at Luss that the wages of the man who worked in the slate quarries were about 20d. a day. All had been employed, and there had been little or no fall.

In Fifeshire, from Mr Bruce the same account. Wages had risen in 1825, and had not fallen again - no want of agricultural work. In 1811, 12 and 13 the price of labour for single men had been 12s. a week. In 1823, they had fallen to 9s. and in 1825 rose to 10s. at which price they remained, June 30th 1826. For about 3 months of the year the wages are only 9s,; and during the harvest much is done by piece work.

Married men are paid by the keep of a cow, a house, potatoe & flax ground, with a certain yearly sum in money. At one period of the war unmarried ploughmen paid by the year received 18£, and 6½ bolls of meal with milk. In 1816 the money wages fell to 9£. At present. 12£. Altogether what the married men receive is worth more than the earnings of the single man. Their wages in money are about half those of the single man.

The boll of wheat is rather above 4 bushels, of barly six, of oats six.

Farms are now for the most part let in Scotland so as to vary with the price of corn. Sometimes the whole rent varies with the price of corn, and sometimes a part is reserved in Money.’

Love of humanity

He does not follow a literary impulse; he does not write to please or to delight. He has been compelled to write by his thirst for truth, his need for morality, and his love of humanity. This is a description of Romain Rolland - a major French literary figure born 150 years ago today - on the Nobel Prize website. Though little remembered today in the English-speaking world, he was a principled and outspoken pacifist, engaging with many other intellectuals in the first half of the 20th century. He kept a diary for much of his life, and extracts have been published in various forms, often compiled by theme - WWI, India (he was a great promoter of Gandhi), or a particular person. However, none have found their way into English, except for a few extracts about the German author Herman Hesse.

Rolland was born in Clamecy, central France, on 29 January 1866, but went to study in Paris from age 14. He was admitted to the École Normale Supérieure to study philosophy, but switched to history and became interested in music. After two years in Italy, he published, in 1895, two doctoral theses, one on the origins of modern lyric theatre and the other on the decline of Italian painting in the sixteenth century. Around 1892, he married Clotilde Bréal, although they were divorced by 1901.

Rolland became a teacher in Paris for some years, including at the the newly established music school École des Hautes Études Sociales from 1902 to 1911. In 1903, he was also appointed to the first chair of music history at the Sorbonne. During these years, he was writing and publishing plays, such as Le Triomphe de la raison and Le 14 Juillet - he dreamt of a ‘people’s theatre’, free from the domination of a selfish clique - as well as biographies of Beethoven, Michelangelo, Tolstoy.

Rolland collaborated with Charles Péguy in the journal Les Cahiers de la Quinzaine, through which he published, from 1904 to 1912, his best-known novel, generally considered his masterpiece - Jean-Christophe. It is for Jean-Christophe, largely, that Rolland was awarded the Nobel Prize for Literature in 1915. According to the Sven Söderman, writing on the Nobel Prize website, ‘this powerful work describes the development of a character in whom we can recognize ourselves. It shows how an artistic temperament, by raising itself step by step, emerges like a genius above the level of humanity; how a powerful nature which has the noblest and most urgent desire for truth, moral health, and artistic purity, with an exuberant love of life, is forced to overcome obstacles that rise up ceaselessly before it; how it attains victory and independence; and how this character and this intelligence are significant enough to concentrate in themselves a complete image of the world.’

Söderman continues: ‘This book does not aim solely at describing the life of the principal hero and his environment. It seeks also to describe the causes of the tragedy of a whole generation; it gives a sweeping picture of the secret labour that goes on in the hidden depths and by which nations, little by little, are enlightened; it covers all the domains of life and art; it contains everything essential that has been discussed or attempted in the intellectual world during the last decades; it achieves a new musical aesthetic; it contains sociological, political and ethnological, biological, literary, and artistic discussions and judgments, often of the highest interest. [. . ] In this work Rolland has not simply followed a literary impulse; he does not write to please or to delight. He has been compelled to write by his thirst for truth, his need for morality, and his love of humanity. [Jean-Christophe . . .] is a combination of thought and poetry, of reality and symbol, of life and dream, which attracts us, excites us, reveals us to ourselves, and possesses a liberating power because it is the expression of a great moral force.’

High praise indeed! By 1914, Rolland had moved to Switzerland to work full-time as a writer - not returning to France until the late 1930s. He was a life-long pacifist, shown through his writings about WWI such as in Au-dessus de la Mêlée. He was a great admirer of Gandhi, and his 1924 book on the Indian leader is said to have contributed to his growing reputation in Europe. In 1928 Rolland collaborated with the Hungarian philosopher Edmund Bordeaux Szekely in founding the International Biogenic Society. In the early 1930s, he married Marie Koudachef, a half-Russian communist who had been his secretary for some years, and who, historians say, was a Stalinist agent charged by Moscow with securing Rolland’s allegiance.

In 1935, Rolland travelled to Moscow on the invitation of Maxim Gorky, and, significantly, gained an audience with Stalin. For years, he went on supporting the leader’s regime against growing evidence of his atrocities, but, as the truth about them became harder to ignore, so Rolland, once again in France, retreated into his work. He became something of a recluse, suffering from ill health and being closely monitored by the Vichy police. He died in late 1944. Further limited information is available in English at Wikipedia and Encyclopædia Britannica, and in French at Association Romain Rolland. Also there are various biographies of Rolland available to preview at Googlebooks: David James Fisher’s Romain Rolland and the Politics of the intellectual Engagement; Stefan Zweig’s Romain Rolland the Man and his Work, and Patrick Wright’s Iron Curtain: From Stage to Cold War.

Throughout his life, Rolland maintained a steady correspondence with many intellectual figures - such as Albert Schweitzer, Albert Einstein, Sigmund Freud, Bertrand Russell, and Rabindranath Tagore - much of which was published after his death. He also kept a diary, many extracts from which have also been published posthumously, some in books such as Journal des années de guerre, for example, Inde - Journal 1915-1943, and Journal de Vézelay 1938-1944. A list of other publications with diary extracts can be found in A Critical Bibliography of French Literature at Googlebooks. All of these, though, are in French. The only translated examples of Rolland’s diary material that I can find are in Hermann Hesse & Romain Rolland - Correspondence, diary entries and reflections, 1915 to 1940 translated from the French and German by M. G. Hesse, with an introduction by Pierre Grappin, and published in 1978 by Oswald Wolff, London and Humanities Press, New Jersey.

November 1914
‘An excellent article by the German poet and novelist Hermann Hesse in the Neue Zürcher Zeitung of November 3, entitled “O Freunde, nicht diese Tone!” Since he lives in Switzerland Hesse escapes the German contagion. He addresses himself to writers, artists, and thinkers. He regrets seeing them eagerly participating in the war. In expressing his righteous idea, Hesse probably tends to exaggerate the artist’s duty to remain silent. This harmonizes only too well with the spirit of German docility. If it doesn’t manifest itself in force, it can only conceal its independence within itself. However, I would like to see a thinker from Germany who would resolutely oppose force. Anyway, we have to take men as they are! Hesse is one of the best of his race; and he says many things to which I could subscribe: against writers who arouse hatred; against the humanitarians in peace time who when war breaks out, etc.. Against the war itself, he doesn’t want to say anything. He hopes it will be very violent, so that it will end more quickly. And he recommends the attitude of Goethe “who held himself so marvellously aloof during the great war of independence of his people.” ’

18 February 1915
‘Hermann Hesse publishes in the Neue Zürcher Zeitung (Abendblatt) an article on a new German review. Die Weissen Blatter of Leipzig, which is reissued after an interruption of several months. Germany’s generation of young poets expresses itself in this journal. Hesse calls attention to their great serenity. One of its contributors, the Alsatian Ernst Stadler, has been killed. A lecturer at the Free University in Brussels, translator and friend of French poets, he was supposed to go to Canada last September to teach. He was thirty years old. Hesse compares the journal’s Europeanism to mine. He doesn’t see in it an isolated exception, but the early flowering of the Europeanism that is latent in the best German youth. Among the most gifted of these young writers, Hesse mentions Werfel, Stemheim, Schickele, Ehrenstein.’

September 1920
‘Hermann Hesse, who has been living for the past two years in Montagnola, above Lugano, comes to dinner (September 26). He is thin, gaunt, clean-shaven, ascetic, severely cut to the bone - like a figure by Hodler. Hesse has gone through an exceptionally severe crisis from which he has emerged - according to him - as a new man. External circumstances have contributed to it - his wife is mentally ill and confined to a hospital; he is reduced to poverty, his children are separated from him and are in schools in northern Switzerland. Hesse lives in complete isolation, and his material existence is reduced to the minimum. Under these circumstances the old principles, implanted in his mind by India and China, which had always attracted him, have developed in an exceptional manner. He maintains he has now attained a state of mind which fully conforms to his Asian ideals and he creates for himself a life that is in harmony with his thinking. He is completely detached from the entire contemporary world, from art, from today’s literature which he regards as a futile game, and especially from politics. He is even detached from almost everything that gives value to life for the modern man: comfort and public esteem. Hesse lives like a wise man from India (even though his ideal is rather the wisdom of China with its cheerful accommodation to life). Hesse claims he is happy. To keep busy and to earn some money, he has taken up painting. He embellishes with sketches the manuscripts of his poems which some collectors buy. Last year he published a work under a pseudonym.’

April 1923
‘Hermann Hesse’s Siddhartha, whose first part is dedicated to me, is one of the most profound works a European has ever written on (and in the spirit of) Hindu philosophy. When he read it in Lugano,
Kalidas Nag was filled with admiration for Siddhartha. The last fifteen to twenty pages may be added to the treasure of Hindu wisdom. They don’t merely paraphrase it, they complete it. Hesse writes me that none of his other works has been greeted with such absolute silence. His friends haven’t even taken the trouble to thank him for it.’

December 1923
‘A renewed exchange of affectionate letters with Waldemar Bonsels and with Hermann Hesse. My sister and I are going to publish under the Ollendorff imprint some volumes of Hesse’s tales and short stories. Hermann Hesse, who must be close to sixty, is going to marry again. He sends me a beautiful aquarelle which he painted in the Tessin.’

17 September 1933
‘Visited Hermann Hesse in his charming house in Montagnola on the ridge of the Golden Hill above the vineyards and chestnut trees. He had us picked up in a friend’s car. He awaits us with his wife and sister in front of his house. The misfortunes of our time have not marked his face which appears much fresher, calmer, and younger than the last time I saw him (two years ago on the eve of his remarriage). He complains only about his eyes which cause him some concern. Indiscreetly I perceive more anxiety on his wife’s face. She is a brunette with intelligent and attractive features. As far as the sister is concerned, she is a kind, stocky old lady who doesn’t speak, but who listens with an assenting smile. Hesse alludes only briefly at the beginning of our conversation to the afflictions caused by the events in Germany and the passage of emigrants in the Tessin. But throughout the balance of the conversation, Hesse reveals that he is quite detached and ill-informed (he avoids the reality of events that threaten to destroy his fragile mental equilibrium). He readily satisfies himself with the idea that the true German culture will remain safeguarded from the torrent. And he loves to cite the example of a friend, a musicologist who at this very moment is preoccupied with his research in folklore.

Also, in his innermost being Hesse feels utter contempt for Fuhrers - especially Hitler, whom he considers mediocre, but well attuned to the mediocre German sensitivity and therefore chosen by those who manage the whole business. But Hesse declares he is completely detached from his fatherland (which, he adds, he wouldn’t have said, nor felt, during the war of 1914). However, he didn’t have to suffer personally. No measures have been take against him in this respect: he continues to publish in Germany. The letters he receives from his young readers are quite similar to those he received in previous years. Undoubtedly because his public, like him, flees into art and dreams from the pressures of reality. For a year and a half Hesse has been working, but without haste, on a utopian work whose form he is in no hurry to find. [. . .]

His beautiful house and his supporter have shielded him from the need to act - even with his pen. I don’t think that this is good for him. His most substantial artistic activity is his work as aquarellist. He delights in colours. And every day he adds one sheet after another to his collection of landscapes. Last spring Hesse saw Thomas Mann who seems the most contemplative and worthiest among all the great German Emigres. This man who comes perhaps farthest - (for he was basically a great German bourgeois, most attached to the city and the fatherland, and I was harsh toward him in 1914-1915) - will probably have the courage to go furthest along the path of abandoning his former prejudices and convictions. But he will do so only after long and private struggles with his conscience and meditation. When he is strengthened in his convictions, it’s likely that his daily life will conform to them, whatever risks it may involve.’

Thirst after grandeur

‘What a delightful sight it is, after a shower of rain, to see the dear Women tripping along and tucking their drapery round their lovely hips, now & then giving one a glimpse of a lovely ankle & part of a full leg.’ This is Benjamin Haydon, an English painter born 230 years ago today. He was an artist with a significant talent, but his allegiance to 18th century trends, especially historical subjects, meant he was swimming against the Romantic tide, one which would make household names of William Blake and J. M. W. Turner. Chronic financial difficulties compounded his artistic frustrations, and he rarely managed to live within his means, especially after he had married and had children. His story is a sad one, but his characterful diary - initially published in five volumes - is superb because it not only tells us much about the man, but also gives picturesque insights into London life, whether the art and literary scene, chasing after girls or the trials of a day out with his family.

The following is a chapter on Benjamin Haydon taken from my (as yet) unpublished book London in Diaries (see The Diary Review for more about this).

Benjamin Haydon and his thirst after grandeur

Though thriving in the early 19th century, the London art scene was very much in flux. Painters associated with the Romantic movement - William Blake, John Constable and J. M. W. Turner - were moving away from classicism and its focus on history favoured by, among others, Sir Joshua Reynolds, first president of the Royal Academy, and popular interest was moving with them.

Benjamin Haydon, an ambitious young painter from the west country, arrived into this cauldron of change, his heart set on following in Reynolds’ footsteps, and re-establishing a grandeur of British art through historical painting. He wrote in his autobiography, ‘I thought only of LONDON - Sir Joshua - Drawing - Dissection and High Art.’ Unfortunately, Haydon’s life in London was to be beset with frustrations and difficulties, both artistic and financial, which would eventually lead him to take his own life. Today, his autobiographical writing and especially his diaries have saved him from obscurity, for they demonstrate an immense vitality of feeling and observation. They give brilliant insights into aspects of London, from its literary world - he was friends with the Romantic poets - to the trials of a day out to Gravesend with his family.

Haydon was born in Plymouth [on 26 January] in 1786. His father worked as a bookseller/publisher, and his mother was the daughter of a priest. He was schooled locally, but the relationship with his father, who had very different ideas for his career, was always strained. In 1804, he escaped to London. Initially thinking he would study alone, he soon became drawn into the Royal Academy, in particular through its recently-appointed keeper, Henry Fuseli. Aged 21, Haydon exhibited for the first time. The painting - Joseph and Mary Resting on the Road to Egypt - sold for £105. Two years later, he finished The Assassination of L. S. Dentatus, which sold for twice as much. Although it increased his fame, it also resulted in a lifelong quarrel with the Academy, which, he felt, had failed to hang it with sufficient prominence. An allowance from his father ceased in 1810, leading Haydon to start borrowing money, a habit that dogged him for the rest of his life. During the 1810s, he travelled to Paris and studied for a short while at the Louvre. Works such as Christ’s Entry into Jerusalem and The Raising of Lazarus followed, but so did his first arrest for debt.

In 1821, Haydon married Mary Hyman, a young widow with whom he had fallen in love some years earlier. Mary already had two children, and she bore eight more, although only three of these, including Haydon’s first born Frank, survived beyond childhood. In debt again, he was sent to prison for the first time in 1823 - other incarcerations followed at regular intervals. One of his most well-known paintings, from this time, The Mock Election, shows those in jail imitating an election taking place outside. King George IV gave him £500 for the work.

When not in prison or working on commissions, Haydon began to tour the country lecturing on painting and promoting his idea that important buildings should be decorated with historical representations of glory. In the late 1830s, he published a substantial essay - Painting and the Fine Arts - and soon after began writing his autobiography. This was edited by Tom Taylor in three volumes and published posthumously, in 1853. Today, it is considered one of Haydon’s most important achievements. 

Haydon continued to paint in the 1840s, sometimes very large pictures, like The Maid of Saragossa and The Anti-Slavery Convention, but his style was already long out of fashion, and he was chronically frustrated at the lack of public interest in his work. In May 1846, an exhibition he had organised closed with the loss of a considerable sum; a few days later a friend reneged over a promise of a £1,000 loan; and, on 22 June, he bought a gun and shot himself. The wound failed to kill him and left him conscious, so he resorted to a razor to cut his throat. A note to his wife said: ‘Pardon this last pang, many thou has suffered from me; God bless thee in dear widowhood. I hope Sir Robert Peel will consider I have earned a pension for thee. A thousand kisses. Thy husband & love to the last.’

Haydon began keeping a diary in 1808, and continued the practice throughout his life, the very last entry being on the day of his suicide. This diary was first quoted extensively in the three volume autobiography edited by Taylor, but publication of the complete text had to wait until the 1960s when Harvard University Press published five volumes, carefully edited and annotated by Willard Bissel Pope. In 1960, the Keats-Shelley Journal reviewing the diary called Haydon the only English romantic, not excepting Byron, to parallel ‘the self-torturing sophist, wild Rousseau’; and said of him that ‘a great writer was lost’ because again and again his sketches were more vivid than his novelistic contemporaries.

A more accessible collection of extracts from Haydon’s diary were edited by John Joliffe and published by Hutchinson in 1990 under the title, Neglected Genius: The Diaries of Benjamin Robert Haydon 1808-1846. ‘His violent self-righteousness,’ Joliffe says, ‘may have frustrated most of his aims, but his sheer vitality and his quite exceptional powers of observation and description make him an irresistible subject.’

The capital of the world
14 May 1809
I began to study in London in lodgings in the Strand, 342, May 20th, 1804, and studied night [and] day, till I brought a weakness in my eyes, which obstructed me for 6 weeks. In January, 1805, I first entered the Academy. March, went into Devonshire, where I obtained bones from a Surgeon of Plymouth and drew nothing else for three months; returned to the Academy in July; met [David] Wilkie [Scottish painter] there first time. Studied incessantly, sitting up many nights, shattered myself so much obliged to leave off. Went into Devonshire for the recovery of health. Began to paint after two years’ application to Anatomy & Drawing, May, 1806. Commenced my first picture, October 1st, and finished it March 31st, 1807. Went into Devonshire for 6 months. Studied heads from Nature. Came to town. My dear Mother died at Salt Hill. January 1st, 1808, commenced by second Picture, Dentatus.

11 July 1810
In passing Piccadilly I observed in some horses galloping the various positions of their limbs - what was the position of the fore legs when the hind legs were in such a position, &c - it is astonishing how truly you get at their motions by thus scrutinizing; I made some sketches, after I arrived home, and they seemed to spring and had all the variety I could possibly wish - and such a look of Nature and activity!

9 September 1810
I walked to see Wilkie yesterday to Hampstead; as I returned about four o’clock the Sun was on the decline - and all the valley as I looked from Primrose Hill wore the appearance of happiness & Peace. Ladies glittering in white, with their aerial drapery floating to the gentle breeze, children playing in the middle of the fields, and all the meadows were dotted with cows, grazing with their long shadows streamed across the grass engoldened by the setting Sun. Here was a mower intent on his pursuit, with his white shirt and brown arms illumined in brilliancy; there another, resting one hand on his Scythe, and with the other wetting it with tinkling music - some people were lying, others standing - all animate & inanimate nature seemed to enjoy and contribute to this delicious scene, while behind stood the capital of the World, with its hundred spires - and St Paul’s in the midst towering in the silent air with splendid magnificence.

A delicious tumble in Greenwich
30 November 1812
Went to the House of Lords to hear the Prince open Parliament in State. It was a very grand affair - the beautiful women - educated, refined, graceful, with their bending plumes & sparkling eyes - the Nobility, the Chancellor - I could not help reflecting how long it was before society arrived at such a pitch of peace & quietness, that order & regulation such as I witnessed existed. What tumult, what blood, what contention, what suffering, what error, before experience has ascertained what was to be selected, or what rejected.

25 April 1813
I felt this morning an almost irresistible inclination to go down to Greenwich and have delicious tumble with the Girls over the hills. I fancied a fine, beamy, primy, fresh, green spring day (as it was), a fine creature in a sweet, fluttering, clean drapery, with health rosing her shining cheeks, & love melting in her sparkling eyes, with a bending form ready to leap into your arms. After a short struggle, I seized my brush, knowing the consequences of yielding to my disposition, & that tho’ it might begin today, it would not end with it.

A critique of Sir Joshua’s exhibition
8 May 1813
Sir Joshua’s exhibition opened. The first impression on my mind was certainly that of flimsiness. They looked faint, notwithstanding the effect was so judiciously arranged. Sir Joshua’s modes of conveying ideas were colour & light and shadow; of form, he knew nothing. The consequence was he hinted to his eye & untrained hand, and with great labour & bungling, modeled out his feelings with a floating richness, an harmonious depth, and a gemmy brilliancy that was perhaps encreased by his perpetual repetitions, and which renders him as great a master of colour as ever lived. Of poetical conception of character as it regards Portrait, he had a singular share. How delightful are his Portraits, their artless simplicity, their unstudied grace, their chaste dignity, their retired sentiment command us, enchant us, subdue us.

The exhibition does great credit to the Directors of the British Gallery. It will have a visible effect on Art; it will raise the character of the English School; it will stop that bigotted, deluded, absurd propensity for Leonardo Da Vincis & insipid Corregios, and as men who shared Sir J’s friendship and been soothed by his manners, it does credit to their hearts as men.

6 August 1815
What a delightful sight it is, after a shower of rain, to see the dear Women tripping along and tucking their drapery round their lovely hips, now & then giving one a glimpse of a lovely ankle & part of a full leg.

Nature in the park; marbles in the museum
2 June 1816
I rode yesterday to Hampton Court round by Kingston & dined at Richmond. The day is delicious, the hedges smelling of may blossom, the trees green, the leaves full & out, the Thames shining with a silvery glitter, & a lovely girl who loves you, [in] the dining room of the Star & Garter at Richmond, sitting after dinner on your knee, with her heavenly bosom palpitating against your own, her arm round your neck playing with your hair, while you are sufficiently heated to be passionately alive to the ecstasy without having lost your senses from its excesses - Claret on the table and the delicious scene of Nature in Richmond Park beneath your open window, moaty, sunny, out of which rises the wandering voice of the cuckoo, while the sun, who throws a silent splendour over all, sinks into the lower vaults & the whole sky is beginning to assume the tinged lustre of an afternoon.

28 May 1817
On Monday last there were one thousand and two people visited the Elgin marbles! a greater number than ever visited the British Museum since it was established. It is quite interesting to listen to the remarks of the people. They make them with the utmost simplicity, with no affectation of taste, but with a homely truth that shews they are sound at the core. We overheard two common looking decent men say to each other, ‘How broken they, a’ant they?’ ‘Yes,’ said the other, ‘but how like life.’

28 June 1817
Dined at Kemble’s farewell dinner [the actor John Philip Kemble had played his last stage role, Corialanus, a few days earlier, his retirement having been hastened, perhaps, by the rise in popularity of Edmund Kean]. A more complete farce was never acted. Many, I daresay, regretted his leaving us, but the affectations of all parties disgusted me. The Drury Lane actors flattering the Covent Garden, the Covent Garden flattered in turn the Drury Lane. Lord Holland flattered Kemble; Kemble flattered Lord Holland. [. . .] Anyone would have thought that the English Stage had taken its origin from Kemble - Garrick was never mentioned - when all that Kemble has done for it has been to improve the costume. Yet Kemble is really & truly the Hero of all ranting; all second rate ability find it much easier to imitate his droning regularity than the furious impulses of Kean, who cannot point out when they come or why, but is an organ for Nature, when she takes it in her head to play on him.

Of Walter Scott and Wordsworth; and Keats in Kilburn meadows
7 March 1821
Sir Walter Scott breakfasted with me with Lamb, & Wilkie, and a delightful morning we had. I never saw any man have such an effect on company as he; he operated on us like champagne & whisky mixed. It is singular how success & want of it operate on two extraordinary men, Wordsworth & Walter Scott. Scott enters a room & sits at table, with the coolness & self possession of conscious fame; Wordsworth with an air of mortified elevation of head, as if fearful he was not estimated as he deserved. Scott is always cool, & amusing; Wordsworth often egotistical and overbearing. [. . .] Scott’s success would have made Wordsworth insufferable, while Wordsworth’s failures would not have rendered Scott a bit less delightful.

29 March 1821
Keats is gone too! [A few weeks earlier, Haydon had written of the death of John Scott, editor of the London Magazine, after a duel.] He died at Rome, Feby. 23rd, aged 25. Poor Keats - a genius more purely poetical never existed. [. . .]

The death of his brother [in December 1818] wounded him deeply, and it appeared to me from that hour he began seriously to droop. He wrote at this time his beautiful ode to the nightingale. ‘Where Youth grows pale & spectre thin & dies!’ - alluded to his poor Brother.

As we were walking along the Kilburn meadows, he repeated this beautiful ode, with a tremulous undertone, that was extremely affecting! I was attached to Keats, & he had great enthusiasm for me. I was angry because he would not bend his great powers to some definite object, & always told him so. Latterly he grew angry because I shook my head at his irregularity, and told him he was destroying himself.

The last time I saw him was at Hampstead, lying in a white bed with a book, hectic, weak, & on his back, irritable at his feebleness, and wounded at the way he had been used; he seemed to be going out of the world with a contempt for this and no hopes of the other.

Gorgeous splendour of ancient chivalry
21 July 1821
What a scene was Westminster Hall on Thursday last! It combined all the gorgeous splendour of ancient chivalry with the intense heroic interest of modern times; every thing that could effect or excite, either in beauty, heroism, grace, elegance, or taste; all that was rich in colour, gorgeous in effect, touching in association, English in character or Asiatic in magnificence, was crowded into this golden & enchanted hall!

I only got my ticket on Wednesday at two, and dearest Mary & I drove about to get all I wanted. Sir George Beaumont lent me ruffles & frill, another a blue velvet coat, a third a sword; I bought buckles, & the rest I had, and we returned to dinner exhausted. [. . .] I dressed, breakfasted, & was at the Hall Door at half past one. Three Ladies were before me. The doors opened about four & I got a front place in the Chamberlain’s box, between the door and Throne, & saw the whole room distinctly. Many of the door keepers were tipsey; quarrels took place. The sun began to light up the old gothic windows, the peers to stroll in, & the company to crowd in, of all descriptions; elegant young men tripping along in silken grace with elegant girls trembling in feathers and diamonds. Some took seats they had not any right to occupy, and were obliged to leave them after sturdy disputes. Others lost their tickets. Every movement, as the time approached for the King’s appearance, was pregnant with interest. The appearance of the Monarch has something the air of a rising sun; there are indications which announce his approach, a whisper of mystery turns all eyes to the throne! Suddenly two or three run; others fall back; some talk, direct, hurry, stand still, or disappear. Then three or four of high rank appear from behind the Throne; and interval is left; the crowds scarce breathe! The room rises with a sort of feathered, silken thunder! Plumes wave, eyes sparkle, glasses are out, mouths smile. The way in which the King bowed was really monarchic! As he looked towards the Peeresses & Foreign Ambassadors, he looked like some gorgeous bird of the East.

After all the ceremonies he arose, the Procession was arranged, the Music played, and the line began to move. All this was exceedingly imposing. After two or three hours’ waiting, the doors opened, and the flower girls entered, strewing flowers. The exquisite poetry of their look, the grace of their actions, their slow movement, their white dresses, were indescribably touching; their light milky colour contrasted with the dark shadow of the archway. The distant trumpets & shouts of the people, the slow march, and at last the appearance of the King under a golden canopy, crowned, and the universal burst of the assembly at seeing him, affected every body.

A crowd of feelings but I cannot write
4 December 1821
I am married! Ah, what a crowd of feelings lie buried in that little word. I cannot write or think for the present. I thank God for at last bringing me to the arms of the only creature that ever made my heart burn really, & I hope he will bless me with health & understanding & means to make her happy & blessed. Dearest, dearest Mary - I cannot write.

17 September 1826
Walked into a delicious meadow, and sat down on an old stump behind some hay ricks, my back turned on the Edgware road. It was a beautiful seclusion; just after passing the Turnpike near West End Lane, you turn down a lane which leads to the Harrow road; about a dozen yards on the left is a style, & close to the style hay ricks & a fallen stump. Here I sat and read Xenophon’s treatise on riding & Cavalry exercise, in a French translation, which decidedly proves the Greeks did not shoe their Horses, as he gives instructions how to get the hoof so firm that it shall resist injury successfully.

London Bridge is opening
1 August 1831
Went to see the King’s procession to open the London Bridge, by particular desire, that is, of Master Frank, Alfred, Frederick, Harry, & Mary Haydon, not forgetting Mrs Mary Haydon the Elder. Well, I went, to the gallery of St Paul’s, and after waiting about 5 hours, a little speck with a flag and another little speck with a flag, and another speck in which I saw ten white specks, and 6 red & yellow specks, came by, & immediately 200,000 specks uttered a shout I could just hear, and some specks waved handkerchiefs, & other specks raised hats, and this, they said, was the King, and directly a little round ball went up in the air and that, they said, was an air balloon, and then they all shouted, and Mrs Mary Haydon the Elder had a pain in her stomach, and Master Frederick wanted to drink, and Miss Mary said she was faint, and Master Frank Haydon said, ‘is this all?’ - and Mr Haydon said he was very hot, and then they went down an infinite number of dark stairs and got into a coach & drove home, & each fell asleep and this was pleasure. Now if Mr Haydon had gone to work with his Xenophon, neither Master or Mrs or Mr Haydon would have had a pain in their bellies and Mr Haydon’s Back-ground would have been done, and his Conscience would have been quiet, & now he has spent 1.18.6 to get a pain in his belly, and has the pain without the money - and this is pleasure.

18 November 1831
This day my dear little child Fanny died, at 1/2 past one in the forenoon, aged 2 years, 8 months, & 12 days being born on March 6th, 1829. Dear Little Soul, she had water in the head, all the consequences of weakness & deranged digestion, and was one of those conceived creatures, born when the Mother has hardly any strength from the effects of a previous confinement. Good God! She never spoke, or was not able to utter syllable, & never walked. Reader, whoever thou are, shrink not from Death with apprehension. Death was the greatest mercy an Almighty could grant.

For this earthly happiness I paid 2.12.6
1 September 1838
Went to Gravesend with my family for a day of relief & pleasure. First we got into an Omnibus & were jolted & suffocated [to] the Bank. Second the Steamer at the Bridge had just gone. Third we had to wait amongst the Porters & Packages 3/4 of an hour for the next. 4th we got on board the sunny side in a cabin, close to the Boiler, & were alternately baked by the sun & broiled by the steam pipe. Fifth we got to Gravesend tired & hungry. 6th we walked to a romantic love lane, which was a garden straight walk with dirty wooden seats, and sundry evidences that people in Gravesend had good digestions & sound peristaltic motion. 7th we ordered Roast Beef for Dinner, and my dear Mary kept her appetite to enjoy a hearty meal, when the Landlord put down lamb she hated  & so did I. 8th we had rum as hot as aqua-fortis, & then old port as weak as children pap. We all got aboard with indigestion. I fell asleep on Deck & got a pain in my head, and we got home tired, grumbling, ill humoured, had tea & crept to bed.

Today I am heated, discontented, & indignant, & it will take 24 hours more to recover in. For this earthly happiness I paid 2.12.6. - enough to feed us for a week! - so much for pleasure.

20 May 1846
Continually attending to Exhibitions is dreadful and if you do not, you get robbed. These things an Artist should have nothing to do with; details of business injure my mind and when I paint I feel as if Nectar was floating in the Interstices of the brain. God be praised, I have painted today.

22 June 1846
God forgive - me - Amen. Finis of B R Haydon ‘Stretch me no longer on this tough World’ - Lear. End.

The Diary Junction

Something of myself

The English writer Rudyard Kipling, who died 80 years ago today, left behind a treasure of much-loved stories and poems, such as The Jungle Book, Kim and If. But, he didn’t leave much autobiographical material - hating the idea of biographers churning over his life - and what diary material has survived is thanks to chance rather than purpose: one diary from 1885, when he was working as a journalist in India, and several notebooks he kept while on motoring tours. In addition, and of much use to biographers, are surviving partial transcripts of the daily diary kept by Kipling’s American wife, Carrie, the originals of which were destroyed by the Kiplings’ daughter Elsie.

Kipling was born in Bombay in 1865. He was named after Rudyard Lake in Staffordshire near where his parents had met and courted. Aged five he was taken, with his younger sister Alice, to live with a couple in Southsea, who boarded children of British nationals serving in India, and they remained there for six years. Alice returned to India, while Rudyard was admitted to the United Services College at Westward Ho!. In 1882, he, too, returned to India - his parents lacking the resources to send him to Oxford, and doubting his academic ability to win a scholarship - where his father, in Lahore by this time, secured him a job as assistant editor of a local newspaper, the Civil and Military Gazette, published six days a week. This suited Kipling, whose need to write (journalism, poetry, short stories), apparently, was unstoppable. In the late 1880s, he moved to Allahabad to work for The Pioneer, though was discharged in 1889 after a dispute. He published a first collection of his poems as Departmental Ditties in 1886, and a first prose collection, Plain Tales from the Hills, in Calcutta in early 1888.

Determined on a literary career, Kipling returned to London, visiting Japan and North America on the way. He published several short stories, and a novel, and also took another tour, this one to South Africa and the antipodes. In early 1892, in London, he married the American Carrie Balestier, and they settled in Vermont where their two daughters (Elsie and Josephine) were born. During the next four years, he wrote several books of short stories (not least The Jungle Book and its sequel), a further novel and much poetry. But, in 1896, the Kiplings left the US - partly because of an increase in perceived anti-British feeling and partly because of a dispute with Carrie’s family - to return to England, where they first lived in Torquay, Devon, then Rottingdean and, finally, in a house called Bateman’s in Burwash, Sussex. A third child, John, was born to the Kiplings in 1897. And from 1898, for a decade, the family travelled every winter to South Africa (where they were given a house by Cecil Rhodes) - except for 1899. That year, the Kiplings sailed to America, so Carrie could see her mother, but the journey across the Atlantic was very hard, and Kipling and Josephine both fell seriously ill. Josephine did not survive.

By this time, Kipling was famous. He continued writing short stories and novels, producing Kim and the Just So Stories soon after the turn of the century, as well as songs and poems (such as If, published in 1910). In 1907, after turning down other honours, including a knighthood, he accepted the Nobel Prize for Literature. With the onset of war, Kipling supported the fight against Germany, and even helped his son, who had eyesight problems, get enlisted. However, John went missing within a few weeks, and his body was never recovered. Devastated, Kipling continued to write after the war, but never returned to the bright colourful children’s stories he had once so delighted in; indeed, his conservative and imperialist views fell out of fashion, and his writing too. He died in London on 18 January 1936. His ashes were buried in Westminster Abbey’s Poets’ Corner, next to the graves of Charles Dickens and Thomas Hardy. Further information can be found at Wikipedia, The Kipling Society, the BBC, Encyclopædia Britannica or The Poetry Foundation.

Kipling was apt to destroy many of his personal papers, disliking the idea of biographers churning over his life; his wife, Carrie, and daughter, Elsie Bambridge, took a similar view. Only a few diaries kept by Kipling have survived by chance: one from when he was young in 1885, and a set of notebooks he kept while on motoring holidays later in his life. Carrie, kept a daily diary from 1892 until her husband’s death. Although the originals were destroyed by Bambridge, two biographers, Charles Carrington and Lord Birkenhead, had already made extensive notes and transcribed parts of the diary. These are held by the University of Sussex’s Kipling archive at The Keep, but The Kipling Society also has copies (and has made them available online, with an index), as well as a detailed explanation of how the transcripts came to be made.

Biographers have made good use of the 1885 diary - see Andrew Lycett’s Rudyard Kipling, for example - but the full text can be found in Rudyard Kipling: Something of Myself and Other Autobiographical Writings edited by Thomas Pinney, Cambridge University Press, 1991, available to preview at Googlebooks. (Something of Myself is a rare autobiographical text, started by Kipling in the last months of his life but not properly finished - Carrie edited it for publication.) Here are several extracts of the 1885 diary included in that Pinney edition.

28 January 1885
‘Scraps on Accidents on Indian Railways, The Dynamitard’s attempts at Westminster and Hume’s vegetarianism. About one column altogether. An easy day as far as the paper was concerned; there being plenty of matter in hand and not much proofwork.’

13 February 1885
‘Scrap. Musketry schools. Annotated Prejvalsky’s explorations in Thibet - and rec’d bellew’s Sanitary Report for notes of the week. Typhoid at home went in today: Mem scrap on Rai Kanega Lall and design for town hall must be done tomorrow.’

25 February 1885
‘Sting of yesterday blinded me couldn’t see. Went to hospital Lawrie came over about mid day and looked at it. Attention more occupied by blain of my face. Must come to hospital tomorrow and see how cocaine works. Did not to go office.’

26 February 1885
‘Eye all right. W said it wasn’t and so lost my work for the day - served him right. Went to hospital [?] cocaine and was impressed. To Cinderella in the evening and was impresseder.’

6 April 1885
‘No bank holiday for me. Special of three columns on review. Fine weather at last but I must shut up with a click before long. Too little sleep and too much seen.’

1 May 1885
‘On the road to Kotgur. May day at Mahasu inexpressibly lovely. Lay on the grass and felt health coming back, again. De brath a delightful man. What a blessed luxury is idleness. Eagles and shot at bottles.’

21 August 1885
‘Dinner with Tarleton Young at his chummery. Where met one LeMaistre who is a womans mind small and mean featured. He may be decent enough for aught I know. Usual philander in Gardens. Home to count the risks of my resolution.’

Transcripts of Kipling’s diaries of his motor tours, around 100 pages, are held in the archive at The Keep. The original notebooks were thought lost, at least until found in a dusty drawer at Macmillan (see The Daily Telegraph). An excellent article by Meryl Macdonald Bendle, a first cousin once removed of Kipling, in the June 2003 edition (number 306) of the Kipling Journal, uses the notebooks to describe the history of Kipling’s motoring tours. A generous selection of extracts from the diaries, though, can be found in earlier editions of the Journal, such as in one from March 1985 (number 233).